Showing 4776 items matching " table"
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Melbourne LegacyPhotograph, Legacy 50th Anniversary, 1973
Photos of the 50th Anniversary Dinner on 6 October 1973 held at Chaucers. It shows a table with Ivan Layton and Matron Vivian Bullwinkel. Ivan was the CEO of Legacy for 30 years. Matron Bullwinkel was a good friend of his. The wellness centre at Legacy House was named after Vivian Bullwinkel in 2020. An electronic copy of the article that appeared in Mufti 2022 is included here which features her life and service. Photos came from an envelope marked P1 Federal Conference 1973 / 50 Year anniversary / 1983 Morewell / 1973 Legacy March ANZAC Day, 50 yr celebration, inclusion in ANZAC Day March authority of RSL". See items 00451,00452,00453, 00391. A record of a dinner marking the 50th anniversary of Legacy during the Golden Jubilee year 1973.Black and white photo of a dinner for the 50th anniversary of Legacy in 1973.Both stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink. Label on front says "Ivan Layton and Matron Vivian Bullwinkel"golden jubilee, 50th anniversary, ivan layton, vivian bullwinkel -
Disability Sport & Recreation VictoriaTournament program, First Australian Paraplegic Games 1960 - Official Programme, March 1960
This booklet contains the official program for the First Australian Paraplegic Games, held in March 1960 in Albert Park, Melbourne. The disabled sports movement which began in the United Kingdom at the Stoke-Mandeville Hospital gradually worked its way to Australia. The attempt to create a sporting movement for people with permanent spinal injuries was seen in terms of opening up opportunities for paraplegic and quadriplegic persons, while also acting as part of their physical and mental rehabilitation. Doubling up as a selection meet for the 1960 Rome Paralympics, the tournament included the following events. FIELD - Javelin and precision javelin - Shot Put - Club Throwing ARCHERY AND DARTCHERY WEIGHT LIFTING TABLE TENNIS BASKETBALL SABRE FENCINGEight page booklet -
Ballarat Tramway MuseumAdministrative record - Ballarat, State Electricity Commission of Victoria (SECV), "Traffic Statistics for four months period", 2/1952
Set of four typed documents dated 23/2/1952: Appendix A - All routes and Sections - Adults Appendix B - City to Sebastopol and other routes Appendix C - One section on all routes and city sections Appendix D - Summary of comparisons with average for previous two years. Sets out tables for 1947/48, 1949/50 and 1951/52. Gives information on tickets and transfers issued, weekly tickets, tourist tickets issue, scholar's tickets issued, passengers, tram mileages, revenue, revenue per car miles, average fare per passengers, passengers per car miles, and misc. revenues - papers, parcel tickets and special chartered trams.Yields information about the type of traffic reports prepared by the SECV Ballarat to provide detail of passengers carried, tramcar mileages, and statistics.Set of four large format sheets, heavily creased, typed originals.tramways, ballarat, reports, traffic, weekly tickets, transfer tickets, secv, revenue, statistics -
Ringwood and District Historical SocietyPhotograph, First Communion Party in Catholic Church Hall, Ringwood in 1930
First Communion Party in Catholic Church Hall, Ringwood in 1930 - Black and White PhotographNo identification on photograph but catalogue cards reads, "c1930. First Communion Party - Catholic Church - Catholic Church Hall, Ringwood. Centre door, lady in front, next to table, V-neck dress, 3rd lady RHS of priest is Mrs. Maud Matlock, mother of Ted Matlock. She died when Ted was only 14. Lady with beret RHS of middle door is Mrs. George Pratt. Photograph a copy of photo of Ted Matlock's see Pratt packet for Pratt history". -
Eltham District Historical Society IncPhotograph, Rose Fielding's birthday celebration at Bentleigh Public Hall, Centre Road, East Bentleigh, 1973
