Common wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, common wombat

Mortlake Rd./Montgomery St., Lake Bolac, 1912. Looking northwards. Image shows the broad expanse of the grass verge and road (top left) with Josiah Park's forge and smithy, the pub and the store, with peppercorn trees planted along the street. On the right the public hall can be faintly seen.lake bolac, montgomery st., 1912.

This is part of a collection donated by Mrs Margaret McKenzie that belonged to her husband and was issued to him during the Second World War, the mess tins were marked with names of places, ships and battle locations. Other items include a postcard sent home in August 1941 and a photo of Australian troops on parade at Wewak in August 1945Aluminium Mess tin set, 2 rectangular tins one smaller to fit into larger. Inscriptions engraved on 4 sides containing locations of training, ships and battle areas. Additional markings include year of manufacture and company along with Department of Defence broad arrow. Item is stamped metal with wire handle on the large tin. Wire carry handle missing on smaller tin. "Inscription on base of mess tin large. 'DARLEY ALBANY/ SYDNEY/ PERTH/ TRINCOMALEE:CEYLON/ PORT TUFIC/ SUEZ CANAL/ EL CANTARA/ GAZA/ JERUSALEM/ HIFA TELAVIV/ BETHALEM/ BAYROUTA/ JUDEDES FIAKE/darwin, world war two, pan set messing, mess tins, aluminium, 2nd aif, 8th battalion, vx52576, pte, mckenzie, c mckenzie, 1939, c b ltd, 1941 1945, 19th australian infantry training battalion, b company, 21st august 1941, finchaven, wandecla, cairns, brisbane

Two negatives, similar shot of poppet head, fence, large building and water pool. One broader photo of area. Sheet of negatives of South New Moon Mine. (I am not sure where the above information came from - but the first photo in this group is the New Chum Railway miine - NOT the South New Moon - P Wilkin 19/09/2013.)place, mining site, south new moon mine

Photograph of an artwork depicting and early mining camp. In the foreground there is a settlement consisting of tents and some wooden buildings, There are numerous people of all ages on the street and a trooper on horseback. The road through the settlement is running down to a broad valley with some low hills in the distance. There are several tents and rough dwellings at the base of these hills. Along the bottom of the picture is written The foundation of Eaglehawk in 1852.topic, mining, eaglehawk, mining settlement, eaglehawk, diggers, early bendigo

This specimen is a Brown Goshawk juvenile. The Brown Goshawk is widely distributed across Australia, Wallacea, New Guinea, New Caledonia, Vanuatu, and Fiji. In Australia, it predominantly inhabits eucalypt forests, woodlands, farmland, and urban areas, while in the Pacific, it is primarily associated with rainforest environments. Historically, it was also present on Norfolk Island until around 1790, potentially representing an undescribed subspecies. However, the limited material available—consisting of a single historical skin and nine subfossil bones—precludes confirmation through scientific analysis. This specimen was originally identified as a Nankeen Kestral and is catalogued as such in the original Public Library and Burke Museum catalogue. The specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen exhibits distinctive plumage compared to its adult counterparts. It has a streaky appearance, with a buff to pale rufous base color on its underparts adorned with bold, dark brown streaks. The upperparts are brown, with a slightly mottled or scalloped effect due to pale feather edges. Its eyes are yellow and legs are a pale yellow. The wings are broad and rounded, and the tail is long and barred. Identification swing tag with catalogue page number reads: 4. / Nankeen Kestrel - / See Catalogue,/ Page 2. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, birds of prey, goshawk, ornithological, nankeen kestral

Philip DAVEY (1949- ) Born Devon, United Kingdom Arrived Australia 1958 The broad artistic practice of Philip Davey incorporates images of urban and natural landscape, as well as figurative narrative works, often inspired by classic Australian texts. He has been artist in residence at several Victorian secondary institutions. Framed etching of a man in convict uniform surrounded by three thylacines.available, thylacene, convict

A drawing done by artist Pat Hanna and sent to friends at Legacy. He was living in London at the time and drew this on his letterhead. It was stored with other items including a letter to Frank in 1972 (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted to film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years. Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Drawing of a kangaroo and kiwi from Pat Hanna on his letterhead pasted onto brown cardboard. Also a digger's face, a rising run and maps of Australia and New Zealand.Handwritten in the drawing 'Heres to every cobber who wore the old chapeau, 20 - 30 - 40 - 50 years ago!!!' and 'There's a wee toon on the Yarra with streets broad and narra that's where we first toasted dear old Legacy.'hanna, founding legatee

Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 15.24. Diamond Creek, Grassy Flat Road. Parish of Nillumbik 3310. Municipality of Diamond Valley 257. Prominent streets include: Everleigh Drive, Broad Gully Road and Clyde Street. Features include the Diamond Creek, Nillumbik Park and Diamond Creek Reservoir.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, diamond creek - maps, shire of diamond valley

This colour photograph of Jacana Primary School's Prep and Grade 1/2 classes in 1980 encapsulates the essence of an institution that served as a vital community hub from its establishment in 1959 until its closure in the early 2000s. The image stands as a testament to the cherished memories and significant role the school played in the lives of its students and the broader community. This colour photograph of Jacana Primary School's Prep and Grade 1/2 classes in 1980 is a significant historical document. It captures the essence of an educational institution that was a cornerstone of the Jacana community from its founding in 1959 until its closure in the early 2000s. The image is a testament to the school's enduring impact on its students and the community, preserving cherished memories and highlighting the school's role in shaping local history.A colour photograph on matte paper with white borderjacana primary school, photograph, school photograph, education, 1980

Items in a collection relating to Edward Judd, refer Cat No 7410 for his service details.1. Water bottle. This is a blue enamel 2 pint water bottle British pattern. It is covered in a drab olive felt cloth. It has a narrow raised neck with a cork stopper. 2. Carrier water bottle. This is a narrow leather strip of about 1/2" (12.5mm) width. At the end is a canvas webbing broad strap. Width 2" (or 50mm). The length of the leather piece is adjustable.On the metal end of the cork stopper, stamped, are “D^D” and the letters “OP”.ww2, equipment, bottle, water

.1) The Herald 8.1945. Japanese Surrender. Broad sheet newspaper. .2) Bendigo Advertiser 8.1995. Special supplement commemorating the 50th anniversary of the end of WWII. Broadsheet. .3) The Age 7.1968. Pages 9/10, map showing Australia's place in Asian Defence 1967 - 68. Broadsheet. .4) The Sun 8.1973. Torn sheet showing photo of 3 marksmen from Bendigo & their rifles.documents - newspapers, military history, supplements.

A mass produced utilitarian item made for domestic decorative use. No history or manufacturing provenance currently available.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown. The item is assessed as a collection asset as it is believed to have been produced after 1910 and before 1950.Container of pressed metal. The container has a broad, thin lip, and its round body flares outwards towards base, then tapers inwards to a short heel. A loop holding a metal ring is attached to the side, near the top. A decorative geometrical transfer pattern in blue and cream covers the body and inside of the lip. In the centre of one side is a round frame with the portrait of an Egyptian woman within.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flower vase, decorative object, tin vase

Programme. Bendigo Youth Choir inaugural concert, Bendigo City Hall, Sunday, 9th December, 1984 at 2.30 pm. Also two tickets: Bendigo Youth Choir under the direction of Mrs. Valerie Broad - Accompanist Mrs. Eileen Hetherington present their Inaugural Concert at the Bendigo City Hall December 9th, 1984 2.30 pm. Adult $3.00 Children under 14 $ 1.00clubs, music, youth choir

Photocopy of a detailed report prepared for the Nunawading City Council on the vegetation, fauna and management of Antonio Park. Lists of 320 plant species were made. A broad indigenous community: 'Grassy Open Forest' is described. Lists of butterflies, reptiles, birds and mammals. Weed infestation and degradation processes are identified. A range of management issues are identified and recommendations made. ca 120 pages. Photographs. Plans.Photocopy of a detailed report prepared for the Nunawading City Council on the vegetation, fauna and management of Antonio Park.antonio park, mitcham, animals, native plants, birds, wildlife

Lands Act Applications Register. farms register for the South Riding of broad undefined extents. Handwritten entries in blue and black ink. Registering Name, Postal address, Parish, Allotment, Section, Area (acres, roods & perches). Dates noted across 17/07/1875 to 31/03/1876. Green lined and formatted legal register with leather/suede spine and cover corners. Handwritten entries in blue and black inkapplication register, farms, south riding

