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matching pen drawing
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Hawthorn Historical Society
Drawing - Property Illustration, 16 Callantina Road, Hawthorn, 1995
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 16 Callantina Road, Hawthorn by Margaret Picken.16 Callantina Rd, Haw, Margaret Picken '95. Woodards - Hawthorn. artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 17 Callantina Road, Hawthorn
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 17 Callantina Road, Hawthorn by Margaret Picken.17 Callantina Rd, Hawthorn.artist - margaret picken 1950- -
Melbourne Legacy
Postcard
The postcard has a drawing of a traditional landscape of The Netherlands represented by a lake, house with mills, a boat and a child dressed in a colourful, traditional costume. The handwriten text is a letter home and describes the writer Peter's visit with his cousin. Other items addressed to Mrs Elsum are in the archive (see 00180 a postcard from 1915). The connection to Legacy is not known.This postcard has a historical significance for the family involved and remind them the time when Peter was at Holland. Postcard with a drawing of the Netherlands.Handwritten text in blue pen: "10-10-80, Hello There, greetings from Holland. Spending a couple of days with my cousin & his wife at Leiden, which is very old city with narrow cobble stone streets. Last night Paul & I did a 'pub crawl' on bikes which was good fun. Everyone rides bikes here, they even have part of the road reserved for them! All are well at Takerton, [?], send their best wishes & thanks for your gifts. Mum is writing to you. Thanks for keeping my girl company. See you soon. Love. Peter. Addressed to: Mr & Mrs John Elsum, 52 Davey Street, Mordialloc Vic 3195, Australia." Printed on postcard: gebr.spanjersberg / Rotterdam - antwerpen / Cobas y Cia. Barna. Printed in Spain / [Symbol] 7013 [Air mail stamp] LUCHPOST PAR AVION / P 4579 / PTT / [Postage Stamp] JULIANA NEDERLAND REGINA 55csouvenir, postcard -
Melbourne Legacy
Photograph - Photo, Widows function, Widows Club, 09/06/1992
A widows' function, that involved a raffle, (some of the same ladies are in 00654 and 00655). The lady drawing the raffle is Inez Bruce / President, and the lady holding the prize may be Joan Miller. The photo was featured in the July 1992 Widows Newsletter and explains the day was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Cakes were donated by Fergusson Plarre. In the 1990s Legacy was supported by generous donations from Fergusson Plarre Bakehouse with cakes often donated for events and the annual fete. The reference number from the photographic studio 920609 means 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of a Legacy widow drawing at raffle at Legacy House and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609A-30. Pg 10 B in blue pen.widows, widows club, activities -
Whittlesea Historical Society Inc.
Work on paper - Drawing, Braemore Homestead, Merriang or Beveridge
This drawing forms part of a collection of photographs gathered by the Whittlesea Historical Society for their project book, "Historic Views of the City of Whittlesea" by Robert Wuchatsch and Gwen Hawke, as part of Australia's Bicentennial Celebrations in 1988. The collection contains over 200 historic photographs covering all aspects of early life in the area now embraced by the City of Whittlesea.Black and white drawing mounted on a foam backing for display.Inscribed in black felt tip pen on back of photo [Braemore]historic views of the city of whittlesea, braemore homestead, merriang, beveridge -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 34 Yarravale Road, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Designed for Sir Zelman Cowen in 1959 by Grounds, Romberg and Boyd (architects), this mid-century modernist residence has undergone a series of modifications to the original design. The pen and ink property illustration of 34 Yarravale Road, Kew by Margaret Picken was made in 1989.34 YARRAVALE RD., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 34 yarravale road -- kew (vic.), sir zelman cowen, grounds romberg and boyd (architects) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Studley Avenue, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Residence at 7 Studley Avenue, Kew, designed by the architect Ernest Fooks. The pen and ink property illustration was made by Margaret Picken in 1996.7 STUDLEY AVE., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, 7 studley avenue - kew (vic), ernest fooks (architect), property illustrations -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Findon Crescent, Kew, 2003
