Snow scene looking up through The Gap (FiveWays) with Mountjoy Guest House on the hill to the right. The shop and post office are seen in the centre of the picture. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.The Gap under snow 1921. “Mountjoy” on hill. New CRB road formation (unmetalled) comes into picture lower left corner, passes left of dray under the elms, then circles around behind the trees behind Miss Hands shop and home and Post Office (Mt Dandenong North) to pass out of picture left in centre of picture. It passes between Ted Prices Hay & Corn store and Walker’s house where the Estate Agency was later placed. Main Road then in centre of picture bend right behind Mountjoy. Price’s house and shop behind the blackwood left of road bend. CRB cuts across Barbers left of Elm trees.john lundy-clarke, kalorama, mountjoy, mountjoy, the gap, post office, mt dandenong north, snow

RAAF "All Seasons" 1972 uniform replaced the old dark navy blue Uniform belonged to Flight Sgt. D. Bending All Seasons Uniform .1) Jacket - Cotton, blue, 4 large gold metal buttons, 2 small gold metal buttons, metal crown and eagle badges on both collar lapel, service ribbons, rank insignia, "ROYAL AUSTRALIAN AIR FORCE", embroidered crown and 3 chevrons on upper sleeves. .2) Trousers - Cotton, blue .3) Shirt - Polyester, light blue, epaulettes with AUSTRALIA embroidered, crown and chevrons, service ribbons .4) Tie - Polyester, navy blue .5) Belt - Polyester, blackuniforms - military, airforce

Colour photograph of Bill Montague going fishing. Bill is standing behind a blue van with open back doors. Bill is wearing an open-necked brown shirt and brown checked trousers. He is holding what appears to be long stick. A white bucket is on the ground at his feet. An older, white-haired man is bending over and appears to be making a cup of tea. A blue and white mug rests on the van's bumper bar.

Photograph, Black and White, Photo of the intersection of Bourke and Elizabeth St at evening peak on 24/10/1968, 5.35pm. SW6 872, route 20 to Coburg and W5 740 at the Safety Zone tram stop. Many pedestrians heading towards Flinders St station . In the background is the State Savings Bank and London Stores. The man bending over is possibly a newspaper seller given the leather straps around his back.In ink on the rear: Keith Kings stamp and number 44-23 "M&MTB SW6 872 and W5 740 in Elizabeth St at Corner Bourke St, city 5.35pm 24/10/68" "1/60 @ f8 HP4"trams, tramways, elizabeth st, bourke st, sw6 class, w5 class, route 20, coburg, tram 872, tram 740

Original, small black and white print photograph of crowds lining the Johnston Street Bridge watching the flood waters below. The annotation on the reverse clarifies that Kew is in the distance.Annotated on reverse: "Gift of G.S. Beard / 2nd bridge / Johnston St. Studly Park Rd. Bridge looking towards Kew / 1st bridge 1858–1876, 2nd bridge built (bad bend), 1876–1958, 3rd bridge 1958, lined up Johnston St and Studley Park Rd."johnston street bridge, bridges - yarra river -- kew (vic.), flood -- 1934

An advertisement for the sale of "Wattle Bend" on the Plenty River, a guest house and orchard farm being offered for sale by Mr J. A. Bush in 1925Mr J. A. Bush was formerly known as Johannes Adem Bosch, an early Greensborough orchardist1 page copy of newspaper advertisement.plenty river, bosch family, bush family, wattle bend

These photographs are of winners in the Orbost Agricultural Show's Show Boy and Show Girl competitions. The first photograph is of Peter? Joiner and Jarod Forrester in the Master Show Bow Competition. The second is of Pauline Bommer (Weston) and her daughter at the Nowa Nowa Gymkhana. The third has Chloe Kenny on the left. in the fourth photograph are Dianna Munn with Laura; Sharon Chambers with Jessica and Sharon Cook with Tayla. These photographs are pictorial records of a social event in Orbost. They are associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history. Four black / white photographs related to the Orbost Show. 3086.1 is of three young boys wearing sashes. The middle boy is holding a trophy. 3086.2 shows a woman bending over a young girl wearing a sash. 3086.3 has three girls, one one right wearing a hat, one on left has a sash. 3086.4 is of three women holding babies. All babies have sashes and the one in the middle has a trophyOn the back of each photo are the details and names.