Margaret Rose Teagle was born 8 June, 1912 at Sandringham, Victoria. She married Kenneth Douglas Ingram in 1935 but the mariage ended in divorce in 1944. She subsequently married Richard Fielding in 1948. Rose was diagnosed with cancer and died 30 November 1978. It is understood that this photo was taken shortly before she became ill. L-R: Leslie John Teagle (never married), Julie Ingram (bare back, daughter of Kenneth Albert Ingram), Edwin 'Ted' Layfield (nee Teagle), ? , Vicki Weeks (standing green top), Lorraine Layfield, rest unidentified except Rose Fielding at end of table on far right. Vicki Weeks is 1st cousin one removed to Pam Thoonen.Processed Nov 1973pam thoonen (nee ingram) collection, bentleigh public hall, birthday celebration, edwina (ted) layfield (nee teagle), julie ingram, leslie john teagle, lorraine layfield, margaret rose fielding, vicki weeks, margaret rose fielding (nee teagle) -
Flagstaff Hill Maritime Museum and VillageOptometer Stands, Early 19th Century
Optometrists are trained to examine eyes and prescribe visual aids such as spectacles. The optometer pictured in the media section of this document dates from the 1800s. The optometer was used with various lenses to determine the refraction of the eye. Refraction means the extent to which light is bent by an individual's eye. The result can determine how short-sighted or long-sighted they are, and the strength of spectacles required. In the second half of the 1800s, ophthalmologists also devised instruments to measure the separate components of vision. Dr Jules Badal developed the pictured instrument in 1876. It was based on an optometer invented by William Porterfield in 1759. The brass stands look as though they were made for an optometer to be table mounted, with heavy brass stands and designed to hold a cylindrical object securely as would be required by an optometer. Stands appear to have been very well made and very early probably early to mid 19th Century by a well known scientific instrument maker given there are no inscriptions or marks to indicate the time period made or maker it is difficult to assume significance to these items at this point in time as well as the items are incomplete.The brass stands believed to be for mounting an early Optometer an (ophthalmic instrument) Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, stands for scientific instrument -
Federation University Historical Collection
Booklet, Rider & Mercer, The School of Mines, Ballaarat, Annual Report 1885, 1886
The School of Mines Ballaarat Annual Report 1884. Annual Report, Balance Sheet, Certificates Granted by the Council, Fees, Honorary Correspondents, Life Governors, Museum - open to Visitors', Office Bearers, Report of the Curator of the Museum and Library, Report of the Superintendent of Laboratories, Report of the Lecturer in Mathematics, Report of the Lecturer in Mechanical Engineering, Report of the Lecturer in Electricity and Magnetism, Report of the Lecturer in Telegraphy, Report of the Lecturer in Botany, Report of the Lecturer in Materia Medica and Physiology, Report of the Lecturer in Astronomy, Scale of Charges for Assays and Analyses, Examinations Held, Statement of Receipts and Expenditure for the year 1885, Statement of Receipts and Expenditure for Special Funds, Subjects and Lecturers, Subjects and Examiners, Subscriptions and Donations from 1st January to 31st December 1885, Time TableSoft covered pale grey booklet of 72 pages.annual report, balance sheet, certificates granted by the council, fees, honorary correspondents, life governors, museum, officer bearers, report of the curator of the museum and library, report of the superintendent of laboratories, report of the lecturer in telegraphy, report of the lecturer in mechanical engineering, report of the lecturer in electricity and magnetism, report of the lecturer in botany, report of the lecturer in materia medica and physiology, report of the lecturer in astronomy, scale of charges for assays and analyses, examinations held, statement of receipts and expenditure for the year 1885, statement of receipts and expenditure for special funds, subjects and lecturers, subjects and examiners, subscriptions and donations from 1st january to 31st december 1885, time table, james oddie, esq., j.p., alf. mica smith, lecturer in chemistry, natural philosophy and botany, f. m. krause, lecturer in geology, scientific mining, land, mining and engineering surveying, t. h. thompson, lecturer in practical mining, john sommers, lecturer in mechanical engineering, henry sutton, lecturer in mechanical applied electricity and magnetism, henry j. hall, freehand drawing, a. a. buley, lecturer in mathematics, w. d. campbell, lecturer in telegraphy, j. f. usher, lecturer in materia medica, pharmacy and physiology, george day, lecturer in botany, john wall, lecturer in astronomy, charles kent, auditor, andrew berry, registrar, alfred mica smith, james oddie, ferdinand krause, t.h. thomson, john sommers, nery sutton, w.d campbell, telegraphy, henry hall, george day, john wall, j.f. usher, charles kent, andrew berry, a.a. buley -
