Three performers gave a concert of operatic and popular works at Her Majesty's theatre. Jacqueline Dark (Moran) has gone on to a successful career as a principal with Opera Australia, while Ivan Williams has worked overseas in Europe for many years. Suzanne Donald continued to sing for many years and was a most successful artist.Single sheet with image of three (male and 2 females) on front with black text on white background."Con Brio" Jacqueline Moran, Ivan Williams, and suzanne Donald in Concert SUNDAY 16th July 1995 at 2.00pm Her Majesty's Ballarat ADMISSION Adult $15.00, Concession $12.00 Group Concession Availablecon brio, jacqueline moran, ivan williams, suzanne donald, concert, 1995, her majesty's theatre

Photograph of family group of four females (at least one of them a child) at Fern Glade Track near Mt. Morton, Belgrave Heights. The family appear to be holding on to a railing in a heavily treed area. Probably taken by Betty de Coite nee Woods or her parents.

This black and white photograph is taken in the Education Department at the Western General Hospital where the Student nurses are doing their nursing training. Trained nurse (Sister) Nan Deakin, RDNS Nurse Educator, is checking information written by one of the Student nurses following a lecture she gave the students on Community Nursing. Following their time in the Education Department, the Student nurses will go to an RDNS Centre to receive education in the field from an RDNS Sister working in the community. During their training, Student nurses from several hospitals either attended the Royal District Nursing Service (RDNS), Education Department, or, a RDNS Nurse Educator travelled to the appropriate hospital’s Education Department to educate the Trainees on District nursing through the RDNS Community Nursing Program. Following the lectures Students went to a RDNS Centre and each student accompanied a Trained nurse (Sister) for a week observing and gaining knowledge on all facets of nursing care in the home. This gave them an insight into the home conditions and situations patients faced after discharge from hospital. During 1971 there were 584 student nurses who received field experience with RDNS.This black and white photograph shows a group of eight female Hospital Student nurses, some partly hidden, and one male Student nurse, sitting randomly in a group about the room; each at a small metal framed, white wooden top table. The tables have books, printed sheets and white sheets of paper on them. The female Student nurses are wearing white nursing caps and checked uniforms with white collars and cuffs. They have a variety of hair styles, some with long hair drawn back. Standing to the right, in the centre of the group, is Royal District Nursing Service (RDNS), Nurse Educator, Sister Nan Deakin, who has short dark hair and is wearing glasses. She is wearing her RDNS uniform of a light grey skivvie under a dark V neck tunic style dress with the RDNS logo on its upper left. She is looking down at a sheet of paper held by one of the Student nurses, who has short wavy dark hair. The nurse is holding the sheet of paper with both hands and is looking at it. The rear group of four students appear to be in discussion. The others are looking at sheets of paper on their tables. The male Student nurse, in the left foreground, has short dark hair and is wearing a white uniform. Closed dark concertina doors are in the background.Barry Sutton MA 79royal district nursing service, rdns, rdns education, western general hospital students, sister nan deakin

Series of Black & White Images depicting the life of the Hill Family and their friends during the year 1919. Total 9 photos. The Annual Hibernian Picnic Axedale Nail Driving Competition H. Hill Awarded 2nd Prize November 12, 1919. Threesome two males and one female, one male dressed in a dark suit white shirt and dark tie other wearing grey suit white shirt and dark tie, lady in the middle wearing a white dress with a dark sash at her waist, seated on the ground next to a large tree trunk and more shrubbery in background, under the shade of the trees Durvol property Kyneton Victoria Australia December 14 1919. Group of young ladies standing in a garden setting, lady at left wearing a dark dress and other two wearing white dresses and dark skirts, background shows picket fence with hedge covering parts , light post and wiring, driveway iron gates and letter box beside gate post Durvol December 19 1919. Aunt Mabel in her habit at 'The Ranche' January 1919. Two gentlemen, D. & E., dressed in dark suits with white shirts and dark ties, one showing a hint of braces and also has his hands in pockets, number of people in the background wearing varying combinations of white and dark clothing, tent peak, to the left small section of a gable roof on a structure, Hibernian picnic November 12 1919. Young man standing on wooden floor wearing waistcoat with double watch chain and dark trousers, right rear is a steel lounge covered with cushions, to the left is a verandah post, 'The Ranche' November 1919. Overexposed photo of girl dressed in white, wearing a pinafore apron, White blouse, dark stockings, holding a mixing bowl and a spoon in her right hand, Durvol 14 December 1919. group of ladies, three in all white three in dark skirts and white blouses, two ladies have dark coloured hats and one other three wear white hats, November 12 1919. Another group of young ladies, and two males, two ladies in all white, three young ladies in dark dresses with white collars, upturned cup on post, two males are dressed in dark suits and hats, both wear white shirts and dark ties, man on right is holding a white cloth with a teacup on top, large tree trunks in background and sloping ground, November 12 1919.Hilda Hill Private Collectionaustralia, history, post war life

