Showing 476 items matching "furs"
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Kiewa Valley Historical Society
Ski Skins - Pair
Ski skins and webbing were introduced into the Victorian Alps by European skiers. Enthusiasts travelled to enjoy the snow and to explore the Victorian Alps including the Bogong High Plains. This equipment enabled them to travel over snow without slipping when going up hills. They took the skins off when they wanted to slide down hills. In later years waxes were used for cross country skiing and then 'fish tail' markings on the back of skis to enable skiers to travel distances up and down mountains. Later developments also included motor transport (replacing horses to get to the snow line) and roads to take skiers to the ski fields and mechanised tows to take skiers up mountains so they could ski down (downhill skiing).Skiers visited the Bogong High Plains especially during the years of the State Electricity Commission of Victoria's construction of the Kiewa Hydro Electric Scheme from the 1930's onwards. Tourists to the area increased during this time and influenced the development of Falls Creek.Long cream strips with soft short 'fur' on one side and a type of strong hessian on the back with the length of the middle and sides stitched. At one end an adjustable strap is attached to a steel, hinged clasp and at the other end is a loop that fits over the ski. A quarter of the way from each end is a steel attachment for fastening over the ski - the 'toe' end with a rubber embossed flap and the other with a short and long strap each with a steel ring at the end.On the rubber attachment: 'vinersa/pat uno'ski skins; bogong high plains; falls creek -
Frankston RSL Sub Branch
Hat, Felt RAAF, 1940
The Slouch hat (also known as a Hat KFF, or Hat Khaki Fur Felt) is worn as the standard ceremonial headress for all members of the army, except those belonging to units or corps that have an official headress, e.g., some units wear a beret. As such, it is treated with the utmost care and respect. The Grade 1 Slouch hat is worn with a seven band puggaree, said to represent the six states and the territories of Australia,. it has a RAAF badge. The chinstrap is broken. .On internal leather lining; JOHN BARDSLEY & SONS PTY LTD SIZE 6 7/8 1940 The puggaree has the name of; RAAF A3605O8 FRASER, K I -
Montmorency–Eltham RSL Sub Branch
Headwear - Forage Cap, Spanish
Recent (?), representative, Spanish Army uniform item worn by Spanish Legion troopsKhaki fur/felt with red piping. Red edged gold tape on right side. Dark brown leather adjustable chin strap attached with two 16mm diameter buttons embossed with crowned eagle surmounted with a cross, ie Spanish Army. Red 60mm long red cotton tassel attached to front of crown. Embroidered Spanish Legion light tan badge on front of crown. Light tan leather sweat band inside. Blue stamp on sweat band "J. BENOLIEL, TALLA, 56"(circled) Black rubber stamp "56"headgear -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Framed photo finish, Gaby's Dalla, 20 January 1951
Gaby's Dalla won the Cooinda Handicap at Melbourne Showgrounds on the 20 January 1951, followed by John's Pride and Glimpse. Gaby's Dalla owned by HJ Robertson, was trained and driven by TC Taylor. One large colour photograph in a brown frame. At the top: Gaby's Dalla / Cooinda Handicap at RMS / 12 1/2 Fur / 20-1-51 In the middle: Left side: Driver - Trainer TC Taylor / 2nd John's Pride - Neck Right side: Owner HJ Robertson / 3rd Glimpse - 4 yds At the bottom: Time - 3.32 / Mile Rate 2-15 1/5horses, race, winner, driver, trainer, owner, melbourne, showgrounds, 1951, gaby's dalla, tc taylor, hj robertson, john's pride, glimpse -
Bendigo Historical Society Inc.
Postcard - PETHARD COLLECTION: MADAME CLARA BUTT
Handcoloured postcard : image shows woman dressed in maroon cloak, white fur colour, elaborate blue dress. Card is handcoloured and glitter affixed to highlight design of dress and cloak. Woman is wearing long gloves. Written on bottom: Philco Series 3128 D Madame Clara Butt. On rear: The Philco Publishing co., Mulborn Place, London. For inland postage only this space may now be used for communication. The address only to be written here.Philco Publishing co.person, individual, clara butt, pethard, lydia chancellor, philco publishing co., clara butt -
Whitehorse Historical Society Inc.
