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Vision Australia
Photograph - Image, Matilda Aston author portrait in Weekly Times newspaper, October 1904
As well as being an activist, Tilly Aston was also a published author and wrote several books during her lifetime. In this scanned image, from The Weekly Times newspaper, she holds her hand to her face and wears a flounced blouse with a multi-strand pearl choker and a heavy bangle which appears from underneath a decorated cuff. Her hair is swept up in a top knot and a large black bow, turned sideways, rests upon her left side. The photograph was printed as part of an article on the 'Principle Prize Winners of Prahran Competitions'.Black and white scanned newspaper imageMiss Tilly Aston (1st original story)tilly aston, weekly times newspaper -
Vision Australia
Photograph - Image, Matilda Aston studio portrait, 1920-1945
Tilly Aston wearing a dark coloured plain dress with lace cuffs and a hat adored with flowers and ribbon on the side. She stands with her arm holding the back of a chair, and in her hand she holds a purse. Around her neck rests a multi-swirled scarf and around her neck lays a necklace with a single bead. Unknown date, however this portrait was taken at the Gainsborough studio, which was also used for another portrait shoot.B/W photograph in various tonesGainsborough ... embossed upon lower left cornertilly aston, gainsborough studio -
Vision Australia
Photograph - Image, Matilda Aston and Miss Lawson
Tilly Aston and her live-in companion Miss Lawson. The two stand in a garden, probably in a backyard, and appear relaxed. Miss Lawson wears a patterned jacket with a white high collar blouse, whilst Miss Aston wears a high white collar under-blouse over a dark jacket with a pin on the front.B/W photograph in various shades of two older woman standing in a gardentilly aston, miss lawson -
Vision Australia
Photograph - Image, Matilda Aston on a ship with Miss Lawson and a friend, 1930-1947
Tilly Aston stands between Miss Lawson and another women, next to the railing of a ship with hills in the background. B/W photograph of three woman aboard a shiptilly aston, miss lawson -
Vision Australia
Photograph - Image, Tom Marks having tea in the garden, circa 1900
Tom Marks sits at a table with four others, holding a cup of tea and dressed in a day suit with tie. The woman to his right looks straight at the camera whilst she pours tea from a teapot into her cup, and is dressed in a black dress with a white flounce. Opposite Tom Marks sits a teenaged girl wearing a pinafore over her dark dress with lace collar, and an older woman in a dark coloured dress with dark ruffled edging. The only other person to look towards the photographer is the gentleman to Mr Marks's left, in a suit and vest, white shirt and tie, balancing his cup on a saucer. The group sit in a backyard garden, around the turn of the century based upon their clothing.B/W photograph of group having tea in gardenthomas marks, association for the advancement of the blind -
Vision Australia
Photograph - Image, Cane workshop pictures from RVIB Annual Reports, circa 1900
Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. RVIB eventually closed down it's workshop production of materials in 2009 with the sale of the warehouse in High Street, Prahran and the movement of staff to Macaulay Road, Kensington.6 scanned images of basket making from RVIB annual reportsroyal victorian institute for the blind, employment -
Vision Australia
Slide - Image, Talma, Blind cricket at RVIB, circa 1900
A group of males play a game of blind cricket, possibly on the front lawn of the RVIB buildings in St Kilda Road. Three fieldsmen stand close, as a bowler prepares to underarm throw towards a man holding a bat. Behind a small box, acting as a wicket, another male partially crouches with his arms outstretched to clasp the incoming ball. As the bowler's arm is just out of shot, it is unknown if he holds a cane wicket ball (with bells inside) or another small object which makes a sound.Lantern slide of males playing cricketroyal victorian institute for the blind, recreation -
Vision Australia
Slide - Image, Blind workers, circa 1900
In this undated image, a group of approximately 26 people (mostly female) sit or stand in front of the RVIB building in St Kilda Road. Dressed uniformly but in a variety of poses and expressions, the group pose for the photographer.Lantern slide of a group of blind workersroyal victorian institute for the blind, employment -
Vision Australia
Slide - Image, Classroom at RVIB, circa 1900
In this shared classroom at the RVIB, three teachers are busy instructing their pupils in various subjects. At the front a female teacher is seated as she reads Braille from a book at the head of the junior class. In the middle, a mustached man also reads Braille with older children, whilst furthest from camera, a bearded man stands during a lesson with older children.Lantern slide of three teachers and their pupils at RVIBeducation, royal victorian institute for the blind -
