Child's christening ensemble worn by Philip ('Pip') Smith at his christening. Grandson of Stephen Robinson & Elizabeth Jane Hartnell of 'The Dene' & 'Overdale', Kilmore East. Three daughters - Elsie, Esme & Monica. Their daughter Monica Fleck Turner (1899-1990) m. Albert Smith (1890- 1951) in 1926. Phillip born 1928, d. 2006 at Seymour. Buried Fawkner Cemetery. Clothing from early Kilmore families.Child's christening dress, coat & Bonnet, silk, embroidered. All in very good condition, despite yellowing. TEX-51.1 Dress TEX-51.2 Coat TEX-51.3 Bonnetchild, christening, turner collection

This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing

This dress belonged to Alice Frances Henty (1852-1932) the youngest daughter of Francis Henty (1815-89) and his wife Mary Ann Henty [nee Lawrence] (1821-81). It is recorded that Alice wore the dress at the age of six. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Girl's two-tone, one-piece cotton voile dress from the 1850s has a high round neck and short sleeves has a lace insert on the front of the bodice and matching lace at the rear. The layered skirt is bordered with lace. Measurements (mm): Girth - Neck 609.6, Chest 635, Waist 558.8, Cuff 203.2, Hem circumference 2108.2. Vertical - Front neck to hem 685.8, Front waist to hem 508, Back neck to hem 723.9, Back waist to hem 534.4, Sleeve length 63.5. Horizontal - Neck to sleeve head 38.1, Cross back 304.8, Underarm to underarm 406.4.fashion -- 1850s, children's clothing, alice frances henty

This bridesmaid's dress was owned and first worn in 1875 by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn at the marriage of her friend Miss Hopkins to Mr ST Staughnton in 1874. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An ivory silk skirt and matching jacket worn by Alice Henty, aged 22, at the marriage of her friend Lizzie Hopkins and S.T. Staugnton in 1874. The ivory silk satin peplum jacket is boned, tailored, and fitted with many princess line panels. The front closure has handmade embroidered buttonholes and covered buttons. The collar and sleeves are decorated with gathered silk tulle frills. The peplum back features a silk cord bow decoration. The skirt with bustle and train features a central panel with hand ruching and silk satin piping. It is decorated with five rows of pleated silk tulle frills. Measurements (mm): PEPLUM JACKET Girth - Neck 317.5, Chest 914.4, Waist 698.5, Hip 965.2, Cuff 279.4, Hem circumference 1168.4. Vertical - From neck to hem 558.8, Front waist to hem 254, Back neck to hem 838.2, Back waist to hem 241.3, Sleeve length 279.4. Horizontal - Neck to sleeve head 165.1,Cross back 292.1, Underarm to underarm 393.7. SKIRT Girth - Waist 635, Hip 914.4, Hem circumference 3810. Vertical - Front waist to hem 1092.2, Back waist to hem 1701.8. fashion -- 1870s, alice frances (henty) hindson, women's clothing, bridesmaid's dresses

This hand embroidered fire screen was embroidered by Winifred Caroline Henty Hindson (1887–1967), Elsie May Eliza Hindson (1880–1968) and Louisa (Louie) Charlotte Frances Hindson (1885–1963) three of the daughters of Alice Henty and John Hindson. Their grandfather, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century. Multicoloured silk embroidered floral composition on a black fabric background created by Louisa, Elsie and Winifred Hindson. The embroidery is held behind glass and is protected by blackened wood at the back. The screen is suspended in an ebonized and gilded frame with two rows of spindle decoration. fire screens, women's work, embroidery - 20th century, elsie hindson, louisa hindson, winifred hindson