Clothing - Dress and Jacket, 1968
Purchased in 1968 by Phyl Johnson at Myers. Worn twice by her and then, in 1990, by her mother, Mrs M. Gray at her grand daughter's wedding at Box Hill, St Andrews Presbyterian Church1968 Pale pink pure wool, short sleeved dress. Round neck with zip from neckline to waist. Fully lined in pink polyester fabric. Detail stitching from bustline to waist and continuing across waist line at back. Fitted pink jacket has waist length long sleeve, trimmed with a collar of faux fur. Fastened with three buttons and loops, and has two pockets with detailed stitching. Jacket is fully lined with pink polyester.Merco Dabroncostume, female -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Color Offset (Aust.) Pty. Ltd, c 1970
A collection of nine postcards donated by the Bass Coast Op Shop. Information on the back of No. 276-05. "Koala Bears were first seen by white explorers in the Blue Mountains, 1798. Early colonists from N.S.W. called it a "monkey bear". Koala means in Aboriginal "does not drink" or "no drink". They are slow-moving, tree-climbing, friendly marsupials with thick woolly fur coats, large ears and rubber nose. They live in gum trees and feed upon their leaves. Babies are born every two years, spending nine months in mother's pouch and then on her back for about six months, then leaving its parents and looking for a tree with comfortable branches."Nine coloured postcards of Phillip Island and wildlife. 276-01. Postcard showing four vintage vehicles displayed in the Len Lukey Memorial Museum & Gardens at the GP Race Track. 1. 1928 Austin Chummy. 2. 1926 Maxwell. 3. 1924 Model T Ford. 4. 1913 Model T Ford. 276-02. Postcard showing penguin in burrow possibly on egg/s 276-03. Postcard with two photographs of penguins coming up the beach at dusk. 276-04. Postcard with three photographs of penguins coming up the beach and people looking over the railing at them. 276-05. Postcard of a koala sitting on a branch. 276-06. Postcard of seals at Seal Rocks with man sitting on the rocks beside one. 276-07. Postcard with four photographs of koalas, penguins, Cowes Jetty and Cowes beach. 276-08. Postcard with three photographs of koalas, penguins and a seal. 276-09. Postcard with four photographs of penguins, koalas, seals and penguins.276-01. Len Lukey Memorial Museum & Gardens. Vehicle description as above in Physical Description. 276-02. Phillip Island, Victoria, Australia. On back: Australian Penguin Reserve, Phillip Island Victoria. 276-03. Australian Penguin Parade Phillip Island. 276-04. Penguins at Phillip Island, Victoria, Australia 276-05. On back: Full description of Koalas - see Historical Information below. 276-06. On back: Making friends at Seal Rocks, Phillip island, Vic. 276-07. Cowes Phillip Island. 276-08. Phillip Island Victoria 276-09. Greetings from Phillip Island. On back: Phillip Island, Victoria, Australia. Interesting aspects of this fascinating Island which gives shelter to some of Australia's unique fauna.wildlife - seals, wildlife - koala, wildlife - penguins, vintage cars, t model ford, len lukey musem, cowes beach, cowes pier, bass coast op shop -
Bendigo Military Museum
Uniform - UNIFORM 2ND AIF, C.1943 - 45
.1) & .2) The items were issued to Cpl H BACON VX103705 2nd AIF, Naval Bombardment Group..1) Hat, slouch, Kahki fur felt, cotton pugaree, Rising Sun badge, chin strap leather, leather lining. .2) Coat, Battle Dress, Kahki, Cpl stripes on one sleeve, 2 x Rising Sun Lapel badges, 2 x Australia shoulder badges, 2 x Colour patches red over blue in wave fashion with grey surround, metal buttons, 4 pockets. .3) Belt, webbing, light Kahki, brass buckles and keepers..1) “D & D ../30 size 7 1945” uniform, army, webbing, slouch hat -
Kiewa Valley Historical Society
Hair Pins - Personal Item
Cardboard white box with decorated coloured flowery sides which curve over the edge to frame the top of the box. Top of the box has a picture of a smart fashionable lady wearing a broad brimmed black hat with a pink rose and seemingly wearing a white fur shawl. Her body is not shown. The inside of the box is divided into 4 equal compartments - 1 across and 3 in a row lengthwise. 15 metal black hairpins are in 3 of the compartments and 2 brown plastic hairpins in the other. Base if the box - "Finest selected / Hairpins. / Black / Made in England hair pins, make-up, personal item, hairdressing, toiletries, bathroom -
Federation University Historical Collection
Artwork, other - Photograph - Colour, Ballarat School of Mines Possum Skin Cloak "Dyirranga", 2002
