A bound book of 16 drawings B&W (lithographs?) in ''photographic'' detail of well-known Sandhurst Views - Town Hall, Mechanics Institute, Masonic Hall, Bendigo Hospital, Bendigo Benevolent Asylum, Post and Telegraph Offices, Mining Exchange, View from Post Office Tower looking East, View from Post Office Tower looking West, Central State School, Alexandra Fountain, Upper Lake,Rosalind Park, Fernery Rosalind Park, St Pauls Church, Bishop's Palace, General View - New Chum Line, Koch's ''Pioneer'' Crushing Works, Quartz Crushing batteries, Town Hall - Eaglehawk, Railway Station. Appended with two pages summarizing Sandhurst history; current councillors and officers, brief review of five places - Bendigo Hospital, Benevolent Asylum, Mechanics Institute and Free Library, School of Mines and Industries, Masonic Hall. Date is given as ''The present (1888) occupants are ....''

Photocopies of some pages mentioning the Museum. Part of a letter by P H MacGillivray, President, Report on the Botany Class, Report on the Chemistry and Metallurgy Classes, The Museum, including what exhibits, attendance of visitors and opening times. A number of pages of Donations to the Museum from 1/7 1891 to 30/6/1892, including the names and address of the donors. There is a list of the Classification of Specimens (received during the year). Also mentioned is Botany - Lecturer - J B Lillie Mackay and Zoology - Lecturer - J B Lillie Mackay. There is also a part of the printing about Architectural and Geometrical Drawing, Machine and Building Construction - Teacher - W H E Nicolai.museums, peter ellis collection, bendigo school of mines, dr macgillivray, rev j garlick, dr colquhoun, mr g alec thomson, mr j eardsley edwards, dr quick, j m harcourt, j robshaw, r bloomfield rees, j d crofts, w h carwardine, dr dendy, professor marshall hall, professor baldwin spencer, department of education, sir frederick mccoy, baron von mueller, j w faul, john robshaw, henry jackson, j b lillie mackay, melbourne university, mr a south, department of forestry, mr perrin, the pharmacy board of victoria, education department

Notes, some taken from the Bendigo Advertiser 10/71895, 12/7/1895, and 23/12/1885. Items mentioned are: Snakes of the Whipstick, Science Society, Elliott's Reef Company, Sandhurst Museum, Snakes common to Bendigo, Snake Bite, The Whipstick Water Supply - Bendigo Advertiser 23/12/1885, Are Slides guides to Mining, Mr Wilson Froggatt's return from New Guinea, Death and a short obituary of Dr MacGillivray, Some of the work of watercolour and pencil artist, Mr R H Nancarrow, of Neilborough, and a description of Dr Mac's new residence on the lower corner of Rowan and Forest Streets.bendigo, history, early bendigo, peter ellis collection, bendigo advertiser 10/7/95 pg 3 & 12/7/95, snakes of the whipstick, school of mines, r brough smyth, science society, dr macgillivray, eaglehawk prospecting committee, elliott's reef company, sandhurst museum, prof halford, mr r bloomfield rees, professor mccoy, mr vahland, mr robshaw, the whipstick water supply, bendigo advertiser 23/12/1885, mr nancarrow, mr wilson froggatt, sir edmund strickland, geographical society, paul howard, isabella shields, sandhurst mining board, mr r h nancarrow - artist - watercolour & pencil, arnott's patent ventilators

