Condensing 100 years of Otway history the author tries to give an insight into the thoughts and ways of the settlers in opening the western Otway Ranges. It gives some indication of the mental pressure, hand-in-hand with the physical stress, as a settler cleared the land and made a living for his family. It covers how the rail link brought in the timber mills and their workers which made timber the main industry of that era, and covers the changes that took place in the 1930s as the mills closed down and the district raised crops, dairying and grazing.The Otways that I knew. Ronald Charles 'Corker' Brown. 1st ed. Corker Brown; np; 1993. 216 p.; illus; maps. Soft cover. ISBN 0 646 16798 7otway ranges; corker brown; otway lighthouse; aborigines; beech forest; farming; grazing; crops; railways; roads; timber;

The Otways Quilt is believed to have originated with the Perkins family, landholders in the Beech Forest area. Some of the names or initials on the quilt have been tentatively identified with other farmimg families in the same district.A rectangular quilt hand embroidered in white on 20 square panels, with the names or initlals of settlers in the Otway district, and surrounded with an edging of floral embroidery. It is made of polished cotton backed with cotton sheeting.quilt, beech forest, otway, needlework, perkins

Rain cape, also used as a groundsheet, issued Australian servicemen. Purchased for the donor from an "Army Surplus" store and re-purposed for camps as a Scout in the late 1960s. The MK VII Groundsheet (Rain Cape / Poncho) was introduced in October 1917 during WW1. They were made from dyed cotton, proofed with a rubber compound, "well vulcanized" on one side. Weight 3lb. 8oz;. 78 inches long by 36 inches wide and made by the Victoria Rubber Co. Edinburgh. They were used again during WWII 1939-45 Today the Army uses the hootchie - a sheet of 70D nylon or PU-coated cotton with various press snaps and webbing tape loops attached around the outside which allow it to be used in a variety of configuration. During WWII Australian forces fighting the Japanese in the Islands had an urgent requirement for a decent individual shelter. The rubberized canvas groundsheets and rain capes continued to be used, but these were less than effective in the tropics. Towards the end of the war in the Pacific Australia began issuing its troops a lighter weight version of the groundsheet manufactured from polyurethane-coated cotton – During the Malayan Emergency of the 1950s, Australian troops were issued with hooded ponchos. Unlike the WWII US pattern ponchos which always had a hole in the dead centre of the poncho sheet, the Australian-issue hooded ponchos made an effective shelter – especially when two where clipped together. The problem of course is that the rubberized canvas ponchos were far too heavy for jungle use. 1960s Australian units in Borneo were issued with the first pattern lightweight hootchies. 1 Kg. 1970 the Vietnam War, a second pattern lightweight hootchie was issued made from nylon, but retaining the hardware and loops. This lightweight hootchie weighed a mere 680 grams, still heavy, but suitable for tropical use. Currently the hootchie is made from AUSCAM nylon material . Historic significance; representative of the type believed to have been issued to Australian servicemen in World War II, possibly in World War I.Waterproofed Canvas rain cape, also used as a groundsheet in the Australian Army, press studs to close as a cape, collar to cover neck.NILuniforms, australian army, world war ii, army surplus, scouts australia, bentleigh, moorabbin, world war 1, hooded ponchos, borneo, auscam nylon material, hootchies, malayan emergency, vietnam war, groundsheets

The cape is of a style from the Victorian or the Edwardian Era and so provides a good example of women's clothing from that time. The light colour, silk material and lace suggest a cape used for special occasions with the possibility of initially being a wedding cape.The item is of significance historically and socially as an example of women's clothing in the Victorian and Edwardian eras.Ladies cape consisting of two circular tiers and a collar. The inner tier is knee length with a thin lace insert around the hem. The outer tier is elbow length with a wide lace edge and the thin lace insert inside this. The collar has lace edging and a lace insert of the same width. The lace used is of a repeat flower pattern most likely made of a combination of silk and cotton. The cape material appears to be a cream ribbed silk with the lining being of a polished cotton or silk variety. Both materials have a silken sheen in the right light. A silk ribbon ties the cape at the neck. The lining and lace have been sewn with fine hand stitching.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, ladies cape, double cape, silk cape, layered cape, cape with lace collar, decorative lace edging, victorian era, edwardian era