The artists who contributed to this work were undertaking an Advanced Certificate in Koori Art and Design, which ran at the Ballarat School of Mines from 1995-2002)Photograph of the Ballarat School of Mines Possum Skin Cloak, along with details of each panel. .1) View of engraving .2) View of fur .3) Centre detail by Diane Nikkelson .4) Detail by Joe Lee .5) Detail .7) Detail of a swan .8) Detail of a snake by Sam Morrison .9) Detail of a turtle .10) Detail of a whale .11) Detail of an eel by Diane Nikkelson .12) Detail of an emu by Laura Guest .13) Detail of a parrot .14) Detail advanced certificate in koori art and design, possum skin cloak, greg clark, laura guest, tim karpany, kym krasa, joe lee, jason marks, sam morrison, bianca nikkelson, diana nikkelson, kelly saylor, val d'angri, fred cahir, paul lambeth, aboriginal, eel trap, whale, cockatoo, snake, turtle, fish, eagle, emu, swan, pelts, possum -
Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT, approx 1890's
sepia studio study with some hand tinting shows upper body of young female adult. Plaid skirt, leather gloves, purse ? Floral spray, tinted. Pale buttoned blouse, hip length fur. Collared long sleeved jacket, floral decorated stgraw hat atop curled hair. Image is mounted on stiff card with commercial details theron. In gold lettering on lower front, coat of arms, ' Charlemont, Sydney, by appointment to his excellency, Lord Carrington.Charlemont & Co., Grosvenor Studioes, Royal Arcade, Sydneyperson, individual, female portrait -
Clunes Museum
Clothing - RIDING APPAREL, KINOCH CLOTHES, CIRCA 1927
LADIES RIDING OUTFIT .1 LADIES JACKET. TWEED WITH GREY SATIN LINING. 2 BUTTONS MISSING. LINING TORN. MADE BY KYNOCH CLOTHES OF SCOTLAND .2 BROWN JODHPURS. 1 BUTTON MISSING AT WAIST. LACING ON LEGS FROM BELOW KNEE TO ANKLE. .3 2 LEATHER RIDING GLOVES WITH FUR LINING AND METAL BUCKLES. THE OUTFIT BELONGED TO MRS W FAWCETT (CHRYSSIE) NEE McLENNAN. BORN 23/12/1897 DIED 29/3/1979.fawcett family, riding habit, clothing -
Bendigo Military Museum
Uniform - JACKET AND SLOUCH HAT - WW1, Dalter Lucas & Sons (1910) Ltd, 1918
Slouch hat and Uniform jacket belonging to Edwin James JONES No 3511 AIF. Refer 1367.5 for his service history. The hat was manufactured in 1918 by Dalter Lucas & Sons Bury, UK. It appears to be of a similar style to those issued to Gurkha troops due to the thickness of the felt, the three rows of stitching around the brim and the use of a press stud to pin up the left hand side of the brim..1) Coat, Battle Dress, Kahki, includes 2 x “Australia” shoulder badges, 2 x “Rising Sun” epaulette badges, 2 x “yellow over purple” colour patches, 3 x “service chevrons”, 1 x “Empire Wounded stripe”, 1 x “Lewis Gun” cloth badge, all metal buttons intact as well as waist belt. .2) Hat, Slouch, kahki fur felt, cotton pugaree, leather head band, Rising sun badge, no chin strap..2) Pressed into the hat band appears to be; “Dalter Lucas & sons (1910) Ltd, BURY 1918”uniforms, military clothing, costume accessories - male -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BABY SHOES, Late 1800's
Clothing. Tiny kid(?) leather soles - just 11 cms long, with burgandy silk fabric uppers- having a centre front seam, and a centre back seam. These seams are machine stitched and then top stitched on both sides of the seam, with tiny machine stitches. A 'turn-back' of burgandy, fake-fur trims around the ankle high boots and two burgandy silk ribbon bows, fasten the boot at the outer ankle. Inners of the boots are lined with a canvas-like fabric. Soles appear to be a soft chamois type leather.costume, children's, baby shoes. -
8th/13th Victorian Mounted Rifles Regimental Collection
Headwear - Busby, 1854 circa
8th Hussars formed part of the Light Brigade which took part in the famous charge.Busby which belonged to C R Burn Esq 8th Hussars with metal box for hat and metal tube for plume. Busby was worn at Balaclava during the Crimean War 1854. Leather inner with brown fur outer covering; red cloth flap on right side; gold braid, white horsehair plume and red feathers at base or plume, gilt link chinstrap. The busby was presented as a gift to 8th/13th Victorian Mounted Rifles by its affiliated British regiment, 8th Queen's Royal Irish Hussars in 1954.On lid of hat box: " C R Burn Esq 8th Hussars" and "Hawkes and Co Piccadilly London"busby, hat, military, cavalry, hussars -
Linton and District Historical Society Inc
Photograph, Mr & Mrs Michael O'Meara