"In 1839 John Dight purchased Melbourne block 88, which included 26 acres of land along the Yarra River for £481 at the Port Phillip land sales held in Sydney. Dight was already in the business of flour milling and had a mill near Campbell Town in New South Wales called ‘Ceres’. In April 1840, he notified his customers through The Sydney Herald that he was leaving to go to Port Phillip. The first steam powered flour mill was constructed in Melbourne in 1841. Dight built his water powered mill, soon after, from bricks bought over from Tasmania. Dight used the river to power his mill: Water flowed along an inlet channel to turn an undershot water wheel. In order to regulate flow or to ensure flow for times when river levels were low, Dight constructed a rough stone weir. " (https://www.melbournewater.com.au/whatwedo/projectsaroundmelbourne/Documents/A_Short_History_of_Dights_Falls_Fact_Sheet.pdf) This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An engraving of Dight's Mill on the Yarra. The image was originally published in Sands & Kenny, Melbourne & Sydney. Dorothy Rogers reproduced the print in 'A History of Kew' (1973). It faces page 8.Published by Sands & Kenny, Melbourne & Sydney, 1856dight's mill, dorothy rogers, dight's falls, yarra river, kew, john dight

"In 1839 John Dight purchased Melbourne block 88, which included 26 acres of land along the Yarra River for £481 at the Port Phillip land sales held in Sydney. Dight was already in the business of flour milling and had a mill near Campbell Town in New South Wales called ‘Ceres’. In April 1840, he notified his customers through The Sydney Herald that he was leaving to go to Port Phillip. The first steam powered flour mill was constructed in Melbourne in 1841. Dight built his water powered mill, soon after, from bricks bought over from Tasmania. Dight used the river to power his mill: Water flowed along an inlet channel to turn an undershot water wheel. In order to regulate flow or to ensure flow for times when river levels were low, Dight constructed a rough stone weir." (Melbourne Water)Dights Mill. Reproduction of a book plate from an original wood engraving, showing Dights Mill and Falls on the River Yarra. The image was originally published in Sands & Kenny, Melbourne & Sydney.Annotation on reverse: "Dights Flour".dights mill, yarra river

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of a punt docked up onto Churchill Island. Usually used between San Remo and Newhaven, it was repurposed by Harry Jenkins.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1941. THE OLD PUNT USED TO TAKE CARS AND TRUCKS ACCROSS[sic] FROM SAN REMO TO NEWHAVEN. BORROWED BY HARRY JENKINS TO BRING THE TRACTOR AND OTHER ITEMS ACCROSS FROM PHILLIP ISLAND'churchill island, punt

St Kilda's Edge postcard showing people near the Catani Arch, St Kilda foreshoreblack and white postcard, original, unmountedSt Kilda's Edge. St Kilda foreshore, Melbourne's favourite seaside playground for 150 years. St Kilda's Edge is making sure it stays this way. Photo: Catani Arch, St Kilda Foreshore, Melburne, Australia, 1916. Port Phillip City Collection

Of Pleasant Creek Stawell Hospital. Sent back from France for safe keeping by nurse May Booth Large group of men and women on steps of Pleasant Creek Hospital StawellSt Aubin W J Chapman Stawell France 28-12-18 Mr Edhouse Mr Geo Barnes Mr Bell Mr Irvine Mr Smith Mr Phillips Mr Munt (Brewery Owner) (Secretary) Mrs Fox Geo Mitchellhospital, ww1, medical, nursing

Rectangular wooden honour board with a golden brushed metal plate on the front with black engraved text reading:WANGARATTA HIGH SCHOOL This plaque commemorates the official opening of the Performing Arts Centre By Hon Bronwyn Pike MP Minister for Education On Friday, 21 May 2010 This project was funded by the Victorian Government Principal Heather Sarau School Council President Phillip Haines

.1 SEPIA PHOTOGRAPH OF CLUNES UNITED QUARTZ MINE .2 BLACK AND WHITE PHOTO PRINT .3 SMALL BLACK AND WHITE PHOTO PRINT WITH HISTORY WRITTEN ON BACK BY F C WEICKHARDT .4 SMALL BLACK AND WHITE PHOTO PRINT .5 SMALL SEPIA PRINTCLUNES UNITED QUARTZ MINING COMPANY, REGISTERED, CLUNES. WITH HANDWRITTEN NOTES: LOOKING FROM NORTH SIDE OF CREEK NEAR PORT PHILLIP HILL OVER LOWER FRASER STREET VARIOUS NOTATIONS INCLUDING LOCATION OF BUILDINGS, INCLUDING ALBION HOTEL, CRITERION HOTELlocal history, photography, photographs, mining

