Small EPNS Pedestal Comport with 2 ring handles decorated around with roses and leaves, pierced around rim.domestic equipment, table setting, comport

One pair of ladies wrist length beige coloured gloves. Three pairs of embroidered leaves on the back of the gloves.Label in left hand glove; ''7 1/2 KAYSER> Nylon. Made in Western Germany''costume accessories, female, ladies short wrist length gloves

Slide. Bendigo Views. Autumn in Rosalind Park. There is a man with a broom sweeping the leaves from the gutter on the roadway in the park.slide, bendigo, bendigo views, bendigo views

This badge was given to William Clarence Busse when he became a lifetime member of the Chiltern Football Club. Football became popualr in Chiltern during the 1860s, with the local team becoming a key part of the creation of a formal competition for the Ovens and Murray region, which came about in 1893. The Chiltern team also participated in the founding of the Chiltern and District Football Association in 1912, where they won their first premiership in 1914. In 1954, the team played in a Grand Final against Greta that had a 43 minute long final quarter. Chiltern was ahead when the fourth quarter should have ended, but the timer did not go off and the game went into overtime, allowing Greta to snatch the win and set in place a decades-long rivalry. Today, the team continues to compete under the nickname the 'Swans' in the Tallangatta and District Football League. Wilfred Clarence Busse was born in Chiltern in 1898. He completed his education at Wesley College in Melbourne then studied law at the University of Melbourne, before becoming a barrister. During his career, he often worked in the chambers of Judge Bernard Cussen (1859-1933) of the Supreme Court. Cussen was popular as a judge and lawyer, known for being just and precise and for completing through statutory consolidation in his spare time. Beyond his career as a lawyer, Busse wrote historical fiction inspired by his life in Chiltern, these included "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" and "The Golden Plague: A Romance of the Early Fifties," which won the T.E.Role gold medal for the best historical novel in 1930 and went on to become a best seller. He was a member of the Chiltern Athenaeum until his death in 1960. This object is significant for its link to W.C. Busse, a barrister and author born in Chiltern, and as memorabilia of the Chiltern Football Club. A small gold metallic badge depicting two men playing Australian Rules Football, surrounded by a border of leaves. Obverse: "CHILTERN/ FOOTBALL CLUB/ LIFE MEMBER" Reverse: "W.C. Busse/ K. G. 9KT/ M ??" busse, w.c. busse, wilfred clarence busse, chiltern, chiltern athenaeum, chiltern football club, football, sport, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, football league, lifetime member, chiltern football club lifetime member

from the collection of Bette JonesA cream filet lace collar, handmade. Scalloped edge to a squared shape of back of collar. Roses and leaves design.costume, female

Embroidered pieces donated by Adele Grey from the collection of Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyCream linen edged in orange silk buttonhole stitch centre embroidered with yellow and orange daisies and green leavesmanchester, table linen

Black silk shawl. Green leaves. Hand embroidered yellow and pink roses and crocheted black silk fringe.costume, female

Round bronze plaque showing Britannia holding Laurel Wreath / British Lion and Fish / Oak Leaves / Inscription"He Died For Freedom and Honour / James Evans"james evans, memorials, evans family

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) in 2007 John completer a Masters at the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Botanical inspired wheel thrown goblet with decorative incised leaves on stem and flower head shaped cup. Glazed 'JOL' on bottom.art, artwork, goblet, botanical, ceramic, john o'loughlan, alumni

368 pages, unnumbered and folded leaves of plates : illustrations (some colour), maps, portraits, plans ; 19 cmnon-fictionThe history of Warrnambool, capital of the western ports of Victoria, from 1847 (when the first government land sales took place) up to the end of 1886 / by Richard Osburne Other Authors, Fraser, Malcolm, 1930-2015, (author of introduction, etc.) Tylee Memorial Collectionvictoria. warrnambool, 1847-1886. facsimiles, government policy - initial period and protectionism., settlement and contacts - 19th century., mining industry - gold., race relations - violent - massacres, religions - christianity - missions., warrnambool (vic.) -- history., framlingham / purnim (w vic sj54-11), demography - census data, book