Black & white photograph, Bert Graham Collection, a group of swimmers beside the Bendigo East Swimming Pool consists of two Females and six males one of whom is holding a certificate of unknown origin.bendigo, clubs, bendigo east swimming club

Date and Location Unknown - 4 People (1Male 3 Females) at a Table Having Lunch.Agfaperson, group, lunch

Christmas Party Date and Location Unknown - 3 Males standing + 1 Female and 4 Males sitting Chatting and DrinkingPolaroidperson, group, christmas party

Christmas Party Date and Location Unknown - 2 Females + 1 Male Standing Outside plus Several Other Chatting around Wooden TablePolaroidperson, group, christmas party

Christmas Party Date and Location Unknown - 3 Females and Several Males sitting at TablesPolaroidperson, group, christmas party

Christmas Party Date and Location Unknown - 2 Females and 1 Male sitting at a tablePolaroidperson, group, christmas party

Christmas Party Date and Location Unknown - 3 Females at a Table plus several other persons in the backgroundPolaroidperson, group, christmas party

Christmas Party Date and Location Unknown - Female standing near sink, 2 other females (one wearing Christmas hat) getting foodPolaroidperson, group, christmas party

Sepia photograph of three young men and three young women sitting at the base of a tree. Names have been written on the photo but they are illegible. Photo mounted on white paper then greyish matt board. Written on the back - Picnic at Kyneton. Stuck to the back is typed information- Reference: Magnifying glass, Family History, Jean Jones. BACK Thomas George Rowland Lowe born 13.5.1887 left, right Samuel Charlesworth. FRONTL. To R. John Kerr (Jean's father) Clarise May 9.3.1890 - 29.4.1916. Jennie or Annie Wright. Lila Gertrude born 7.8.1892 (Mrs McCawley). Photo - Jean Jones. McIvor Rd., Bendigo.? Studio, Kynetonperson, group, men and women, john jones collection - male/female portrait, jean jones, thomas george rowland lowe, samual charlesworth, john kerr, clarise may, jennie or annie wright, lila gertrude, mrs mccawley, ? studio kyneton

Two copies of photos on purple sheet: Top Grade 5A, 1961, four rows of students, male teacher at side. Bottom image Grade 6 1962, four rows of students, female teacher on either side of group.education, primary, golden square laurel st p.s.

B&W Photographs of Jones & Co group - a. Three females and three males comprising the group.. Sundry annotations. Six performers of the group photographed looking out from between two stone columns; b. six members of the group posed in front of old stone building - some sitting, some standing. With single-age sheet describing the group and details re their concert in Bendigo (Art Gallery) - May 1991.

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 32 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Near Glen Wills & Lightning Ridge" and includes photos of bush tracks, family groups, and natural features. The small black and white photo depicts a family group on the road beside a car which is having its wheel changed. The car is in a driveway to the left of which is a wooden building. This photo is intriguing due to the identification of the car which has been confirmed to be a Hupmobile. In Kew at the time, Alice Anderson, Australia's first female motor mechanic took touring groups on trips in her Hupmobile, so the chauffeur may well be Alice. "NEAR GLEN WILLS & LIGHTNING CRK"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, glen wills, lighting creek, alice anderson, hupmobile

In the early stage of the Australian Young Christian Workers Movement the male and female members were separated into NCGM and YCW Boys. This was a reflection of society at the time as both groups campaigned on different youth realities to reflect their members, for example during the YCW's apprenticeship campaign YCW Boys looked at the topic of labourers and airport personal, while NCGM campaigned for changes to hairdressing apprenticeships. 9 black and white photos from the National Catholic Girls Movement's (NCGM) Easter float parade, and YCW Boys social events. ycw, ncgm, ycw boys, social change, catholic action, national catholic girls' movement, apprenticeship, photographs, easter

This is a Photograph of the Stawell Choral Society 1951. Front Row: ?, Mrs Petrie E. Allison, ? , Edith Cox, Joan Coward, Jane Langford, Dorrie Pearson, L.G. Brown. Back Row: L to R: ?, ?, Elsie Rowe, ?, Gwen Reeve. Black and White Photograph of a group male and Female persons, Standing, dress evening, Holding Books in their hands. Trellis and flags in Background. Music Stand on Left, Union Jack in centre, Microphone on stand on right in fore groundstawell, choral society

Portrait of a Group of People. 1 Male & 19 Females (named) Mr S Trend was head teacher at SS 502 1895-1899stawell