Photo of two trams crossing each other at Carlton St loop, out of sequence running, normally crossed at Gardens loop Typical of the operation and the street scene at the time. The background trees were later removed.Bogie tram 36 and single trucker (20) crossing at Carlton St. Loop, early 1970's. View looking down track, towards south. No. 36 with Mt Pleasant destination, and No. 20 with Gardens via Sturt St. West on western track. Trees full with leaves. Note V crossing of frog, one made up by SEC? No. 20 has Twin Lakes sign under headlight. Image not square onto photo paper. 358.1 - duplicate copy from William F Scott, smaller print. 358.2 - as above - but mid size print.358.1 - On rear in ink "SEC Ballarat Tramways. Cars on Carlton Street loop, just outside the southern entrance to the Botanical Gardens" and in pencil "Christopher D Phillips, 113 Windermere Street Ballarat (053) 31 6075" and "12/1967" 358.2 - "44)" in top left hand corner, William F Scott address label in bottom right hand corner, trimming marks top and bottom. Label centrally, "photo page 40, Reduce to 5 1/2" and 3 1/4" " and along bottom :Ballarat Tramways (SEC) Christopher D Phillips "28.12.1967"trams, tramways, ballarat, carlton st., wendouree parade , tram 36, 20

Standing L-R: Phillip Shillinglaw, Elizabeth Docherty (nee Shillinglaw), John Docherty, Florence May Bunker (nee Shillinglaw), possibly Alice Balmira Aldous, Ernest Samuel Shillinglaw Kneeling: Caroline (Carrie) Watson (nee Shillinglaw), Mary Ann Shillinglaw Seated: Ann Shillinglaw with possibly Phillip Alan Bunker on knee, Elizabeth (Lizzie) Ann Shillinglaw and possibly Edward Ernest Bunker, possibly Ethel Vera Aldous (in front), either Sarah Aldous or Caroline Shillinglaw, Ada Maria Shillinglaw with possibly Ethel Myra Bunker The date on the back in very feint pencil appears to be "Jany 1st 1909" Possible that the woman between Mary and Ada (clearly Phillip's sister) currently identified as Caroline Shillinglaw may actually be her elder sister Sarah Aldous nee Shillinglaw and that the girl behind her is her youngest daughter Ethel Vera Aldous who would have been 11 at the time. Or it could be Alice Balmira Aldous who was 14 at the time and Ethel Vera is the girl lying in front. The other possibility is that the date is not 1909 and the three youngest are all Bunker children. PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, 1909, ada maria chrisfield (nee shillinglaw) 1889-1974, ada maria shillinglaw (1889-1974), alice balmira aldous poss, ann shillinglaw (1861-1940), caroline (carrie) watson (nee shillinglaw) 1876-1956, edward ernest bunker poss, elizabeth (lizzie) ann shillinglaw (1879-1972), elizabeth docherty (nee shillinglaw 1861-1942), ernest samuel shillinglaw (1888-1958), ethel myra bunker poss, ethel vera aldous poss, florence may bunker (nee shillinglaw) (1886-1969), john docherty, mary ann shillinglaw (1880-1963), phillip alan bunker poss, phillip shillinglaw (1842-1914), sarah aldous or caroline shillinglaw poss

The Batman Deed is sometimes called the Batman Treaty, the Dutigullar Deed, the Dutigullar Treaty or the Melbourne Deed. The deeds had been drafted by JT Gellibrand, a leading lawyer in the colony. Batman's Treaty was a document signed on 6 June 1835 by John Batman, an Australian grazier, businessman and explorer, and a group of Wurundjeri elders, for the purchase of land around Port Phillip, near the present site of the city of Melbourne. The document came to be known as Batman's Treaty and is considered significant as it was the first and only documented time when Europeans negotiated their presence and occupation of Aboriginal lands directly with the traditional owners. The so-called treaty was implicitly declared void on 26 August 1835 by the Governor of New South Wales, Richard Bourke. The original Batman Deed is of enormous significance to the history of the European settlement of Victoria. Framed print of the Batman Deed, dated 1835. This is a printed copy of the Batman Deed, made in 1966 from the 'original' by the State Library of Victoria. The frame is wood. The document consists of handwritten text in black ink with eight signatures in the lower right hand side and three signatures in the lower left hand corner. It has been signed by John Batman beneath the eight signatures.document batman-deed melbourne

