Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia

.1 Black and white photograph (original photo), mounted on matt board, of mixed church choir, un-named, 18 males, 26 women and male conductor, taken outdoors .2 Black and white photograph mounted on matt board as above .3 Large black and white photo print of the same photo but taken from another copy, shows existing silverfish damage of the original .4 Black and white copy of above reproduced on photo paper local history, photography, photographs, choirs

The photo appears in an article titled "Raking memory's coals", about a visit by Roger Mitchell to Exmouth in 1983, where UC National Mission is at work on the frontier in the West. "In the car and over a meal we meet National Mission's community worker Bernice McLeod, self-effacing to the point of frustration, shrugging off a role in the oddly-mixed US base town which some say makes her saintly; others a pillar of the community."Bernice McLeod is shown playing with a small child.C&N 13/6/84 p. 3, p. 19.mcleod, bernice, exmouth, uc national mission

Image of Ballarat tram 27 at the Mt Pleasant terminus with the driver/conductor putting the trolley pole back on the overhead wire. The pole on the left shows two tram stop signs. The shop on the right has adverts for The Sun, Robur Tea, TV Week and Peters Ice Cream. This photograph was used in an interpretative panel at the terminus installed in 2020 by the local history group. See the second image for it use and the mixed business that operated at this location..Demonstrates an event that happened at the tram terminus for about 66 years - from 1905 to 1966 - changing the pole.Digital image of Ballarat Tram 27 at Mt Pleasant terminus 13-06-1971.trams, tramways, mt pleasant, tram 27, ballarat tramways

John Cole was made a Life Member of Heidelberg Golf Club in the mid 1990s. He was HGC Club Champion 11 times between 1972-1991; Junior Champion 3 times 1961-1964; Foursomes Champion 8 times between 1974-1995; Mixed Foursomes Champion 1985; Heidelberg Amateur winner 1979, 1982, 1986; Australasian Fours Champion 1974 and Victorian Amateur Champion runner up 1986.One of a set of framed portraits of Life MembersFramed black and white portrait, black plastic frame with whiten mount under glass. Annotations on mount."John Cole - Life member" and annotationslife members, john cole

Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf

A wooden chest (.1) containing badminton and lawn tennis equipment, specifically: net posts (.2 - .3, two parts each); tennis net (.4); and, a badminton net (.5). A colour lithographic print, by Cahrles Hart, displaying mixed doubles playing on a lawn, with a small pavillion & large house in the background, features on the inside of the lid. Inscription across litho.: HORSMAN'S/CELEBRATED/LAWN TENNIS/... Materials: Wood, Metal, Lacquer, Rope, Cloth, Ink, Cord, Papertennis

This bluestone weir is one of two in the same section of Darebin Creek and is a remanent from early farming days. A vineyard was established by Thomas Bear and produced award wining table wines in the 1860-70s. Orange trees were later grown on the slopes below Rockbeare Grove and mixed market gardening was established in this area as the land was progressively sub-divided and leased. The weirs were used to dam the creek and pumps used to pump water to the vineyards and orange grove.B&W photograph showing remains of bluestone weir across Darebin Creek This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.

Helga Griffin, daughter of Austrian engineer father and German mother. Interned aged 6 years and sent to Australia with her parents and young brother. Five years interned in Camp 3 near Rushworth, then released to Melbourne. Helga vividly describes her early childhood in Persia. The mixed emotions of her whole family during the internment experience and postwar, trying to adjust to a new country, new culture, new language. Very evocative memories of wartime dislocation.Blue/green front soft cover, red and white printing, white back cover and spine, black printing.With my very best wishes to the Tatura museum and the sterling work of the volunteers that contribute to its valuable presence. Helga 26.5.06ww2 camp 3, books, autobiography, helga griffin, helga griffin (girschik)

Early miners at work caption reads: "The large bucket, called kibble, is used to pull up the unwanted debris, the smaller iron buckets are used to raise the alluvial material containing gold. This material is mixed with water in the puddling barrells (foreground) and poured into the cradle (left). The rocking motion causes the gold specks to sink to the bottom from where it is collected. The remaining material may then be hand washed in the gold pan held by the miner." This photograph possibly taken at Diamond Creek.From the John Davidson collection.Photograph in black plastic frame with typed caption on matte.john davidson, diamond creek, gold miners, mines and mining

