Showing 5779 items
matching 2000
-
Bendigo Historical Society Inc.
Photograph - BENDIGO CENTENARY COLLECTION: ADULT MALE IN COSTUME, IN PARK, c.1951
Black and white photograph. One adult male in costume. Cut-away coat, waistcoat, frilled shirt, top hat. Wearing ribbon on lapel marked 'President'. Watch chain. Children in background under trees. Inscriptions in image: On back 'MP189'. Circular purple stamp 'Royal Historical Society of Victoria, Bendigo Branch', '1960', '97', '294'. On back 'Copyright, Bendigo Advertiser'. 'Bendigo Advertiser Photographic Services, for re-order quote CD294'.Bendigo Advertiserperson, individual, centenary, see also 2000.511.01, 2000.512.01, 2000.513.01, 2000.514.01, 2000, 515.01, 2000.516.01, 2000.517.01, 2000.518.01, 2000.519.01, 2000.521.01, 2000.522..01, 2000..523.01, 2000.524.01 -
Bendigo Historical Society Inc.
Photograph - ONE MALE, FOUR FEMALES IN COSTUME, IN PARK, c.1951
Black and white photograph, one male, four females in costume. Females in Irish? Costume. Male representing Dr. Backhaus. Crowd of people in background under trees. Inscriptions in image: 'Licensed Gold Buyer', Dr Backhaus's chair ... From which Dr Backhaus ... Ordained minister… religion… Bendigo Goldfields 'Nuggets presented by Dr Backhaus by Bendigo Diggers'. History of object: previous Acc. No. 'MP 188'. James Lerk 'Centenary of Bendigo?'Bendigo Advertiserperson, group, centenary ?, see also 2000.511.01, 2000.512.01, 2000.513.01, 2000.514.01, 2000.515.01, 2000, 516.-01, 2000.517.01, 2000.519.01, 2000.520.01, 2000.521.01, 2000.522.01, 2000.523.01, 2000.524.01 -
Warrnambool and District Historical Society Inc.
Photograph - Don Jenkins - Woollen Mill
Don Jenkins was the Managing Director of the Warrnambool Woollen Mill from 1971 to 1989. He was first employed at the Woollen Mill in 1935. The Warrnambool Woollen Mill in South Warrnambool was established in 1910 with the first manager, J.E. Bennett. By 1915 there were 160 employees and in 1969 there were 380 employees. In 1980 acrylic blankets and fabrics were made on the site and in 1982 there was a name change to Warrnambool Textiles. In 1995 the Smith Family took over the factory, following its ownership by several other Australian firms. It closed in 2000. This is an important photograph as the Warrnambool Woollen Mill was a prominent business in Warrnambool for 90 years. Don Jenkins was the Managing Director for 19 years and this is a good photograph of him and is very useful for display and research purposes. This is a colour photograph of Don Jenkins in a wooden and gilt edged frame with a linen insert. On back of photograph handwritten in biro – ‘Don Jenkins, Managing Director, 1970-1988?’ (Note that Mr Jenkins was the Managing Director from 1971 to 1989)warrnambool, woollen mill, don jenkins, manager warrnambool woollen mill -
Warrnambool and District Historical Society Inc.
Packaging, Blanket Box, 1990s
This item has been made to package a ‘Dream Sleep’ underblanket. This item was produced by the Warrnambool Textiles factory in the 1990s. In 1910 the Warrnambool Woollen Mill was established and it produced blankets, rugs etc with a staff of over 700 in the 1940s. In 1958 the Mill became the first in Australia to manufacture electric blankets. In 1968 the business was sold to Dunlop and in 1982 Dunlop sold the Mill to Onkaparinga Woollen Company. In 1983 Onkaparinga was taken over by Macquarie Worsteds and the Warrnambool Woollen Mill then traded as Warrnambool Textiles. In 2000 the Mill closed. This packaging is of some interest as a memento of the old Warrnambool Woollen Mill which operated in Warrnambool for 90 years and was a major industry in the town/city and a major employer of local residents. It is still remembered fondly by many local people today. This is a cardboard sheet for packaging an underblanket for Warrnambool Textiles. It has white printing on a dark blue background on one side and is white and unmarked on the other. It has an image of a sheep, three symbols for ‘Pure New Wool’, a symbol for ‘Naturally Flame Resistant’ and one for ‘Moth-Resist Treated’. The sheet is designed to be folded in four places to cover an underblanket. This is a cardboard sheet for packaging an underblanket for Warrnambool Textiles. It has white printing on a dark blue background on one side and is white and unmarked on the other. It has an image of a sheep, three symbols for ‘Pure New Wool’, a symbol for ‘Naturally Flame Resistant’ and one for ‘Moth-Resist Treated’. The sheet is designed to be folded in four places to cover an underblanket. warrnambool woollen mill, warrnambool textiles, onkaparinga woollen company -
Warrnambool and District Historical Society Inc.