Caroline (Carrie) Shillinglaw was the third child of Phillip and Sarah Shillinglaw, born 29 February 1876 in Bundoora. She commenced school at Eltham State School No. 209 in Dalton Street in April 1882. She married Christopher Watson on 23 Oct. 1907. Christopher Watson was son of Christopher Watson Jnr, the owner of Watson's Hotel on the corner of Pitt Street and Maria Street (Main Road).caroline shillinglaw, caroline watson (nee shillinglaw), caroline (carrie) watson (nee shillinglaw 1876-1956), carrie shillinglaw

One of a collection of photographs donated by Nancy McHaffie Rankine McHaffie (John Rankine McHaffie) 1st cousin to Noel Wemyss McHaffie, both grandsons of John David McHaffie (first permanent European settler of Phillip Island). Enlisted WW1 as sapper in Field Company Engineers (service number 19907) and embarked from Melbourne in ship HMAT Nestor A71 on 21 November 1917.Sepia photograph of Rankin McHaffie, the son of Quinton McHaffie.On back: Rankin McHaffie - son of Quinton McHaffie.rankin mchaffie, mchaffie family, quinton mchaffie, n mchaffie

Family Group photos from an album belonging to Leslie Beard who married Lois Wright. The donor/relative suggests that the older group would most likely be St Phillips Church of England, Hoddle Street, Collingwood picnics, and the smaller groups of Lois' family. Two photos are marked as at Eltham 2nd November 1920. Photo 5 with fence line is marked as Heidelberg 19209 small black and white photographs with white borders. 2 are cut from a photo album with captions and explanatory letter from Donor Dulcie Mugavinleslie beard, lois wright, beard family, picnics, eltham

Family Group photos from an album belonging to Leslie Beard who married Lois Wright. The donor/relative suggests that the older group would most likely be St Phillips Church of England, Hoddle Street, Collingwood picnics, and the smaller groups of Lois' family. Two photos are marked as at Eltham 2nd November 1920. Photo 5 with fence line is marked as Heidelberg 19209 small black and white photographs with white borders. 2 are cut from a photo album with captions and explanatory letter from Donor Dulcie Mugavinleslie beard, lois wright, beard family, picnics, eltham

Family Group photos from an album belonging to Leslie Beard who married Lois Wright. The donor/relative suggests that the older group would most likely be St Phillips Church of England, Hoddle Street, Collingwood picnics, and the smaller groups of Lois' family. Two photos are marked as at Eltham 2nd November 1920. Photo 5 with fence line is marked as Heidelberg 19209 small black and white photographs with white borders. 2 are cut from a photo album with captions and explanatory letter from Donor Dulcie Mugavinleslie beard, lois wright, beard family, picnics, eltham

Family Group photos from an album belonging to Leslie Beard who married Lois Wright. The donor/relative suggests that the older group would most likely be St Phillips Church of England, Hoddle Street, Collingwood picnics, and the smaller groups of Lois' family. Two photos are marked as at Eltham 2nd November 1920. Photo 5 with fence line is marked as Heidelberg 19209 small black and white photographs with white borders. 2 are cut from a photo album with captions and explanatory letter from Donor Dulcie Mugavinleslie beard, lois wright, beard family, picnics, eltham

Family Group photos from an album belonging to Leslie Beard who married Lois Wright. The donor/relative suggests that the older group would most likely be St Phillips Church of England, Hoddle Street, Collingwood picnics, and the smaller groups of Lois' family. Two photos are marked as at Eltham 2nd November 1920. Photo 5 with fence line is marked as Heidelberg 19209 small black and white photographs with white borders. 2 are cut from a photo album with captions and explanatory letter from Donor Dulcie Mugavinleslie beard, lois wright, beard family, picnics, eltham

Family Group photos from an album belonging to Leslie Beard who married Lois Wright. The donor/relative suggests that the older group would most likely be St Phillips Church of England, Hoddle Street, Collingwood picnics, and the smaller groups of Lois' family. Two photos are marked as at Eltham 2nd November 1920. Photo 5 with fence line is marked as Heidelberg 19209 small black and white photographs with white borders. 2 are cut from a photo album with captions and explanatory letter from Donor Dulcie Mugavinleslie beard, lois wright, beard family, picnics, eltham