This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020This single-storey residence, built in 1982 to a design by John Chandler (architect) was demolished in 2003, the year in which this pen and ink property illustration was made by Margaret Picken.18 FINDON CRES., KEW / PICKEN © 2003 / REALTORartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 findon crescent - kew (vic)., john chandler (architect) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Hume Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The house at 7 Hume Street was designed in 1955 by the modernist architect Douglas Alexandra (1922-2000). Between 1951 and 1996, Alexandra completed a number of significant projects including a regional art gallery and library complex at Hamilton, Victoria (1958-59). The residence in Hume Street is included in the RAIA Victorian Chapter's 20th Century Buildings Register. The house, and another residence in Molesworth Street (1961), is one of his notable residential projects. The aerial property illustration of the house by Margaret Picken was commissioned by the real estate agent Woodards in 1998. Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Hume Street, Kew by Margaret Picken.7 HUME ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORN artist -- margaret picken 1950-, 7 hume street - kew (vic)., d.d. alexandra - architect, property illustrations -- buildings -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4 Bright Street, Kew, 1990
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and.2006. Each work is signed and dated by the artist. The series of drawings in the Picken Collection are invaluable assets for identifying architectural features and styles. The year in which the drawing was created is also a valuable record for house historians, as a number of the properties depicted have either been altered since that date or demolished.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film by Margaret Picken.4 bright street -- kew (vic.), californian bungalows, margaret picken, bright street, woodards -- kew (vic), property illustrations -
Wangaratta High School
WHS Yearbook -Korrumbeia, 1988
Black and white bound photocopy of the 1988 yearbook featuring a full page drawing of a brick wall spray painted with the words THAT WAZ '88'. Near the bottom of the drawing is a girl with a marker pen, paint tins and a stepladderTHAT WAZ '88' -
Ringwood RSL Sub-Branch
Book, Burma Railway Artist, 1994
Hard cover with many copies of hand written drawings, maps etc.132 pages, The war drawings of Jack ChalkerFirst published in 1994 in GB by Pen and Sword Books -
Geelong Football Club
Cats Mascot Sketch, Lloyd Hagger Cat Mascot Sketch, 1925
As one of Geelong's finest forwards, Lloyd Hagger was relatively tall and possessed the ability to take high-flying, spectacular finger-tip marks at chest height as he tumbled over packs. His accurate punt and drop kicks resulted in many goals for the team. He became well known for scoring many acute angle goals. A mobile performer who could kick effectively with either foot, he played with equal effectiveness at centre half-forward and full forward. His durability was remarkable. During his 12 seasons he only missed eight matches. He was never short of a word on the field. - Col Hutchinson GFC HistorianHand drawing on paper card. Drawing of a black cat with one paw holding on to it's bow. At the bottom of the sketch in blue pen states "SKETCH BY LLOYD HAGGER, 1925". Lloyd Hagger was the original artist behind the cats logo and a Geelong player."SKETCH BY LLYOD HAGGER, 1925"cats mascot, gfc black cat, lloyd hagger, geelong cats -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, GRINTON COLLECTION, FRAMED, 2008 - 2009
Frame 3. Photo 1. Group Photo, mostly Sergeants. There are 3 medal winners in the group which appear to be military medals. There were 76 Military medal winners in the 38th plus 2 bars making 78. Jack Grinton is first on left in the top row. we are reasonably confident that we have identified several others. They are: Top row, 1st on the right No 262 CSM W.J. Durward (Bendigo). 2nd row, 2nd on left No 1612 Sgt J.E. Adams (Boinika) 3rd row, 1st on left No 446 CSM A. Clark (Abbotsford) 3rd row, 3rd from right No 1192 Sgt J. Coffey (Fitzroy) 3rd row, 2nd from right No 1194 Sgt J. Lockett (Mildura) Bottom row, 1st on left No 1048 Sgt F. Lehman MM (Horsham) Bottom row, 3rd on left No 1645 Sgt W. Hogan MID (Newport) These men would be a mixture of C and D Coy, 38th Batt. In Oct 1918 the 37th and 38th Batt's were so depleted that both were combined. A and B Coy 38th became C Coy and C and D Coy 38th became D Coy. The 37th Batt became A and B Coy, 38th Batt. Photo 2. Cartoon "Huttons the Best" with sign post either way. The Military Medal winner is unknown. Photo 3. War damaged town, the streets have bee cleared to allow traffic through. Photo 4. The war damaged town of Corbie. Corbie Cathedral is in the background. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records. Photographs - black and white on paper. 4 photographs Top to Bottom. 1. Group photograph. 2. Cartoon drawing on canvas. 3. War damaged street.. 4. War damaged town. Frame - timber, black colour paint with glass front. Mount black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "3."photographs - framed, grinton collection, ww1, 38th -
Federation University Historical Collection
Drawing - Artwork, Architectural Drawings by Alice Watson, c1930
Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Nine works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. Seven pencil sketches on paper. Two black ink drawings on paper .1 has sketches on both sides; .2 pen and ink table and chair design; .3 pencil sketch of a castle; .4 sketches on both sides - pen and ink doorway and on reverse pencil and water colour (partly coloured) wallpaper border design; .5 pencil sketch of a well and a church; .6 two pencil sketches of bridges; .7 three pencil sketches - two of partial rooves and one of a bridge drawn from a photo; .8 three pencil sketches - a window, a doorway and a thatched roof cottage; .9 pencil sketches on both sides - a village scene with gateway, church and cottages on one side and trees on the reverse. .3 lrs "A. Watson Pencil Sketch" .4 ink sketch tr "New Door" .5 lrs "Pencil Sketches A. Watson" .6 lrs "Pencil Sketches A. Watson" .7 rs" Pencil Sketch", under bridge drawing "Pencil Sketch from Photo", lrs "A. WATSON" .8 lrs "Pencil Sketches A. Watson .9 Village scene - lrs" A.Watson Pencil Sketch" ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, architecture, alumni, pencil sketches, sketches of buildings -
Horsham Regional Art Gallery
Drawing, Daryl LINDSAY, Anna Volkova, Aurora's wedding, n.d
Gift of Mack Jost, 1990pen, ink and wash on paper -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, Reinthal & Newman, Jesus Chrisus, after 1874
Picture is a print of an original drawing that appears to have been created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner). The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The picture is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Max.Picture; print of a drawing. Representation of Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, drawn in 1874 by 19th century artist Gab. Max (Gabriel Max). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has 2 small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire but this has been replaced. Part of the St Nicholas Seamen's Church CollectionFRONT: Top left :1874” Top rignt “GAB MAX” Hand written script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown -
Bendigo Military Museum
Drawing - DRAWING WW2, FRAMED, Possibly post WW2
Names of airmen are: “CHAMPKIN D G, CARROLL M W, LYNCH T J, JARMAN E G D, HARRIS H R, JACKSON J G NEAL R L”Black / white drawing of a Lancaster air crew. Each is wearing his flying gear, each has a last name drawn on front of helmet. An Avro Lancaster Bomber is at the top part of drawing. Winged badges bearing pilot's full names are at bottom part of drawing. Frame is simple wood design, painted white with a small amount of gold trim.illustrations-pen&ink, military history - air force, airforce, lancaster -
Port Melbourne Historical & Preservation Society
Document - 2013 Calendar, Pat Grainger, Historic Port Melbourne - Pens, pencils, photography, paint, Sep 2012
Researched, written and designed by member Pat GRAINGER as a fundraiser for PMH&PS. 2013 PMHPS calendar ; Historic Port Melbourne - Pens, pencils, photography, paint. Cover shows sugar works Sandridge; plus writing, painting and drawing instruments. All following years calendars also recorded against cat no 1864piers and wharves - station pier, built environment, hotels, transport, sandridge lagoon, port melbourne historical & preservation society, pmhps, port melbourne town hall, local government - borough of sandridge, local government - town of port melbourne, station hotel, faram brothers hardware, charles stoley, ps weeroona, guernsey house, brian cleveland, gleeson family, peter grut, ps hygeia -
Federation University Art Collection
Drawing - Artwork - Drawing, Wes Walters, 'Fashion Sketches' by Wes Walters, c1970
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of fashion sketches in pen, Ink, and charcoal on paper. This work was donated through the Australian Government's Cultural Gifts Program by David Thomas.artwork, walters, wes walters, fashion, available, ballarat technical art school, sketch, commercial art -
Dandenong/Cranbourne RSL Sub Branch
Book, Cassell and Company, LTD (publisher), From the Australian Front. Xmas 1917, 1917
WW1 photos and drawings.Grey cardboard cover with black and red writing on cover.Minnie Dunn of Waldon Hill dated 23/21918 and the name David Kelly is printed in pen inside the front cover. Australian Commonwealth Military Forces Rising Sun badge printed on rear. Interior is mainly of photos and drawings. -
Federation University Historical Collection
Plan - Artwork, Charles Lamb, Bow Count Court
... Drawing in black pen of the end elevation of Bow County...Artwork Plan Bow Count Court Drawing in black pen ...Drawing in black pen of the end elevation of Bow County Court.bow county court, architecture, design, charles lamb, alumni -
City of Greater Bendigo - Civic Collection
Work on paper - Architectural Drawing, City of Bendigo, Proposed Brick Residence at Bendigo Abbatoirs (sic) for the Bendigo City Council, Not dated