Hand Drill, Late 19th century
This tool is one of a collection of tools which are believed to have belonged to Henry Phillips. English-born carpenter, Henry Phillips (1821-1896) came to Australia with his wife Elizabeth in 1849. They lived for some time in Port Fairy before coming to Warrnambool where Henry formed a partnership with Christopher Beattie and established the undertaking firm of Beattie and Phillips in 1865. This firm continued on after the death of the two founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved in the management of the Mechanics’ Institute. This tool is of interest, firstly as an example of a vintage tool and secondly as a memento of the Warrnambool carpenter and businessman, Henry Phillips. This is a hand drill with a composite material handle at one end (for one hand) and a tubular metal piece at the other end for the insertion of a bit or drill. In the middle is a circular turning piece with metal spokes and a metal handle (for the other hand). The circular piece is held together and attached to the main body of the tool with several screws. vintage tools, henry phillips, history of warrnambool -
Warrnambool and District Historical Society Inc.
Wood Plane, Late 19th century
This tool is part of a large collection of vintage tools and they are believed to have belonged to a Warrnambool businessman, Henry Phillips. English-born carpenter, Henry Phillips (1821-1896), with his wife, Elizabeth, came to Australia in 1849 and lived in Port Fairy for some time. In 1865 he formed a partnership with Christopher Beattie and established the undertaking firm of Beattie and Phillips. The funeral business continued on after the deaths of the two founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved with the management of the Mechanics’ Institute.This tool is of interest as an example of a vintage tool and also as a memento of the 19th century Warrnambool businessman, Henry Phillips.This is a large rectangular-shaped wooden plane tool. It has a curved wooden handle with a flattened top and this is inserted into the top of the body of the tool. The middle section of the top of the tool had been gouged out and a metal blade inserted at an angle and this blade partly protrudes at the base to make a planing tool. The metal blade is held in place by a covering piece of wood and a metal screw holds both the inserted wood and the blade in place.vintage tools, henry phillips,, history of warrnambool -
Glen Eira Historical Society
Document - Shoobra Road, 22, Elsternwick
Two articles on 22 Shoobra Road Elsternwick: 1/Newspaper article from Residential Property Weekly dated 26/05/2000; includes photo. Gives detailed description of the late Edwardian home, interior features, carved timber archway, leadlighted doors, wall panelling and mouldings; includes room descriptions and family living area. 2/Handwritten notes on occupier of 22 Shoobra Road from 1910, 1913, 1923, 1942, 1948 and 1960 taken from Sands and McDougall by Claire Bartonelsternwick, shoobra rd, real estate agents, edwardian style, rowan street, arches, architectural features, lead lights, hocking stuart, parsons rea mdm, music teacher, bricks, flats, cooper montague, the bungalow -
Glen Eira Historical Society
Article - Tram Shelter, Dandenong Road
National Trust of Australia, Victoria, report giving details of tram shelters on the tramways routes of Melbourne; history of cable car system and reasons for tramways amalgamations, includes architectural plan, map and photocopies of two photographs before restoration 1994. Includes bibliography. Two coloured photographs of tram shelter Dandenong Road opposite Hawthorn Road taken in 1978. Detailed history from the Trust News 2000 on history of Melbourne Tram Shelters, various architectural design features, where erected and who design by.dandenong road, hawthorn road, north caulfield, glen eira, flannagan l.s., prahran and malvern tramways trust, street furniture, tram shelters, edwardian style, architectural features, glenhuntly road, caulfield, orrong road, balaclava road, watson stephen, storey rohan, ward andrew -
Eltham District Historical Society Inc
Photograph, Ruth H. Pendavingh, Reconstruction of Main Road from Main Road Bridge to Mount Pleasant Road, Eltham, 1984