Receipt issued by Kitty Sandow, the daughter of John and Ruby Sandow, who had from the late 1920s run a mixed business in Sussex Street, Linton. (Current address 88 Sussex Street.) Kitty worked in and later ran her parents' shop. After she married Reg Jennings in 1946, the shop became known as 'Jennings' Shop' or 'Jennings' Milk Bar'. 'Mrs W. Grigg' was probably Dora Grigg, nee Sandow, Kitty Sandow's aunt.Receipt issued to Mrs. W. Grigg from K. Sandow for the purchase of pears, cake, vinegar, cordial and meats. Receipt dated 01/04/1940.mrs. w. grigg, kitty sandow

Photograph shows batching concrete by the MMTB prior to the use of truck mounted concrete mixers which delivered the concrete to the worksites. The photo shows workers loading portable boxes of a fixed size and fitted with handles with aggregate or sand and then carrying it over to the loading device for mixing. Along the lower edge of the photograph can be seen a bag of cement which would be split and loaded into the mixer. Workers would then barrow the mixed concrete to the track or worksite being concreted. It was hot dirty labourous work.Yields information about the process of mixing concrete for track work prior to the use of truck mounted concrete mixers.Black and white photograph with remnants of adhesive tape on the rear.tramways, concrete, mass concrete, trackwork

Sepia toned photograph of mixed group of ANA Christmas house party, A.N.A. Movement early 1920's. (Santa Claus near right front). Approximately 130 in group. Two storey weatherboard building, single storey weatherboard buildings at left. Large trees at back at R. Some children and adults in fancy dress. Inscriptions: on Front - TRH corner 'GP80'. Also on front - in BR margin written in ballpoint pen 'JH Curnow (white hair)'. History: Previous Acc. No. 'GP 80'.person, group, ana picnic

Black and white photographic print of four tennis players at the net on a tennis court. Wimbledon Mixed Doubles Final 1934. Handwritten on back of print: 'Dorothy Round, Eileen Whittingstall, Bunny Austin, Miki''. Actually it is Dorothy Shepherd-Barron, not Whittingstall, and Miki is Ryuki Miki, Japanese player. Miki and Round were victorious. Part of collection of photos taken/owned by Australian player D.P. Turnbull - found in collection in a vinyl album marked 'Photos by D P Turnbull'.. Materials: Paper, Photographic emulsiontennis

Black & white photograph, Bert Graham Collection, three young swimmers finishing a race at The Bendigo East Swimming Pool, with a mixed group of spectators and Judgesfrom Rear are; Jim Murphy, Allan Masters, Alwyn Nelson, Kneeling, Arch McDonald, Near Right, Tom Henderson, Extreem right, John Tully. Left side in front, kneeilng, Brian Mosop, Billy King(Runner).Copyright ''Bendigo Advertiser'', Bendigo Advertiser Photographic Service for re-order quote DM 30. all or which are on the back.bendigo, clubs, bendigo east swimming club

Elwyn (Jack) LYNN (6 November 1917 – 22 January 1997) Born Canowindra, New South Wales Sydney based artist Elwyn Lynn was a self-taught artist who often used unconventional painting media and expressive surfaces to create abstract work. He trained as a teacher, and was a teacher of English and History in Sydney Secondary schools until 1968. From 1969 to 1983 Elwynn Lynn was Curator of the Power Gallery of Contemporary Art at Sydney University where he built up an international collection, which is now within the Sydney Museum of Contemporary Art. He was an art critic at The Australian for many years, and wrote several books, including one on the artist Sir Sidney Nolan. Elwyn Lynn was awarded Membership of the Order of Australia in 1975. He won the Wynne Prize at the Art Gallery of NSW in 1988, received an Honorary Doctor of Letters from the University of Sydney in 1969, and received the Emeritus Award from the Australia Council in 1994. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed mixed media artwork. Like most of Elwyn Lynn's work 'The' is essentially abstract, although evoking a sense of landscape. " Lynn’s heavy textures were created by mixing polyvinyl acetate (PVA) with sand, cement or plaster, after which it was left to dry in the sun or near a radiator. With the upper level drying and hardening first, its skin could be cut, sliced, poked, prodded and distressed, pushed into folds and corrugations." (https://www.charlesnodrumgallery.com.au/artists/elwyn-lynn/elwyn-lynn/, accessed 22 October 2019)art, artwork, elwyn lynn, abstract, available