Mr. Northcott served all through the Crimean war, and obtained three service medals. He was most fortunate, as he did not even receive a scratch. While fighting in the trenches one day he happened to glance round, and was surprised to discover that his brother was by his side. They had not seen each other for a long time, and the meeting under such circumstances can be imagined. Two of his brothers, John and William, served throughout the war. At its close he came to Victoria, the gold fever being then at its height. His stay in Bendigo was brief, as the New Zealand rush attracted his attention, but he returned in 1858 to Bendigo, and as the outlook was quiet, he went back to New Zealand in 1859. Finally, in 1860, he settled in the Bendigo district with his father and mother and brother William. They took up some land at Leichardt and remained there for some years. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, is at the present time one of the leading cornet players in the United States. In 1867 the late Mr. Northcott married Miss Lansell, sister of Mr. Geo. Lansell, her demise having taken place about three months before. When he left Leichardt, Mr. Northcott became Mr. Lansell's general manager, and continued in that capacity for 26 years. While he was manager of the 180 Mine it is estimated that gold to the value of a million sterling was taken from the mine. It is, perhaps, in his capacity as a bandsman, that Mr. Northcott was best known, as he became a familiar figure not only in the chief centres of Victoria but throughout Australia. He first became leader of the old Volunteer Band, and he was subsequently leader of the Battalion Band at Castlemaine. It was when he became leader of the musical combination known as Northcott's Brass Band that his fame and the fame of the band became widespread, as some 25 years ago it was one of the finest bands in Australia, and held that distinction for many years. Although many changes in the personnel of the band have taken place, it still retainsits old name. Mr. Northcott was a cornet player of high ability, and in 1871 he was presented by the citizens of Bendigo with a handsome silver cornet, in recognition of his services as a musician. His home contains a great array of trophies, photographic groups of bandsmen etc., which serve to indicate in a sense the reputation he enjoyed as a bandsman. During his career in Bendigo he invested in mining a good deal, but was not very fortunate in this respect, as he lost a good deal of money on the New Chum line. Naturally he was well known and warmly respected, especially by bandsmen. He was a genial citizen, and made a large circle of sincere friends. He was a member of the Zenith Lodge of Masons, having passed through the chairs twice. He was also a member of the A.O.F., and formerly a member of the School of Mines Administrative Council. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, was one of the leading cornet players in the United States.Black and white photograph of Northcott's City Band, Bendigo. 3 rows of men in Band Uniform. Drum centre, brass instruments.men laying in grass at front.organisation, band, northcott's city band

Photo of Joshua Clough beside a model of a mine. A banner of the school is in the background. Story about an exhibition focusing on minerals and mining. The children learnt about the different aspects of mining and made models.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, joshua clough, central deborah gold mine, james lerk

Finals for this year were won by School of Mines 9.14 who defeated Teachers College 5.7. In becoming runners up, Railway 6.5 defeated Stock Agents and Press 4.10 Named players:- 1. Charles Malloy - Charles Ernest Malloy (1901 -13/5/1989) was the son of Albert Malloy and Emma Lea. He married Euphemia (Effie) May Gascoigne in 1925. During WW2 he served in the 11th NSW Volunteer defence Corps with service number V374250. 2. Jack Malloy - (1906 -12/9/1978)brother to Charles was born in Bendigo in 1906. He married Dorothy Laura Batchelder in 1932.Black and white photograph of the Railway F.C. team runners up in the 1927 season. Charles Malloy 3rd row from the bottom, 1st on the left. Jack Malloy 3rd row from the bottom, 3rd on the left.football, railway f.c., 1927

Bendigo Advertiser 13.3.2021 Museum back from the dead? Colour photo of School of Mines building. Article discussing possibility breathing new life into Bendigo's storied past by establishing a Museum in the TAFE building.school of mines, potential for museum

Advertisement in 'Public Notices' Bendigo Advertiser, March 2000, seeking applications from schools and community organisations for financial support for environmental projects. Closing date for present round of grants will be March 31st. 2000.In biro on side of advertisement ' Break O' Day' March 2000'environment, kangaroo flat, goldmining, , exploration, mining, bendigo mining, environmental trust

PROPERTY MARKET Fortuna, Bendigo The Bendigo mansion property, Fortuna, for many years the home of the late Mr George Lansell, will again be offered for sale by auction. Some few years ago the property was purchased by Gold Mines of Australia Ltd., and it was used for a time for the offices of Bendigo Mines N.L. The company now has no further use for the building. As a last effort to retain this historic 52-room mansion, it will be offered as it now stands, with the spacious grounds which contain three lakes, a terrace, a rose garden, a swimming-pool, and a Roman fountain. It is hoped that it may be purchased by some organisation for use as a school, hospital, or other institution. If a sale is not effected the building will be sold immediately for demolition. This should arouse much interest as it con-tains many cedar and mahogany fittings, parquetry floors, central heating and hot-water plants. The auction sale will be held within the next few weeks by J H Curnow and Son of Little Collins street and Bendigo. https://trove.nla.gov.au/newspaper/article/11158857?searchTerm=fortuna%20auction%20sale Demolition Auction Sale Flyer for Fortuna under instructions from Bendigo Mines. Dated 29th and 30th June 1930. Auctioneers J H Curnow and Son. Black ink on yellow paper.fortuna villa, auction, bendigo mines

