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Bendigo Historical Society Inc.
Painting - Portrait, William A. Delecca
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Portrait of a young man. He has dark hair and dark eyes. The signature of the artist at bottom right. Untitled. William Delecca collection.On the back: Camden Art Centerpainting, male youth, portrait -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH: MAN WOMAN AND DOG
black and white photograph - Man woman and dog black wearing Victorian era clothing / old and stained / bottom and rear shows Logo -Stevenson & McNicoll late Benson & Stevenson Photographers 108 Elizabeth Street Melbourne / 'Light & Truth -Copies of this portrait can be had at any time by sending the name and Post Office Money Order or stamps for the amount of order' / Mrs Goggin & husbandphotograph, person, male / female, man woman and dog black wearing victorian era clothing / / -stevenson & mcnicoll late benson & stevenson photographers 108 elizabeth street melbourne / / mrs goggin & husband -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF MAN AND WOMAN WEARING VICTORIAN ERA CLOTHING
black and white photograph of man and woman wearing Victorian era clothing / old and stained / rear shows Logo - Wm Murray Photographer , 74 Broomielaw St Glasgowphotograph, person, male / female, black and white photograph of man and woman wearing victorian era clothing / old and stained / rear shows logo - wm murray photographer , 74 broomielaw st glasgow -
Bendigo Historical Society Inc.
Photograph - DUDLEY HOUSE COLLECTION: PICNIC IN THE GARDEN
COLLECTION OF colour PHOTOGRAPHS re Mrs Watson ( Honoured in Australia Day Awards, Australia day 26.1.1988 - planting of red flowering gum at Dudley House. Sitting at a table in the garden.photograph, person, male / female, mrs watson ( honoured in australia day awards, australia day 26.1.1988 - planting of red flowering gum at dudley house. -
Bendigo Historical Society Inc.
Photograph - DUDLEY HOUSE COLLECTION: PLANTING OF RED FLOWERING GUM
COLLECTION OF colour PHOTOGRAPHS re Mrs Watson ( Honoured in Australia Day Awards, Australia day 26.1.1988 - planting of red flowering gum at Dudley House .photograph, person, male / female, mrs watson ( honoured in australia day awards , australia day 26.1.1988 -
Bendigo Historical Society Inc.
Photograph - DUDLEY HOUSE COLLECTION: PLANTING OF RED FLOWERING GUM
COLLECTION OF colour PHOTOGRAPHS re Mrs Watson ( Honoured in Australia Day Awards, Australia day 26.1.1988 - planting of red flowering gum at Dudley House.photograph, person, male / female, mrs watson ( honoured in australia day awards , australia day 26.1.1988 -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: MALE PORTRAIT
Sepia photo of a young man wearing a dark 3 piece suit. He has his right hand resting on a garden seat. Photo is mounted on a dark grey cardboard and is in a black padded edge frame which is rounded at the top.W. Vincent Kellyphotograph, portrait, male in suit., foster & wilson collection, male portrait, w. vincent kelly -
Bendigo Historical Society Inc.
Photograph - FOSTER AND WILSON COLLECTION: PHOTOGRAPH
Sepia photograph of two men with their bicycles in front of a weatherboard house. Both men are wearing suits, one is wearing a cap and the other a hat. There is low picket fence with two strands of barb wire along the top in front of the house. The house has a bull nose veranda and iron lace work along the veranda. Photo is mounted on white cardboard which has a blue, white & black marbled back.photograph, portrait, males, foster & wilson collection, photograph -
Bendigo Historical Society Inc.
Photograph - STUDIO PHOTOGRAPH OF DE LACEY EVANS
With a card (for exhibition??) entitled '' The only known photograph of the enigmatical De Lacey Evans who for many years impersonated a man and was by occupation a gold miner''. Date 1877 (1880 crossed out). On the reverse side is the name N. White photographer Mitchell St Sandhurst, Opposite St. Pauls Tower.N W White, Mitchell St, Sandhurstperson, individual, de lacey evans, de lacey evans, male impersonater. -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: MALE PORTRAIT SOLDIER WW1
Photograph: black and white photo of soldier in uniform. Head/shoulders portrait. Framed with glass and wooden frame. Bone mat. Signed with pencil on bottom of photo : ' L. Keith Dammatt ? 'Surbiton & Wokingorganization, military, male portrait, army, ww1 -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: PORTRAIT OF SOLDIER WW1
Photograph: black and white photo, wooden frame, buff surround on tan background, of soldier in uniform. Taken from waist up, seated. Sergeant stripes on sleeve. Written on bottom ' Chesney Ltd., 50 Strand, London'Chesneyorganization, military, male portrait, army, ww1 -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: MALE PORTRAIT OF SOLDIER WW1
Photograph: black and white photo enclosed in buff coloured folder with Vincent Kelly, Bendigo embossed on bottom Rh corner. Photo is mounted on tan card with Bartlett Bros Bendigo imprinted on bottom. Man is posed standing with hand on hip, wearing jodhpurs and gaiters with spurs, bandolier across chest.organization, military, male portrait, army, ww1 -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: MALE PORTRAIT G.W. KNIGHTS
Photograph: black and white portrait, buff mat, brown wooden frame, glass front. Man is seated, with elbow on book, hand on side of head, has white hair, dressed in black dinner type suit with stand up collar. Written in black ink on bottom of frame : George W. Knight, C.E.J.F.W. Vincent Kelly, Mitchell St., Bendigoperson, individual, george w. knights, george w. knights, w. vincent kelly. -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: MALE GROUP PORTRAIT, 1960's ?