Group of seven people standing in front of Deep Lead Pioneer Memorial. Female in light coloured coat is Miss M Davidson later Mrs Farrer committee secretary. 1937stawell monument memorial

Wesleyan Church Choir taken in August 1899 by Herbert's Studio Stawell.Black and white photograph of a group of 12 females plus one male seated centre front. Taken in Herbert's Studios Stawell.Taken August 1899 Wesleyan Group Mrs. R. Gray Wakeham St Stawell Herbert's Studios Stawell Methodist Church Choir Matilda Miller need Hanes in front. Daughter of John and Martha Hanes nee Hall. Deep Lead. Born 1879. Died W.A. 1958 Mrs Richard Herbert Miller/\wesleyan, religion, choir

Three males and six females Home to Stawell 1935stawell

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Shelley Wood. Shelley was born in Williamstown, as was her mother Margaret McLean. Shelley recalls her mother telling her about spending many hours in the Gardens when she was young with her friend Chic, who was the daughter of the Curator Ernie Anderson. Shelley, who was the first female gardener appointed in the western region, served her apprenticeship at Gardens and is currently the Curator. shelley wood, margaret mclean, tom wood, chic anderson, ernie anderson, 1979, apprentice, fish pond, pinetum, barry heath, golden elm, palms, brian turner, dean splatt, robert anderson, 1988, bicentennial funding, 1987, angela altair, helen page, mary klestadt, mike hirst, john hawker, landscape advisory group, williamstown technical school, gates, buffalo lawn, ian brown, storytime, adam lindsay gordon, statue, archie matthews, aviary, williamstown botanic gardens, hobsons bay city council

Chatham School, located in Weybridge Street Surrey Hills, was opened on 1 August 1927 following pressure from local residents as nearby schools (Balwyn, Mont Albert & Surrey Hills) were all over-crowded. This followed a surge in development following WW1. Land in surrounding streets was sub-divided. This included part of John Butler Maling (Jnr)'s small farm bounded by Banool Road, Wharton Road, Weybridge Street and Whitehorse Road. An area surrounding his home, 'The Willows' was retained and not sold until after he died in 1931. leased by Mr John Butler Maling in 1861. Three acres of his land were purchased by the Education Department. Some of the early students have referred to Chatham’s land as Mr Maling’s bull paddock. Some of the original yellow box trees remain on the property. The most significant of these is now called the Friendship Tree. On 1 August 1927 212 students were enrolled; Ralph Rae was one of these. The school was official opened on 15th February 1928. The school number is 4314. Front row centre is Jocelyn Cerini who married Ken Hall, another Chatham student. A black and white photograph of a group of Grade 2 female students from Chatham State School. They are dressed in white.schools, chatham state school, clothing and dress, primary schools, john butler maling (jnr), ralph rae (mr), jocelyn cerini (miss), jocelyn hall (mrs)

Group of 38 male and female students of varying ages from Surrey Hills Primary School. It is taken outside the school buildings and students are accompanied by 2 female teachers. Most of the students are dressed in oriental costume. surrey hills primary school, school concerts, children, education, primary education, music, schools, (mr) john reaburn, operetta

"Sgt. David McPhie and some of his family/at Suffolk Road Mounted Police Station./Stables are shown in background./Courtesy - Mrs. P. Scales (nee McPhie)." The police established a station at 5 Suffolk Road in 1889. The first policeman was Constable Patrick Healey soon after assisted by Sgt Wilson. Constable David McPhie (1887-1963) was married to Jessica Beatrice McErvale (1891-1962) in 1914. They had a son - Angus (1916-1971) and a daughter Jean Cameron (1918-1985); she was born in Surrey Hills. In 1919 electoral rolls David McPhie is listed as a policeman at 5 Suffolk Road. Police gazettes list him as discharged on 2/11/1923. The family continue to live at 5 Suffolk Road and thereafter he is listed as a labourer. Entry in 'Surrey Hills In Celebration of the Centennial 1883-1983' states there was a mounted troopers' station at 5 Suffolk Road from 1889-1914. It was later at 5 Essex Road and then in 1923 moved to 171 Union Road (later the doctor's surgery and residence) and then to 93 Union Road where it stayed until 1947. It is not known how the donor was related to David McPhie.Image of a man, identified as Sgt. David McPhie, with five female members of his family, standing in front of the stables of the Mounted Police Station at 5 Suffolk Road, Surrey Hills.people, families, family groups, police, policemen, surrey hills mounted police station, horses, stables, suffolk road, david mcphie, miss jessie beatrice mcervale, mrs jessie beatrice mcphie

This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja

Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil sketch.art, artwork, sybil craig, australian war artist, kitchen