This album contains photographs from a variety of sources in Scotland, England, and Australia. The date range of the photographers ranges from around 1847 to 1900. There are photos of families and individuals and some are obviously linked. This album has historic and social significance in that it appears to be a collection of family photographs which link areas of Scotland with the coming of early settlers to Australia and in some photos obviously to Warrnambool. They provide an overview of fashion and styles pertaining to the 1870’s through to around 1900’s and hence it has interpretive value.Brown leather bound hard cover with raised geometric design on the front. Back cover is plain. Edges of pages are gilded and closed with brass- coloured hinged clasp with keyhole. Contains numerous photographs of individuals and family groups. There are generally four to a page, with some empty spaces towards the back of the album. Inside front cover in grey lead 472 or/-. There are photographers’ names on the backs of the photos including R Boning @ St Leonard on Sea, C Hawkins Preston St Brighton, W H Mason 21 George St Croydon, Batchelder & Co 41 Collins St, D Clarke Warrnambool, T.J.J. Wyatt Warrnambool, and P. Dawson Warrnambool. warrnambool photo album, r boning, st leonard on sea, c hawkins, w h mason, batchelder & co, d clarke warrnambool, t.j.j. wyatt warrnambool, p. dawson warrnambool, warrnambool

Kazenwadel and Decker family groups, Templer Society members and internees in Camp 3 during WW2.Black and white photograph of 6 adults and one youngster held by her father (probably) and in the front seated 4 youngsters and a mother. The group are in front of a Army hut with a path and huts in the background. Each person is identified and include the Kazenwadel and Decker families.on the left hand side the number 205kazenwadel family, decker family, templer society, internees

Photograph shows a family group in swimwear, wrapped in towels and blankets, on the beach at Torquay with bathing boxes in the background.A record of beach fashions, and bathing boxes that had disappeared from the beach by the 1950s.Black and white photographtorquay victoria

Marong was first incorporated as a road district on 27 August 1861, and became a shire on 23 December 1864. On 1 October 1915, the Borough of Raywood, which was gazetted on 17 January 1865 on 23.31 square kilometres (9.00 sq mi) of land 28 kilometres (17 mi) north of Bendigo,[2] was united with Marong. On 1 October 1990, the Shire of Marong became a rural city, under the Local Government Act 1989. On 7 April 1994, the Rural City of Marong was abolished, and along with the City of Bendigo, the Borough of Eaglehawk and the Shires of Huntly and Strathfieldsaye, was merged into the newly created City of Greater BendigoTwelve slides taken for the Back to Marong celebration about 1960-63 possibly at the Marong Recreation (Football) ground. Slides include a float with members of the marong tennis club, a family group, a float depicting old school days, horse and carts, ladies and men dressed in period costumes and Miss 'Golden North'.history, bendigo, back to marong, city of greater bendigo, rural city of marong, marong tennis club, carl tracey collection

Captain John Marshall was born in Dundee, Scotland c.1833. Within eleven years of his arrival in Melbourne in 1852, he had established an important colonial shipping company, Anderson & Marshall, and married Mary Austin, the eldest daughter of Thomas Austin Esq of Clifton Villa in Cotham Road. Elected to the Kew Borough Council in 1869, he remained an active member until 1875. During this period, he was elected Mayor of Kew in 1872. A Scottish Protestant by birth and conviction, John Marshall was, with David Beath, a member of the inaugural committee that began planning for a separate Presbyterian Church in Kew, lending the Committee the funds to purchase land on the corner of Cotham Road and Highbury Grove. John Marshall lived at his home, 'Maryfield', at what was then 239 [now 197] Cotham Road until shortly before his death at the age of 70 in January 1903. He was buried on 14 January in Grave 493, Presbyterian Compartment A, Boroondara General Cemetery.Family portrait of the relatives of an important civic figure in Kew in the 19th century who was also a notable businessman and shipowner in the Colony of Victoria.Albumen silver photograph on card of the Marshall family grouped in three rows in a garden setting. The twenty-three members of the extended family do not include John Marshall so the photograph presumably dates from after his death in 1903. His wife, Mary Marshall, is in the middle row, five from left. marshall family, john marshall -- mayor of kew