Federation University Historical Collection
Book - Annual Report, Berry, Anderson & Co, Ballarat School of Mines Calendar Year 1901-02 with Annual Report and Balance Sheet for 1900, 1901
Calendar and Annual Report 1901-02, Associateship and Final Certificates, Calendar for 1902, Certificates issued during 1900 in Metallurgy of Gold and Ore Dressing, Discipline, Discipline Board, Fees, Full Certificates Issued, General Regulations, Honorary Correspondents, Meteorological Observations, Office Bearers, Passes Obtained since 1892 in Final Examinations, President's Annual Report, Professors and Lecturers, Results of Examinations Conducted by Education Department 1900, Statement of Receipts and Expenditure for Year 1900, Statistics - Students Attending Lectures, Subscriptions and Donations, Subjects Included in Regulations Technical Schools, Subjects of Instruction - Department of Chemistry and Metallurgy, Geological Department, Engineering Department, Electrical Department, Department of Mathematics and Physics, Practical, Plane and Solid Geometry, Photography, Time Table 1) 05225.1 Ballarat School of Mines Calendar for the Year 1901-02 with Annual Report and Balance Sheet for 1900, Pale grey soft cover, 93 Pages 2) 05225.2 Ballarat School of Mines Calendar for the Year 1901-02 with Annual Report and Balance Sheet for 1900, Pale grey soft cover, 93 Pages Images include: Senior Members of Staff, Interior of Museum, Balance Rooms, Engineering Lecture Room, Part of Cyanide Plant, Senior Chemistry Laboratory, Chemistry Lecture Room, Assay Laboratory, Junior Chemistry Laboratoryannual report 1901-02, andrew anderson - president, r. denham pinnock - vice president, hon. r.t. vale - vice president, the hon. john warrington rogers - trustee, the right reverend samuel thornton bishop of ballarat - trustee, james millhinch bickett - trustee, james oddie - trustee, the hon. henry cuthbert - honorary solicitor, r. g. middleton - honorary treasurer, thomas s. hart - curator of museum, chas. kent - auditor, fred j. martell - director, professor alfred mica smith, daniel walker, hubert r. murphy, charles a. deane, percy r. osborne, arthur garrad, thomas evans, douglas a. runting, ernest trend, thomas s. hart, g. stephen hart, professor g. j. dawbarn, a. e. c. kerr, herbert krause, henry j. hall, john m. sutherland, kerr grant, j. f. usher, chas, e. campbell, charles kent - auditor, chemistry laboratory, assay laboratory, electricity lecture room, charles kent, cyanide plant, judge warrington rogers, john warrington rogers, samuel thornton, james bickett, thomas hart, t.s. hart, henry hall, charles campbell, j.m. sutherland -
Vision AustraliaAward - Object, Lewbury, Melbourne Red Cross Younger Set Memorial Swish trophy, 1975-1978
A metal cup engraved with 'Melbourne Red Cross Younger Set' sits on top of a plastic base, which has a dark coloured plate attached to the front side. On the front plate is engraved "Memorial SWISH - Trophy, Commemorating Annual Contests between the R.V.I.B. and Younger Set Teams". On the rear side are engraved the winners of the trophy: 1975 - RVIB, 1976 - RVIB, 1977 - RVIB, 1978 - MRCYS. The Melbourne Red Cross Younger Set were an auxiliary of RVIB that helped provide awareness and raised funds for services. Swish is a form of table tennis that is played without sight. The ball contains a bell and is hit with a rectangular bat under the board that acts as a net. This cup represented the annual game between the Auxiliary and RVIB players.1 pewter cup resting on top of a plastic platform with an engraved plate Memorial SWISH - Trophy, Commemorating Annual Contests between the R.V.I.B. and Younger Set Teams 1975 - RVIB, 1976 - RVIB, 1977 - RVIB, 1978 - MRCYSnameplates, royal victorian institute for the blind -
