The original sketches were used by the Tatura Museum for an exhibition c.1997, and were photographed before their return to Wittenberg's nephew, who verbally approved of the use of these copies for any purpose by the Society.23 15 x 10 cms photos of shetches of life as a "Dunera" internee at Hay and Tatura in silver glass fronted frame. Colour sketches of prisoners, their quarters, barracks, suggested coat of arms and banknotes.dunera, hay internment camp, camp 2 internment camp, tatura, internment camp money, internee coat of arms, internment camps, world war ii

Poster with colour photograph of Melbourne and lower section of text. Reads 'Melbourne the Sporting Capital' and then give information about City of Melbourne 1998 Sporting Policy. No glass in frame. Materials: Wood, Paper, Inktennis

The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. This aerial photo shows naval and pleasure craft in Sydney Harbour for the bicentennial celebrations.The bicentennial year marked Captain Arthur Phillip's arrival with the 11 ships of the First Fleet in Sydney Harbour in 1788, and the founding of the city of Sydney and the colony of New South Wales. 1988 is considered the official bicentenary year of the founding of Australia. Rectangular shaped glass covered picture frame showing photo of Naval Review, Sydney Harbour, 1st October,1988Naval Review, Sydney Harbour, 1st October,1988 This 140 degree panoramic photograph was taken from a helicopter by Phil Gray. It shows the visiting warships in the harbour including the USS New Jersey, FNS Colbert and HMS Ark Royal in the foreground.This print is the fourth in the Sydney Harbour Panorama series by Phil Gray who uses Kodak film.Printed in Australia.prints, naval photos, hms ships, sydney harbour, lara r.s.l.

Certificate of Discharge. V143139 Sergeant Albert William Guard. Served with Citizen Military Forces from 13 October 1941 to 30 June 1947. Interim Army 1 July 1947 to 26 October 1948.Wooden frame, glass front, printed certificate with cream coloured border, has details of the persons service and discharge date.“Certificate No 224024”documents - certificates/army records, glass technology, discharge

Wooden frame, glass front, sepia photo of Australian Flying Corps showing AFC members lined besides an aircraft.“Officers, Cadets, NCOs & men, Australian Flying Corps, Wendover, March 1918” “Photo by No 2189, Panora Ltd, 60 Doughty”photography-photographs, frame accessories, afc

George DANIEL had 2 years previous military experience prior to enlisting in the AIF as a Cpl No 367 in C Sqd 8th LH Regt on 16.8.1915 age 26 years. Embark for Egypt 25.2.1915, embark for Gallipoli 16.5.1915, promoted to Sgt 10.7.1915, hospital with Influenza 28.7.1915, rejoin unit 16.8.1915, promoted to QM Sgt 26.12.1915, hospital 1.12.1916 (unclear), rejoin unit 6.12.1916, transfer to 3rd LH Regt 2.7.1917, transfer back to 8th LH Regt 12 10.1917, WIA 11.12.1917 GSW’s to Back and right leg, embark for Australia 15.2.1918, hospital re his wounds 2.4.1918, discharged Medically unfit 12.9.1918. Scarsdale is a small town near Ballarat where the family came from.Rectangular sepia photograph of Light Horse SCARSDALE with 2 Arab handlers. Wooden frame, glass front & brown mount.Light Horse SCARSDALE, the mount in Egypt of QUARTER MASTER SERGEANT GEORGE DANIEL Regt No 367. 8th Light Horse Regiment, 3rd Light Horse Brigade 1915-1918. SCARSDALE was killed in action near Jerusalem mid 1918. photography, scarsdale, light horse ww1, framing

HMAS Warrnambool (FCPB 204) was a Fremantle-class Patrol Boat. The Warrnambool was Launched in 1980 and Decommissionbed in 2005.Designs for new class of patrol boat began in the late 1960s, the HMAS Warrnambool (FCPB204) was launched on 1980 and de commissioned in 2005. The Warrnambool was built by North Queensland Engineers and Agents and carried a company of 22 personnel.A black and white photograph in a black wooden frame with a gold stripe on the inside edge of the frame. There is a presentation plaque on the glass of the frame.The presentation plaque 'Presented by the Officers abd Ships Company HMAS Warrnambool'hmas warrnambool (fcpb204), patrol boat,

Wooden framed, glass covered water coloured print of Numurkah Railway Station footbridge & goods shed, with silo in backgroundNumurkah Railway Station & Footbridge / Vicki Wilkinson-Byme 1988