Situated at 47 Lansell Street, Bendigo, the original 1911-12 Charles D'Ebro designed brick Bendigo Municipal Abattoir, comprising twin slaughter and hanging rooms for cattle, sheep and pigs, and two smaller ancillary brick buildings. After the buildings were acquired by the Country Roads Board in 1945, a substantial but sympathetic addition was made to the south-eastern end of the old cattle abattoir. The abattoir is significant for historic, architectural and technical reasons at a state level. as a rare surviving municipal abattoir, and represents the development of hygienic slaughtering through municipal regulations, thus improving standards of public health in Victoria. It is historically significant to the City of Greater Bendigo as a key to the primary production industry that centred on this precinct from the 1860s to the mid 1990s; they are an important surviving component of one of the largest regional livestock markets in Victoria. D'Ebro was critically influential in the development of industrial and in particular meat processing buildings, designing major freezing works and abattoirs throughout Victoria and Australia.(Source, National Trust Database). The Bendigo facility finally closed in 1945, when all slaughtering for local consumption passed to a joint export and local slaughtering facility at the Bendigo Inland Meat Authority. Ink, pen, pencil and watercolour architectural drawing for the proposed brick residence at Bendigo abattoirs. Proposed Brick Residence at Bendigo Abbatoirs (sic) For The Bendigo City Council. / Front Elevation / Easter Elevation / Section A. D. / Ground Plan / Wester Elevation / Section C.D. / Section I. P. ? Existing Building to be / Converted into Laundry ? Scale 1/8" to 1 FT / Geo. Austen Architect / Commonwealth Bank Chambers / Bendigocity of greater bendigo commerce, charles d'ebro -
City of Greater Bendigo - Civic Collection
Work on paper - Architectural Drawing, City of Bendigo, New Baths at Upper Reserve Bendigo for the Bendigo City Council, 18th November 1912
The 'New' City of Bendigo baths also known as 'The Baths' were opened on 26th February,1913 at a cost of £2000. These baths made use of an existing dam and had men only and ladies bathing areas as well as a 'paddling paddock' for young children. This set of plans is for the Men's Bathing shed which serviced the men's bathing area adjacent to the still existing tennis courts on Barnard Street. In 1958 the Municipal Baths were replaced by an Olympic Pool and £17,000 was raised by public subscription towards this pool’s construction. Ink, pen, pencil and watercolour architectural drawing for the proposed new baths at the Upper Reserve on Barnard Street, Bendigo.New baths / at Upper Reserve Bendigo / for the Bendigo City Council / Elevation facing tennis courts / Elevation of Terminals at A, A, / Elevation facing Barnard Street / This is one of the drawings /referred to in my contract/ dated 18th November 1912 / Signed Robert J Rogers / (unknown) / Mayor Jas Semmensbendigo swimming club, rosalind park, upper reserve bendigo, faith leech memorial swimming pool, bendigo baths, city of greater bendigo community groups -
Glenelg Shire Council Cultural Collection
Plan - Plans / Line Drawing Port of Portland Slipway - bilge blocks, Trawler 'Wilson's Pride', 30/07/1987
Front: '43' - black texta, top right corner 'Job No 3003' - black penport of portland -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Melichrus urceolatus (Urn Heath), 1982
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Framed drawing of cutting, flower and leaf details of plant with brown stem, pointy green leaves and white bud flowers. Six drawings include one cutting, two flower details and three leaf details. The work is mounted in a double matt (off-white on sage green) under glass in a gold and green-grey frame.Front: CEW/82 (signature, lower left in image, next to stem) (brown pencil) Melichrus urceolatus Urn Heath (lower right) (pencil) Back: 6 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing, Jenny Ward, K.S. Anderson, 1981
Sketch of a man wearing a suit jacket, shirt and tie. Hair is roughly sketched above a high forehead and heavy eyebrows.Front: K.S. Anderson (signature, lower right) (blue pen). 13 November 1981 (lower right). Jenny Ward (signature, lower left in image) (pen). Back: 1996 (upper left) (pencil) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Leucopogon montanus (Snow Beard-heath), 1982
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower heads with brown stem and green foliage and white start-shaped flowers with pink and green centres. Six drawings include cutting with flowers, flower bud details and flower details from above and side. The work is on white paper, mounted in a double matt (grey on dark pink), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (green pencil) Snow Beard-heath - Leucopogon montanus (lower centre) (pencil) Back: 32 (upper left) (pen) Snow Beard-Heath $80 (Leucopogon montanus) CE Woolcockcema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Cymbonotus preissianus (Austral Bear's Ears); Centipeda minima (Spreading Sneezweed). Centipeda cunninghamii (Common Sneezeweed), 1970-1990
Part of "Woolcock Gallery Collection" Exhibition, CEMA, 1989.Three plant studies. At top of page is a study of a broad-leafed stem, with eight leaves and two flowers. On the right of this study are two pen and ink views of flower buds. Below in page centre is a plant with many small leaves and multiple stems. There are many small round flowers. On left of study are a flower, bud and leaf study. On the right there are two bud studies, one flowering stem study and one leaf study.Front: Cymbonotus preissianus (Austral Bear's Ears). Centipeda minima (Spreading Sneezeweed). " cunninghamii (lower left) (pencil) Back: 26 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Correa alba (White Correa), n.d
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema