The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down.This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.Two 28 pp magazines titled "The Gap". 2245.1 is the original issue and 2245.2 is a reprint. The cover is a pale blue colour with black print. In the centre is a drawing of a girl holding a school case on a country road. The magazine contains articles and b/w photographs related to the history of the Omeo Shire. It also contains advertisements for local businesses.education magazine-the-gap children's-writing history-schools-east-gippsland

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down. This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.Two copies of a 56 pp magazine with a black and white card cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1963". The cost is noted as 5/-. It contains historical articles, photographs and examples of children's work.2251.2 : inside is "Jean" handwritten in pen.education magazine-the-gap omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down. This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.A 64 pp magazine with a torquoise and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1964". The cost is noted as 5/-. It contains historical articles, photographs and examples of children's work.education magazine-the-gap omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down. This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.Two copies of 64 pp magazine with a dark green and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1965". The cost is noted as 5/-. It contains historical articles, photographs and examples of children's work.magazine-the-gap education omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down. This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.Two copies of a 76 pp magazine with an orange and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1966". The cost is noted as 5/-. It contains historical articles, photographs and examples of children's work.education magazine-the-gap omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down.This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.A 52 pp magazine with a lime and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1967". The cost is noted as 50 cents. It contains historical articles, photographs and examples of children's work.education magazine-the-gap omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down. This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research. Two copies of a 51 pp magazine with a burnt orange and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1968". The cost is noted as 50c. It contains historical articles, photographs and examples of children's work.education magazine-the-gap omeo

The first edition of this magazine was produced by associated elementary schools in the Omeo Shire. The magazine was published from 1920 to 1927 and 1963 to 1969. There was a special issue in 1985. In all issues there is writing by children from schools that have since closed down.This item reflects the changes in education in East Gippsland and is a useful comparison tool for literacy teaching. It also has historical articles for research.A 60 pp magazine with a dark brown and white coloured cardboard cover. On the front is a sketch of a small schoolhouse on a hill overlooking a gap in the hills below. The title, "The Gap" is at the top in white print and on the left side written vertically is "1969". The cost is noted as $1. It contains historical articles, photographs and examples of children's work.education magazine-the-gap omeo

An optical table is a piece of equipment used for optics experiments and engineering. The Optical Bench is a less sophisticated piece of equipment used for simple experiments. Components such as light sources and lenses can be bolted down and easily shifted along the length of the rail.A solid wood board. A steel ruler scale on top, 0-30mm, mounted along one edge. Fixed along the opposite edge is a 10mm diam. steel bar, 41cm long.W.G. Pye & Co. Eng. Cambridge.physics, scientific instrument, optics, engineering, light sources, lenses, optical table

Mr and Mrs Leggett's Fancy Dress "Cinderella" Harry and Emily Leggett shown second from right, founders of Leggett's Ballroom. Information on back of photograph: dances were transferred from Prahran TH when it was burned down in 1914.black and white photograph (copy?) unmountedHarry and Emily Leggett Second from right, founders of Leggett's ballroom. Mr & Mrs Leggett's fancy dress "Cinderella", Town Hall St Kilda. 23/6/15. Geo Walls Flashlight. Phone Windsor 3573.

Donor believes works were completed by her great aunt: Lydie, Rosa and Olivia Pollard when sisters were young girls. They were completed in Country Durham England. Works have been passed down through family.Two embroidered laundry bags with scalloped edges one with red flowers and the other with gold flowers. Each has a fold over cover, envelope style with embroidered flowers on a cream background. Scalloped edges are outlined with green and gold stitching with a further row of stitches outlining the pattern of the scalloped edging.P W E embroidered top LH corner Gold Bag- A L 4 embroidered inside top LH corner of red bag late victorian needlework, handmade embroidery, lingerie bag

Donor believes items were completed by her great aunts - Lydia, Rosa and Olivia Pollard when the sisters were young girls. They were completed in Country Durham England. The items have been passed down through the family.Handmade brown embroidered lingerie/garment bag with gold and green embroidered border with four insect type patterns surrounding a decorative central pattern. The fold over front is lined with a light fabric with a pattern of flowers and butterflies predominately in gold, blue and green tones reflecting the patterns of the embroidered front cover.late victorian needlework, handmade embroidery, lingerie bag, garment bags

The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd

The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd

The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd

The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd

This dress belonged to Louris White, nee Larsen-Disney, whose wedding dress from 1948 is also in the collection. Louris and her husband lived at 49 South Road, Brighton, just a few doors down from her family.Strapless pink organza cocktail-length dress. Finely pleated bodice and skirt laid on to a heavy vilene. Decorated around the waist with pink organza flowers and two bands of pink satin, one around the bodice and the other around the lower part of the skirt.Label: printed black on cream acetate side front bodice: "Original / Margeaux / REGD. / of Melbourne / IMPORTED FABRIC"evening dress, 1950s fashion, louris holly white, brighton, margeaux of melbourne, joseph haskin

Used by a boy member of the Ringwood Primary School band before 1974, possibly as early as 1930s as the silvered buttons have Edward VII marks. The style of the front fastenings is called plastron.Navy blue woollen material jacket with red collar and pointed cuffs associated with thin band of bone coloured braid collar closed by 2 sets hooks and eyes, 11 silver metal buttons down front and 1 inside brown flat button, red epaulettes fixed by silver buttons, 2 small false red gussets on lower edge back. +Additional Keywords: McDougall, Lawrence

Part of the "Kevin John Herdman" No. 397661 Collection. See Cat No. 5942P for details of his service.Polyester full length Khaki trousers. Metal zippered fly. Belt loops around waist. Two side pockets, one fob pocket and one button down hip pocket on RHS. On the inside under the belt section is a white towelling band. White calico manufacturers and name label sewn onto the hip pocket lining. Care instructions also on manufacturers label. Plastic buttons.Printed on Manufacturer's label: "CONWAY BROS. PTY LTD S.AUST, ^ 1971. Size 33RB, Waist 33, IN LEG 30 1/2 8405-66-018-5520, ARMY NO. NAME' Handwritten on Manufacturers label: "Herdman". Stamped in black on manufacturer's label: 'MO 21020" .uniform, trousers, kevin john herdman

Tank suit - green cotton drill fabric. All in one garment with long sleeves, metal zipper fly and front closure, green plastic buttons. Collar, shoulder epaulettes, five pockets with button down flaps, sleeve cuffs. Rank insignia on sleeves - 3 stripes - Sargeant. Green fabric name patch above right hand pocket. Green Manufacturers label, back below collar. Manufacturers label with black ink print (faded), "VICTORIA/ 1986/ ^/ SIZE 80-915/ 8405 - 66090-5610/ ARMY NO/ NAME". Name patch - black ink print "MURPHY".uniform, army, tank suit

Neck tie issued to "397827".1. Shirt - light khaki colour polyester/cotton fabric. Collar, shoulder epaulettes, short sleeves, patch pockets with button down flap. Beige plastic buttons. White colour cotton fabric manufaturers label - inside below collar. 2. Necktie - khaki colour cotton knit fabric with unfinished ends, Insect damage noted. White colour cotton tape handsewn to necktie.Manufacturers information on label - black ink print. 1. "ADI/ VIC 1991/^/ SIZE 40/ 8405-66.133.5955/ SERVICE NO./ NAME/ 65% POLYESTER/ 35% COTTON/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON. 2. Cotton tape - HANDWRITTEN IN BLUE INK PEN "397827"uniform, army, shirt, necktie

These scales were used in the Tawonga Store which opened c1920. They were used to weigh produce e.g.. flour & wheat that the farmers used on their farms and in their homes. These scales pre date packaging. Ref. Weights KVHS 0800 (A)The Tawonga Store opened c1920 and sold goods and produce to the farmers of the Kiewa Valley. The scales were a necessary item for a store as goods were sold in bulk. Large steel dirty black platform attached at the middle of the back to a red cylinder which has 2 smaller platforms coming out to the side. The top platform has a black steel lever attached and a hook to hold it down. Below this platform is a measuring rod marked 2,4 etc up to 14 on which hangs a eight. The bottom platform is to rest the unused weights. Weights ref. KVHS 0800 (A)W. & T. Avery Birminghamscales. weights. tawonga store. farm produce.

This portable lamp was manufactured by the Lucas Industries, a company in Birmingham, England that first produced lamps after 1875. It could have domestic use or be attached to cars or bicycles early in the 20th Century to provide light at night. The lighting fluid was oil. This object is an interesting example of lighting for cars and bicycles and in the home in the late 19th and early 20th Centuries.This is a brass lantern with a circular glass piece in the middle front, and a top metal mechanism with a handle. Inside the circular opening is a domed jet with holes for lighting the lamp. On the sides there are various mechanisms for turning the light up and down, opening the front glass and opening the bottom to allow filling of the lighting fluid. The item is corroded on the exterior. The top has air vents to permit the vapours to escape. On the side is the maker's name LUCAS No. 722 KING OF THE ROAD JOS. LUCAS LTD. vintage lighting, lucas industries

Precision instrument used meteorological offices on air fields to measure barometric pressure141.1 Metal cube shape instrument with button switch attached is a cylindrical read out and adjuster knob. 141.2 Carry box with hinged lid and metal latch, has three hold down screws. 141.3 Stainless steel and glass thermometer 141.4 batteries 4x 15v. Standard batteries were HT Eveready B123 30v x3, LT Eveready LLII 1.5 v x1Aneroid Barometer, Type No. M.1991/A Range 800-1050mb. Ser No. 686/65, Mechanism Ltd, Made in Englandbarometer, instrument, aneroid barometer, thermometer

