.1) Is classed a a General Service Badge type 2. .2) Is classed as a General Service Badge type 1. Types 2 was introduced in 1946. Both badges are basically for Volunteered for active service but were retained permanently or temporarily in Australia for home service..1) Badge, metal, brass coloured, crown at top, centre has wings, rising sun and anchor. Two small scrolls have "Service Australia". Rear has 2 lugs and pin, stamped with issue no. .2) badge, brass, circular wreath with plaque shape centre, At top is a crown centre of the plaque is a large "V" under in a scroll is "volunteer". Rear has 2 lugs and pins, stamped no badge. .3) badge, brass with depiction of rising sun, wings and anchor at top is a crown, under is a scroll with "Aust Legion of". At bottom is a boomerang with "Ex Servicemen and Women". Rear has 2 lugs and pins. Badge is stamped with a number. .1) "Issued by commonwealth government A 120025". .2) "Issued by commonwealth government A 6132". .3) "V 19105".badges, service

This album pays tribute to the First World War service men who were born and / or lived in the Shire of Marong. This volume covers surnames from A to G. Australia’s involvement in the First World War began when Britain and Germany went to war on 4 August 1914, and both Prime Minister Joseph Cook and Opposition Leader Andrew Fisher, who were in the midst of an election campaign, pledged full support for Britain. The outbreak of war was greeted in Australia, as in many other places, with great enthusiasm. For Australia, the First World War remains the costliest conflict in terms of deaths and casualties. From a population of fewer than five million, 416,809 men enlisted, of whom more than 60,000 were killed and 156,000 wounded, gassed, or taken prisoner.Large volume with screw post binding. Corduroy and leather front and back cover. Leather gold embossed title central front cover. Marbled pasted down end papers with extra red end page. This volume covers surnames from A to G. of the men who returned from the war. Seventy six individual cream and maroon and silver printed pages with decorative scrolls, illustrations and text. Each page is dedicated to a service man recording his name, address, service record in alphabetical order. Oval central space for photographic portrait with image of an emu on the left, kangaroo on the right and boomerang above. Not all pages contain photographs. Shire of Marong / The President, Councillors & Ratepayers / of the Shire of Marong / hereby place on record their thanks and appreciation / for the conduct of (soldiers name) / Who served his King and Country / in the Great War / 1914 / 1919shire of marong, world war 1

These cycling medals were awarded to W. S. Toyne. Two of these medals are time medallions relating to the Warrnambool to Melbourne Cycle Race. This race was first held in 1895 and continues to the present day. It was originally a handicap race from Warrnambool to Melbourne but after 1938 it became a Melbourne to Warrnambool race. After 1995 it became a scratch race and today the distance is shorter with the race starting from Avalon. It is the second oldest one-day cycling race in the world and the longest one-day cycling race in Australia. All riders who complete the race in a given time are awarded a Time Medallion. The race was sponsored by the Dunlop company from 1901 to 1927. In 1923, 123 of the 196 riders, who started at 5:30am completed the 165 mile road race and were awarded the time medallion. W. S. Toyne was listed among the some of the first cyclists to go through Camperdown at 8:16am. It was reported that over 50,000 spectators witnessed the progress of the race. These cycling medals belonged to a cyclist, W. S. Toyne, who completed in a significant sporting event in Warrnambool in 1923 and 1924. [.1] Round metal and enamel medal with blue enamel edge and an unidentified white coat of arms with a red cross containing five stars on the obverse side. The shield is held by an embossed kangaroo on the left and an emu on the right. The reverse is inscribed with name and time in an inner circle and the year and race on the outer edge. [.2] Round metal and enamel medal with blue enamel edge and a white enamel shield containing five stars in the centre of the obverse side. The reverse is inscribed with the name and time in the inner circle and the race name on the outer edge. [.3] metal and enamel medal with a blue enamel circle with white enamel boomerangs sitting above and below.[.1] Obverse: Dunlop Road Race; Reverse: Warrnambool-Melbourne Time Medallion 1924 Won by W. S. Toyne 5 Hrs. 47 Mns. 42 Sds. [.2] Obverse: Dunlop Road Race 1923; Reverse: Warrnambool-Melbourne Time Medallion; Won by W. S. TOYNE 10 Hrs. 30 Mns. Sds. [.3] Obverse: Barnet Glass Ballarat-Melbourne Road Race 1923; Reverse W. S. Toynew. s. toyne, dunlop road race, barnet glass road race, ballarat to melbourne cycle race, time medallions, warrnambool to melbourne cycle race

3134.2 has been taken inside the Mechanics Institute hall. 3134.3 was taken in Munro Street. Cr J. Perry was the president of the organising committee for the Back To Orbost celebrations in March 1937. M.W. Cowell was the Secretary.These photographs are pictorial records of a significant community event in Orbost's history.Three black / white photographs and an envelope. 3134.1 is of a group standing in front of a banner - WELCOME HOME - and a welcome arch - 3-3-1937. A group of men, women and children are standing or sitting in front of the arch. 3134.2 is of a large group of men and women seated and standing dressed in formal outfits in front a stage inside a hall. 3134.3 is of two men in a jinker pulled by one horse. The person holding the reins appears to be wearing a false beard and wig. 3143.4 is an unused white envelope. On the left-hand side in brown print circle is a boomerang with "Back To Orbost 1937", two corn cobs and pumpkins. Underneath is "27/2/37 to 6/3/37" with the names of the committee.3134.1 - on front - handwritten with an arrow pointing to "Grndma Cameron" bottom front - "Some Former Residents at the Welcome Arch Orbost 3.3.37" 3134.2 - on front - " a memento of the Ball at Orbost. Back to Celebrations 4.3.37"back-to-orbost-1937 celebrations community-events