Melbourne LegacyPhotograph, 70th Anniversary - Sir 'Weary' Dunlop and Clive James, 1993
According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00751 and 00753). The event was reported in The Answer in March 1993. 00752.1 Weary Dunlop and Clive James 00752.2 A colour photo of the high table at the event, including Weary Dunlop and Clive James with President J. D. Stevenson on the far right.A record of a function to commemorate the 70th Anniversary and launch Clive James as 'Personality of the Year' in 1993.Black and white photo of Weary Dunlop and Clive James and a colour photo of the Legacy breakfast.70th anniversary, dunlop, clive james -
Merri-bek City CouncilFour-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, Gracia Haby and Louise Jennison, Turning the Tables on Alfred Court, 2013
Gracia Haby and Louise Jennison have been creative collaborators since 1999, working together to make artist books, zines, collages, drawings, prints and stories. In this artwork, the animals have the upper hand. They are turning the tables on French acrobat, circus owner, and animal trainer, Alfred Court (1883-1977). In 1925, Court's menagerie boasted a collection of 25 lions, 8 tigers, 9 hyenas, 7 wolves, 3 cougars, 12 polar bears, 16 panthers and leopards, 5 jaguars, 2 cheetahs, and an extensive assemblage of exotic animals, including antelopes, llamas, and camels, alongside several monkeys, porcupines, and mongooses. Haby and Jennison’s collaboration explores their mutual fascination with the adaptable possibilities of paper and found images. -
Kew Historical Society IncClothing - Protective Wear, Apron, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Handmade apron created out of a blue and white dress fabric that has a pattern of leaves. The apron is highlighted with red braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion 1950s -
Kew Historical Society IncClothing - Protective Wear, Pinafore, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Brigtly coloured pinfaore using a representative 1950s fabric with a design of kitchen items in different coloursprotective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion 1950s -
Kew Historical Society IncClothing - Protective Wear, Apron, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pink and white cotton apron highted with blue braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Kew Historical Society IncClothing - Pinafore, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Olive green and white pinafore decorated on the bodice with yellow braid. protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Kew Historical Society IncClothing - Protective Wear, Apron, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Multicoloured cotton apron using a fabric design employing floral emblems and figurative detail. The apron is hemmed with a pleated fabric of a different colouraprons, protective clothing, handmade clothing, costume accessories, lisa sylvan -
Kew Historical Society IncClothing - Protective Wear, Apron, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan -
Kew Historical Society IncClothing - Protective Wear, Apron, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pleated pink and white striped cotton apron interspersed with bands of a separate blue and white fabric.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan -
Kew Historical Society IncClothing - Protective Wear, Pinafore, 1960s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.One of three single piece commercialy produced pinafores, each in a different size.protective clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s -
Kew Historical Society IncDecorative object - Hand Towel, 1950s
One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work -
Kew Historical Society IncClothing - Protective Wear, Pinafore, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Navy blue and white pinafore picked out with sections of plain blue fabric on the pocket, waist and bodice.Label: "Taniwha / Quality Will Tell"protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s -