Black and white copy of original portrait showing a man seated on bench with a lady standing to his right, resting her elbow on back of the bench. A plant in front left, bottom corner of photo. Man is wearing a dark suit, white shirt, bowtie and corsage, he also has a mustache. Lady is wearing a dark fitted dress with fur around bodice, horizontal striped top with cuffs exposed. Embroidered stick out shoulder pads, dark curly hair and rings on her left hand."Michael O'Meara & wife nee Beatrice O'Leary".michael o'meara, mrs beatrice o'meara (nee: o'leary) -
Melbourne Legacy
Pamphlet - Document, brochure, The Legacy Family - worthy of the father, September 1959
A photo of a boy and his mother that was used on a brochure explaining Legacy's work and providing information on how to donate. Whom does Legacy help? What kind of help does Legacy provide? What is the composition of a Legacy Club or Group? How many dependents is Legacy actively helping in Victoria? What does Legacy spend in this Sate in its work? Why it necessary to provide this degree of help, when there is a generous Repatriation Act? What is Legacy's aim? Donations. Address given for Junior Legacy is Legacy House, 293 Swanston St, Melbourne. The photo was also used on the cover of the Legacy Newsletter in September 1953. The boy is wearing a Boys Class uniform with the Legacy logo and his mother is wearing a fur.A record of how Legacy portrayed itself to the wider community.One page white paper, printed, folded in half. Black and white photograph of a boy and his mother and printed text.Handwritten 'Mrs Masters 7330' in pencil on back page.marketing, legacy promotion, uniform -
National Wool Museum
Document - Receipt, Fox Fur Coat, Nettlebergs Pty Ltd, Nettlebergs Pty. Ltd, 20/7/1950
This receipt is for a fox fur coat made in Melbourne in 1950 by Nettlebergs. It is associated with the fox fur coat in the National Wool Museum Collection, NWM-9090. "The foxes were shot in the 1950's by my Father, Charles Winnet Daniel Allen at two properties around Bacchus Marsh. One was Greystones at Glenmore, owned by the O'Keith family and the other was at Parwan, owned by the Miles Family. In the late 1940's and early 1950's, the Government put a bounty on the fox head. A pair of ears were sent to the Council and you were paid 2 pennies and the skins were sold to a skin buyer. My Father would go out on moon lit nights and shoot the foxes then skin them, which he would peg on a board to dry. He took 21 fox skins to Nettlebergs Pty. Ltd., Furriers at 173 Elizabeth Street Melbourne, Victoria, to have this coat made for my Mother, Gladys Eileen Allen. It cost Twenty Pound and Nine Shillings to have the skins made into this coat. My Father died on the 1st July 1982 and my Mother on the 15th October 1993, aged 76. This coat was inherited by me Theresa Joy Hodge (nee Allen) on the passing of my Mother. I have worn it on cold days, but seeing that I am 84 and the coat is 74 years old, I would like to donate it to you, as I have no-one to leave it to and hope that you and the visitors to your Museum will enjoy looking at it." Theresa Hodge, 2025 Theresa was a dairy farmer, who grew up in Bacchus Marsh with her parents, before moving to South Australia in 1980 to a 167 acre farm in Burrungale.Single sided paper receipt with black printed text and handwritten text in pencil.front: [printed] No. A / 2 / Telephone: MU 2913 / NETTLEBERGS Pty. Ltd. / The Premier Furriers of Australasia / 173 Elizabeth Street, Melbourne / Not Responsible for Goods left over Six Months / We do not hold ourselves responsible for loss by Fire or Burglary, / but every precaution is taken. / 19 / M / Every care is taken, but we cannot accept any responsibility in tanning and dying skins, / as they are done at Customer's own risk. front: [handwritten] 29 ? / Deposit £10 / Bal £20/9 / C. W. A. 20/7/50 / Mrs Allen / 21 fox skins dress pelts / dark brown + make / coatfox fur coat, fashion, hunting, pest eradication, farming, rural life, bacchus marsh, greystones, glenmore, parwan, fox, nettlebergs pty ltd, furriers, clothing, theresa hodge, charles allen, gladys allen -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Framed photo finish, Croughton & Ward, Grand Voyage, Paddy Glasheen, 1921 Flying Handicap, Epping, NSW, 1 November 1921