Reprinted in 1981, by Overseas Press Service. No. 45 of 200 copies .Green covered hardback book with gold embossed grapes and leaves on front cover. Written by Hubert De Castella.Gold embossing.vines, sketches

Belonged to Ida Baker.9 Piece hand painted children's tea set. Blue and pink flowers, with green leaves and green border.tea sets, toy cups, tea and coffee sets, toy bowls

Photos of a procession of widows and legatees to the Shrine in 1985 also of the church service in St Paul's before hand. The Legacy President Bannister is behind Legatee Geoff Swan holding the Legacy flag. The University of Melbourne choir is shown behind the Dean of St Paul's. The Melbourne Legacy Widow's Club president, Mrs Alma Sumner, spoke and also laid a wreath at the Shrine. One photo is of Pilgrimage Marshall Legatee Frank Burton. The pilgrimage was lead by a bag piper, Ian McKenzie and Standard bearer from Legacy Leadership Group (an older junior Legatee). Inside the Shrine the Shrine Trustee, Sir Alfred Kemsley stands with President Bannister and Widow President Mrs Alma Sumner and Legatees Conor MacGillycuddy and Alf Argent. Sometimes referred to as Widows' Sunday it is an annual event for Legacy widows, usually at the start of Legacy Week, which is the first week in September. The church used for the service varies. These photos were in an album of photos from 1993. The album was not archive quality, with self adhesive pages, so photos have been transferred and album discarded.A record of the Widows' Sunday events for the Legacy Week in 1985.Colour photo album x 10 leaves of self adhesive cardboard with 17 photos of a pilgrimage to the Shrine in 1985.Caption on title page; 'A photographic record of events of Commemoration. From Sunday, 1st September - First day of Legacy Week, 1985. Commencing with the Morning Service at St. Paul's Cathedral, and then onto the Pilgrimage to the Shrine.'pilgrimage, wreath laying ceremony, widows' sunday

Ebonised wood Swagger stick or Baton with silver plate ends and decorative pieces embossed with flowers and acanthus leaves.musical instruments, accessories, baton

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists.Pair of dolphins on blue background framed in a gilt edged medallion inside a border of leaves against a sage colour.Pencilled beneath the plate 'Photoplay 3/10 "Dolphin Love" and Artist's signature dated 2020'.dolphins, ex libris, bookplates, australian bookplate design awards 2020

Jacket with black background and multi-coloured lurex flowers and leaves. 5 buttons on front 'Noel Wells Australia'. Noel Wells Australia

The Warrnambool Industrial and Art Exhibition of 1896-7 was held for three months in the Town Hall/Council Chambers/ Mechanics Institute buildings with additional temporary buildings placed on the Liebig and Timor Streets corner area. It was one of the biggest events ever held in Warrnambool with an estimated 70,000 attending. John Villiers, the owner of a glassware and crockery shop in Liebig Street and a well-known theatrical performer, had a large display stand at the Exhibition. He displayed glassware items from Britain and Europe and sold souvenirs of the Exhibition. Villiers engaged Mr Bartholomew, a Melbourne engraving artist, and he gave engraving exhibitions at Villiers’ stall. Glass etching had not been seen in Warrnambool previous to this. No doubt many of his engraved objects were sold and this glass tumbler would be one of these. This is a valuable and significant item because:- 1. It is an important souvenir from the Warrnambool Industrial and Art Exhibition of 1896-7, the only one we have from Villiers’ stall. 2. It is an example of what is believed to be the first etching on glass to be done in Warrnambool. The identity of ‘M.R.’ is not known. This is an etched glass tumbler from the Warrnambool Industrial and Art Exhibition of 1896-7. It is plain glass with a solid base. A three branched frond of fern is on one side of the glass and a two-branched frond of leaves on the other. ‘Warrnambool Exhibition, M.R. 1897’ warrnambool, warrnambool industrial and art exhibition 1896-7, etched glass tumbler, john villiers 1896, warrnambool souvenirs, villiers

From the estate of the late Jean Ord, mother of the donor.A large square table mat with scalloped machined edging. Decorated with large blue satin stitch roses in diagonal corners with green outline leaves. In the other corners are blue chain stitch daises with yellow centres and green chain stitch leaves all lined with blue stem stitch.manchester, table linen, handcrafts, embroidery