Vision Australia
Slide - Image, Male playing organ in Ormond Hall, circa 1900
A young man plays the organ on the stage of Ormond Hall at RVIB in St Kilda Road. Behind him sits an 'R. Lipp & Sohn' piano and against the wall, some chairs.Lantern slide of boy playing organroyal victorian institute for the blind, blind musicians -
Vision Australia
Slide - Image, Female organist playing at Ormond Hall, circa 1900
A blind woman plays the organ with one hand, whilst the other reads Braille music from a sheet in front of her, on the stage at Ormond Hall.Lantern slide of women playing organroyal victorian institute for the blind, blind musicians -
Vision Australia
Photograph - Image, 1868
During the construction of the St Kilda Road building for the Asylum and School for the Blind (later known as the Royal Victorian Institute for the Blind), the Melbourne firm of Ferguson and Urie were commissioned to create a stained glass window for the main staircase. This consisted of six panes, with a different emblem in each: three yellow lions (Royal Coat of Arms), a harp with a figurehead (Kingdom of Ireland), a red lion (Wales), a Tudor rose (England), a shamrock (Ireland) and a thistle (Scotland).3 col. images of stained glass window in St Kilda Road buildingroyal victorian institute for the blind, ferguson and urie -
Vision Australia
Photograph - Image, Lamp post outside entry to St Kilda Road
Image taken of a lamp outside the reception door of the RVIB St Kilda Road building.1 col. image of lamp outside St Kilda Road buildingroyal victorian institute for the blind, fundraising -
Vision Australia
Photograph - Image, Demolition of Raleigh Street premises, 200
On September 23, 1925 the State Goverment gazetted a transfer of land in Raleigh Street, Prahran to RVIB. This was used to establish a hostel for women apprentices and workers, and building commenced in 1926 and was completed in 1927, at a cost of 3500 pounds. Demand for accommodation was strong and in 1929 a hostel for men was completed. The building were used as hostels for many years, but as demand decreased, the Institution found other ways to utilise the buildings. In 1972, a plant nursery was established on the site and other departments temporarily used the site. In 1994 the Employment Services team moved out of the building and the site was sold to developers.17 col. images of the partially demolished house at Raleigh Street, Prahranroyal victorian institute for the blind, raleigh street hostel -
Vision Australia
Photograph - Image, Augusta Tutton
Mrs Augusta Tutton was the president of the Council of Auxiliaries for the RVIB for over 12 years, an Auxiliary member for 27 years, and undertook hundreds of speaking engagements and met with thousands of people at charity events, openings and auxiliary meetings. 8 B/W images of Augusta Tuttonroyal victorian institute for the blind, augusta tutton -
Vision Australia
Photograph - Image, Brush making workshop, post 1930
RVIB brushware was a source of income and some items were packaged under the name 'Blindcraft' to indicate their origin. In this collection the journey of the millet through its storage, selection, binding and attachment to other sections to make brooms and brushes.7 B/W images of workers making brushesroyal victorian institute for the blind, employment -
Vision Australia
Object, Time capsule 1868, 1868
In 1868, with the laying of the foundation stone, a time capsule was placed containing four newspapers of the day (Saturday 25 January, 1868 - The Age, The Argus, The Sun and The Telegraph: St Kilda, Prahran and South Yarra Guardian), the first Annual report of the Victorian Asylum and School for the Blind (1867), 11 coins from the Victorian regency and an illustration of the proposed building at St Kilda Road. In 1991, this time capsule was opened as part of 125 year celebrations. An undated note also describes a piece of parchment in the time capsule, which contained a list of names of committee members and relevant people involved in the construction of the building, such as Crouch & Wilson; however no image of this has been located.4 newspapers, 1868 circulating Commonwealth coins, 1867 Asylum and School for the Blind Annual Report and an illustration of the proposed building in St Kilda Road.royal victorian institute for the blind -
Vision Australia
Image
Marina Prior holds a microphone and sings to crowds at the Carols by Candlelight crowds in this undated photograph.1 x col. photograph of Marina Priorcarols by candlelight, marina prior -
Vision Australia
Image
Two graphic images of a candlelight, with radiant heat/light coming from the flame. Above the candle is written 'Carols by Candlelight'. Discovered in an envelope with the description 'C x C bromide' written on the front.2 B/W images of heat radiating from lit candlecarols by candlelight -
Vision Australia