Small pamphlet. A chronology of the Mechanics Institute and free library and School of Mines and Industries 1854 - 1904. The refurbished historic School of Mines Building officially named the J.R.V. Anderson Building for the Bendigo College of TAFE in November 1986.bendigo, buildings, school of mines, bendigo

Ten pages booklet. Bendigo Artists' Exhibition, sponsored by Bendigo Special School. On the cover a drawing of the Central Deborah Mine. Artists exhibiting: John Bourke, James Bowman, Neil Bruce, Jenny Carrington, Peter Cheyne, William Delecca, John Foster, Jan Neil, Peter Oliver, Norman Penrose, Paul Shapcott, Wesley Shapcott, Stan Thomas, Don Watson, Peter Webster.event, exhibition, bendigo artists

An invitation sent to J. R. V. Anderson by the Mayor of Bendigo, Cr. J. E. Holland, in 1921 to attend a luncheon to celebrate the opening of the Soldier's Memorial Hall at the Bendigo Town Hall on Tuesday,15th November, 1921 at 1 pm. This Soldiers' Memorial Hall still stands today in Pall Mall, Bendigo. It is now called the Bendigo RSL Memorial Military Museum.Celebrates the opening of the Soldier's Memorial Hall in Bendigo, as well as indicating the importance of J. R. V. Anderson in the Bendigo community at that time. This significance has been assessed in-house.Personal invitation to Mr. J. R. V. Anderson from the Mayor of Bendigo (Cr. J. E. Holland) to attend a luncheon to celebrate the official opening of the Soldiers' Memorial Hall, Bendigo on the 15th November 1921. Rectangular card in blue print, with the person's name handwritten in black ink.Inscribed on card bearing City of Bendigo emblem is the following: "On the occasion of the Opening of the Soldiers' Memorial Hall / by / His Excellency, The Governor of Victoria, The Earl of Stradbroke, / K.C.M.G., C.B,, C.V.O., C.B.E., A.D.C. to His Majesty the King, / The Mayor of Bendigo, (Cr. J. E. Holland,) / requests the pleasure of / Mr. J. R. V. Anderson's / company at Luncheon at the Town Hall, Bendigo, on Tuesday, / the 15th November, 1921, at 1 p.m. / R.S.V.P. TO TOWN CLERK BEFORE INST." (Last line crossed out in black ink).anderson, j. r. v., bendigo school of mines and industries, soldier's memorial hall, bendigo, 1921

This is an artist's impression in reproduction of the Mechanics Institute building as it was in the 1880's. It has since changed quite significantly, especially what can be seen of the surrounds. The insert picture is an impression of the Industrial Pavilion which, as is stated, was used between 1856-1864 as temporary premises for the Institute. The print was first published in 'The Australian Sketcher' under the title "Sandhurst Mechanics Institute and free library: the new and old." [Go to the State Library of Victoria and the following link for more details.] http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab22020This is a significant print in an historical context, portraying the Bendigo School of Mines and Industries as it was in the 1880's, as well as the Industrial Pavilion. It indicates the significance of it to the community that an artist's impression was sought. Significance assessed in-house.A3 print on heavy paper. A reproduction of an artist's impression of the Mechanics Institute Building in the 1880's. The picture is of the building with an insert impression of the Industrial Pavilion used as temporary premises for the Institute from 1856-1864. It is a black and white print of the front of the building with rough depictions of people, horses, a carriage and trees in front of it."A reproduction of an artist's impression of the Mechanics Institute Building in the 1880's. / Insert. An impression of the Industrial Pavilion used as temporary premises for the Institute from 1856-1864"bendigo school of mines and industries, industrial pavilion, mechanics institute, bendigo, 1880, 1856-1864