This dress belonged to Dorothy May Mortlock (VF518245), who served as a Sapper with the Australian Women’s Army Service from 27 July 1945 to 1 August 1946.Light brown coloured woven cotton dress with button-up front secured by 6 metal buttons. Dress constructed of a skirt element attached to a short sleeve shirt-style torso section, a hook and eye sits on interior of two sections to fasten left and right sides together. One square topstitched pocket on the left chest and two angled hip pockets on front. Fabric belt with metal buckle held in place by fabric loops on both left and right side. Fabric epaulette passes through loop on both left and right side and secured with metal button. Two loops on interior left and right shoulders, left loop with inscription; woven label stitched to interior left side underneath which is a stamped motif.Ink inscription on interior loop difficult to read, “VF518245” and 5-6 indiscernible characters. Button reads “AUSTRALIAN MILITARY FORCES” below an embossed image of Australia with the King George V crown on top. Stamped motif reads “[broad arrow]/S.D.”women, wwii, world war two, second world war, australian womens army service, awas

This foot powder tin may have been manufactured for use by troops in Vietnam, if the inscription "P.D. 5/69" might refer to it's manufacture in May 1969. Khaki coloured rectangular tin constructed of a rectangular base with rounded edges, attached to one long rectangular section bent into sides, another rectangular piece with rounded edges forms the top. In top of tin, a screw on lid with seven punched holes allows the contents to be shaken out of the tin. Content residue still visible on lid but appears that the tin is otherwise empty. Inscriptions throughout described below.On front of tin "[broad arrow]/FOOT POWDER/2 OZ. NET WEIGHT/ MURPHY, LIEBERT PTY. LTD./SYDNEY, AUSTRALIA." Right side "P.D. 5/67". Back of tin "FORMULA/SALICYLIC ACID 3%/STARCH 10%/TALC 87%" medical, foot, foot powder, athlete's foot, vietnam war, 1960s

This Victorian railways constructed turntable is used for turning around locomotives. It is 16.2 meters long and is hand pushed either direction. Originally broad gauge (5 foot 3 inches) and located in the Newport Locomotive workshop area it was relocated to emerald and 2-foot 6-inch railway track fitted to it and is used by the Puffing Billy Railway to turn their locomotives and carriages Historic - Victorian Railways - Turntable used at Newport Narrow Gauge Turntable made of metal and steelturntable, victorian railways, puffing billy, emerald, newport

This "art deco" style of containers were very popular by the "art and trendy" socialites, be they in the city or in rural towns and properties. This style was very popular in the 1940's to 1950's. The octagonal shape provided the stability of the decanter with its "expensive" contents. Because of its style it blended in well with any lavish meal and socio economic "upper" class environment. It was a part of social atmosphere of elegance and wealth be it in the city or on a rural property. This is very significant to the Kiewa Valley rural "society" environment. At the time of its use the wealth of Australia was "riding on the sheep's back", that is rural income(primary producers), on the whole, was well above that in the cities (industrial). It was in a period where large wealthy property owners could spend lavishly on trendy domestic items.This octagonal glass decanter with its egg shaped stopper is made in an "art deco" style and reflects the 1950's style of bold design. The decanter "stopper" has been cut in a "diamond" cut to reflect the sunlight as does a diamond ring. The stopper is tapered down to permit easy placement and removal. The Stability of the decanter is increased by the broad base and octagonal (8) sides tapering going up the sides.decanter, glass, art deco glass ware, spirits container

Books, a small selection of small booklets comprising of The Flora Hill High School talent quest in 1989, 2 x copies of Bendigo Youth Choir directed by Valerie Broad a play called 'Noye's Fludde', a Chester Miracle Play set to Music by Benjamin Britten, Uniting Church in Australia, Long Gully Uniting Church, Cornish Heritage Service 25th March 1990 x 2 copies.books, music, religion

sepia photo mounted on brown board, weatherboard house, front verandah. Lady and girl child with pram and baby. Bull nose varandah with roof painted in broad stripes with narrow stripes between Intricate lace work across verandah. Two windows - one each side of central door. 4 wooden steps to verandah. 3 brick chimneys. On back: ' Hazel and mother' in ball point pen.cottage, miners