This is a passenger ticket for the Screw Steamship "Otway".It was built in 1872 at Glasgow for the Warrnambool Steam Packet Company. She traded to and from the Western Ports until 1878.when she was sold for the Melbourne West Australian trade. She was broken up at Sydney in 1924. The Warrnambool Steam Packet Company commenced in 1868 and operated on the Western Ports run using the ships "Edina", "Rob Roy", "Otway", " Nelson" and "Julia Percy".In 1878 it became the Western Steam Navigation Company which operated until 1896. There is no information available on the passenger James Gilligan This item which may come from the old Warrnambool Museum is of considerable interest as a rare memento of steam travel to and from the Western Ports in the 19th century. Warrnambool was an important port at that time and this item is part of our marine history. This is a receipt for a passenger's ticket to travel to Belfast ( Port Fairy) on the Screw Steamship "Otway" in 1875. It is pasted on a brown background and enclosed in a glass covered brown wooden frame.There is string at the back for hanging the item. The Warrnambool Steam Navigation Company Limited Received from Jas Gilligan Ten Shillings for a steerage passage to Belfast 1875ship "otway", warrnambool, warrnambool steam navigation company

The President, R.M. Whelan, Councillors, signed by G.J. Adams, the Shire Secretary, T.J. Fry, and ratepayers of the Shire of Otway presented a certificate to Gilbert J. Simmonds of Wyelangta on 21 June 1946 in appreciation of his duty in the services during World War II.Presentation Certificate to Gilbert J. Simmons of Wyelangta by the President, Councillors and ratepayers of the Shire of Otway in appeciation of his service during World War II. Dated 21 June 1946.certificate; otway; president; r.m. whelan; g.j. adams; shire secretary; t.j. fry; gilbert j. simmons; wyelangta;

.The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This cape is one of a number of items donated to the Fashion Collection by Dione McIntyre. The cape was owned by her mother Lillian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Reversibleb black velvet and apricot silk evening cape with black tassels. The rolled collar is typical of the 1920s.women's clothing, evening wear, capes, australian fashion - 1920s, lillian cohen, mcintyre collection

A soft covered magazine titled ''The Overdue Main'' Magazine. ''Souvenir of the Voyage from England to Australia.'' 29-7-19 to - ''Printed at Cape Town by The Argus Printing and Publishing Company, Ltd. August 1919. Vol. 1. At Sea. Australian Commonwealth Military Forces. 8 pgs.Printed at Cape Town by the Argus Printing and Publishing Company Ltd, August, 1919magazine, organization, australian commonwealth military fo, lydia chancellor, collection, australian commonwealth military forces, magazines, souvenirs, voyages, ships, shipping

The Grinton Collection. Coming into Cape Town on HMAT Karmala during voyage home 1919. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a wharf and dock side scene with buildings and three ship's funnels beyond. "WELCOME BRAVE BOYS" painted on side of building. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota - Journey Home". "K. HMAT Karmala in Cape Town".framed accesssories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

Born in the Otways at Tanybryn in 1929 where he spent the bulk of his life he started writing poems in 1999 and since then has had over 100 poems listed. While many poems are memories of what has gone in Paddy's past he also pens about current day events, such as "Bob and Betty", or just about life as he sees it, such as "Diamonds in the Sky".Paddy's poems. The poetry of Paddy O'Connor, the Otway poet. P.J. O'Connor; Apollo Bay (Vic); 2004. vii, 121 p.; illus. Soft cover. ISBN 0 646 44331 3Paddy & Betty O'Connor 61 Wallace Street Colac VIC 3250paddy o'connor; poems; otways;

An historical series setting out Garratt engines and running stock running between Colac and Crowes (just past Lavers Hill), and then between Colac and Beech Forest in the Otways between 1958 and 1962 when the line closed.Victorian Railways Narrow Gauge "G" Class. "Garratts in the Otways" Part Two. A photographic profile - 1958-1962. Emile D. Badawy (ed.); John Sargent (ed.). 1999; Train Hobby Publications. ii, 56 p.; illus., map. Soft cover. colac; beech forest; crowes; garratt; victorian railways; narrow gauge; emile d. badawy; john sargent;