This cast iron "boiler" was produced by one of the largest foundries in England during the late 1700's and onwards. These products were "shipped to the far realms of the "British Empire". This source was one of the only ones available to the early settlers in Australia until the mid 1900's. The catch cry of those "early " times was "the best of British" which was ingrained into the early (Australian) settler's iron and cast iron purchasing mind set. It was not until after World War II did that mindset change, when both American and Asian based manufacturers' products were accepted by the Australian consumer. The city based consumer embraced the swing a lot earlier than the more "traditional" rural consumer. This cast iron 8 gallon "boiler" is very significant to the Kiewa Valley not only that large "boilers" were used to "boil" clothes clean, over an open flame source, but also because it demonstrates one of the most important "rural" mores founded by the "early" settlers in this region. That more was the very "close" tie to "Mother England" and the "establishment". The social and "family" values from the "English" way of life was ingrained until well past the day of the "Australian Federation". It was not until the friendly "American soldier" invasion during World War II that the "Empire" bondage was being eroded away. The transition from the good "rural war cry" of "Australia prospers off the sheep's back" was slipping away and the industrial monolith started its challenge. This change was the slowest in semi remote rural centres such as the Kiewa Valley. The "old English" values lingered on until the mid 1900's.This large (8 gallons) cast iron boiler is oval in shape and has a cast iron (swivel) carrying handle. The handle has a "bend" in the centre position to allow hook and straight type rods to facilitate the positioning of a "hot" boiler. This boiler would have been used over an open fire or placed on top of "coals". On the top rim and evenly spaced between the fixed handle joins is a slightly semi curved balancing/control lip.At the bottom (underneath) "CLARK & Co. PATENT", Below this a six star triangle with the letter "C" in the middle.. On the opposite end "BEST QUALITY" and underneath "8 Gall s"camp fire cooking utensils, hot plate, cast iron cooking and boiling appliance, drovers kitchen

Blueprint copy of Survey Map W27 detailing original Selectors' names and property locations between Yarra Yarra River (Warrandyte) and Mullum Mullum Creek (Ringwood). List of Parish map references including property bearings, distances in Links, and markings on trees. Pound Bend area of Warrandyte marked as Reserve For Aborigines. Descriptive remarks include areas marked "scrubby, flat, sandy soil". Several other references faded and illegible.(Map) by T.H. Nutt Feb 3 1841.

Bendigo Advertiser ''The way we were'' from 2002. Gender bender: a motley crew of debutantes and partners attended the 3CV Younger Set Mock Mayoral Ball at the Bendigo Town Hall in the late 1940s. Among the debutantes were Bruce Hyder, Ken Maes, Bruce Cutting, Les Morey, Ian Fulton, Neil Forbes and Phil Rechter, while Bernise Mulqueen and Mary Mason were two of the partners. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photo of Puffing Billy coming around the horseshoe bend at Selby and beginning to cross the trestle bridge, heading away from Belgrave. The engine is only part shown. It is hauling four open-sided carriages with canvas covers, and a further six or so enclosed carriages. There appears to be no wind as the smoke is hanging above the train. Railway infrastructure (barrier fences) can be seen in the foreground, and there are wires across the left side of the photo. c. 1920

An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.10-page souvenir programme for the Kew Canoe Carnival to be held at Yarra Bend National Park on Saturday February 18th, 1939. Proceeds were designed to assist the Victorian Society for Crippled Children. Front cover shows photograph taken at the previous year's carnival. The site of the carnival shown on an internal map was upriver from Macauley's boat house. Photograph on back cover shows canoeists at Kew Boat Sheds, 45 Molesworth Street.kew canoe carnivals, recreation -- river yarra, christian-washfold collection

The Stone family were migrants from Wales, living at the Fisherman's Bend Migrant Hotel around 1960. This photograph was taken on a day trip to Emerald Park Lake.The photograph shows the state of Emerald Park Lake around 1960.B/W photograph, looking across a stretch of Emerald Lake towards a building in the background, probably the kiosk.REAR: stamp "Ilford 260"emerald park lake

The Stone family were migrants from Wales, living at the Fisherman's Bend Migrant Hotel around 1960. This photograph was taken on a day trip to Emerald Park Lake.The photograph shows the state of Emerald Park Lake around 1960.B/W photograph, looking across a stretch of Emerald Lake. Feature in background left might be diving platform.REAR: Ilford 260emerald park lake

Group of seven postcards, three of them depict actresses and four are of various scenes around Victoria. (a) Miss Billie Bourke, (b) Carrie Moore, © Miss Carrie Moore as 'Honour in' Tom Jones ', (d) Bourke street on 8 hours day, Melbourne Victoria, (coloured) (e) Fairy Bend, River Yarra, Warburton (colour) (f) Werribee Gorge near Bacchus Marsh Victoria (colour) (g) Lawn Gardens, Flemington, Melbourne (colour).postcard, photograph, various themes, billie bourke, carrie moore, actresses, theatre, melbourne, flemington, werribee gorge, bacchus marsh, fairy bend, river yarra, warburton, bourke street, 8 hours day

Copper intrauterine devices (IUDs), first marketed in the early 1970s, represent an important contraceptive option for 150 million women worldwide. The method is safe, rapidly reversible, inexpensive, highly effective, long-acting (up to 20 years for some products [1]), and non-hormonal; these attributes make it unique and desirable for many users. However, increased bleeding and pain cause up to 15% of users to have the device removed within the first year [2]; still higher percentages tolerate some level of these side effects yet retain use of the method. In one study, 67% of women using the TCu380A complained about menstrual side effects within the first year of use [3]. (Hubacher et al, 'Side effects from the copper IUD: do they decrease over time?', 2009)This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Sealed Gravigard IUD in original box. IUD and inserter are sealed inside a sterile plastic pocket. The box is made of cardboard and has an orange top panel with white sides. Text printed on the front of the box reads '1 Sterile Pack/Gravigard*/contraceptive/copper/contraceptive/FRAGILE/Do not bend or crush/SEARLE'. Text printed on side of box reads 'Made in England Supplied by Searle Laboratories, Division of Searle Australia Pty. Ltd., Sydney, Australia'.intrauterine device