The original timber bridge over the Diamond Creek was built around 1840. It was destroyed by floodwaters in October 1923. A temporary bridge was rigged up but further damaged in April 1924. A new concrete bridge was built and opened in October 1926. The bridge decking was widened along with Main Road to Dalton Street by the Road Construction Authority in 1984. The upgraded bridge was re-opened October 25, 1984, 78 years after its original opening. (EDHS Chronology of known local events 1835- early 2000)Three colour photograph prints 1984, bridge construction, diamond creek (creek), eltham south, main road, main road bridge, road construction -
The Cyril Kett Optometry Museum
Tonometer, J J Winters, 01/04/1969
This instrument was manufactured in 1969 to a design developed in 1905. It was used in private practice in the eastern suburbs of Melbourne. It was donated to the Optometry museum in August 2000. The instrument's inventor, Hjalmar August Schioetz (1850-1927) was born in Stavanger, Norway. He graduated in Medicine in 1877 in Kristiania. He studied ophthalmology in Vienna and in Paris. He was appointed professor of medicine with the obligation of teaching eye medicine in Kristiania in 1901. He demonstrated his tonometer in 1905 and for the next half century it was generally accepted as a reliable means of measuring intraocular pressure.Many examples of Schiotz tonometers can be found in near-mint condition as they were superseded in the latter half of the twentieth century. Although this example is in fine condition it is not historically significantCased stainless steel instrument to measure intra-ocular pressure. Grey leatherette case lined with grey satin and felt. Case contains stainless steel spring balance tonometer, convex test block and two calibration weights. Slipped within upper lining of case are a yellow card of instructions and a greencertificate of accuracy.Case cover imprinted "Schioetz-Tonometer Improved". Tonometer engraved "6988" and logo of "JJW". One weight engraved "7,5", other "10"tonometer schiotz pressure optometry ophthalmology -
Glen Eira Historical Society
Photograph - Elsternwick
This file contains three items. Photocopied and three page retyped article, undated c.1930s and source unknown from Real Estate Agent Philippe Batters 03/09/1997. Three page document from Keith James Smith, undated, on research on Elsternwick and Glen Huntly Road shops and traders. Three articles from THE AGE 13/05/2000 and 15-16/02/2013 and MELB BAYSIDE WEEKLY 03/11/2010 giving snap shots of Elsternwick housing and facts.batters philippe, real estate agents, elsternwick, paddocks, glen huntly road, walter kelly, elsternwick park, slaughter yards, glen eira roads, point ormond, glenhuntly railway station, nepean highway, grange road, holdsworth’s jewellers, staniland grove, coles store, shops, orrong road, fosseys, hattams mensware, woolworths, dalgarnos crockery and kitchenware, chapmans gifts, garth’s shoe store, garth jack, allen’s furniture and auction rooms, elsternwick market, adam’s cakes, mr. green’s pet shop, turner mr., grocer shop, moores lendring library, hopetown gardens, gardens, jack hatheralls butchershop, butchers, chinese laundry, chinese community, laundries, mr. & mrs. darbyshires milkbar, st. johns church, kooyong road, hasseles garage, garages, royal parade, glenhuntly, camden, hawthorn road, blacksmiths, camden town, dolls hospital, caulfield state school 773, independent picture, theatres, camden theatre, southern indoor bowl centre, larch street, montessorie school, collins milk bar, milk bars, collins lin, hartrick miss, armond mr., lennie mr., rothells sausage factory, north road, red bus service transport, furlonger miss, dance studio, moran and cato grocery, cato family, newsagent, tozer brook, furniture store, green gables american style soda fountain and milk bar, hoyts renown theatre, state savings bank, riddell parade, clarence street, aileen avenue, smith keith james, camden town, sports club, peer gary, gary peer & associates, brukarz jack, ray white real estate, real estate agents, classic cinema theatres, st. george’s road, elizabeth street, allison road, gladstone park, myrtle street, victoria street, caulfield, st kilda east, lisbon house, orrong road, house names, rippon lea estate, caulfield south, carnegie, gordon street, carre street, main street, clarence street, elsternwick club, jewish holocaust museum, daily planet, brothels, wesley college, elsternwick primary, st. joseph’s primary, scholem aleichen college, liebler yavneh, hopetoun gardens, harleston park -