A framed certificate that acknowledges that Melbourne Legacy was a member of The Australian National Flag Association (ANFA) in 1984. The ANFA is an association that promotes and defends the use of the flag of Australia.A record that the ANFA recognised Legacy's work as a positive contribution to preserving the Australian Flag.Glass, black wooden frame, mottled off white paper, picture wire, white tape and compressed timber backing. Top centre:- The Australian Flag. Centre:- The Australian National Flag Association, Victorian Division This is to certify that The Legacy Club of Melbourne is a Corporate member of The Australian National Flag Association, Victorian Division Bottom:- Date 6th June 1984. signed Bruce Ruxton Chairman. A. Harnel.Hon Secretary australian flag, membership

Photograph shows a group of people and several cars at the Kangaroo Ground store.Framed black and white photograph, in timber frame, under glass with brown mount.kangaroo ground

This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery

RSL memorabiliaBlack wooden frame with glass front. Cardboard certificate with medal and ribbon enclosed. National Serviceman's Association of Australia, Victorian Branch INC. Sth. East Victorian Sub-Branch Dandenong. The Remembrance Medal. Presented to the Dandenong R.S.L. Sub-Branch in appreciation of your support of our Sub-Branch. Keeping the spirit of Anzac alive. (Signed by the President and Secretary Dated 29/3/1998).

The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. The regiment took pride in their inauspicious number and adopted the nickname 'the Devil's Own' and wore a black ostrich plume in their hats. The regiment also obtained an unofficial badge featuring a dancing devil. A rare example of a plume worn in military headdress in World War One. It is well provenanced. in good condition and complete.Framed set of ostrich plumes in light black wooden frame with glass front."Original issue plumes as issued to 13 Light Horse Regt prior to the introduction of Emu plumes. Presented by 13 ALH (AIF) Assn"13th light horse, military, light horse, wwi

A colourful certificate surrounded by 21 Flags of the United Nations in a wooden frame with glass.The Korean War 1950-53 / A proud border of 21 flags of the United Nations Forces which resisted the invasion of South Korea by communist North Korea. Presented to Lilydale Sub Branch RSL in Grateful recognition of the valued support of the Korea War Memorial Appeal.

The etching depicts the Historic Precinct of Flagstaff Hill Maritime Museum and Village. It includes the building that were transferred from Middle Island to Flagstaff Hill in the early 1870s; Lighthouse, Keepers' Quarters, Chart Room.Depiction of historic buildings at Flagstaff Hill, Warrnambool, part o f the History of Warrnambool. The artist is a local citizen.Etching of Flagstaff Hill Lighthouse complex - artist Eric Tonkin. Picture shows the Chartroom, Lighthouse Keeper's Quarters, Assistant's Quarters, Privy and Flagstaff. Framed behind glass, black and gilded frame. Sticker and inscriptions on the back."Rec No 389A" "FLAGSTAFF HILL" Etching by Eric Tonkin, 34 Howard St, Warrnambool, Ph 62 4707"flagstaff hill, warrnambool, etching, flagstaff hill lighthouse complex, artist eric tonkin, historic precinct flagstaff hill lighthouse, eric tonkin, flagstaff hill maritime museum and village, lady bay lighthouse, lighthouse keeper's quarters, chart room

A copy of the photograph depicting "members of 2nd/5th and 2nd/6th Battalions rush ashore during a 6th Division invasion exercise, Port Douglas, North Queensland, 16th March 1944", the Photograph is in glass wooden frame.

Black charcoal / crayon print of sketch of horses resting under trees. Wooden frame, glass covered, cream border surrounds.Handwritten bottom left: “Group under cover, Glisy, A Streeton”illustrations-prints, military history, glass technology, horses

Green, wooden frame, glass front. Enclosed is a coloured print of a painting of Lt Col Australian Army Ordnance Corp 1903.Underneath print: “Monty Wedd” On base of print: “Lieutenant Colonel Australian Army Ordnance Corps 1903”illustrations-prints, frame accessories, glass technology, military history - army, ordnance