Dale Porter and Angela CrundenColour photograph taken during a Coast Care/Coast Action family activity at New Works area showing three of the leaders in front of family group Lakes Entrance Victoria. Also a colour photograph of two youngsters discovering the wonders of plant life at the Coast Care/Coast Action Program at Bunga Beach gippsland ports, waterways, environmental protection

Corporal Francis John Papworth (VX66806) served in the 2/2 Australian Commando Squadron in Timor, New Guinea and Borneo, Tarakan during World War II. His pencil drawn images of the John Viera and his family during 1942. This work of soldiers is significant as a work produced by a serving soldier on location during WWII and is a unique example of an artistic work showing the men and their surroundings at the time. Strong provenance as part of the family collection.Multiple pencil drawings on white paper board showing three drawings images of John Viera and his family by Corporal F. J. Papworth during his Commando service on Timor in 1942 during World War II. One of the drawings is of John Viera, five rough drawings and a sketch of the Viera family group.john viera and his family during 1942

this is a photograph taken at the original jetty at Tabbara on the Brodribb River used by Samuel Richardson who established his mill in 1882. There was a constant demand for timber to supply the growing townships of Orbost , Marlo and surrounds. It was at this mill that the original paddle steamer Curlip was built. More information in "Curlip" by May Leatch. Helena Warrem (1871-1962) was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This photograph is a pictorial record of a typical family activity in the late 19th - early 20th century in the Orbost area, The clothing and manners are reflective of that time, This photograph also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a family group seated on a wooden jetty. There is a man on the right with a fishing rod. A man is standing next to woman holding a teapot and cup and saucer. On the left a woman is sitting and holding a baby on her knee. The rest are sitting or kneeling with a picnic cloth spread in front of them. There are bottles, jars, plates and cups on the cloth. on back - "The Warren Family Tabara Jetty"tabbara-jetty warren-family-orbost recreation-picnic

Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998). Minnie married Francis James Renkin on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother.Black and white wedding photo taken of Minnie Beckett with her parents, Rev Walter and Mrs Clara Beckett, her brother Kenneth and her sister Maude, the bridesmaid. The family group is standing on a picnic rug in front of an Edwardian style timber home with simple verandah fretwork. The house is 'Deloraine', 268 Union Road, Balwyn.weddings, balwyn, union road, miss minnie beckett, rev walter beckett, mrs clara beckett, kenneth beckett, miss maude beckett, 'deloraine', 1930-1940

Malcolm Cameron, came from Scotland to Australia with his wife in 1862. From late 1862 they lived in Bacchus Marsh and remained there for the rest of their lives. After working as a shepherd for sometime Malcolm Cameron was able to acquire land for a farm a few kilometers north west of Bacchus Marsh. The farm was called Glen View but this was later changed to Grand View. It is known to have been a wheat farm, Malcolm Cameron died aged 89 in 1922. His wife died in 1926. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a family group, the Cameron family of Bacchus Marsh, standing and sitting in a paddock on their farm. Cows graze in the paddock nearby. In the background, in the distance, can be seen the Cameron family home.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmers, farms, wheat farms, cameron family bacchus marsh

This appears to be a photograph of a large group of people at the Orbost Railway Station awaiting a train - a steam train? The group seems to be made up of family groups. This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. The closure of the line was a significant event in Orbost's history. It is a pictorial record of a social event in Orbost.A black / white photograph of a large group of people standing at a railway station. Some are standing on the platform, others on the line. Most are looking toward the right.orbost-railway-station family-activity

Family Group Photo. Bone Family. Anthony Bone, Annie Elizabeth Bone, Alice Lilla Bone, Emma Bone, George Anthony BoneFamily Portrait photograph of 5 Bone family members in studio setting