The photo comes from a souvenir brochure printed for the dedication of The Shrine on 7 April 1918, a copy of which is also held in the collection.. The Shrine was opened on Sunday 7 April 1918. Mrs C H D Steele, President of the local Patriotic League, is credited with the idea of building The Shrine as a fitting memorial to the WW1 soldiers of the district. The Surrey Hills Progress Association coordinated raising funds from local residents. John Kendrick Blogg carved the beautiful honor roll in Indian teak and Australian white mahogany and the design of the Shrine was by John Stevens Gawler, architect of Gawler & Drummond. Both men donated their services. It was one of the first WW1 memorials to be built and is noted for its use of Australian motifs, wattle blossom and gum leaves. The boomerang over the full width of the monument was said to be symbolic of both those who did and did not return. Surrey Hills Progress Association coordinated fundraising to build the memorial. There is a bound copy of a history of The Shrine by Robin Doble in the collection.Black & white photo of the artist's impression of The Shrine in the Surrey Gardens. surrey gardens, john kendrick blogg (mr), surrey hills progress association, john stevens gawler, gawler and drummond, the shrine, war memorials, sarah margaret russell (miss), sarah margaret steele (mrs), mrs charles henry dillon steele

Leather belt with souvenir badges from L to R: AMF collar badge, brass plate with crown and bird badges attached, brass map of Australia enclosed by a serrated circle, Australian Red Cross Society button, silver boomerang with brass map of Australia, brass "Australia" shoulder badge with circular aluminium(?) disc above, US Army 147th Field Artillery Regiment Unit Crest, crossed cannons with 147 above, brass tab, musicians badge, AMF collar badge, Major's crown, laurel leaves with what appears to be TCB in script above, crossed rifles, star with what appears to be a lotus flower (Japanese?), AMF button, Major's crown, what appears to be a red S inside a white circle.Circular aluminium disc has Pte M Cain VX6341 AIF faintly engraved on it.

The 48 - 215 was the first vehicle produced by GMH specifically for the local Australian market. This vehicle later became better known as the FX. This vehicle was manufactured from 1948 to 1953. From here Holden continued to pursue the goal of producing an Australian car. This involved compromise with GM as Holden managing director, Lawrence Harnett, favoured development of a local design, while GM preferred to see an American design as the basis for "Australia's Own Car". In the end the design was based on a previously rejected post war Chevrolet proposal. The Holden was launched in 1948, creating long waiting lists extending through 1949 and beyond. The name ":Holden" was chosen in honour of Sir Edward Holden, the company's first chairman and grandson of J.A.Holden. Other names considered were "GeM", "Austral", "Melba", Woomrah", " Boomerang", "Emu", and "Canbra", a phonetic spelling of Canberra. Although officially designated " 48-215" the car was marketed simply as "Holden" The unofficial usage of the name "FX" originated within Holden referring to the updated suspension on the 48-48 215 of 1953.This was the first vehicle manufactured solely for the Australian market.4 Door sedan, two pane split screen windscreen, lifting boot and bonnet. Powered by an 132.5 Cubic inch motor.Holden Specialautomobile, holden, 1948, vintage, car

The Pollard Archway was named for Charles Pollard, who was the son of an early settler at Bonegilla. Charles Pollard was awarded the MBE for his involvement in community service, he was Secretary of the Murray Valley Shows Association, Shire President in 1926-27, 1945-46 and 1946-47. He was Foundation President of the Wodonga Show Society, and North-Eastern representative of the Dairymen’s Association of Victoria. The arch is 29 metres wide and 15 metres high and consists of two boomerangs coming together to form an archway. Originally spanning across a single carriageway of the Lincoln Causeway, the arch was opened by Princess Alexandra of Kent in 1959 and was built for £1230. When the Country Roads Board said the causeway would have to be duplicated in 1973, a new home was required for the arch. The arch was moved in 1975 to allow for widening of the Lincoln Causeway and spent some time in storage. It was re- erected in Hamilton Smith Drive in 1982 after restoration by the Rotary Club of Belvoir-Wodonga. At the request of the Wodonga Show Society, the arch was moved to the entrance of the showgrounds in 1982. After development of the precinct in 2015, the Pollard Arch was erected on Hamilton Smith Drive Wodonga.These images represent the construction and then subsequent of structure acknowledging the contribution of Councillor Pollard to the community of Wodonga.A series of black and white images documenting the construction and opening of the Pollard arch on the Lincoln Causeway in Wodonga in 1959. A coloured photo from 1965 is also included.wodonga pioneers, pollard family, pollard archway

1 wooden boomerang shaped shield with engraved silver plates and bronze coloured man holding an image of a female lawn bowls player The central large silver plate is edged with wreaths and inscribed "Presented by E. & N. Maxwell 1976" and a long silver plate banner with "V.B.L.B.C. Most Improved Player" surrounded by multiple small silver shields with the names of individuals and the year that they won the award. A bronze coloured figure stands in front of the banner, holding a black, silver and green coloured picture of a female lawn bowls player taking a shot whilst two others look on. The smaller shields are engraved with the following: 76-77 Edna Wratten, 77-78 Michael McGuire, 78-79 Colin Johnson, 79-80 Mrs H. Conroy, 80-81 Mr L. Tester, 81-82 R. Teague, 82-83 H. Eustace, 83-84 Kate Smith, 84-85 George Hardham, 85-86 Laurie Hoskins, 86-87 Bill Martin, 87-88 Frank Bartoli, 88-89 Clarrie Greening, 89-90 Ron Jones, 90-91 Jean Moore, 1991-92 Marjorie Goodall. Digital Image of wooden trophySee descriptionroyal victorian institute for the blind, nameplates

