A colour photograph taken during the construction of Arbor Green Cottage in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph taken during the construction of Arbor Green Cottage in Marysville.1 Falls Rd M'sville./ The future ahead./ The Arbor Green Galleries/ 3 Levels.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires

Four pages address given by a member of the committee of the Bendigo Art Gallery detailing the work of the art gallery up to that point in the acquisitions of art works. The speech was given at the presence of the Premier of Victoria Mr. Hamer, the Mayor Cr. Campbell, the councillors of the City of Bendigo, the Mayor of Eaglehawk, dr. Eric Westbrook, Mr. Don Webb and Mr. Dennis Colsey.bendigo, entertainment, art gallery

Bendigo Advertiser ''the way we were'' from 2000. Historic: a gathering of the Caledonian Society Bendigo outside the Art Gallery in 1908. The clip is in a foldernewspaper, bendigo advertiser, the way we were

Post Ofice Gallery Hidden Worlds glimpses from Bendigo's Forest Street archaeological excavation exhibition catalogue 27 pages with coloured illustrations.books, catalogues, post office gallery

Naming Bendigo evolution of a city's identity 1836-1891. Post Office Gallery exhibition guide November 10 2010 - March 14 2011bendigo, history, city history, bendigo-history

Snow scene at FiveWays showing old lamp post, cars and warmly dressed people. Looking towards house and store, now the gallery. 1931fiveways, kalorama, snow

Duncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. Ge completed a Graduate Diploma od Education at the University of Melbourne in 2001. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two small portraits framed in red, first exhibited at 'Paul's Scarlette Bar', Ballarat Fine Art Gallery "Window" exhibition space in 2004art, artwork, lannan, duncan lannan, portrait, available

Post Office Gallery, Pride of Place, list of works - Bendigo, exhibition overview; 21 June 2011 Includes photographs and description of significant buildings in Bendigobendigo, buildings, heritage buildings

Copy of black and white photo with Alan Crossley and Doug Weir at the official opening of the Crossley Historical Gallery. Written on the page is - taken 12-3-86.bendigo, history, long gully history group, the long gully history group - memories of area's goldfield history, crossley historical gallery, alan crosslley, long gully primary school, doug weir

Born: Melbourne, Victoria, Australia 1860; Lived and worked: France 1887-1932, England 1932-1940; Died: Brighton, Sussex, England 1940World War IGift of Mrs E.E. Ledger, 1987Drawing depicting a field hospital with tents and trees lining a snowy field and figures working at sunrise. Limed timber gallery frame with white window mountRecto: Signed, titled and dated 'ISO RAE / ETAPLES Jan 1918 – Tents no I Can. Hos. / fire buckets" in grey pencil in l.l.c of compositiondrawing, landscape, figures, trees, structures, tents, sunrise

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery, South Bank, London, UK, 1968. (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough.)Made in Australia / 21 / MAY 69M2 / Encircled 11 (Handwritten)london, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery (1968), South Bank, London, England . (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough.)Made in Australia / 19 / MAY 69M2 / Encircled 12 (Handwritten)london, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery, South Bank, London, UK, 1968. (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough .)Made in Australia / 16 / MAY 69M2 / Encircled 13 (Handwritten)london, slide

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery (1968), South Bank, London, England . (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough .)Made in Australia / 17 / MAY 69M2 / Encircled 14 (Handwritten)slide, robin boyd

Graham Hudson (Righetti) and Clare Gervasoni at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, graham hudson, bullboar, macaroni and mineral water

Graham Hudson (Righetti) and Clare Gervasoni at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, graham hudson

Jon Stevens and Cr Heather Mutimer at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, jon stevens, heather mutimer, bullboar

Three pages address to open extensions to the Bendigo Art Gallery by the Honourable R.J. Hamer, E.D. MP, Premier of Victoria, Saturday, 14th February 1976.bendigo, entertainment, art gallery

Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4848)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4847)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. Painted from an original black & white photograph, Catalogue Reg No. 1347 recorded as "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". (Difference in painting date and photograph date indicates years as shown are approximate only). Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"