Mrs Georgina Hill (wife of Henry), nee Reynolds (of Research, Vic.) in cap [possibly misidentified by donor - see note below] with Mrs Isaac Hill and her children (left to right) Amelia Hill, (born 1853) Mrs Isaac Hill with baby Isaac (born 1860, Eltham) on her lap. Mary Jane Hill (born 1857, Eltham) seated on Mrs Henry Hill's lap and Bob Hill. The Hill family were early settlers of the Eltham area. Daguerreotype photo enclosed in a leather bound clam shell box with felt lining and gold trim. Donated by Mrs Ivy Edna Hill, 4/1 Bridge Street, Eltham, 4 June 1966 and includes copy of her note identifying the people. Daguerreotypes were one of the first forms of early photographs. They initially appeared in Europe in 1839 and were produced in large numbers to the early 1850s but were superseded by more modern and flexible forms of technology by 1860. The photo was usually formed on a thin copper plate with light sensitve silver iodide. They have a mirror-like appearance and the image itself was mirrored. They were usually inserted into a case or frame made of wood bound in leather or velvet and cost about one guinea in Australia, the equivalent of a week's wages. With the advent of the gold-rush and growing population came an increase in numbers of photographers both studio and travelling. The daguerreotype process was protected by patents and could only result in a single image from which no copies could be made. With new technology involving wet colloidion glass plate negatives and albumen paper prints of which multiple copies could be produced at significantly reduced cost, the dauguerreotype quickly fell out of favour. An accompanying note with the photo written by Edna Hill of 4/1 Bridge Street Eltham dated 4 June 1966 states: "Dear Mr Watson, I think the enclosed old time photograph will be of interest to you. It would have been taken about 1860. The two ladies are the wives of the original pioneers of the Hill family. The one in the cap was the wife of Henry Hill, the other of Isaac Hill. The children are those of Mrs Isaac Hill, and grandchildren to Henry Hill. The little girl on the left is Amelia, the baby Isaac, the second girl is Mary Jane, and the boy on the right is Bob Hill. They grew up tobe Uncles and Aunts of my late husband. I greatly appreciated a letter received a few months ago per Cr Pelling, from the Shillinglaw Cottage Committee. Yours sincerely, Edna Hill" Victorian birth registrations show Mary Jane Hill was born 1857 in Eltham (9879 / 1857) and Isaac Hill at Eltham in 1860 (1972/1860) NOTE: Mrs Isaac Hill was Ellen Fitzsimons (1834-1863), mother to Henry Hill. Mrs Georgina Hill, wife of Henry cannot be the lady in the cap as she was not born till 1864. Georgina Reynolds (1864-1927) married Henry Hill (1862-1948) in 1884. This lady has significant wrinkling of the face, especially around her mouth. It is possible that she is the mother of Mrs Isaac Hill (Ellen Fitzsimons) who was Isabella Fitzsimons (nee Ferguson).Early pioneer settlers of ElthamAntique daguerreotypes in hinged gold frame, glass encased in a small clam-shell box lined with padded red felt and with catchamelia hill, bob hill, early settlers, eltham, hill family, isaac hill, mary jane hill, mrs henry hill, mrs isaac hill, daguerreotype, georgina hill (nee reynolds), research (vic.), sepp, shire of eltham pioneers photograph collection, women, ellen hill (nee fitzsimons), isabella fitzsimons (nee ferguson)

Used by pilots to help reduce sun glareThese Sun glasses have a greenish tint in the glass sections. The frame is silver and the arms that go to and around your ears flexible for comfort

Drawing of Moritz Cohn by Johnstone, O'Shannassy and Co. Wooden frame, glass broken on front. Screws and string on the back for wall hangingJohnstone O'Shannassy and Co.drawing, etching, moritz cohn, moritz cohn, cohn bros

WW2, H.M.A.S. WhyallaWW2, H.M.A.S. Whyalla painting1. Painting of H.M.A.S. Whyalla on survey duty off New Guinea in 1944 , framed in glass and wooden frame. 2. Separate small framed statement of the painting with details of the action being under-taken by H.M.A.S. Whyalla. hanging from the paniting frame middle/centre.H.M.A.S. Whyalla In 1944, while on survey duty off New Guinea, in preparation for a landing by infantry, H.M.A.S. Whyalla was attacked by by Japanese aircraft. This is a portrayal of the attack, painted by a member of the crew it was presented to Lara R.S.L. in March 1981 by Lindsay Dunsmuir, also a member of the crew. Artist name B. Andeasenww2, lindsay d. dunsmuir,, 1944

Stained glass panel in frame, entitled: 'Battledore & Shuttlecock'. Depicts full-length neoclassical female figure holding a battledore and shuttlecock. Stained glass panel is stabilised by a panel of opaque perspex backing screwed to back of hanging frame. Materials: Glass, Metal, Paint, Woodtennis

On display in History HouseFramed reproductive photograph in sepia tone. Portrait of a man seated, a standing boy to his right and a standing woman to his left. All are wearing formal dress of 19th century. Framed under glass in gold metal frame.Front: (no inscriptions) Back: Thomas & Jane (nee Tippet) Robins with son Joseph James. Donated by: Joy Uinicombe, H/H 25 No. 3 (typed on white sticker).