Frame 11. Photo 1. Welcoming home committee, nearly there. Photo 2. On Australian soil at last. The 'Karmala' berthed at 3MD Melbourne at the "Outer West New Pier" for the Victorians. It is not known if this is the pier at this point. Photo 3. Home at Tragowel, Victoria, some nine miles south of Kerang. Rear, Emily Grinton, Arthur Grinton, Bert and May Grinton. Front. Hughina Grinton and possibly Grace McLeod, Hughina's sister. Photo 4. The opening of the Memorial at Macorna 5/3/1920. Macorna is about 5 kilometres south of Tragowel, both places being on the railway line. Left to right in the photo; Lieut F. Dunn, Cr Charlie Cook, Brigadier General Brand, Rev. G. R. Jones (Kerang) and Mr H. Angus MLA. Music was played by the Mead Brass Band. This information was supplied by the Pyramid Hill Historical Society.Photographs - black and white on paper. 4 photographs top to bottom. 1. Dock side welcoming home committee. 2. Soldiers on a timber dock. 3. Welcome home family group. 4. Opening of a War Memorial. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten in blue felt tip pen "11."framed photographs, grinton collection, ww1, 38th

Black and white copy of original photograph which shows a family group, a young girl holding an apple standing between her parents. Girl's dress has lacework collar. Woman's dress has pintucks and ruffles and is buttoned to the waist. Man wearing suit. Elizabeth Jane Ball (nee Mitchell), her husband Oscar Ball and their daughter Lillian.elizabeth jane ball, elizabeth jane mitchell, oscar garland ball, lillian ball, lillian bennett

This is a photo of a camps site at the base of Mackeys Peak. The Willoughby's are camped on the left, The Barnes in the centre and the Hines on the right (presumably the people in the photo are from these family groups).The photo shows tents in a clearing in bush.There is a large tent to the right with a man and a young child in front of it, another tent or structure can be seen on the left with a group of four adults and two children lined up in front of it. A buggy can be seen in the bush in the centre.Camp at base of Mackey's peak, Willoughby's camp, Barnes Camp Hines Camp, written in pen on back of mount.recreation, camping, scenery, grampians ranges

Schneider’s Boarding House with family group outside building Corner of Victoria Street and St Georges Street. Building was also the Victorian Coffee Palace, then the Doll Factory.Two photos of the Schneider Family outside their boarding house and beside a sign Dinning Rooms, on the corner of Victoria St. & George St. Stawell. c 1901. The small photo is a black & white photo, the other a enlarged print of the same photo in a purply colour.Written on the enlarged print, beside the image is the wording "When Peter died in 1901 Isabella was left to support fer family. Charles was only one year old so Isabella ran a Boarding House at the corner of Victoria St. & George St. Stawell".stawell business

coloured photo: family group ? 3 adult females in cloche hats and overcoats, two small females on scenic walk. Path through bush and trees with white post and rail fence. On front board, handwritten ' Lovers Walk, Cowes' Won by Mr. L. Batchelder ( Bendigo Photographer's family ? ) ' Gents Rope Quoits/Bay View Cowes, Feb. 1933 'A.J. Murray, Ciommercial Photographer, Photo Shop, Cosesplace

This is a copy of an album of photographs held at the National Library of Australia. The album was photographed by Reverend's Weller grand daughter. Freda Oxley was a friend of the Wellers. She was born in Windsor in 1882 and Alexina Weller (nee Caley) was born in 1885 also in Windsor. She travelled on the SS Persic from England and arrived in 1925. She stayed at the Mission for several years, and became a host of the many picnics, making friends with the ladies from the Guild, taking photographs of people and events. Page 1 to 3: Outward Bound - SS Persic - September 26th .... November 12th 1925 Page 4: Interiors of the Mission to Seamen Melbourne Page 5: Page 6: Page 7: Page 8: Freda Oxley, the Wellers, Alexina Weller, Xmas Day 1927, Dora Walker and Rev. Weller Page 9: Gardens: the photographs show the garden's plants in its early years / Botanical Gardens / Nellie Melba's gardens in her estate Coombe: Walter Butler, the architect of the Mission had designed some extensions for Nellie Melba's estate and part of the gardens of the property, so it was likely through they acquaintance that the Mission's reverend and friends were invited. Page 10:This album provides photographs of the Mission's interiors, garden, staff, guests and activities during the Wellers stay. It also provides the provenance of the Weller album held in the Mission's collection.The album was donated to the National Library of Australia by Miss Elizabeth Phillips, with her address in England, with a typed note attached that reads: 'These photographs were taken by my aunt Miss Freda Oxley between 1925 and 1928. She went out to Melbourne at that time and stayed at the Mission to Seamen with her friends the Revd Jack Weller and Mrs Weller. The Revd Weller later became Bishop of the Falkland Islands.'freda kathleen oxley 1882-1969, ss persic, gardens, botanical garden, picnics, officers, portsea, sydney, rev. w.m robertson, dora simpson nee walker, wedding, alice sibthorpe tracy, ethel augusta godfrey 1861-1935, royal botanical garden, nellie melba, coombe, zoo, seamen, sailors, walter richmond butler (1864–1949), juan oyarzo, john oyarzo, fern tree gully, kerferd family