B&W postcard, Valentine Series No. 3831, 'The Gully Bend, Belgrave Heights'. Photo shows a small group of women and children walking along a horseshoe-shaped section of road which has wooden railings along both sides. One woman is standing beside a child's pusher. There are tall trees on the far side of the road and scrubby trees and bushes on the right, lower side. On the back of the postcard is a written message that has been obscured with white-out.

Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers,

Page with photocopies of photos on it. 'Aq' is a football team. 'Ar' is a store which sells china, glass, oil, seeds and produce. People are gathered in front of the shop. 'As' is a weatherboard house. 'At' is a service station which sells Atlantic fuel and run by Herb Pearce. 'Au' is a photo of the Long Gully Junior Band. 'Av' is a large chimney which has a bend in it and is leaning at about a 45 degree angle. 'Aw' is a photo of a tall chimney and 'ax' is a group of people with the women in long dresses.bendigo, history, long gully history group, the long gully history group - copies of photos, herb pearce, atlantic, long gully junior band

Printed Cohn Bros Memorandum letterhead notepaper dated 23rd Dec 1891 with handwritten 'Property Valuations'. Nineteen Cohns Hotels with 1891 valuations are listed. These include: Albert Hotel, Fire Brigade, City, British American, Hustlers Reef, Garden Gully, Universal, Brougham Arms, Victoria, United Kingdom, West End, View Bend, Sparrowhawk, Greyhound, Normanby, Noahs Ark, Saw Mills, and the Royal at Wedderburn, as well as the South Elmore at the township of Elmore. These totalled £14,305bendigo, industry, cohn bros brewery

Two black and white photocopies of the Unity Mine Chimney. The one on the right shows the tapered chimney standing. It has a paler spiral pattern coming down the height of the chimney and a wider piece at the very top. The photo on the right shows the chimney falling. The top piece has gone and it has a bend and crack near the top. Written in the top right corner is: Unity Mine Chimney. Demolition. Bricks in Garage? 30' & House next to George on Downside. Ben Hodges bought bricks.bendigo, history, long gully history group, the long gully history group - demolition of unity mine chimney, ben hodges

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A fine, early view of Macauley's boat sheds on the Yarra River at Kew.Digital copy of a photograph from page 2 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of Macauley's boat sheds on the Yarra River at Kew. The boat sheds were located at the west end of Molesworth Street. The photograph is taken from the Yarra Bend Park side of the river, or from a boat on the river. The canoes belonging to Macauley's are lined up on the river bank. "Macauley’s Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, macauley's boat sheds

Articles featuring the home of Carol-Anne and Tom Fisher designed by architect, Ross Henry in Santa-Fe style at Bend of Islands on the Yarra River. Built of mudbrick, timber and corrugated iron.mudbrick, carol-anne fisher, tom fisher, ross henry, santa-fe style, bend of islands, houses

Neil Douglas (1911 - 2003) was an artist and conservationist. In 1964 he founded a co-operative consisting of families who wished to live in harmony with the bush and indigenous wildlife at Bend of Islands, Kangaroo Ground. Contents: 1. Photocopy from unknown community newspaper October 1978: "The Balancing of Nature" an interview with Neil Douglas. Page also includes an article" Ecology" about plans being drafted for the construction of a completely biodegradable 100% organic school which refers to the unnamed Eltham College. 2. Folio depicting six artworks by Neil Douglass produced by Toorak Art Gallery, South Yarra. The paintings are: “Summer Creek”, “Eighteen Emus", "The Strange Australian Presence" (Black and white), "Ways before the Whiteman - Kangaroo Pad" (Wyperfeld National Park), (back and white) with caption, "Swipers Gully" and “Bush in Drought” (date unknown).neil douglas, paintings, etham college

The Zig-Zag Bridge which was constructed in the 1870s to link the Yarra Bend Asylum and Kew Asylum. Initially it transported bluestone from the west side of the Yarra to the east during the construction of the Kew Asylum.Real photo postcard of the Zig-Zag Bridge at Kew. In the middle ground there is a rowboat.Obverse: "River Yarra near Macauleys' Boathouse Kew". Reverse: "Gift from L Bennett"bridges -- river yarra, bridges - kew (vic.), zig-zag bridge

Looking northwest along the Maroondah Aqueduct Trail towards The Esplanade near Main Road, Research, 1991. Just after first bend from Main Road. To the left is present day (2022) Mickey's FitnessRoll of 35mm colour negative film, 9 strips Colour print 10 x 15 cmFuji HG 200 CA-1bridge, ingrams road, maroondah aqueduct, maroondah aqueduct trail, research (vic.), the esplanade