Douglas ALEXANDER (1945-1981) Born Skipton, Victoria Doug Alexander studied Ceramics at the Ballarat School of Mines. In 1968 he was employed as a thrower and designer at Bendigo Pottery leaving that position to work and travel to New Zealand. He settled at Kerri Kerri, Bay of Islands in New Zealand and operated the Red Barn Pottery. In 1970 Doug Alexander returned to Australia establishing Spring Mount Pottery at Creswick where he used local clays to produce his work. He moved to Tharwa, ACT, in 1976 and established the Cappucumbalong Pottery. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Slab formed stoneware platter with impressed decoration finished with slips and oxide made at Spring Mount Pottery, Creswick.art, artwork, ceramics, alexander, doug alexander, red barn pottery, ballarat school of mines, ballarat technical art school, kerri kerri, spring mount pottery, creswick, cappucumbalong pottery, springmount pottery

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An academic portrait of Federation University Australia Vice Chancellor Helen Bartlett.academic portrait, helen bartlett, graeme drendel, portrait, vice chancellor, academic regalia

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of a woman with hair braids.graeme drendel, printmaking

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of two men carrying a mattress.graeme drendel, printmaking, mattress

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. An etching of a pool and surrounding objects such as chairs and towels. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

A promotional publication to attract and encourage tourism to the district. Includes information about geographic location, climate and attractions. Businesses advertising is very eclectic and includes fashion houses, breweries, cafes and the School of Mines and Industry.Thirty six booklet promoting popular sites, events and businesses in Bendigo. Printed in three colour. Right hand page has the slogan BENDIGO "For That Dreamed - of Holiday" with images and text. Left page has full and half page advertisements for businesses, buildings and events.Bendigo / For / Sunny / Carefree / Restful / Days .../ An Australian Tourist / Publicationcity of greater bendigo commerce, city of greater bendigo events, city of greater bendigo tourism, making a nation

BHS CollectionPall Mall Bendigo. black and white photograph. View of Pall Mall from top of building at Charing Cross, showing Queen Victoria statue, RSL Hall, Post Office, School of Mines in distance, Shamrock Hotel at right. Envelope also in folder.Fred Smithplace, land, pall mall, bendigo

BHS CollectionPart of a map of the Bendigo Gold Field - Golden Square. Geological Survey of Victoria. Shown are reefs, faults and anticlines. Many of the mines are shown on the map. Gullies, hills and streets are also shown.bendigo, history, long gully history group, the long gully history group - bendigo gold field - golden square geological survey of victoria, north bendigo state school reserve, hospital reserve, benevolent asylum reserve, empire hill, richmond hill, raes hill, south end hill, victoria hill, new chum hill, iron bark hill, redan hill, view hill, hustlers hill, camp hill

BHS CollectionBendigo Advertiser ''The way we were'' from Wednesday, January 28, 2004. School's in: a dressmaking class at the school of mines in 1947. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionThree pages, the first titled Neighbourhood Watch. The second, dated 2/6/97, mentions a phone call to the City of Greater Bendigo about speaking to Marco in the Planning Department. The third, dated 30/5/97, also mentions Eaglehawk Heritage Society, Cornish Miners, Cornish Association, Long Gully School, Department of Main Roads, St laurence Court, Charles Fay, La Trobe History Department. It has Cheryl Wallis signature at the bottom of page.bendigo, history, long gully history group, the long gully history group - neighbourhood watch, edward clarence dyason, isaac dyason, george lansell, st andrew's college, melbourne university, bendigo amalgamated goldfield company, chamber of mines, gold producers association, bendigo mines limited, league of nations, australian institute for international affairs, melbourne syphony orchestra, world war ii, british commonwealth relations conference, powercor australia, city of greater bendigo, eaglehawk heritage society, cornish association, long gully school, department of main roads, st laurence court, charles fay, la trobe history department, cheryl wallis