Dandenong/Cranbourne RSL Sub Branch
Plaque, H.M.S Hydra
Historical significance. HMS Hydra (A144) was a deep ocean hydrographic survey vessel. She was the third of 3 Hecla Class vessel's , laid down on 14th May 1964 at Yarrow Shipbuilders at Scotstoun on the River Clyde and commissioned 4th May 1966. Displacement of 2000 tons (2945 fully loaded).Length 79 Mtrs. Beam 15.4 Mtrs. Draught 4.9 mtrs. Compliment of 12 Officers and 116 crewmen. Saw operations during Falklands War. Decommissioned in 1986 and and sold to the Indonesian Navy still active as of 2019. Wooden plaque with metal plate.White sails surrounding shield over 9 headed dragon over pennant with wording H.M.S. Hydra below. -
Surrey Hills Historical Society Collection
Photograph - Digital photo, 1922-1925
Alan Judge Holt (1912-1993), Frederick Sutton Holt (1914-1992) and Raymond James Holt (1918-2000) were the children of Edmund Holt (1881-1945) and Ruby Ellen Sutton (1889-1961). The family had multiple associations with Surrey Hills, in particular the Surrey Hills Methodist Church. Associated homes were in Beatrice Avenue and Broughton Road. Alan Judge Holt became secretary of the Victorian Lands Department and his meticulous research laid the foundations of the SHNCHC. The relationship of Dot to the family needs clarification. The Holt family held many connections with the local Surrey Hills community with Alan Holt's research a valuable part of the Surrey Hills Heritage Collection.A digital copy of a sepia photo with 4 children in a garden setting - Dot, Alan, Ray and Fred Holtchildren, siblings, family portrait -
Federation University Art Collection
Ceramic, 'Covered Jar' by Reg Preston, 1983, c1983
Reg PRESTON (1917-2000) Born Bellevue Hill, Sydney, New South Wales Reg Preston studied sculpture at Westminster School of Art, London but was a self-taught ceramicist. His first solo exhibition was in Melbourne in 1958. He founded the Potters' Cottage, Warrandyte, Victoria in 1958, where he has taught part-time. During the 1960s Preston and his wife produced a line of pottery under the name “Ceres". He switched to stoneware in the mid 1960s and continued working well into the 1980s. Multiple glazed stoneware over tenmoku glaze. Maker's stamp covered by glaze. Preston painted in glaze.ceramics, reg preston, jan feder memorial ceramics collection, gippsland campus, functional ware -
Federation University Art Collection
Work on paper - Printmaking - Lithograph, 'Nocturne' by Graham King, 1963
Graham KING (23 February 1915 – 11 October 2008) Known as a master printmaker, Graham King was instrumental in the revival of Australian printmaking in the 1960s. He was the inaugural Secretary of the Print Council of Australia, and was later President. A lecturer in Printmaking at the Royal Melbourne Institute of Technology (RMIT) from 1966 to 1988, he was awarded an Order of Australia for his services to education in 1991. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed lithograph in predominantly blue and black.Signed lower edge " Proof 2/5. 'Nocturne'. Graham King '63."art, artwork, graham king, king, printmaking, edition, available -
Federation University Art Collection
Ceramic - Ceramic - Earthenware, Julie Mullen, 'Vessel' by Julie Mullen, 1992
Julie MULLEN This work was completed during Julie Mullen's 3rd year studying Ceramics at Ballarat University College (now Federation University). The work was awarded the 1992 Selkirk Prize. The artist wrote the following in the #rd Year Final Exhibition Catalogue: "My first love is clay And together with my inspiration Drawn from the landscape, Sea and human gure, I am able to create. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Terracotta handbuilt form with applied marine inspired objects. art, artwork, mullen, julie mullen, ceramics, selkirk prize, ballarat univesity college, available, available ceramics -
Federation University Art Collection
Painting, Neville Bunning, 'Whiskey Distillery at Warrenheip via Dunnstown' by Neville Bunning
Neville BUNNING The whisky distillert was at te foot of Mt Warrenheip. Situated at tje site of a water spring, it later bacame Cottonwood Springs. The Warrenheip breweries near the spring were well established when Mr Henry Brind, opened Brind’s Distillery in 1864. At that tome they claimed to be the first of its kind in Australia, and “the only place where pot stilled whisky was manufactured in the colony.” This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting of an old distillery at Dunnstown.art, artwork, dunnstown, distillery, brinds, available, mt warrenheip, neville bunning -