Roderick William Mills, known as Saltbush Bill (left) with his sons, James Charles Mills (centre) and John James Mills (right), in London. In 1917 Saltbush Bill travelled from America to London after giving shows in various cities of the US, to spend time with his sons. James and John Mills were serving with the AIF and on leave from the French front in London. Saltbush Bill remained in London for the rest of the war as he was unable to return to Australia. Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white photograph of three men, one seated behind a table and two standing. The two standing are in military uniformsHandwritten in blue ink: K000733saltbush bill, stock whip, entertainment, heatherton

RDNS Sister Marilyn Harper is giving medication via a syringe and tube to a male client..Medications ordered by Doctors in Hospitals was given by Royal District Nursing Service (RDNS) Sisters to patients in their own homes. Specialized treatments were taught to RDNS Sisters by the RDNS Education Department. At times RDNS Sisters visited hospitals to learn special techniques which were to be used to care for the patient after their discharge. The RDNS Education department ran many programs for their staff including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and a Community Nursing Education Program extended to student nurses from hospitals and to other nursing organizations. RDNS staff attended several hospitals to observe and learn special care needed to some clients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic clients at home and to Mount Royal Hospital to observe the care of clients in the rehabilitation ward.On the left of the black and white photograph is the side view of Royal District Nursing (RDNS) Sister Marilyn Harper, who is smiling. She has drawn back long curly hair and is wearing a white patterned short sleeve blouse under a dark V neck tunic style frock. Her right arm is extended onto a piece of equipment resting on top of the bedclothes of a male client who is lying in bed. Her left hand is holding a partly emptied syringe which is attached to a clear coloured tube attached to the man. The male client, whose head and shoulders are resting on a boomerang pillow on his bed, has short dark hair and is wearing a tartan shirt and cardigan over a white T-shirt. He is holding an upright filled syringe in his left hand. In the background you can see part of the wooden bedhead and part of a picture on the pale coloured wall behind it.Courtesy of the 'Western Independent'royal district nursing service, rdns, rdns care - medication, sister marilyn harper

The Coat of Arms, represents Brighton City Council's "growing awareness of the importance of formality and correct symbolism in local government". It replaced the council's crest of a pier and yachting scene and was used as council's seal, and emblem on its flag and letterhead. The new Coat of Arms, drawn up by the College of Arms in England, depicts the progression from a seaside gardening community to a modern residential city. The prominent forms are on the shield-like coat of arms include waves and a Lymphad (a ship, symbolic of the sea); a market gardener; an aboriginal man; two horns plenty with abundant fruit and vegetables (the wealth and plenty) and Elster Creek. It is underscored by the motto 'By their fruits, ye shall know them'. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Ink and gouache on parchment with wax seals. Allocates a Coat of Arms to the City of Brighton, by the College of Arms in London on 08/09/1970. The Coat of Arms is located on the upper left quadrant and has the following parts: the crest, the wreath, the helmet and mantle, the shield, the supporters, the compartment and the motto. The crest is two cornucopias with fruits and vegetables, above which sits a seagull. The mantle above the helmet is in green and gold. The shield is also green and gold with a lymphad (ship), and blue and white waves, representing the sea. The market gardener, holding a hoe, and Aboriginal figure, bearing a boomerang, support the shield and stand upon the compartment which is soil with a representation of Elster Creek. A ribbon below contains the motto in 'FRUCTU NOSCITUR'. The certificate text explains the origins of Brighton and the parts of the coat of arms. At the bottom of the folded parchment are three signatures and titles, below which three red wax seals in gold tin containers hang from blue ribbons.coat of arms, certificate, city of brighton, college of arms, market gardener, aboriginal, wax seal, elster creek, lymphad, fructu noscitur, letters patent, armorial bearings, heraldry, seal

Registered plaques representing R.A.N. , W.R.A.N.S. , H.M.A.S. Vampire, and H.M.A.S. Perth.Rare collection of Royal Australian Navy plaquesPine-board backing with 4 plaques mounted 1. Royal Australian Navy, 2. W.R.A.N.S.,3.HMAS Vampire, 4.HMAS Perth, The plaques are mounted on a wooden shields. 1. Royal Australian Navy plaque consists of an oval shape topped by a regal crown and bottom an anchor and chain, The center of the plaque is Black in color embossed in a ring of "Royal Australian Navy" the center of the plaque is a symbol of an anchor and chain. 2. W.R.A.N.S. Triangle shape with a Crown made-up from a sailing ship and the bottom a bow of blue ribbon. The lower half of the triangle is a wreath of leaves. the center of the triangle is painted light blue and has small stars one in each corner. In the center there is a ships anchor and chain. The bottom of the plaque is the initials "W.R.N.S." 3.HMAS Vampire A circular plaque a crown on the top a sailing ship in a crown format. Over a name of Vampire in gold on a black back ground the middle is a circle painted blue with a black Bat in the center. The bottom of the plaque is emblazoned with a boomerang, stone axe and aboriginal waddy followed by a banner "Audamus" meaning "we dare, we venture, we risk" 4.HMAS Perth, A circular plaque a crown on the top a sailing ship in a crown format. Over a name of Perth in gold on a black back ground. The middle is a circle painted gold with a black Griffen in the center. The bottom of the plaque is emblazoned with a boomerang, stone axe and aboriginal waddy followed by a banner "Fight and Flourish". motto.plaques, r.a.n., w.r.a.n., h.m.a.s. vampire