Kew Historical Society IncClothing - Pinafore, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pinafore using a fabric coverd with an abstract design in bue, pink and yellow. A plain pink cotton fabric is used to decorate the pocket and the shoulders.Label: "Admiration / All Cotton"protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s -
Ballarat Heritage ServicesPhotograph, Former Kurting Mechanics' Institute, Victoria, 2016, 10/01/2016
Kurting. Mechanics' Hall OFFICIAL OPENING. SUCCESSFUL FUNCTION. Favored by beautiful weather, the official opening ot the new Mechanics' Hall erected at Kurting proved an entire success. There was a large attendance ol local and district residents, and a sports meeting held during the afternoon in aid of Red Cross funds resulted in a substantial amount being netted. The hall, which stands on ground generously donated by Mr J. Hogan, between the school and the creek, is a substantialyvconcrete building of pleasing design, and was erected at a cost of about £330 by Mr J. H. Secombe, who also materially assisted the committee in the matter of finance. It is 48ft. long by 24ft. wide, with 12ft, walls, and should prove equal to the needs of the district for many years to come. It is well ventilated, and has large windows, these opening outwards on hinges. Doors at each side, and the back, as well as in front, give free means of access, while a fireplace in the back allows of provision being made for supper arrangements, water being laid on from a tank. Provi sion has been made for the partitioning off ot portion of the hall at any time this may be considered desirable. To provide a stage eight tables of a uniform size have been constructed to fit across the width of the hall. By these it will be possible, when euchre parties are being held, to use the full length of the hall. ... (Inglewod Advertiser, 19 July 1918) and also to convert tiie "stage" into card tables. The committee still has work ahead in the provision of a ceiling for the building and seating accomodation, but there is no doubt that the public support accorded them will be sufficient to enable these matters to be dealt with in the near future. A fine floor has been put down.Photographs of the former Kurting Hall, Victoria.kurting, kurting hall, john hogan, kurting mechanics' institute -
Federation University Historical CollectionBook, Old England: a pictorial museum of Regal, Ecclesiastical, Baronial, Municipal and Popular Antiquities, 1860 (exact)
Charles Knight is an English publisher and author. He was born at Windsor in 1791, and died in 1873 at Addlestone, Surrey. This book covers the period of English history from pre Roman times to the Industrial age. It shows how life was like in old England in regards to people, places, architecture and fashions, etc. The book contains 1000's of wonderful engravings, hand coloured plates beside 100's of pages of text contained in one volume. A large leather brown/gilt cover book with black leather bound and corners. 392 p. with coloured and b/w illustrations. It includes a table of contents of volume 1, 18 illuminated engraved (colour) plates, indexes to the engravings at the end of the book. 'Old England' gilt decoration on spine. The book shows how life was like in old England in regards to people, places, architecture and fashions, etc. from Roman times through to Industrial age. The book is published in two volumes, the book in hand contains volume 1 only.A plate inside front cover titled "Ballarat Technical Art School Library No. R/170"travel, customs, and, great britain antiquities, old england history, great britain description, the british period, the roman period, the anglosaxon period, regal baronial antiquities, ecclesiastical antiquities, great, britain social, life, charles knight, tomb of mary queen of scots, rochester castle -
Federation University Historical CollectionPhotograph, Richards & Co, Ballarat Junior Technical School War Effort, 1915, 1915