Federation University Art Collection
Drawing, Klein, Deborah, 'Red Gown' by Deborah Klein, 2003
Deborah KLEIN (1951- ) Born Melbourne Deborah Klein is an established Australian painter and printmaker who completed a Bachelor of Fine Art, Printmaking, Chisholm Institute of Technology, Melbourne from 1982-1984. She undertook a Graduate Diploma from the Gippsland Institute of Advanced Education from 1987 to 1988, and a Master of Arts, (Research), at Monash University, Gippsland Campus from 1995-1997. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing. of a torso featuring a red velvet dress. art, artwork, deborah klein, klein, costume, alumni, available -
Federation University Art Collection
Work on paper - Printmaking, 'Fleeting' by Alexis Beckett, 2004
Alexis BECKETT (1953- _ Born Melbourne Alexis Beckett completed a Diploma of art, Graphic Design; Bachelor of Arts (Fine Arts) with distinction; and a Master of Arts (Fine Arts) by Project all at RMIT. Since 1980 Alexis Beckett has illustrated wildlife for publications produced by government departments and educational publishers, as well as making her own work about human perception and understanding of nature. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print with embossing. art, artwork, alexis beckett, beckett, available, printmaking, embossing, australian print council -
Federation University Art Collection
Painting - Artwork - Painting, 'Triumph of Gutenburg' by Maryanne Coutts, 2002, 2003
Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg -
Federation University Art Collection
Painting, Hill, Peter, [Untitled], 1995
Peter HILL (1970- ) Born Casterton, Victoria. Peter Hill completed a Bachelor of Fine Arts at Ballarat University (now Federation University) from 1989-1991. He was worked as a Secondary School teacher at Dimboola, Casterton & Rainbow between 1993-2004. He completed a Certificate IV in Nursing in 2005 at Horsham, and is currently employed as Enrolled Nurse for West Wimmera Health Services (Nhill). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract paintingart, artwork, peter hill, wimmera campus, horsham campus, horsham campus art collection, alumni -
Federation University Art Collection
Painting - Oil on canvas, Paul Lambeth, 'Untitled [from If I belong here ... series]' by Paul Lambeth, 2009
Paul Lambeth was Head of the TAFE Program at the University of Ballarat when this work was undertaken. It formed part of his Master of Arts (Visual Arts) exhibition in 2009. The purpose of Lambeth's study was to contribute a non indigenous perspective to current discourse on sense of place in contemporary Australia. The research employed a number of strategies to investigate current response to our geographic and historical time position. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract paintingSigned verso 'Paul Lambeth '08'art, artwork, paul lambeth, place -
Federation University Art Collection
Painting - watercolour & body colour, 'Study 1' by Wesley Pemberthy, 1993
Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape. Signed lower right "Pemberthy '93"art, artwork, pemberthy, wesley pemberthy, available, landscape -
Federation University Art Collection
Watercolour, 'Dargo' by Mary Glenane, 1979
Over several years Mary Glenane, Sue Jarvis and John Reid would spend most Saturdays painting together. The work would have been exhibited during one of the dozen or so exhibitions held by Mary Glenane, and purchased by Dr David Alexander for his personal Collection. Mary Hollick (nee Glenane) lectured in Tourism at Federation University until her retirement (c2017) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed watercolour depicting a hilly landscape around Dargo in Gippsland, Victoria. Gift of David Alexander, 2013art, artwork, glenane, mary glenane, mary hollick, available, landscape -
Federation University Art Collection
Painting - Printmaking - Etching, 'The Studio' by Maryanne Coutts, 1996, 1996
Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Etching by Maryanne Coutts showing a corner of the Printmaking Studio at the University of Ballarat, Mount Helen Campus. The etching is presented in an the University of Ballarat Printmaking Artists' Book 1996.art, artwork, maryanne coutts, coutts, artists' book, printmaking, etching -
