Textiles. Black silk faille handbag with gold metal frame with hinged clasp with black plastic top section. Front and back cardboardand base covered with black fabric with soft fabric side inserts. The front of the handbag is decorated with embroidered stitching. A 2 cm fabric carrying handle is attached to either side of frame. The handbag is lined with black silk fabric with one zipped pocket and one open pocket. Stored inside the handbag are two mirrors. 1. 12.8 cm x 7.6 cm with red leather backing. 2. Double sided mirror 6 cm x 8.6 cm , plus a small perfume bottle 1.5 cm x 2.8 cm x 1 cm with label "LE DIX" Balenciaga Paris France, and black plastic lid. Back of label "OFFERT" Not for sale.Label inside handbag ''A WYSOKIER'' V16 Top grade Failletextiles, domestic, ladies black silk taille handbag

These badges are hat or cap badges used by the Royal Australian Air Force . These badges may date from before World War Two but the ones used today are of similar design. The basic design mirrors the equivalent design of the badges of the Royal Air Force of Britain. The Royal Australian Air Force was established in 1921 and is the second oldest Air Force in the world, being formed from the Australian Flying Corps which was established in 1912.These cap badges are of interest as early examples of those worn by members of the Royal Australian Air Force..1Bronze badge featuring a crown, a wreath of leaves and berries enclosing stylised RAAF. There are two small rings on the reverse each with a two pronged brass pin inserted in the rings. .2 Identical to .1 except the brass pins are missing. RAAF

This item would have been used to apply rouge to the face to make the cheeks red. This rouge holder was made to fit into a purse or pocket for quick and easy application of the rouge. Variants of rouge or reddening materials are still used in cosmetics today. This item is of minor interest as an example of a cosmetics holder in use in the 20th century. It will be useful for display. This is a small brass container. It is rectangular in shape and has curved sides with ridged lines along the top and bottom edges. It opens via a small clip to reveal two compartments hinged in the middle. One compartment has an oval recess containing rouge powder and the other compartment has an inset mirror which is broken in two. A cloth pad for daubing the rouge on to the cheeks is also inside the container. ‘Velvet Grape’ cosmetics, history of warrnambool

This dress was created by Jean Inglis for a competition of garments hosted by the Geelong Handweavers and Spinners Guild at a ski weekend in 1979. It was entered in the ‘evening wear’ category of hand spun and knitted garments. The Warp was commercially brought 2/24 wool. The Weft was hand spun black Corriedale wool. This wool was brought at a sale in Geelong and was hand dyed and spun by Jean. The patter is a ‘Ripple’ variation of a ‘Crackle’ weave completed on Jean’s own Dobby Loom (pictured). Long black dress stretching from the feet, reaching up to a hood at the neckline and down to the hands in the sleeve. The dress is black with a glossy silver pattern in the form of a band around the hood, hands and feet of the garment. In these bands is a wavy pattern of silver and black lines. There are multiple thick and thin lines of both the silver and black colours mirroring each other as the pattern stretches around the garment. wool, weaving, hand spun, corriedale

Glass ornamental tower designed on The Pearl Tower in Shanghai, China. Presented to the SGSC from businessman Mr. Poo, Jinshan Community in China. The tower features a tall spire with two large faceted balls and three smaller balls fixed to a glass base. Chinese writing around the edge of base. Under the base is round mirror which creates a multicoloured effect through the base of the tower.

