Several artists showcased their talents at the "Artists on Were Street" event. Mel Macklin creates digital paintings. Fiona Haase is a basket weaver. Patrick Ryant is a portrait artist and Leanne Ipsen is a painter. 2 page news article, text and colour images.artists on were street, montmorency, artists, mel macklin, fiona haase, patrick ryant, leanne ipsen

c1880 This tiny tape measure, in Imperial measurements, was part of a Victorian era lady's sewing basket. The case is of polished timber, and the little winder, to retract the tape, is made of brass with a small ivory handleEarly settlers and market gardeners of Moorabbin Shire had to be self reliant producing their own food and making their farm equipment and clothing. The women of these families were skilful in all craftwork.c1880 this tiny, retractable, tape measure, in Imperial measure, is made of polished timber with a brass winder and ivory handle. Imperial ‘inch’ measurements on tape dressmaking, tape measure, sewing, craftwork, pioneers, early settlers, market gardeners, moorabbin, brighton, bentleigh cheltenham

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available

Interior view of a building owned by Queensland Industrial Institute for the Blind, and used to store cane and make cane baskets. Several examples of partially finished product sit in each of the work areas used by individuals.1 x B/W photograph of cane area at QIIBqueensland industrial institute for the blind, employment

Part of a display at the 1992 Wildflower Show. The historical description relates to Jack Watson, the convenor of the first Wildflower Show in 1933. For further information about Jack Watson see "Bridging the Gap", pp 88 & 91.The photo shows a framed historical description about Mr Jack Watson, including an oval photo and a blue "Wildflower Show" admission ticket. On the left of the photo, beside the frame, is a display of wildflowers in a vase and a dried display beneath it in a basket/bowl.events, wildflower show

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A sepia photograph showing a group of women and two children seated on the grass with picnic baskets open. Two wicker prams are behind the group. The three women named are Mrs W. Wright, Mrs C. Cane and Mrs W.G. WrightFront face of photograph written in white - "Snaps.", Auch.1R.R.10, R34; in pen - 0, X and a crossed 0. On the back - Printed - New Zealand Post Card; Hand written - Mrs W.Wright (Marked with a X) snapped during a 6 months holiday in New Zealand 1910. Mrs C. Cane marked with a 0, Mrs W.G. Wright (jn) marked with a crossed 0frank wright, mrs w wright, cane, pram, picnic, new zealand

Summer dress hat, with a very fine basket weave, scalloped edges, and gauze trim. Inside the hat is a label, "A Calvert Model". Dating from c.1940s. N.B.Calvert was liquidated in 1973. Owned by Mrs Jean Robinson, b. 1921.

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection..A black and white photograph of a young Vietnamese girl prepares a pineapple for a serviceman on the sand at Back Beach, Vung Tau. The young girls carried two large baskets, on a pile of pineapples, which were very heavy for such a small slip of a girl.photograph, back beach, vung tau, vietnamese children, gibbons collection catalogue, denis gibbons, photographer, vietnam war

Black and white negative, by Wal Jack, of W2 491, The Esplanade and Carlisle St and the O'Donnell Gardens in the background. Note the war time Waste Paper collection basket by the pole and the track in front of it. Photo not dated in Wal Jack album, c1943trams, tramways, st kilda, carlisle st, the esplanade, w2 class, world war 2, tram 491

The photograph shows Ballarat No. 11, with the destination of Lydiard St North mid to late 1950s. Location unable to be determined. A lady with a straw basket can be seen inside the tram. A bogie tram is behind. Photographer unknown. Yields information about tram 11 in the mid to late 1950s.Black and white print - plain back. Two copies held.tramcars, tramways, tram 11

Hickory wood is hard and heavy. Owned and used by Wally Deans.Used by SECV employee, Wally Deans who worked on the Kiewa Hydro Electric Scheme.Wooden skis made of hickory wood with metal binding and leather straps. Cane stocks with wide baskets. Ski boots are black, lace up with a steel plate screwed onto the front of the sole. The boots are in a steel hanging device for storage and transportation. Skis: "S.E.C. -3" inscribed on side. "66 / Hickory / 1742" on front of ski. Binding: 'Northland'. "Kanadar". Steel Carrier: "Tyrol / Can.Pat.1962 / U.S.Pat. 3074085 / Made in Canada"wally deans, ski equipment, skis, ski boots, ski stocks

Postcard: image shows Law Courts, Bendigo. Former Police Station on RH side of Law Courts, beside Police Station is a Victorian house, bordering the Bendigo Creek and entry into Rosalind Park. In foreground, ivy basket, statue in Conservatory Gardens.Plastichromebendigo, buildings, law courts, bendigo, law courts, police station

This carry bag was used in the 1980's to carry items bought at the Healesville Sanctuary Shop. Many bags have been used since the inception of the shop and this is one of many used over the years. It is interesting to note that paper was used widely throughout the early years and in latter years as the Sanctuary became more dedicated to preservation of the environment, more environmentally-friendly materials have been used.This is a white paper carry bag. The illustration in black and white is of a family group of grey kangaroos; 5 adults and joey. A light green basket-weave pattern forms the background. It has rafia handles and is inscribed with the name of the Healesville Sanctuary underscored in red.Inscription on the lower edge of the paper bag reads "HEALESVILLE / SANCTUARY / A TRULY AUSTRALIAN EXPERIENCE". On the underside of the bag it reads "For Re-order B.S.B. (03) 801 9255"paper-bag, shop, healesville-sanctuary, grey-kangaroo, kangaroo, 1980's