Photograph: black and white photo of four men posing with clothes rack behind, and item of clothing in hands of two men on LH side, appears to be a mohair type jumper.unknownorganization, business, hanro, hanro, bendigo, clothing, manufacturing -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: MALE PORTRAIT, unknown
Photograph: black and white photo of man posing in v neck jumper. Jumper is patterned with diamond print. Sample of product. On top of photo ' 516 pullover. No. 145'Hanroorganization, business, hanro, hanro, bendigo, manufacturing, men's clothing -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: MALE GROUP PORTRAIT, 1960's ?
Photograph: black and white portrait of 17 men posed outside Hanro building. Men are wearing suits. On back of photo in pencil F 133.unknownorganization, business, hanro, hanro, manufacturing, male portrait -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: MALE GROUP PORTRAIT, 1961?
Photograph: black and white photo of group of seven men, dressed in suits, ties, looking at large folder held by one man. Cover of folder has 1961 printed in bold letters on outside, inside number ' promotional plan autumn, winter ' Photo on wall at rear of group shows woman parading in a pants suit. On rear of photo in pencil : F 137unknownorganization, business, hanro, hanro, bendigo, manufacturing, 1961 -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: PORTRAITS OF TWO SOLDIERS
Photograph: individual portraits of two soldiers set in one frame. Wooden frame glass cover. Man on Lh side: standing with arms behind back holding whip, army uniform ( WW1) long boots with spurs. Man on Rh side, army uniform, gloves held in left hand, white stick in right.organization, military, male portrait, ww1, army, portrait -
Bendigo Historical Society Inc.
Photograph - ST. AIDAN'S CATHOLIC ORPHANAGE CHILDREN AND PEOPLE, 1940's
Photographs, St. Aidan's Orphanage Children and people. Mrs Esma Maxwell ( Mother of Donor)worked there in the 1940's and spoke fondly of the orphanage. The children and people in the photos unfortunately are nameless. Names on the back of some of the photos include Emma, John and George //Nurse Mclean (8952a) Bendigo , Joan //Rondy and Rene Allan //Dorothy //Bev. Jackie , Pauline , Win. ,David , Henry //photograph, person, male / female -
Bendigo Historical Society Inc.
Accessory - WHITE LEATHER BELT
White leather belt with silver gilt buckle, attached purse/pouch. Buckle shows Queens crown surrounded by wording Victoria Aut Pace Aut Bello which translates to Either Peace or War. Printed in ink on inside the name Crawford.costume, male ceremonial, belt -
Bendigo Historical Society Inc.