One of 15 A3 sheets with copies of postcards on each page. Shirley Jones Collection.Copies of postcards: Left side from top to bottom: 1. A group of people walking down Cowes Main Street. 2. Lovers Walk Cowes. 3. Lovers Walk Cowes. 4. Clovelly Guest House Cowes. Right side from top to bottom: 1. Lovers Walk Cowes. 2. Looking towards Cowes from the Pier. 3 & 4. The Continental Guest House Cowes.Left side from top to bottom: 1. "Main St Cowes" 2. "The rose Series P653 - The Lovers Walk Cowes Phillip Is Victoria". 4. "No 107 'Clovelly' Cowes". Right side from top to bottom: 1. "Lovers Walk Cowes". 2. "The Rose Series P657 - Cowes from the Pier Phillip is Victoria". 3. "The Continental Cowes Phillip Island V8" 4. "No 149 the Continental Cowes".lovers walk cowes, main street cowes phillip island, clovelly guest house cowes, guesthouses, cowes pier phillip island, the continental guesthouse, shirley jones collection, thelma astbury

A poster printed by the RMIT in 2018, to promote an exhibition of works at the MTSV about the interelationships between labour, working life and artistic practice. BACKGROUND The Work of Art was an exhibition about labour, working life and artistic practice. The exhibition explored three aspects of art's relationship to work: (1) artworks about contemporary labour, (2) the labour of art-making itself and (3) the often precarious aspects of life as a working artist. Throughout the exhibition, different artists "worked" from the space of the gallery, revealing the layers of manual, emotional and intellectual labour involved in the work of art. CONTRIBUTION I was invited to develop the exhibition by the "Murphy Group", a group of researchers at RMIT. As the lead co-curator for the exhibition, I researched the history of artistic responses to working conditions. Through this process I identified a gap - while many artists have explored the conditions of labour and working life in their artworks, fewer have drawn attention to the working conditions of artists themselves. This became a key theme in the exhibition. The exhibition presented the work of nine contemporary Australian artists, including high profile and mid-career artists like Bindi Cole and Bek Conroy, alongside the work of emerging artists. In addition to the display of artworks throughout the space, five artists worked performatively, bringing to life the processes and manual labour involved in artmaking. A public forum extended the complex discussion on the relationship between art, work and labour. SIGNIFICANCE The works were presented in the context of a public space that has a strong relationship to contemporary labour - the Mission to Seafarers in Docklands. The Mission to Seafarers is a working mission that provides support to ship-workers. Presenting the works in this space created a real connection between the artworks and the lived experience of precarious labour. The exhibition reached a large audience including over 1000+ visitors in 10 days. It fostered a high engagement on social media and attracted media coverage including a feature in ArtsHub.A record of the ongoing involvement of the MTSV in art, and working with the art community by providing a suitable venue and display space.A3 size yellow paper promotional poster, double-sided. Three-quarters of the front of the poster is covered with the repeated line "Art, Labour & Working Life" in large font, to form ten rows. These rows are in outline form except for picked out words which are in entirely black characters and these cascade down, a row at a time, a word at a time, to form the same line ("Art, Labour & Working Life"). rmit, 2018, events, labour, working life, artistic practice, hiring event, cultural events, multimedia, nicholas walton-healey

This "art deco" style of containers were very popular by the "art and trendy" socialites, be they in the city or in rural towns and properties. This style was very popular in the 1940's to 1950's. The octagonal shape provided the stability of the decanter with its "expensive" contents. Because of its style it blended in well with any lavish meal and socio economic "upper" class environment. It was a part of social atmosphere of elegance and wealth be it in the city or on a rural property. This is very significant to the Kiewa Valley rural "society" environment. At the time of its use the wealth of Australia was "riding on the sheep's back", that is rural income(primary producers), on the whole, was well above that in the cities (industrial). It was in a period where large wealthy property owners could spend lavishly on trendy domestic items.This octagonal glass decanter with its egg shaped stopper is made in an "art deco" style and reflects the 1950's style of bold design. The decanter "stopper" has been cut in a "diamond" cut to reflect the sunlight as does a diamond ring. The stopper is tapered down to permit easy placement and removal. The Stability of the decanter is increased by the broad base and octagonal (8) sides tapering going up the sides.decanter, glass, art deco glass ware, spirits container

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered house with striped yellow and white window awnings. Other features include a tiled roof, a cast iron work front porch door, garden urns in front of the house and a low unpainted brick fence in the foreground with a car in its garage down the drive to the left. The garden beds are also supported by walls of the same unpainted bricks with plants including a palm and succulents.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, cast iron work gates, striped awnings, outdoor ornaments, brick fences, drives, cars, garages (private), palm trees, brick chimneys

Robert Lamb was connected with this company.Two receipt books relating to Lamb's Ballarat Knitting Co. Pty Ltd. The book has holes down the centre to enable a copy to be given to the customer. The 100 receipts in each book have been hand numbered. .1) One receipt used made out to the Ballarat Polo Crosse Club .2) All 24 used receipts in the book have been made out to Miss Oxlade, ballarat polo crosse club, lamb's knitting co, edwin rash, rash, robert lamb, lamb