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Upright, embossed celluloid, silk iined vanity dresser box which belonged to Vida May McDonald (nee Wing). The sides of the box are covered with purple figured velvet while the lids are covered with embossed celluloid. The case has a number of panels which open to reveal its pink silk lined interior which was once fitted out with mirrors, combs, brushes, and makeup jars. Nilvida may wing, vida may mcdonald, beauty cases, makeup boxes

The telescope is original to the Wilsons Promontory Lightstation and was provided by the Department of Shipping and Transport in about 1900. The device magnifies images of distant objects through its curved interior mirrors, and lightkeepers used this telescope to monitor and record the names of ships, the time they passed, and their direction, as well as read meanings of flags and other visual signals communicated by vessels. The telescope is similar to Cape Nelson’s two metre long telescope, which is included in the VHR registration for the Cape Nelson Lightstation. It is particularly important for its good condition, completeness and confirmed provenance and has first level contributory significance to the cultural heritage values of the lightstation..1 Brass telescope, cylindrical tube shape with mobile interfolding sections. Middle section of tube has been covered with textile or leather and painted black. Narrow plaited rope fixed as a border to this section is also painted black. .2. The telescope is attached by a brass fitting to a wooden tripod on a three legged triangular ply wood base with three castors.

Penleigh Boyd, Robin and Patricia Boyd's son, recalls that "Robin experimented with stereoscopic photography which, when viewed through either polaroid or red/green glasses, produced a three dimensional effect. A special double lens attachment with image splitting mirror was added in front of the normal camera lens to produce a double image similar to the image seen by each left and right eye". Robin experimented with stereoscopic photography when they lived in the 158 Riversdale Road Camberwell.Stereoscopic camera lens in a box with instructions in Japanese and Englishwalsh st miscellaneous, robin boyd

This head-wear was Introduced by Lieutenant colonel William Malone whilst in command of a New Zealand Territorial unit (Taranaki Rifles) just prior to World War 1. The hat's crown was said to mirror the outline of Mount Taranaki. The hat was formerly adopted by the New Zealand army in France in early 1916 and is commonly referred to as the 'Lemon Squeezer'. It is still in use for ceremonial purposes. Note: Lieutenant colonel Malone was killed in action on Gallipoli in 1915 during the battle of Chunuk Bair. Fur felt hat, khaki, similar in appearance to a Scout's hat but with a higher crown and longer 'bashes'. Blue/red/blue cloth Puggaree with brass WW1 NZ Artillery badge. Often referred to as a New Zealand "Lemon squeezer" of WW1.hat, headgear

The Panther lamp was made by Powell and Hanmer of Birmingham. (see Item 7354) This model appears to be dated from the 1920's. Early models of the automobile, motorbike and bicycles used carbide lamps as headlamps. Acetylene gas, derived from carbide, enabled early automobiles to drive safely at night. Thick concave mirrors combined with magnifying lenses projected the acetylene flame light. These type of lights were used until reliable batteries and dynamos became available, and manufacturers switched to electric lights.Carbide Vehicle Lamp.-Silvered Metal, Lens Assembly . Small Green lens on both sides of the assembly, with a clear lens in front. 'Panther B'Ham' is stamped on the lower part of the assembly. In addition a Logo is Stamped with 'P H' and 'Ltd' under those letters. Carbide Gas section missing.Panther B'Ham

The Tilley lamp derives from John Tilley’s invention of the hydro-pneumatic blowpipe in 1813 in England. W. H. Tilley were manufacturing pressure lamps at their works in Stoke Newington in 1818, and Shoreditch, in the 1830s. The company moved to Brent Street in Hendon in 1915 during World War I, and started to work with paraffin (kerosene) as a fuel for the lamps. During World War I Tilley lamps were used by the British armed forces, and became so popular that Tilley became used as a generic name for a kerosene lamp in many parts of the world, in much the same way as Hoover is used for vacuum cleaners. During the 1920s the company had diversified into domestic lamps, and had expanded rapidly after orders from railway companies. After World War II fears about the poisonous effect of paraffin fumes, and widely available electricity, reduced demand for domestic use. The company moved from Hendon to Ireland in the early 1960s, finally settling in Belfast. The company moved back to England in 2000.A significant item demonstrating the early use of kerosene under pressure as a lighting medium. These types of lamps were made by a company whose products became synonymous with oil lamps generally. Lamps that were used commercially, domestically and by the armed forces of many countries during the first and second world wars.Tilley Searchlight Projector, or search lamp, made in Hendon, England 1935. Metal kerosene pressure search lamp, glass front, fixed mirror at back, wooden carry handles. Mounted on fuel tank with pressure pump. Lamp has 8 airflow holes in the bottom and a covered outlet on the top. Glass is in 3 pieces, fitting together to make flat circle there is a maker’s plate on the pressure tank. “TILLEY / SEARCHLIGHT PROJECTOR / MADE AT / HENDON, ENGLAND”, “256” handwritten in red on one wooden handle, “9” or “6” hand painted in white on top on light flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tilley kerosene pressure searchlight, lighting, john tilley, pressure lamps

Black and white photograph of Drawing Room ? Fortuna Villa, Home of the Lansell family, Chum Street, Bendigo. History of object: George Lansell - Quartz King, Bendigo. Photographed for Bendigo Advertiser 11.1.2000. Did Edith Lansell have some say in decoration and furnishing of this room? Note over stuffed chairs. Heavy drapes and lace curtains at windows mirrored back of statue alcove. All typical of period.W Ninnisbuildings, residential, fortuna villa

Black and white photograph of Victorian / Edwardian Dining Room. Large sideboard with mirror, large over mantle on fireplace with urns and figurines. Candlesticks and epergne on table. Large hanging branched light to ceiling. Tray mobile against wall. Various pictures on wall. Inscriptions: on front - BR corner 'UI 589 1'. On back - hand written in ball point pen 'Mueller's Mc Laren St'.place, residential, see also 2001.143.01

This hat was probably used in both China and Australia during the 1940s as a procession garment. It is linked to the Young Chinese League.This hat is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A red, purple and blue silk, six paneled hat embroidered with gold braid and adorned with mirrors. Tip of hat has red, silk bobble sewn into place. Each panel is embroidered with gold and orange thread. Among the threads are eight circles of metal around one central, circle. There is a blue band around the bottom and a ribbon tie attached to one panel and it is lined with pale blue cotton fabric.There is a black stamp of a Chinese character on the inside of the hat.young chinese league, processions, melbourne, victoria, china

Item belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service record.Cleaning kit for a Vickers Machine Gun 1) Leather "wallet" for the kit 2) Brass inspection mirror, with cap, for the use of checking barrels. 3) Oil can tin 4) Oil brush, set into the brass cap of oil can 5) Gauge tension, with flat blade one end and bullet shape other end 6) Screwdriver, flat blade, wooden handle 7) Leather pouch with strap1) Front marked "303 INCH VICKERS" 5) Marked "0 - 20" scale 7) Front marked "D.D 303 VICKERS GUN E.B", rear marked "MADE BY RE BOWDEN & SON LTD. (indistinguishable) ST, NEWTOWN NSW 1942" handcrafts - leatherwork, metalcraft brassware, trades-tools, military history, vickers

Writing chest or toiletry case with several compartments. In main compartment were several items from the Volum family: cigarettes case, business cards case, a boar tusk, 4 seeds. a piece of coral. Behind the board where the name Gordon Volum is written and where was possibly a mirror were hidden two documents: a pink card from a hospital about Andrew Volum, and a small leaflet about WWI ships.Label on top lid:volum collection, portable furniture, geelong, peterhead, scotland, captain, seafaring, whaling, gordon volum, andrew volum, wwi, first world war, great war, navy ships, hmat orsova

Black and white print of a donated negative. Print made 8/1998. Photo of decorated SEC tram 23 for the centenary of the discovery of gold in Ballarat. Tram has destination of Lydiard St. North, has Town Hall in Background. Shows detail of decoration. Taken on 26-3-1951. Shows arrangement for mirrors on a single truck - rare? High Res scan of copy negative added 17/1/2019tramways, trams, gold tram, gold centenary, ballarat, decorated trams, tram 23