This pot is part of a three piece condiment set which has a Guernsey coat of arms insignia badge attached. See entry 3531 for Salt and Pepper Shakers in this set. It was used in the 1900's and was originally owned by Edward Lloyd Mauger.A small vintage chrome plated mustard pot with a basket weave outer container and a cobalt blue glass insert to hold the mustard. There is no lid or spoon. On one side is attached a blue, red and gold with three lions Guernsey coat of Arms badge.'Guernsey' is stamped on the badge. 'Cromplate' is stamped on the production label underneath the chrome outer container.tableware, food containers, condiment sets, mustard pots

Cream painted stand with a moving sprung table top attached. On top of the table sits a woven cane basket with a wooden base. The top edge of the basket is is plaited cane and painted gold. The other cane is painted white. It is lined with a piece of white towelling on which the baby would lie. Attached on the side of the base is a notched metal bar which has a sliding metal weight so the bar will balance. It is marked with 2, 4, 6, 8 etc up to 30 lb and a smaller upper bar measures ounces. There is a framed pamphlet hanging above the scales with instructions for using the scales.Ounce measures 0, 4, 8, 12, 1 (pound) Made in Germany 24767. Triangle shape with the word Seca inside

Belonged to Elizabeth Cox. Her daughter believes that it was used in England to make chips in a large frying pan. It formed part of the household items package brought to Australia in 1958 she believes. It was used until around 1990s.Chip basket (shallow), made to be used in a frying pan. Made of plated steel. Belonged to Elizabeth Cox who emigrated from England in 1958 with her entire household equipment. It was donated by her daughter, Susan Heywood-Downard after her death.

The Girls' Guilds were based on the New Commandment "That Ye Love One Another". The program consisted of Free Exercises; Bolas; Vaulting; Jumping; Rondo; Ball Game; Basket Ball; Hoops; Running; Dumbells; Group Balancing; Marching and Canoe."Wesley" Girls' Guild Annual Display held on 12th November, 1931 in St George's Church Hall folded program.girls' guild

PHOTOGRAPH TAKEN IN FRONT OF SHINGLE ROOF HUT, DURING SMOKO BREAK. MEMBERS SEATED ON USED WOODEN BOXES AROUND SET TABLE - BEER BOTTLE, WINE CARAFE, TEA AND COFFEE. EMPTY WOODEN BOXES AND CHINESE CARRYING BASKET.POST CARD PHOTOGRAPH CLUNES GUN CLUB - TEA BREAK AT CLUB HOUSE.VICTA STUDIO CLUNESlocal history, photography, photographs, gun club

Taken at Stanley about 1900 in a local bush setting. There are 3 sets of couples, 2 men and 4 women. Picnics were a popular pastime, the group are drinking tea, there is the basket, the billy to boil the water, kettle and cups and saucers for a cup of tea This is representative of the leisure activities enjoyed by of people in Stanley around 1900Black and white photograph AW in lower right cornerstanley landscape leisure picnic

This container is part of a collection of retail packaging, domestic goods, tinplate, made for Bushells, Australia, 1908-1940 In the mid-nineteenth century custom branded tins developed as a tasteful form of advertising. They were often cheap and decorative and found their way into households as gifts, often being kept as ornaments and storage boxes.They have survived well in many homes. This tea caddy is an example of an Australian branded item used in local households. Rectangular metal storage tin printed with scenery of a tea plantation, hills, women carrying baskets and carts. At the top of the front face is the word 'PEEL'. A small cylindrical lid fits on a short neck on the top. Printed around the lid and base is information about Bushells.lid: "Bushells makes 40 more cups to the pound. On bottom: "Net 1lb wt; No.144 - guaranteed under the Pure Food Act; NSW; 1908 by Bushells , Ltd, No.144"

Sepia on cream board, male picnic group in bushland setting. Posed around wicker basket in centre. Base of large tree on RHS. 2 men with umbrellas. 9 young males in background. Dog running away in L upper half. Sepia photograph.person, group, picnic group

Made of white cotton with Mount Mellick embroidery. One corner has interlocking horseshoes with bows and ribbons. The opposite corner has basket of flowers tied with bow and ribbons - all hand embroidered. Border of drawthread. Machined crochet edging hand sewn on the edge.handcrafts, needlework, manchester, bath linen

While several men perch on the framework, almost another two dozen assemble at ground level. Most of the women have hats but one wears an apron, another carries a large basket. No names are recorded. Mrs. Eliza Hand is distinctive in her lace collar.eliza hand, fiveways, kalorama, kalorama methodist church

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Remains of a white wash over surface with yellow on the face and neck. Face, wig and hieroglyphs on front in black, hands of crossed arms in red/brown paint. On back across shoulders basket painted in black. Small paper label inscribed with 'A8' attached to back.james dodgson, aquila dodgson, flinders petrie, wood, shabti