Blazer, Australian Swimming Championships. Navy blue single breasted wool blazer fastened with three 2 cm metal buttons. Three external front pockets. Breast pocket on LHS (14 cm X 15.5 cm) embroidered. (See Markings/Inscriptions). Two below waist side pockets 17.7 cms X 19 cms. Two inside pockets in the lining with 15cm zip fasteners and one with slit opening. Centre back slit (21cm) . Long straight sleeves with 1.5 cm metal buttons at wrist. Body of blazer lined with navy satin, sleeves lined with cream self-stripe satin. Padded shoulders. Metal tie pin in lapel - rectangular shaped pin 2 cm X 1 cm with Olympic Rings and gold coloured kangaroo on top. Full size 6cm X 2 cm.Front LHS breast pocket - Embroidery A.S.C Tokyo 1964: Mexico 1968: Munich 1972. Also embroidered Kangaroo, Boomerang with "Australia''on it Olympic Rings.Label 1. Inside back collar; '' The Home of Better Suits'' ''Ashmans'' Hargreaves St Bendigo. Label 2. On inside pocket on RHS, ''Ashmans Hargreaves St Bendigo. This garment is the work of skilled hand- craftsmen''. Label 3. Inside the inside pocket, '' Ashmans Hargreaves St Bendigo the home of better suits'', A.Monaghan 6041 4/6/68. Two documents found in pocket, a. Hong Kong Itinery from Dragon Tours Co Ltd 21 Aug - 23 Aug. B. Hong Kong Hilton receipt Paid 23 August 1980, 133 Monaghan A, visible in carbon print.costume, male, navy blazer

Pewter drinking cup with ornate handle, R.A.A.F Badge with Queens Crown. Glass bottom. Tapered sides. Listing aircraft. From World War 1, World War 11,, Korea, Malaya and Vietnam to present dayInc: Famous RAAF Aircraft General Dynamics F111c deHaviand DH9A Tiger Moth Bristol Bulldog Short Sunderland Hawker Demon Douglas Boston Curtis Kitthawk Supermarine Spitfire DAP Bristol Beaufort Lockheed Hudson CAC Boomerang Fairey IIID Lockheed Hurculese Bell Iroquois GAFEE Canbera Consolidated Liberator Lockheed Neptune DHC Caribou GAF Lincon CAC NA Sabre DAP Bristol Beaufighter Avro Lancaster DHA Mosquito Boeing Vertol Chinook Westland Wapiti Lockheed Orion Avro Anson DHA Vampire Douglas Dakota CAC Wirraway Diamond Jublee 1921 - 1981 Presented to the Waverley R.S.L.by R.A.A.F. Members April 1981tankard, mug

These badges reflect various aspects of life in Australia and the many allegiance which people have to organisations from the Country Womans Association, to football clubs, with groups such as the Industries Protection league and Temperance groups such as the Band of Hope Union espousing interests and ideas in the early to mid 20th centurySocial significance001048.1 CWA badge Round metal badge with dark green rim surrounding monogrammed shield and gum leaf on either side. Victoria in bronze at top of shield. Stokes **** Melb on rear. 001048.2 British Red Cross. Round tin badge with Union Jack flag and red cross on left with text in banners below flag. 001048.3 Victorian Badge of Hope Union. Small button badge with cream background, brown text around edge with image of mother and child in blue tones in the centre 001048.4 St Kilda Football badge. Round tin plastic coated. White background with image of saint emblem on front on background of club colours. 001048.5 Coles Badge. Large button badge with bright blue background with image of lady in black and white in the centre. Text in black. 001048.6 Industries Protection League. Small cream plastic badge with outline of Australia inside a star. Brown boomerangs top and bottom. 001048.7 Junior safety Council. Oval metal badge. Black with brass text and artwork. 001048.8 S.S. Persis. Three dimensional with ship’s wheel at back in white and Australia and British flags in foreground with S.S. Persic on banner below flags. warrnambool history, industries protection league badge, band of hope union badge, s s persic badge

Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. Birrarung is situated near the end of Laughing Waters Road. It was built in 1974 by Graeme Rose for Gordon Ford who he had asked to build him a small ‘bach’. Builder Peter Jarvis who did his apprenticeship with Alistair Knox for a couple of years recalled there were no drawings. It evolved as more funds became available. Graeme would source second-hand building materials around which he would shape the house. The fireplace was built with chicken wire over which it was rendered with faro cement. A brick floored glass studio, added later, faces a wall of boulders pressed into a manmade cliff, a large pond the link between the rock wall and glass studio. A waterfall, fed by river water, no longer functions. The property became part of the Laughing Waters Artist in Residency Program with the first artist taking up residency in 2001. For a more in-depth description of the property and biographies of the various artists in residence commencing from 2001 through to 2015, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, artists in residence, eltham district historical society, heritage excursion, jim connor collection, laughing waters road, birrarung house

Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. Birrarung is situated near the end of Laughing Waters Road. It was built in 1974 by Graeme Rose for Gordon Ford who he had asked to build him a small ‘bach’. Builder Peter Jarvis who did his apprenticeship with Alistair Knox for a couple of years recalled there were no drawings. It evolved as more funds became available. Graeme would source second-hand building materials around which he would shape the house. The fireplace was built with chicken wire over which it was rendered with faro cement. A brick floored glass studio, added later, faces a wall of boulders pressed into a manmade cliff, a large pond the link between the rock wall and glass studio. A waterfall, fed by river water, no longer functions. The property became part of the Laughing Waters Artist in Residency Program with the first artist taking up residency in 2001. For a more in-depth description of the property and biographies of the various artists in residence commencing from 2001 through to 2015, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, artists in residence, eltham district historical society, heritage excursion, laughing waters road, birrarung house, fay bridge collection

WW1. Y.M.C.A. London, French scenesWW1 Wallet . YMCA LondonYMCA Wallet containing personal papers and letters - Sid Ellis- -472.01 Black leather Wallet - Y.M.C.A. Australian Logo on front. On the rear of the wallet is a Motto "Talk Clean, Live Clean, Fight Clean. Play the Game." .02 Paper slip containing details of acquaintances service numbers name and regiment details. .03 Paper Sovenior of France - written in French. .04 Paper folded to contain 10 photographic shots of French scenes countryside, sailing cutters. .05 Receipt from Returned Sailors & Soldiers Imperial League of Australia(Victoria). Issued to S. W. Ellis Brunswick Sub-branch dated 31/12/1936 Badge Number 48697. .06 Envelope Service of Campaign - printed on the front the envelope is written in Portuguese. "Servicio De Campanha" .07 Small brown paper representation of a boomerang with Cooee in gold lettering embossed on the front. .08 Small white business card for "Cafe - Debit" written in French "Albert Succr" Le Havre. .09 Cut-out from a magazine "View of the Seven Bridges" .10 Cut-out From a magazine "The New Louvre. .11 Cut-out from a magazine "Vendome Place" .12 Cut-out from a magazine "The Madeleine" .13 Cut-out from a magazine "The Arch De Triomphe - it is 150 feet high and cost 362,000 Pounds" .14 Cut-out from a magazine "The Grand Opera House - its cost was about 1,190,500 pounds and it seats over 2,000 people" .15 Cut-out from a magazine "The Cathedral of Notre Dame - A splendid example of the gothic architecture of the 13th century. .16 Cut-out from a magazine "The Trocadero Place erected from the Universal Exhibition of 1878 . with a Hall Capable of holding 5,000 people. .17 Envelope sent to Private S.W. Ellis from Lara took a well-traveled route to reach him. .18 Postcard of Park & Bandstand, Melton, Mowbray to Pte S.W Ellis. .19 Y.M.C.A. Newspaper "The Rising Sun" Vol 1, No. 14 Dated 28/1/1919 London, England. .20 Small note from Y.M.C.A. with pencil note on the rear "423 Pte. Schofield E.J." .21 Small Calander for 1918 from Y.M.C.A. London. .22 Cut out from a newspaper of a Funeral notice of Mrs. Thompson. .23 Paper note a pencil written recipe for an ointment measured amounts of the ingredients. .24 Two copies of Australian Imperial Force, Message to the "Officers, Non-Commissioned Officers, and Men of the Australian Imperial Force." From Commander in the field. .25 Memo "the Diggers" by Capt. William Denny - an order form for copies of the book.472.01 Black leather with Y.M.C.A. Australian Armed Forces Logo embossed on the front and on the Back a motto "Talk Clean, Live Clean, Fight Clean, Play The Game." .02 White pocket notebook paper. .03 Small thin cardboard white with Blue and Red chevrons on each corner. On the reverse side is a word "Souscrivez!" .04 Thin paper folder in a cascade that contains 10 small photos of French scenery. .05 Tissue paper receipt No. 31996 dated 15/01/1916 from Returned Sailors & Soldiers Imperial League of Australia (Victoria). .06 Brown Envelope with Green printing of the front. Army Form Number W 3078 (P) .07 Small Brown paper, shaped as a boomerang with a saying printed on the front "Cooee" .08 Cardboard white Business card for Cafe-Debit, Le Havre, .09 Paper cut out from a magazine with a view of the Seven Bridges. The reverse is printed with magazine writings. .10 Paper cut out from a magazine with a view of the New Louvre. The reverse is printed with magazine writings. .11 Paper cut out from a magazine with a view of Vendome Place. The reverse is printed with magazine writings. .12 Paper cut out from a magazine with a view of The Madeleine. The reverse is printed with magazine writings. .13 Paper cut out from a magazine with a view of The Arc De Triomphe. The reverse is printed with magazine writings. .14 Paper cut out from a magazine with a view of The Grand Opera House. The reverse is printed with magazine writings. .15 Paper cut out from a magazine with a view of The Cathedral Of Notre Dame. The reverse is printed with magazine writings. .16 Paper cut out from a magazine with a view of The Trocadero Palace. The reverse is printed with magazine writings. .17 Paper envelope Addressed to Pte. S. W. Ellis No. 640 sent from Lara and redirected to the recipient by Army Base Post Office. .18 Cardboard Postcard with a photographic picture of The Park & Bandstand, Melton Mowbray. Addressed to Pte. S. W. Ellis No. 640. .19 Y.M.C.A. Newspaper "The Rising Sun" Vol. 1 No. 14. .20 Thin paper from Y.M.C.A. addressed to 423 Pte. Schofield E.J. .21 Cardboard folded in two, a calendar for 1918, and small Map of Aldwych, reverse side is Y.M.C.A. in London details. Printed in red and black. .22 Cut out from a newspaper of a Funeral notice of Mrs. Thompson. .23 Thin Brown Paper with a note in pencil containing a written recipe for an ointment measured amounts of the ingredients. .24 Two copies of paper pamphlets. To the Officers & men of Australian Imperial Force dated 14th November 1918, .25 A paper pamphlet "The Diggers" by Capt. William Denny