Image, 1988
A group of school aged choir girls sing in this image from the 1988 Carols by Candlelight dress rehearsal.1 B/W photograph of children singingcarols by candlelight -
Vision Australia
Photograph - Image
As part of the Carols by Candlelight program, performers were required to submit a photograph that could be used in the program. This image of Ross Skiffington was provided by his agency Famous Artists.B/W photograph of Ross SkiffingtonRoss Skiffington Famous Artists Tel: (03) 722 1344 Fax: (03) 722 1887carols by candlelight, ross skiffington -
Vision Australia
Image, 1992
These proof sets cover the launch of Carols by Candlelight. In one set, Marina Prior and Santa launch the Carols ticket sales, whilst in the other a group of people stand outside RVIB St Kilda Road building, with glasses in their hands. Rhonda Burchmore and Geoff Harvey smile and laugh for cameras.2 x B/W proof sheets from the 1992 Carols by Candlelight launchcarols by candlelight, marina prior, rhonda burchmore, geoff harvey -
Vision Australia
Administrative record - Image, Association for the Blind Philosophy (and) Objectives
This printed philosophy served to remind sighted people what the organisation was working towards and how it sought to achieve it.A3 printed page on cream coloured paper with black writing and black and blue logoThe Association for the Blind was founded in 1895 by 8 blind people of strong spirit as a self help group and in protest against discriminatory attitudes and practices of society at that time. This small group sought and obtained the assistance of sighted citizens. Together they achieved reforms which greatly enhanced the status and rights of blind people. Today, this tradition of self help and active involvement of both blind and sighted citizens continues, with an overriding concern for the welfare of the individual. Philosophy The work of the Association for the Blind is based on the philosophy that all people in our society should have equal opportunity, with the freedom to express themselves and participate in the community to the extent of their desire and interest. To achieve this the Association is a grouping of local community resources which have come together voluntarily to serve people who are blind or visually impaired, and in partnership with government ensure the necessary services are provided. The Association for the Blind functions as an extended family, with blind members, volunteers, contributors and staff working together with mutual respect towards common goals. Objectives These are - to promote the welfare of blind and visually impaired people; - to provide welfare, counselling, rehabilitation, accommodation, nursing care, recreation and other support services; - to minimise the harmful effects of blindness whether physical, psychological, social or economic; - to facilitate the prevention of blindness; - to utilise the experience and talent of blind people in the community in assessing needs, evaluating and improving the value of services to the blind. A wide range of services is necessary to achieve these objectives, the outcome of which is greater independence, security and opportunities for blind and visually impaired Victorians.association for the blind, corporation records -
Vision Australia
Photograph - Image, Association for the Blind (Geelong branch) Branch Chairman [and] Auxiliary President
The Geelong branch committee was established in 1976 to manage the Geelong Centre then based in Pakington Street, Newtown. One early decision was to call the Centre "Illawarra", meaning 'high place above or overlooking the sea'. The branch committee disbanded in 1993. The auxiliary was established in 1963 to increase services for blind and vision impaired local people by raising funds for Vision Australia Foundation, then known as the Association for the Blind. Over the next 39 years, until is disbanded in February 2002, the Illawarra Auxiliary (renamed in 1976) raised many thousands of dollars to achieve this aim. Branch Chairman: 1976-79 Mrs L.W.M. Heath, 1980-82 Mr R. Averay, 1982-85 Mr L.W.M. Heath, 1985-88 Mr P.P. Larcey, 1988-91 Dr. B.J. Landsell, 1991-93 Mr F. Francesevic Auxiliary President: 1964-66 Mrs K.S. Nall, 1967-69 Mrs G.S. Gray, 1970-72 Mrs L.M.W. Heath, 1973 Mrs E. Currell, 1974-75 Mrs L.W.M. Heath, 1975-78 Mrs E. Snibson, 1979-84 Mrs I.E. Backwell, 1984-86 Mrs D.P. Smith, 1986-89 Mrs E.E.A. Donaldson, 1989-93 Mrs B. McKane, 1993-99 Mrs J. Backwell, 1999- Mrs B. McKane This photograph was taken of the honour board that previously hung in the Geelong Centre.Image of honour board with names of the people who were Geelong Branch chairmen or Auxiliary Presidents association for the blind, illawarra (geelong) -
Vision Australia
Photograph - Image, Illawarra Troupers Visually Impaired Drama Group