Federation University Art Collection
Printmaking - Etching, 'As a Detective' by Maryanne Coutts, 1997, 1997
Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Etching by Maryanne Coutts depicting a portrait of a man wearing a hat and glasses. The etching is presented in the 1997 University of Ballarat Printmaking Artists' Book.Signed and dated lower right 'Coutts '97'art, artwork, maryanne coutts, coutts, printmaking, alumni -
City of Greater Bendigo - Civic Collection
Work on paper - Architectural Drawing, City of Bendigo, New Baths at Upper Reserve Bendigo for the Bendigo City Council, 18th November 1912
The 'New' City of Bendigo baths also known as 'The Baths' were opened on 26th February,1913 at a cost of £2000. These baths made use of an existing dam and had men only and ladies bathing areas as well as a 'paddling paddock' for young children. This set of plans is for the Men's Bathing shed which serviced the men's bathing area adjacent to the still existing tennis courts on Barnard Street. In 1958 the Municipal Baths were replaced by an Olympic Pool and £17,000 was raised by public subscription towards this pool’s construction. Ink, pen, pencil and watercolour architectural drawing for the proposed new baths at the Upper Reserve on Barnard Street, Bendigo.New baths / at Upper Reserve Bendigo / for the Bendigo City Council / Elevation facing tennis courts / Elevation of Terminals at A, A, / Elevation facing Barnard Street / This is one of the drawings /referred to in my contract/ dated 18th November 1912 / Signed Robert J Rogers / (unknown) / Mayor Jas Semmensbendigo swimming club, rosalind park, upper reserve bendigo, faith leech memorial swimming pool, bendigo baths, city of greater bendigo community groups -
Melbourne Legacy
Document - Report, Annual Report 1995-2002, 1995 to 2002
Various Annual Reports for Melbourne Legacy incomplete between the years 1995 and 2013. Other annual reports in 00027, 01095, 01096, 01097 and 01099. Included: 01098.1 Junior Legacy, Melbourne Annual Report 1995 01098.2 Junior Legacy, Melbourne Annual Report 1996 01098.3 Junior Legacy, Melbourne Annual Report 1997 01098.4 Junior Legacy, Melbourne Annual Report 1999 1998 missing 01098.5 Legacy, Melbourne Annual Report 2000 2001 missing 01098.6 Legacy, Melbourne Annual Report 2002A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 1995 to 2002 printed A4 size with photos and black type. financial summary, annual summary -
Melbourne Legacy
Document - Document, report, Report to Board Management by Restructures Task Force Dated 6th Septenber 1984
The report makes recomendations to the Board about matters that were discussed earlier in August 1984 (refer to item 00926). The report also notes that change is not always accepted - it takes courage to make change. It is essential to carefully explain the reasons why to all involved with Legacy activities. The change should be done in an orderly manner. The task force makes 23 recommendations to take Melbourne Legacy into the future. Freehand drawn graph, page 1, shows decine of active Legatees to number of widows from 1980 to 2000.Melbourne Legacy accepted that "it would be morally wrong to suddenly and with little warning drop a responsibility". Melbourne Legacy could also see the need for change to survive into the future, and that it was necesary that all those who would be affected by these changes should be made awareof them. Once that goal had been achieved the transition would be made more easily.White A4 paper with black type, 7 page report by the Restructures Taskforce in 1984.Various notations/marks in blue biro. board of management, planning -
Federation University Art Collection
Painting, Lewis Miller, 'Untitled' by Lewis Miller, 2005
Lewis MILLER (1959 - ) Born Melbourne, Victoria Lewis Miller is a figurative and still life painter. He painting from life and close observation. He trained and completed post graduate studies at the Victorian College of the Arts, where he also completed his post graduate studies. Miller won the Archibald Prize in 1998 and has been a finalist seventeen times. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of half an apple. 'Untitled' by Lewis Miller was exhibited in a travelling exhibition called 'Imaging the Apple' which toured from 2004 to 2005.art, artwork, lewis miller, miller, apple, fruit, imaging the apple, still life