No 4 Squadron, Australian Flying Corps, formed at Point Cook, Victoria, in October 1916. After embarking for England to complete its training, the squadron deployed to France in December 1917. From the outset, No 4 Squadron aircraft regularly engaged the Red Baron's elite 'Flying Circus' and, in spite of their lack of experience, quickly gained the ascendancy over the German squadron. During its brief war service, No 4 Squadron destroyed some 128 enemy aircraft and spawned a total of eleven aces. The squadron's highest scoring airman was Captain Cobby who, in addition to shooting down 29 aircraft, also destroyed 13 observation balloons. World War II saw No 4 Squadron Wirraways deployed to Port Moresby in support of Australian troops fighting in the New Guinea jungles. In their slow and vulnerable aircraft, losses from anti-aircraft fire were high, however, this never deterred the Wirraway crews from completing their assigned tasks. This aggressive spirit was exemplified by Pilot Officer Archer and his crewman, Sergeant Coulston, who, while on a reconnaissance mission, found themselves above a Japanese Zero fighter. Despite operating a vastly inferior aircraft, Pilot Officer Archer dived to the attack and shot down the enemy aircraft. In June 1943, No 4 Squadron received its first Boomerang fighters and continued to support Allied troops during the Cape Gloucester landings before moving to Morotai. No 4 Squadron ended the war in Borneo and returned to Australia in November 1945, where it was renamed No 3 Squadron - thus closing the chapter on a very distinguished and proud unit. Summary of Unit Name(s) Start Date End Date No. 4 RAAF Hospital, Butterworth 06/06/1966 06/06/1966 No. 4 RAAF Hospital, Butterworth 03/07/1966 No. 4 RAAF Hospital, Butterworth 01/08/1966 01/08/1966 No. 4 RAAF Hospital, Butterworth 05/09/1966 No. 4 RAAF Hospital, Butterworth 29/09/1966 No. 4 RAAF Hospital, Butterworth 29/10/1966 29/10/1966 http://www.airforce.gov.au/raafmuseum/research/units/4sqn.htmWooden Plaque 15cm x 13cm with insignia of 4 Sqn.R.A.A.F. Hospital 4 Sqn R.A.A.F. Hospital r.a.a.f. 4 squadron, butterworth, r.a.a.f. hospital

.1) badge, brass, "Returned From Active Service". Crown at top over wings. Rising Sun and Anchor. Boomerang at base with "Returned From Active Service, rear has 2 lugs and pin. Rear is stamped with a number. .2) Membership badge, metal, centre has 3 figures, crown at top with pin date 1954 membership. Front of badge "Returned Sailors, Soldiers and Airmans Imperial league of Australia. Numbered stamped badge on rear with 2 lugs and pin. .3) Membership badge, metal centre has 3 figures crown at top with pine date 1994 membership. Front of badge "Returned Services League Australia". Numbered stamped badge on rear with 2 lugs and pin. .4) Membership badge, metal, 5 star shape with wreath around. Centre in light blue circle "Ex POW R.A". Small pin at bottom in red with "50" denoting membership 1950. rear has 2 lugs and is stamped with number. .5) Membership badge, metal, crown at top, centre has depiction of barbwire through blue background. At bottom is a "v" then scroll with "Ex Prisoner of War Assn" in red. rear lhas 2 lugs and pin. .6) Membership badge, metal cone shape with small hole at top. Pin with "73" under denoting membership 1970. At bottom in blue "Rising Sun, Wings and Anchor surrounded by "Chelsea Returned Servicemens Club". Rear is numbered stamp..1) Issued by Commonwealth Government of Australia” .2) “Property of League V41531” .3) “Property of League V80354” .4) "593" .6) "470"”numismatics - medals /military, membership

Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. River Bend was designed and built by Alistair Knox for Rosemary and Bill Cuming in 1968. It sits in a deep cutting on a steep slope above the Yarra River and features floor to ceiling windows and glass doors set into mission brown timber frames and walls of reclaimed bricks in pinkish hue. Rosemary laid the brick paving around the house, a copy of the shell paving found in the ancient French town of Colmar, where the family had lived for a period. The kitchen was equipped with a 1960s stove as well as a cast iron wood stove reclaimed from Rosemary's sister's home in Armadale. Max and Tini Huygens, migrants from Holland, purchased the property in 1975 and named it Tilwinda from an Aboriginal word meaning 'hole in a rock'. In late 1981 Tini died after a short illness, but Max continued to live at Tilwinda until he moved to a retirement village in 2000 and the property was sold to Parks Victoria. Renamed River Bend, the property became part of the Laughing Waters Artist in Residency Program in 2008. Nillumbik Shire Council upgraded the property in 2012 with solar panels, a heat pump for hot water and double glazing to improve the comfort of the artists in residence and make the house more energy efficient. For a more in-depth description of the property and biographies of the various artists in residence commencing from 2008 to 2015, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, artists in residence, eltham district historical society, heritage excursion, jim connor collection, laughing waters road, river bend house