A brown shield with three medallions sitting below a small gold plate inscribed 'RVIB Table Tennis Championships'. The medallions show two people playing table tennis. Column 1 - Mens Singles: 1980 and 1981 Peter Evans, 1983 Uli Pfisterer Column 2 - Mixed Doubles: 1981 Helen Maxwell & Trevor Bailey, (undated) Jan Smith & Uli Pfisterer Column 3 - Women's Single: 1981 Janet Hartrich, 1982 Gill Tasker, 1983 Anne-Maree DicksonWooden shield with 3 gold medallions of people playing table tennis and metal plates underneathroyal victorian institute for the blind, peter evans, uli pfisterer, helen maxwell, trevor bailey, jan smith, janet hartrich, gill tasker, anne-maree dickson

Sporting trophies from various competitions staged at or between Illawarra, the AFB Geelong office, and others.3 digital images of three trophiesIllawarra Bowling Association, Mixed Pairs Championship, Runners Up - 1987/88 Jack Shearn & Anne Stewart Illawarra Bowls Club, R/Up Club Championship 89/90 Ann Stewart Illawarra Bowling Ass. 'Andy Ellis Aggregate' 1990/91 Anne Stewart Perpetual Trophy, Illawarra vs Newcomb S.C. Indoor Bowls Tournament, Nowell Plumridge Memorial Trophyassociation for the blind, awards

White Paper cover with inset border containing Title & B/W Photograph of a rail yard with flat cars and wheat bags, buildings in the distance. Rails to Lubeck, Rupunyup, Marnoo, Wallaloo, Bolangum, Warranook, Navarre and anywhere else with a strange name! Ex Hobson's bay Railway Co. N Class 252 on the down mixed at Rupunyup in the early 1900's. The large quantities of bagged and stacked wheat were quite common in the days before concrete silos dotted the countryside (VR photo) A Brief history of the Lubeck - Bolgangum Railway By Michael Menziesstawell transport railways

Tickets collected by the donor contains: Sheet 1 - Victorian Railways combined rail / tram St Kilda Brighton line 2 - ditto - most used with part tickets 3 - mainly rail and bus 4 - rail and bus 5 - ditto with some rail only 6 - ditto - with tickets torn in half 7 - rail and bus weekly 8 - Single and return tickets for Sandringham to Black Rock 9 - ditto with tickets torn to cancel them 10 - various rail tickets - mixed including some country and weekly tickets 11 - combined train and bus tickets post 1956 12 - Mixed railway tickets - including first and second class suburban 13 - General railway tickets 14 - Rail tickets just prior to Neighbourhood tickets. 15 - ditto with some NSW tickets 16 - MMTB Section tickets and others systems. 17 - Miscellaneous tickets 18 - Miscellaneous tourist operator tickets 19 - ditto 20 - Train world examples 21 - Metcards 22 - Metcards 23 - Metcards - printed for events etc. 24 - Metcards 25 - Frankston line Connex timetable, V/Line ticket folder and Ganga phone card. Yields information about the Victorian Railways rail and tram ticketing systems.Album - red plastic cover two ring spring binder, with gold block "Swap Card Album" - with a $14.50 price label in the top right hand corner. Contains 25 used or partly used card plastic sleeves and four unused sleves. tickets, st kilda brighton electric tramway, victorian railways, metcard, sandringham to black rock, buses, vr, railways, tramways, mmtb, train world

Number 443/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 204/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 442/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 244/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 245/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 444/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 446/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 442/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Ballarat HistoryThis photograph features this mixed business described by donor Ray Giles as: One of the two shops between Ballarat and Buninyong that carried a variety of services, owned by Mick and Blanche Giles between 1963 and 1969. The shop was built in the 1950s and demolished in 1969 by the Country Roads Board to widen the Geelong Rd. The shop served the community with an array of services and goods- -State Savings Bank -Milk bar -News agent with two paper boys -Post Office -Groceries -Cigarettes -Briquettes -Kerosine -Chook food -Fire crackers -Public Phone boxshop,, ballarat, giles, mt clear, groceries, 1960s

Ballarat HistoryThis photograph features this mixed business described by donor Ray Giles as: One of the two shops between Ballarat and Buninyong that carried a variety of services, owned by Mick and Blanche Giles between 1963 and 1969. The shop was built in the 1950s and demolished in 1969 by the Country Roads Board to widen the Geelong Rd. The shop served the community with an array of services and goods- -State Savings Bank -Milk bar -News agent with two paper boys -Post Office -Groceries -Cigarettes -Briquettes -Kerosine -Chook food -Fire crackers -Public Phone boxshop,, ballarat, giles, mt clear, groceries, 1960s, ballaarat