The circular, S.2628/11, opening the extension of the railway line from Beech Forest to Crowes in June, 1911, is amended by S.2779/11 of 1911. The DOWN train runs from Colac to Beech Forest on Mondays, Tuesdays, Thursdays and Saturdays, departing at 3.00pm and arriving at 6.45pm. The UP train departs Crowes daily at 12.45pm arriving at Beech Forest at 2.15pm, and Colac at 6.26pm, stopping where necessary at Tulloh and Ditchley to pick up or set down passengers.B/W, photograph. Originally dated 16 June 1911, S. 2628/11, Opening of Extension, Beech Forest to Crowes, is amended by a further circular, S.2779/11. The DOWN train leaves Colac on Monday, Tuesday, Thursday and Saturday; the UP train leaves Crowes daily.colac; beech forest; crowes; timetable; railways;

In WW2, this badge was issued to the nearest female relative, that has a service member abroad. Each star on the bar is for a serving member. Badge A293587, was issued to GREEN, C. Of 'Morneve'. Leopold street, Kangaroo point, Inverloch, VIC. Her relationship is noted as (S) sister of Denis and (E) of Annie. The two stars were for these Defence Force members:- V315242. BOURKE, Denis Patrick. Discharged 1 APR 1946 of the 39 WORKS Coy. VF389600. BOURKE, Annie Irene. Discharged 15 FEB 1946. Unit was Aust. Womens Army Service. A circular silver badge. Around the circumference are oak leaves. At the top is a Royal Crown. In the center of the badge is a map of Australia, which is surrounded by a leaf pattern. Between the two rings of leaves, are the words "to the Women of Australia". Suspended beneath the badge is a rectangular silver bar. On that bar are two gold stars.On the rear is stamped the number A293587.mothers badge, ww2

A discussion about the impact on junior players if Greensborough Football Club leaves the Diamond Valley Football League for the VFA.Digital copy of black and white news clippinggreensborough football club, diamond valley football league

Locomotive Elfreda leaves Cheltenham station with guests for laying of foundation stone at Melbourne Benevolent Asylum - Kingston CentreBlack and white image of locomotive Elfreda with men and women on open air carriagesPrinted in black text a round white sticker: 80 Handwritten in red ink: 75% Velcro sticker x2locomotive, trains, benevolent asylum, cheltenham, kingston centre

Part of "Woolcock Gallery Collection" exhibition 1989, CEMA.Two flowering plant studies. On left is a grey-green foliaged plant with small leaves growing close to the stem. Multiple stems end in single rounded flowers with many petals. On the left of this study are two details of a florette with many petals. One the right of this study is a detail of a cluster of leaves. The study on the right of page contains multiple stems with narrow, long grey leaves on stems ending with a single rounded yellow flower. To the lower left of this study is a detail of a yellow flower stem.Front: Calocephalus brownii (Cushion Bush). " citreus (Lemon Beauty-heads) (lower left) (pencil) CEW/85 (base of flower, lower left) (coloured pencil) CEWoolcock (lower right, signature) (pencil) Back: 16 (upper left) (pen)

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of the leaves and buds of the Manna Gum and favourite food of the Koala - drawn by Dr R T Patton - University of Melbourne.Manna Gumlocal history, illustrations, pen & ink, leaves and buds of manna gum, black & white sketch, phillip island flora, koalas, john jenner, bryant west, dr r t patton

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of the leaves and buds of the Swamp Gum - a favourite food of the Koala - drawn by Dr R T Patton, University of Melbourne.Swamp Gumlocal history, illustrations, pen & ink, leaves & buds of swamp gum, black & white sketch, phillip island flora, koalas, dr r t patton, john jenner, bryant west

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of the leaves and bud of the Blue Gum. A favourite food of the Koala. Drawn by Dr R T Patton, University of Melbourne.Blue Gumlocal history, illustrations, pen & ink, leaves and bud of blue gum, black & white sketch, phillip island flora, koalas, dr r t patton, john jenner, bryant west