Newspaper clipping from The Mirror - Wednesday 6 Feb. 1980, titled "Our tram on track". Features a photo of the Box Hill Historical Society replica crossbench tram of the Box Hill - Doncaster tramway on the loop track at South Melbourne Football ground loop with the TMSV zoo horse being operated in the background. Quotes the Society President, Irvine Green. See Reg Item 1654 for a photograph of the horse tram.trams, tramways, box hill, south melbourne loop, zoo tram, horse trams, tmsv

black and white photo; Lancewood House, home of Ernest Mueller and family. Corner of a sitting room with plant, flower motif wall paper. Pictures cover much of the upper walls, small tables and furniture pieces around the wall, drops of a chandelier visible, a vase of carnations on square table in foreground. A chimney breast and elaborate mirrored over mantle visible on the rift. Ornaments and vases on shelves of overmantle. UI 589.3 on front bottom left.buildings, fittings & materials, lancewood house

Yields information about Geelong Depot and tramcar No. 5 and its repainting with zebra stripes in 1955Two Black and white digital print from scan of a donated negative showing Geelong No. 5 in the depot after it was repainted with strips. Also fitted with mirrors. Shows the coupling arrangements. Photo by John Webster, 1955. See page 44 of Destination Eaglehawk for details. Black and White prints made from scan of negative. Original Negative stored with Negatives. Negative scanned at hi res 2/6/2020 and image updated.On left hand side of the negatives in ink is "EI 9" and "EI 10"tramways, trams, geelong, tramcars, tram 5

The Club known today as the Bendigo Bowls Club originated from the Sandhurst Bowling Club in 1870/71 changing its name to Bendigo in 1872. It is located in central Bendigo just a short walk through the picturesque Rosalind Park from Bendigo’s central business district. https://bendigobowlsclub.com.au/history/ William Henry Sunderland was a Bendigo investor, member of the Bendigo Stock Exchange and director of many mining companies. His father, George, had been a mounted trooper assigned as a gold escort between Melbourne and Bendigo. William became the President of the Bendigo Bowling Club in 1916.Leather satchel with gold embossed text. Text reads B.B.C Holmes Trophy. Won by W. H. Sunderland. 1906-7. Inside the satchel are eight items pertaining to a men's toiletry set. These include; a comb, a mirror, a clothing brush, a glass cylinder with metal lid, a small metal tin, a razor strop, a shoe hook and a soap case. Four items appear to be missing from the set. The satchel has a leather carry handle.B.B.C Holmes Trophy Won by W.H.Sunderland 1906-7bendigo bowling club, men's toiletry set

Set of six circular dexterity games, each consists of sealed metal casing with printed paper image inside (except for one in which the imagei si printed onto metal). Tiny balls inside casing, which players must try to manouvre into small indentations. Two are large, one medium, two small and one is very small. All are backed with mirror glass. Materials: Metal, Paper, Ink, Glue, Glasstennis

Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee

This is a booklet written by Jack Rooke about his life. Born in 1910 Jack Rooke faced early the challenges of living in the bush in the Camperdown and Panmure areas. He describes the difficulties of the small farmer and the tough living conditions. He also records the struggle to survive during the Depression years in the 1930s and his heartache after his farm was burnt out in the Ash Wednesday fires. Rooke’s story mirrors that of many settlers in the Western District in the early to mid 20th century and so he has produced an important social history in a simple but compelling manner. This booklet is of considerable importance as it gives the details of the life of one person facing the challenges of living in the bush in the district around Warrnambool in the 20th century. It is a simple but great social history that should be read by the younger generation today.This is a soft cover book of 40 pages. It has been self-published and home-produced with a buff-coloured cover and a plastic overlay. The cover has a black and white illustration. The pages contain some sketches and black and white photographs. early 20th century settlement in the warrnambool district, history of warrnambool