Annual reports produced by the SIBI, informing their subscribers and the general public of the good work undertaken by the Institute and the ongoing need for funding. Information provided included income, expenditure, fund raising, staff, services, etc. Below is a summary of other information contained in the reports. 1902 - Trades at which the blind are employed, extracts from visitors books, balance sheets, supplementary catalogue of books in library, subscription and donation lists by town, constitution of the institution and rules, sick fund rules and balance sheet. Also noted were the impending installment of a printing press for books, the development of blind distributors of tea beverages and that instead of a blind boys home, boys would instead be sent to board with suitable families. 1933 - A list of braille transcribers and the amount of braille produced, a brief report on the Floral Festival organised by the Women's Auxiliary Committee and the donation of a shop in George Street for 12 months for the selling of articles made by the Blind was provided by a SIBI committee member. 1934 - A brief report on the hostels at William Street and Woollahra, a detailed listing of all functions which raised money through the auspics of the auxiliaries, and a visit by Superintendent Hedge and Librarian Mr Thompson to the Croydon Ladies Social Club. 1938 - A radio show called the 'Glow Worm Session' on 2GB with home teacher Roy Kippax, the 150th anniversary of Sydney celebration and a 16 millimetre film that was made to publicise the Institute's work. 1939 - A record amount raised through the sale of goods made by Blind Workers, the refurbishment of "The Haven' at Woollahra and transfer of residents from William Street, and free admission by the Trocadero and Metro-Goldwyn-Mayer to swing concerts and 'Broadway Serenade'. 1940 - Incorporation of the Institute's Women's Magazine into Boomerang Magazine, the enlistment of two Board members Cohen and Meeks for active service, and a brief report from each of the branch auxiliaries. 1941 - The difficulty of obtaining stereotype Braille items from London and the passing of the editoress of the Women's Magazine Miss L.E. Hudson who had just completed the final edition. 1942 - Employment of 60 blind men and women in war related industries, the purchase of an air raid shelter and the small size of the report due to the shortage of paper. 1943 - Closure of the Basket department due to government regulations on cane stock, the provision of a lunch hour news service provided by visitors and individual reports from each of the Ladies Auxiliaries. 1944 - Presentation of a revolving chair to Honorary Librarian Mr H.W. Thompson for 35 years of service, the filling in of air raid trenches due to the improvement of the wartime situation and that SIBI had been supplying the Royal Australian Navy with mats, brushware and other products. 1945 - Continued placement of blind workers in outside industries, the compilation of a register of blind citizens and the election of the Hon. Justice Maxwell as President. 1946 - The successful application for Royal assent and the subsequent name change of the insitution, the intervention of Hon. Member C.R. Evatt Minister for Housing regarding the building of a new hostel for blind women and the establishment of an Honour Roll with a description of inductees Mrs K.L. Barry, Mrs J. Ayre, Mrs E. Vance . 1947 - Establishment of an occupational therapy department, the acceptance of Helen Keller to visit the society and the induction of Mrs Rivis Mead to the Honour Roll. 1951 - Passing of Librarian Miss Jean Currie and the use of prisoners to transcribe materials into Braille.Single volumes with various pagings, illustrations