Supported by volunteers and friends, and with some members accompanied by their guide dogs, the Illawarra Troopers was a drama group for visually impaired people. Their first concert was held in 1977, and the group continued to entertain local audiences for many years. Illawarra Troopers: a visually impaired drama group (inauguarated 1977) Members Roll: Geoff Cortous, Dulcie David, Les Littleton, Gladys Downs, Hester Whiteside, Eileen McDonald, Peg Clark, Ralph Chamberlain, Albert Smith, Nora Cooper, Arthur Williams, Pat Baum, Ivy Mallet, Mary Chettle, Ethel Jardine, Peter Tapp, Jack Lambert, John Philipson, Len Hoyle, Rob Archibald, Daisy Stepnell, Neville King, Alice Sloan, Ada de Medici, Eric de Medici, Patricia Harrison, Llona Smith. Guide Dogs: Inga, Yvette, Igor, Rene, Leonardo. Producer: Jo Kirtley. Assistants: Judy Phillips, Val Anderson, Maisie Littleton, Dorothy Nicholls, Florence Mlodawski. Troopers Theme Song: Words by Olive FoleyPicture of wooden board with engraved names of the Illawarra Troopersassociation for the blind, nameplates -
Vision Australia
Text, The Black and White Ball, 1981-2014
The Black and White committee started in 1936 to raise funds for the children supported by the Sydney Industrial Blind Institute (later Royal Blind Society of NSW) through a variety of events. One such major fundraiser was a Ball, initially began as the White Ball then changed to Black and White Ball in 1948. Ball programs were created to provide opportunity for sponsors to advertise their involvement with this prestigious event, as well include information on the time progression of the night, a menu, a list of the current committee (Patron, President, various positions and members) and the Black and White Derby race sheet. First run in 1956, the Derby gave individuals or businesses the opportunity to sponsor a 'horse' in the race, which was ridden by a 'jockey' who rolled up a line to reach the finish post. Later programs included auction items, information on performers at the Ball and photographs from other events organised by the Black and White Committee (Casino Cruise, Women of Achievement lunch, previous year's Ball, etc.)Booklets with black and white covers with illustrationsCover on title changes: The Black and White Ball (1981-3) The Black and White programme (1985-1988) The Black and White Ball ((1992, 2003, 2005)black and white committee, royal blind society of nsw -
Vision Australia
Administrative record - Text, Royal Blind Society letterhead
Letter paper used by staff at the Royal Blind Society of New South Wales. A cream A4 sheet with the words 'ROYAL BLIND SOCIETY' at the top of the page, and 'ROYAL BLIND SOCIETY A VISION TO SHARE' around the RBS logo as a background in the middle of the page. Around the edge are four lines (3 thin, 1 thick) which form a border with two rectangle boxes in the corners of the page.1 x A4 letterhead with RBS logoroyal blind society of new south wales, office equipment -
Vision Australia
Certificate - Text, Royal Blind Society certificate blank
Certificates used by staff at the Royal Blind Society of New South Wales to honour people who had made donations to the organisation. A cream A4 sheet with the words 'Royal Blind Society gratefully acknowledges the generous support of (blank) on this (blank) day of (blank) 19 (blank) (signature) Jon Isaacs, General Manager' , and 'ROYAL BLIND SOCIETY A VISION TO SHARE' around the RBS logo as a background in the middle of the page. Around the edge are multiple lines which form a border, and a smaller version of the logo in the middle at the base.1 x A4 certificate blank with RBS logoroyal blind society of new south wales, office equipment -
Vision Australia
Booklet - Text, The Australian tactile art prize exhibition, 1999
An annual tactile art exhibition held by the Royal Blind Society of New South Wales encouraged artists to create artworks that were meant to be touched by admirers. In 1999, more than 230 artists submitted entries, with then 66 finalists showcasing their work at Customs House. This program provides information on each of the 66 works selected for exhibition, as well as an information and advertising leaflets from Robert Mac G Design, who created the three prizes for the winning artists. Most works were available for purchase, as indicated on the 'Opening bid for silent auction' sheet, with all proceeds going towards providing services to the 15,000 clients of RBS.1 v. unpaged with list of opening bid prices and three leaftletsroyal blind society of new south wales, fundraising -
Vision Australia
Award - Text, 1999 Australian Direct Marketing Awards - Bronze Award, 1999
The award reads as follows: "1999 Australian Direct Marketing Awards, Bronze Award (bronze coloured 14 sided figure logo) Addressed Mail - Small Flat Mail (category), Feely Book Mailer (title) Bristow & Prentice Response Advertising (agency) RVIB (client) Streetfile (sponsor) (signature) Chairman Presented by the Australian Direct Marketing Association and Australia Post."1 x A4 sized paperroyal victorian institute for the blind, awards