Four pages of photographs of members of the Christian Family including Violet Christian, aged nineteen years; family group at Myoora; Violet in early 1900s and Thomas Christian in late 1880s.christian grace, christian alison, christian violet mary, christian may, christian gertrude, christian dorothy, christian ian, myoora, christian thomas, player c., richards h.

This is one of a series of calendars compiled annually by East Gippsland Historical Society.This is a useful pictorial reference tool.A 2017 stapled calendar, titled "Old Views of East Gippsland". On the turquoise coloured front is a black/white photograph of Eagle Point, Mitchell River C 1875 with a family group, possibly Alfred Howitt and children, on the bank of the Mitchell River opposite Eagle Point Bluff.. It contains early photographs of East Gippsland,. There is a hole for hanging. The title is at the top and the year at the bottom in black print. calendar-old-views-of-east-gippsland photographs-historic-east-gippsland

B&W photo of the Breen family at home in Menzies Creek. The family group comprises an older man in a three-piece suit, who has white hair and moustache, three women standing in a doorway to a lattice-covered verandah, are younger man identified as Ted Breen (right hand side), and two small boys. The Group stands in front of a weatherboard and fibro-cement house.

Family group sitting in front of Gazebo. Left to Right Louise Blampied, child Claudine, Anne Marie Trouette, child Marie standing, Louise seated, Marie Trouette, child Eugene, Emily Blampied. Names on Back of Photowine

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The red-and green Australian King-Parrot is seldom seen flying above the tree tops of the dense forests which it inhabits — it prefers to fly below tree level, weaving in and out through the tree trunks instead. When they are disturbed by a person, they usually fly off with a harsh screech, and often do not land until they are lost to view. Their flight is swift and strong, characterised by deep, rhythmic wing-beats and regularly punctuated with rapid twists and turns.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Male Australian King-Parrots are the only Australian parrots with a completely red head. Females are similar to males except that they have a completely green head and breast. Both sexes have a red belly and a green back, with green wings and a long green tail. King parrots are normally encountered in pairs or family groups. This particular specimen has duller colour and appears more orange with a misshapen head Label: National Museum Victoria / King Parrot / Aprosmietus W5435 / Gris (recht) Mount: APPOSMICTUS / SCAPULARIS / King Parrottaxidermy, parrot, bird, king parrot

The Heffernan family posed outside their home. The house is a classical weatherboard surrounded by verandah. The surrounding area is very bare. The family group is comprised of a bearded gentleman, a woman, 1 young man with a bike, 3 boys and 2 young women.The photo is mounted on a grey cardboard matt. It is foxed and has 2 pin holes centre top and an area of residual staining from sticking tape centre top.Matson and Frazer HEFFERNAN FAMILY 264 Lt Collins St Heaves House High School On back: Eric Boardmaneric boardman collection, heffernan family, houses, racecourse road, macedon street, sunbury, heaves house, high school, george evans collection

Set of five colour photographs of a BTPS organised, "Teddy Bear's Picnic". Date unknown, thought to be c1992. Photographer unknown. .1 - inside tram - family group, with child holding tickets out. .2 - another group .3 - at St Aidans Drive, with 27 .4 - At the depot, after running in with 27, Richard Gilbert, Phillip Bertram , a big bear and Peter Walker. .5 - Group getting on the tram at a tram stop.btps, teddy bear picnic, tram 27