Work started on the Lauriston Reservoir in 1939 as part of the Coliban water system and was officially opened by Victorian Premier, Albert Dunstan in 1941. Capacity was increased in 1946 when steel spillway gates were added. Although these had been part of the original design they could not be added at the time of the building because of post-war steel shortages.Bendigo Advertiser ''The way we were'' from 2003. on tour: school of mines civil engineering students visit the construction site of the Lauriston Reservoir in 1940. Left to right: Les Nankervis, Ron Watts, instructor Syd Power, an unknown student and Cliff Binks. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Albert Richardson was a mining historian who wrote widely on the mines of the Bendigo Goldfield. The park opposite the Goldmines Hotel in Marong Road, is named in his honour. Five page document, hand written by Albert Richardson on lined foolscap and edited with cross-outs and insertions, . The mines along the Hustlers line of reef and the Sheepshead line of reef are described. Mines listed on Hustlers line of reef: Fortuna Hustlers (1888 - 1913), shaft 2,240 feet at rear of Buckell and Jeffrey's offices; Royal Hustlers Reserve No. 2 - two shafts 'City" 860 feet, now covered by R.S.L. building Pall Mall, steel poppet legs 60 ft high and 'Park Shaft" at rear of Camp Hill School, 1,775 feet, steel poppet legs 60 feet high; Hustlers Hill Group first worked by Jonathan Harris in 1853 and bounded by Valentine, Anderson and Ironbark Creek to the north and Milroy Street to the east, one of first areas worked for quartz reefing. It with Garden Gully line west and Victoria Hill Ironbark, formed by far the richest cross section of the Bendigo Goldfield. Great Extended Hustlers (1865-1921) close to intersection of Anderson Street and Hustlers Road, mullock heap against road and shored up around shaft, steel poppet legs now at Wattle Gully mine, Chewton, large winding machine, air compressor south of shaft and 36 head crushing battery. Hustlers Reef (Old Hustlers) and Hustlers Reef No. 1, two shafts, main 2,210 feet, about 220 yards east of Moran Street and against Fenton Street. , No. 1 shaft 1,140 feet and about 155 yards east of Moran Street. Lansell's Comet, Lightining Hill line, 2.100 feet, on Comet Hill approx 70 yards west of Holmes Road, near Comet Creek, steel poppet legs. United Hustlers and Redan (1876-1918), main Redan, 1,830 feet about 155 yards west of Sandhurst Roead, in line with Comet Hill State School, this hill known as Redan Hill. North, or New Hustlers, once known as Agnew Hustlers, wooden poppet legs, south side, Kneebone Street, Eaglehawk. Derby line, Johnson's No. 3, South Johnson's (east shaft of Collman and Tacchi) 439 feet on west wide of Woods Street, south of Wetherall Street. Paddy's Gully Line, south to north, some shafts - Lansell's 'Sandhurst" ('Needle") Eaglehawk Road shaft 2,425 feet, about 50 yards east of Needle Loops, a brick square sided chimney with Cleopatra Needle top. British American, 789 feet, just south of Holdsworth Road. Collman and Tacchi, main shaft 2,588 feet, 60 yards west of Eaglehawk Road, California Gully. Deborah Line of Reef, The Deborah (1932-1954) shaft 2.017 feet, west of Adams Road and south of Abel Street, Quarry Hill. North Deborah (1937 - 1954) shaft 1,151 feet, Breen Street, Quarry Hill, steel poppet legs. Central Deborah (1939-1954) shaft 1,347 feet Sheepshead line of reef, Lansell's South Red, White and Blue, shaft 2,124 feet, north east of Bellevue Road and 220 yards east of Adams Road. The New Red, White and Blue Consolidated (Big Blue) main shaft 2,416 feet. Lansell's Bendigo Battery 105 head, north of 'Big Blue" on his freehold lease, commenced crushing on 24th February 1895. After closing was erected as the Showground's Industrial Hall, July 1926. North Red, White and Blue, burnt down February 1926, new company 1934, closed 1938. Document is part of the Albert Richardson Collection of Bendigo mining history. bendigo, gold mining, deborah line of reef, sheepshead line of reef, hustlers line of reef, royal hustlers reserve mine, hustlers hill group of mines, great extended hustlers, hustlers reef no. 1, lightning hill line, old comet, collman and tacchi, lansell's comet, north deborah, central deborah, dhrrpdhrsf linr og trrg, new red, white and blue consolidated mine, big blue, lansell's bendigo battery, north red, white and blue mine, albert richardson collection