Photograph - LYDIA CHANCELLOR COLLECTION: PHOTOGRAPHS UNIDENTIFIED PEOPLE
(a) A photograph of four young men in military uniform. Name, date and place unknown. (b) One faded black and white photograph of a beach scene. Two children are in the foreground and people behind them are sitting beside the sea. Of particular interest is the fashion of the era. Names, date, place unknown. ( c ) One black and white photograph postcard of an unknown soldier in an army uniform. On the back of the postcard are the words, ' To Mollie with kindest regards from Clyde.' Date and surname unknown. (d) A black and white photograph postcard of an unknown man in a 3 piece suit with fob watch and a handkerchief in his pocket. He wears a tie and a high collar. An imprint at the bottom right hand corner says, ' Kalina 37 & 50 Pall Mall Bendigo.' (e) A damaged black and white photo of an unknown couple. The gentleman is wearing a 3 piece suit and hat. The woman is in a frock and is wearing a long string of beads and a hat. They are standing in front of a fern. (f) A small faded photo of two men and a woman, all unknown, who appear to be sitting on the side of a hill. There is a shed in the distance and other people in the vicinity.photograph, person, male / female, lydia chancellor, collection, photo, photograph, person, soldier, costume, postcard, photography, fashion, garden, ferns -
Women's Art Register
Book, Whitney Chadwick, Women Artists and the Surrealist Movement, 1991
Explores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.Booknon-fictionExplores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.painting, drawing, collage, photography, surrealism -
Women's Art Register
Book - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Women's Art Register
Book, Germaine Greer, The Obstacle Race. The fortunes of women painters and their work, 1979
Traces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters.Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life -
Women's Art Register
Book, Chritine Battersby, Gender and Genius. Towards a Feminist Aesthetics, 1989
Using the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.Booknon-fictionUsing the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.myths, creativity, motherhood, psychoanalytic theory, prejudice -
Women's Art Register
Book, Norma Broude, Mary D. Garrard, Feminism and Art History. Questioning the Litany, 1982
Seventeen essays covering every major art period from the ancient Egyptian to the 1970s presenting an alternative history of Western art history.Booknon-fictionSeventeen essays covering every major art period from the ancient Egyptian to the 1970s presenting an alternative history of Western art history.representation, the male gaze, portraiture, the nude -
Port Melbourne Historical & Preservation Society
Photograph - Male public conveniences, Sinclair Parade, Beach Street, Port Melbourne, Alison Kelly, c. 1990
These are from the series taken by Alison Kelly c1990One from a set of two colour photos of the public conveniences in Sinclair Parade c1990: MEN/UOMINI/ANTRES.built environment - civic, natural environment - beaches and foreshore, transport - shipping, transport - ferries, alison kelly -
Polish Museum & Archives in Australia
male porait
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Churchill Island Heritage Farm
Photograph - Photograph of male silhouette
Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. This photograph shows Churchill Island employee Ashley Reed, and was probably taken during the Bicentennial celebrations.Photograph of silhouette of a man's head and shoulders with well-lit bushland in the background.catalogue number written on reverse in pencilchurchill island, photograph, ashley reed, bicentennial -
Monbulk RSL Sub Branch
Book, Vintage books, In the footsteps of Private Lynch, 2008
Retrace Australia's role in the First World War from the trenches of Somme Mud to the wider war on the Western Front. Imagine this. You are a country boy and just eighteen. The war has been raging for two years and because of your age, you have not been eligible for enlistment. Your mates, older by a few months are joining up and disappearing to the great adventure across the world in Europe. And there is forever talk of the need for reinforcements, for men like you to join up and support the Empire, Australia and your mates in the line. Such was the case for Edward Francis Lynch, a typical country boy from Perthville, near Bathurst. When war was declared in early August 1914, he was just sixteen and still at school, but like a generation of young males in Australia, there was something to prove and a need to be there. Will Davies, editor of the bestselling Somme Mud, meticulously tracked Lynch and his battalion's travels; their long route marches to flea ridden billets, into the frontline at such places as Messines, Dernancourt, Stormy Trench and Villers Bretonneux, to rest areas behind the lines and finally, on the great push to the final victory after August 1918. In words and pictures Davies fills in the gaps in Private Lynch's story and through the movements of the other battalions of the AIF provides impact and context to their plight and achievements. Looking at these battlefields today, the pilgrims who visit and those who attend to the land we come to understand how the spirit of Australia developed and of our enduring role in world politics.Bibliography, notes, ill, maps, p.245.non-fictionRetrace Australia's role in the First World War from the trenches of Somme Mud to the wider war on the Western Front. Imagine this. You are a country boy and just eighteen. The war has been raging for two years and because of your age, you have not been eligible for enlistment. Your mates, older by a few months are joining up and disappearing to the great adventure across the world in Europe. And there is forever talk of the need for reinforcements, for men like you to join up and support the Empire, Australia and your mates in the line. Such was the case for Edward Francis Lynch, a typical country boy from Perthville, near Bathurst. When war was declared in early August 1914, he was just sixteen and still at school, but like a generation of young males in Australia, there was something to prove and a need to be there. Will Davies, editor of the bestselling Somme Mud, meticulously tracked Lynch and his battalion's travels; their long route marches to flea ridden billets, into the frontline at such places as Messines, Dernancourt, Stormy Trench and Villers Bretonneux, to rest areas behind the lines and finally, on the great push to the final victory after August 1918. In words and pictures Davies fills in the gaps in Private Lynch's story and through the movements of the other battalions of the AIF provides impact and context to their plight and achievements. Looking at these battlefields today, the pilgrims who visit and those who attend to the land we come to understand how the spirit of Australia developed and of our enduring role in world politics.world war 1914-1918 - personal narratives - australia, western front 1914-1918 - australian participation