Francis Powell (1861-) and Francis Hanmer (1858-1925) founded Powell and Hanmer Ltd in the Summer of 1885 for the manufacturer of bike and carriage lamps. Their first advertisements began to appear in November of 1885. Early models of the automobile, motorbike and bicycles used carbide lamps as headlamps. Acetylene gas, derived from carbide, enabled early automobiles to drive safely at night. Thick concave mirrors combined with magnifying lenses projected the acetylene flame light. These type of lights were used until reliable batteries and dynamos became available, and manufacturers switched to electric lights.Acetylene bicycle light carbide. Green and red side lens. 200 cm High. Inscription Powell & Hanmer Birmingham. Previous Catalogue Number 112.lighting, accessories, bicycle light

This portable, hand held visual signaling lamp, with trigger mechanism and inner reflective disk, was used for optical communication via Morse code, with the concave mirror tilted to focus the light into pulse signals. Larger versions of these lamps are fixed on ships or pedestals and have shutters in front of the light that are opened and closed to transmit signals. Smaller hand held versions like the Cape Nelson example have a concave mirror that is tilted to focus the light into pulse signals, and despite their size the lamps were renowned for their brilliant light. Invented by Arthur C W Aldis (1878‐1953) and pioneered by the British navy in the late nineteenth century, they continue to be used to the present day. Details on the Cape Nelson lamp include a serial number, a date of 1960 and the initials of the Department of Transport, which at that time incorporated the Commonwealth Lighthouse Service. Another lamp of the same date which is held at Wilsons Promontory was provided to the lighthouse by the Department of Shipping for signaling ships but was also used for communicating with Cliffy Island, 18 nautical miles away. Point Hicks also has an Aldis lamp and an associated case, which is painted an army green colour. A fourth lamp and case formerly at Cape Schanck disappeared from the collection sometime between 1995 and 2003. These types of lamps are not rare in museum collections.These types of lamps are not rare in museum collections however the Cape Nelson example has a reliable provenance to the lightstation and has first level contributory significance as a fine example of the Aldis lamps that were distributed to lightstations throughout Victoria and Australia.This object is comprised of a black metal encased Aldis lamp with electrical cord and associated wooden carrying case with metal clasp and red leather hand grip. yes

Newspaper clipping documents deputations to the Minister of Public Works for grants to be made available for repairs to bridges and roads damaged by heavy flooding in 1933, in particular, the replacement of a stone and concrete bridge over the Leigh River at Garibaldi in the Buninyong Shire. The concrete slabs were still in the water in the 1960s/70s or even later. Three black and white photographs showing flood damage to the bridge over the Leigh River at Garibaldi, plus a photocopy of a newspaper clipping from The Argus December 1933 describing the extent of the flood damage. .1) shows blue stone buttress and collapsed bridge/road. .2) mirror image of above .3) unknown man waling an a girder of the Garibaldi bridge .4) photocopy of newspaper clipping about flood damage from The Argus December 1933Damage by Floods: Bridges washed away (The Argus December 1933)leigh river, garibaldi, buninyong shire, richard vincent, garibaldi bridge

This badge represents a period in time when a School Carnival was not only a major School activity but also had a community "spirit" attached to it. It represents the balance between the metal (learning) and the physical (body) development of the student body. This balance of the growing student has been in existence for centuries. Although some students excel in the academic side of schooling others balance this through the sporting/physical side of "school life" This balance is mirrored in the overall Australian society. From the late 1990's the highly lucrative "professional" sports have provided a highly monetary incentive for those excelling in the physical side of society.The Mount Beauty High School has not only provided outstanding academics but also sports professionals. It has and is still producing a cross section of outstanding Australian men and women. Although the local environment (rural) has limited opportunities for further scholastical and professional sporting achievements it is a vital facility in the student's development for the ever changing Australian society. This yellow coloured, round "lapel" badge is made from mild steel (tin). It has a safety pin shaped around a hole and running horizontal it can be pressed into a "U" shaped hole for fastening onto any material (blazer or shirt).On the front of the badge (in smaller green coloured print) and following the round shape of the badge is "MOUNT BEAUTY HIGH SCHOOL". In the middle portion of the badge, and in larger print "CARNIVAL". Below this in smaller print again is "21st MARCH 1970"high school education, metal school badges, school sports