The Ballarat Junior Technical School was established in 1913, and was a division of the Ballarat School of Mines. According to 'The Australasian' of 31 July 1915 sixty students of the Ballarat Junior Technical School made all the items depicted in the photograph.Black and white photograph mounted onto a brown card showing the interior of the Ballarat School of Mines Carpentry Building. It shows the war efforts of Sloyd students at the Ballarat Junior Technical School. Numerous foot stools, foot warmers, tables and seats were made by student to send to the front during World War One. Teacher Albert Steane stands on the left (2nd to the left of the Red Cross sign). From the second timber support beam V. Maddison stands 4th to the right and F.N. Ling 6th to the right of the beam. ballarat school of mines, ballarat junior technical school, world war one, world war 1, world war, red cross, albert steane, v. maddison, fn king, war effort, home front, trade, steane, sloyd -
Bendigo Historical Society Inc.Document - PHOTOGRAPHS: MOORHEAD FAMILY/VAHLAND BUST
Photographs: Moorhead family/Vahland Bust. The enclosing envelope titles this as relating to the ''Morshead Family'' (sic) and ''D Moorshead -grandson of W C Vahland'' (sic). Also, hand-written on envelope: ''…with Vahland relation from Germany'', and ''with Vahland Bust at Dudley House'' - Exterior photo of group actually outside the Capital Theatre, not Dudley House. Two photos of seated woman (relation from Germany??) beside table with bust of Vahland on it; one photo of group of family and visitor/relation from Germany - three females and three males in group outside Capital Theatre..person, individual, moorhead family -
Bendigo Historical Society Inc.Document - HANDWRITTEN PAPER ''THE WESLEYANS'': AUTHOR: BEV O'SHEA
Handwritten 11 paged Paper on ''The Wesleyans'' - author: Bev O'Shea submitted for 'Australian History' (where??); date? With specific reference to the Bendigo area including ref to - James Jeffrey; Sir John Quick; Laurel Street church history; schooling and education; School No 279 Golden Square; Wesleyan Chapel Reserve; School No 1189 Golden Square; Table of various church denominations with their number of churches, buildings, accommodation and number usually attending (no date provided); post-1873 Education Act; 'rules' of living for Methodists; current situation. Bibliography.Bev O'Sheachurch, history, golden square wesleyan, methodist. laurel street. sir john quick. james jeffrey. bev o'shea. golden square wesleyan church. -
Bendigo Historical Society Inc.Book - LYDIA CHANCELLOR COLLECTION: 'A BIT O' WORN KHAKI AND OTHER POEMS.'
A small white paperback volume with a cover attached by yellow ribbon and covered by tissue paper. Its title is, 'A Bit o' Worn Khaki and other Poems,' by Fred P. Morris.' Above the title is an illustration of a woman sitting at her table with her cat and an open window beside her. Beneath the illustration are the words, 'They sent me home his Bible And a bit o' worn khaki.' Eaglehawk : F.P. Morris, Barrell Street. Melbourne : M.L. Hutchinson, 305-7 Little Collins Street. Bendigo : A.M. Drummond, Arcade Press. 52 p.Fred P. Morrispoetry, war, lydia chancellor, collection, war, poetry, war poetry, poems, literature, book, books -
Bendigo Historical Society Inc.Document - BASIL MILLER COLLECTION: EASTER MONDAY, 11 APRIL 1966, c1966
Typed document. Heading: Easter Monday 11 April 1966. Body: Bogeys Golden Square, approx 11-05 to Nth every 15 mins. No midday special. Specials in to service. Turn Back card? Collect time table for issue to pm. Shift. a'b'c'' specials to shunt at Mollison street at all times. (in red) Discs to be on all leading trams. (in pencil) Red flags for car summer against traffic Golden Square intersection no signal light? (Myrtle St) (Miller St) . 5am to 1 pm Sat.organization, business, bendigo trams -
Bendigo Historical Society Inc.Document - CAROL HOLSWORTH COLLECTION: GEOLOGICAL REPORT BENDIGO GOLDFIELD
Four page document, an extract from the Geological Report on the Bendigo Goldfield. On front page, a line drawing of a puddling machine. Contents include: alluvial mining, reef mining, the boom years, deep sinking, decline of mining, modern exploration, physiography, the hills, the valleys and the soils. A table demonstrates the development of graptolite structures, including the Lancefieldian, Bendigonian, Chewtonian and Castlemainian graptolite species. Two diagrams demonstrate saddle and bedded reefs and fault reefs. Written on top of the document: C.E. William and H.E. Wilkinson, 1992. Geological Survey Report No. 93.bendigo, mining, geological bulletin 93