This amber satin evening outfit was worn by Mrs. Isabella Mitchell (nee Russell, 1840 – 1929) at the wedding of her brother Alexander (c.1846–1938) and Eliza (nee Moore c.1854–1939). The jacket and skirt attach to each other at the waist by joining the metal rings that are around the base of the jacket and to the metal hooks that are on the waistband of the skirt. The outfit was donated with its own mannequin and fits it perfectly. In the colonial days, outer clothing was rarely, if ever, washed, due to the expense of fabrics and difficulty in careful laundering. Clever methods were employed to reduce the occurrence of soiling. The mannequin included with the donation would also help keep the outfit in good shape as well as being used for ensuring a flattering fit. FAMILIES’ HISTORY The families connected with this wedding for which this outfit was worn are from Warrnambool’s colonial days. Isabella and Alexander’s parents, Robert Russell and Elizabeth (nee Mitchell) were both born in 1808 and married about 1830. They were from farming families in Northern Ireland where they raised their seven children there before migrating to Australia in the early colonial days, around 1857. Their graves are in the Tower Hill cemetery. Alexander’s wife Eliza (nee Moore, born in 1854) was also from Northern Ireland and migrated to Australia in 1858 with her parents, Thomas and Nancy Moore, in the last voyage of the sailing ship “Chance”. Isabella (Bella) talked with her grand-daughter Ruby Akers about her memories of Alexander and Eliza’s wedding and other events in her life. Ruby recorded these memories in a letter. She says “They were married in the Warrnambool Congregational Church by a pioneer minister, the Reverend Uriah Coombs. The bride wore a pale blue silk wedding gown which was made by herself. Bella was Matron of Honora and Ian McCasker was best man. In those days the transport to the church was usually a carriage – similar to a cab – and a pair of white ponies. They would have the reception at home and then go for a drive afterwards and at night there would be a dance. They did all the catering themselves … Eliza carried on farming in the Dennington, Yarpturk and Purnim districts until they moved to Camperdown around 1905…” Ruby’s letter later mentions “[Isabella] could recall seeing a blackfellows’ corroboree being performed near where the Dennington Bridge now stands. It was rather a terrifying experience, they seemed in a warlike mood and one never knew what they would do next. One lubra came running to granny crying, Hide me, bad man kill me. She was bleeding from a wound in the head. Probably the result of a blow from a waddy. My mother [Margaret Jane McLaughlan nee Mitchell], coming home from school, often met blackfellows walking ahead with spears and boomerang, the two lubras – he usually had two – following in the rear, carrying the children or any burdens they had.“ Margaret would probably have been in primary school in the 1800s when she saw these things. Alexander and Eliza had ten children. One of their daughters, Margaret Jane, was born in Warrnambool in 1879. She married William McCullagh and they had eleven children. Margaret made headlines in the Warrnambool newspapers for celebrating her 100th birthday. She had lived in the district for 60 years before moving to Melbourne. Alexander passed away at the age of 92, and Eliza passed away six months later aged 85. Their graves are in the Colac cemetery. Isabella married Ralph Mitchell and their daughter Margaret Jane married John McLauchlan in 1891. Margaret and John’s daughter, Ruby Elizabeth, Jane married Fredrick Akers in 1938. Fredrick was born in England and was a Boer War veteran and served in the British Army. He migrated to Queensland, Australia, in 1913 and he joined the Australian Army to fight in World War I. In 1935 he moved to Warrnambool where he served in the Volunteer Defence Corps 1938-1945. Both Ruby and Fredrick are buried in the Tower Hill Cemetery.Together, the evening outfit and the mannequin are examples of female fashion of the mid to late 1900s. They are also significant for their association with the colonial pioneer families of Australia, Victoria and Warrnambool. The outfit and mannequin are significant for their connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The evening outfit and its mannequin are significant for its connection with colonial families and their contact with the indigenous culture of the district and the contact between the native and European people. This ladies’ evening outfit is made from amber coloured satin fabric. It comprises a short-waisted, long-sleeved jacket and long skirt and it has its own neck-to-floor wooden mannequin on a pedestal. The outfit was worn by Mrs. Isabella Mitchell (nee Russell) as the Matron of Honour at the wedding of her brother Alexander Russell and his fiancé Eliza Moore in Warrnambool, 29th April 1874. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, evening outfit, wedding outfit, bridesmaid’ outfit, matron of honour outfit, clothing female, clothing late 19th century, clothing wedding late 19th century, clothing bridesmaid late 19th century, clothing antique, clothing ladies, women’s clothing, women’s fashion, alexander russell, eliza russell, eliza moore, isabella mitchell, bella mitchell, bella russell, isabella russell, ralph russell, ian mccusker, ruby akers, fredrick william akers, ruby mclauchlan, margaret jane mclaughlan nee mitchell, margaret jane mclaughlan centenarian, william mclaughlan, robert russell, elizabeth russell nee mitchell, irish immigrants, warrnambool volunteer defence corps 1938-1945, antique satin outfit, warrnambool wedding 1874, congregational church warrnambool, reverend uriah coombs, dennington farmer, yarpturk farmer, purnim district farmer, camperdown resident 1905, dennington bridge, indigenous corroboree in dennington, corroboree in warrnambool, 1880s corroboree in warrnambool, lubra and baby, indigenous corroboree in warrnambool

Contents: p.1-3; Origins, arrival in Australia; p.4-9; How they lived - camp sites, dating (including carbon dating); p.10-27; Physical appearance, skin colour, hair, clothing, body ornaments, cicatrization; exchange system, distribution of food, marriage &? sexual relations; the tribe - structure, relationship to land, territory, gives map showing locations of tribes, New South Wales, Victoria &? eastern South Australia, leadership, government, division of labour, status of women, estimated population at white settlement, density of population (Victoria); p.28-31; Language - names &? naming, reproduces Wembawemba vocabulary, notes use of secret languages, gives 12 rules for pronounciation; p.32-53; Religion, spirit beliefs, totemism, moieties, phratries, marriage rules; mythology, gives eaglehawk &? crow myth from Lake Victoria &? other myths illustrating origins of fire &? natural rock formations, mythical beasts (Bunyip, Mindie), stellar beliefs; magic, medicine men, powers, native remedies for sickness, describes ceremony held in Melbourne, 1847 to avert evil, sorcery, pointing bone, love magic, rain makers; messengers, appearance, etiquette, message sticks; p.54-71; Rock art, motifs, colours, decorative art, engraving of utensils, rock engravings, manufacture &? use of pigments, engraving techniques; trade system, objects bartered, meeting places for trade (Victoria), map shows possible routes (south east Australia); corroborees, purpose, body ornaments &? decorations, musical instruments; p.72-93; Ceremonial life, marriage, punishment for infidelity, birth, childhood, games &? amusements, initiation, etiquette of visiting tribes, details of ceremony, womens role, earth figures &? ground designs, bull roarers, female puberty ceremonies; p.94-133; Shelters, fire making, cooking, construction of canoes, wooden implements, use of reeds, animal skins &? sinews, shells; stone tools, cylindro conical stones, scrapers, knives &? microliths; hunting weapons, spear, other methods pits, nets; fishing methods &? spears, traps; food sharing, womens responsibilities for collecting, digging stick, cooking methods, insect foods, plant foods, water resources; manufacture &? use of spears, spear throwers, shields, clubs, boomerangs; inter- &? intratribal fighting; p.134-147; Death, disposal of body - eating of the dead, burial, cremation, platform exposure, dendroglyphs (N.S.W.), Aboriginal burial grounds (Darling &? Murray Rivers), mourning, widowhood, kopi caps (N.S.W.), causes of death, inquest ceremonies, revenge expedition, after death beliefs; p.148-157; The end of the tribes white settlement &? its impact on Aboriginal life, friction between natives &? settlers, establishment of Protectorates; copiously illustrated throughout.maps, b&w illustrations, b&w photographswemba wemba, murray river, darling river, lake victoria