The third in the historical series outlining the narrow gauge Victorian Railways line from Colac to Crowes, and then Colac to Beech Forest, in the Otways between 1954 and 1962 when the line closed. Victorian Railways Narrow Gauge "G" Class; "Garratts in the Otways" Part Three. A photographic profile - 1954-1968. Emile D. Badawy (ed.). 2001; Train Hobby Publications; Studfield (Vic). ii, 48 p.; illus. Soft cover. ISBN 1 876249 41 2colac; beech forest; crowes; victorian railways; narrow gauge; garratt; emile d. badawy;

The first in an historical series showing the Victorian Railway narrow gauge line from Colac to Crowes, and then from Colac to Beech Forest, in the Otways from 1954 until 1962 when the line closed.Victorian Railways Narrow Gauge "G" Class. "Garratts in the Otways" Part One. A photographic profile - 1954-1962. Emile D. Badawy (ed.); John Sargent (ed.). 1998; Train Hobby Publications; Studfield (Vic). ii, 48 p.; illus., maps. Soft cover.colac; beech forest; crowes; victorian railways; garratt; narrow gauge; emile d. badawy; john sargent;

Lost on maiden voyage 40 miles from Cape Otway. A brass measuring tape recovered from the wreck of the Shombergclippers, schomberg, measuring tape

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400 Colour photo of the Railway Station, Alderley Street, Cape Town, South Africa. Horse drawn vehicles and pedestrians on the street. kground Addressed to Miss A. Stapleton, Arcade, Bendigo, Victoria, Australia Sender - Mrs. E.R. De Low, Hex River, Cape Colony, S. Africa Not dated postcard, collector, alice mcgregor

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Mount St. George, Addis Bay’ : Views of Victoria (General Series) No.56 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Addis Bay is situated to the north-east of Appollo Bay, and very near Cape Patten. This mountain is 6,000 feet high, and commands one of the finest views on the Cape Otway Ranges. The ascent is a somewhat difficult one, but visitors to this locality not unfrequently make this a favourite outing.’nicholas caire (1837-1918), landscape photography

Cape worn by CAPT. L. ELLIOTT as part of her nurses uniform.Red woollen material, elbow length cape, with two metal (silver coloured) buttons to hold the shoulder epaulettes. Silver buttons imprinted with crown and lantern. Cotton label back lower edge of garment. Refer Cat No 4308Printed on cotton label in black ink and handwritten in blue ballpoint pen. “C. G. C. F. / VICTORIA / 1971 / (upwards arrow) / Ball SIZE - OS / 8410.66.013.0771 / ARMY / No F236731 / NAME ELLIOTT”’cape, military, nurse

This cape comes from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.A black shoulder cape made of crepe silk. It has scalloped edges and is probably hand-made. It fastens with press studs and the hems have been machined.cape silk clothing

One of 15 A3 sheets of copies of postcards on each page. Shirley Jones Collection.Copies of Postcards: Left side from top to bottom: 1 & 2. Main Street, Cowes. 3. Rural scene nears Cowes. 4. View of Newhaven from San Remo. Right side from top to bottom: 1. Three men sitting on the Cowes Pier - Baths in the background. 2. Coastal scene at Cape Woolamai. 3. Newhaven Pier. 4. Granite Quarry at Cape Woolamai. Left side from top to bottom: 1. "Main St Cowes". 2. "Main St Cowes". 3. "Scene Near Cowes". 4. "Newhaven from San Remo Phillip Island". Right side from top to bottom: 1. "Phillip Island from Cowes Pier". 2. "Phillip Island - Cape Woollami - Home of Mutton Bird". 3. "Phillip Island - Newhaven San Remo in distance". 4. Phillip Island - Granite Quarry Cape Woolamai".main street cowes phillip island, rural scene phillip island, views newhaven, cowes pier phillip island, coastline cape woolamai, granite quarry cape woolamai, shirley jones collection, thelma astbury

Attached to the brochure re Korean War Veterans Memorials Cape Cod, MA..1) Brown, round medallion that is imprinted on front with printing & figure of soldier. Back is imprinted with print & 2 small enamel bars, one blue/white the other white. .2) Korean War Veterans memorial brochure. Front around outside: “FREEDOM IS NOT FREE 1950” Back around outside: “KOREAN WAR VETERANS ASSOCIATION, CAPE COD & ISLANDS” Centre: “KWVA”medallions, korea, 1950.53