Hall of Fame Trotter Gnad Voyage winning at Epping, NSWLarge rectangular black and white photo of harness race finish mounted on brown paper and framed in wooden frame.Top centered written in black ink: 2nd Div. Flying Handicap, 1 Ml. 1 Fur. Epping, 1/11/1921 Bottom centered written in black ink: P.B.Glasheen's Grand Voyage (1) / Yard On (2) / Peal (3) (PB Glasheen) Won by 7 lengths. Time 2.31 1/4 Botton right corner: Croughton & Ward (nb?) King St, Sydneygrand voyage, paddy glasheen, trotting, epping nsw -
Kew Historical Society Inc
Headwear - Pale Green Silk & Gauze Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats -
Kew Historical Society Inc
Headwear - Ivory Silk Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard - Williamstown Botanic Gardens, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth and the postcard shows the plaque and two of the four drinking stations. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. Front: VALENTINE’S, M.355 THE FOUNTAIN, WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Queen St, Melb’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES’. The postcard is addressed to ‘Dear Agnes’ from ‘Una’. Marked in pencil on to right hand corner ‘1920 / $8’ believed to be put on the postcard by the vendor. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, 1920, granite, bliss-and-sons, 1906 -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard - Willliamstown Botanic Gardens
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley -
Kew Historical Society Inc
Clothing - Evening Coat, 1920–1930
The donor, whose parents owned an antique shop believed that the evening coat was owned by the family of Cr Morris Nathan and his wife Margaret Frances, nee MacKay. Maurice Nathan was born in Kew in 1914 and died in East Melbourne in 1982. He was a student of Trinity Grammar School, Kew. He was Lord Mayor, and his wife Lady Mayoress, of the City of Melbourne for two terms between 1961 and 1963. The age of the coat, created in a design typical of the 1920s would suggest that it is of an earlier vintage, almost certainly dating from the 1920s, but perhaps earlier. The opulence of the sequinned and beaded embroidery have led to the supposition that it may be an opera coat inherited from an earlier generation.Three quarter length, red and cream silk, padded evening coat highlighted on the cuffs and hem with iridescent sequins, beading and pearls of different shapes and sizes. These decorative features are arranged in a formal design, particularly at centre back. Above the beaded sections are sunbursts outlined in gold beads.Trimmed rabbit fur at collar and cuffs. The sleeves are shaped above the embroidered sections while the hem features a zig-zag profile. MEASUREMENTS - Neck to hem front 93cm; Neck to hem back 100cm; Circumference 126cm; Shoulder to cuff 72cm; Shoulder width 36cm.Traditionally, pre acquisition, stored in brown suitcase embossed in gilt with the name R. NATHANevening jackets, opera coats, fashion -- 1920s -
Bendigo Historical Society Inc.
Leisure object - BOUDOIR DOLL
Composite face legs and arms. Painted features. Hair - possibly real, dark brown colour. Doll dressed in royal purple gown. Long sleeves with lace cuff. Faux fur collar around V shaped neckline at front and squared collar at back. Lace trim across front of neckline. Faux fur trim across centre front and centre back at hem. Three underskirts. Mauve satin with darker mauve frill around hem line. Stiffened white fabric (Vilene?) White drawers with lace trim on lower legs. Painted on shoes in gold paint. Purple velvet handbag edged with silver cord. Boudoir dolls are dolls that are made to sit on beds and sofas as decorations rather than being used for play. They are also called bed dolls, flapper dolls, and French dolls. Years of Production Although dolls that sit on beds are still being made today, the classic vintage boudoir dolls were made from approximately the 1920s through the 1940s. Some of the earliest dolls, made even earlier than 1920 in some cases, were made in France. Many of the dolls were made in an art deco style. -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - Framed plumes
The practice of wearing emu plumes in hats began with the Queensland Mounted Infantry. It is thought to have begun when the unit was engaged in suppression of the Shearers’ Strike of 1891. It remained a Queensland tradition till 1915 when other AIF units of the Light Horse began to do the same. After some dispute and discussion, the practice was approved provided the soldiers paid for their own plumes. Some regiments did not take up plumes: 6th and 7th LH continued to wear wallaby fur puggarees; 4th LH refused plumes because of the association with anti-unionism. The post-war militia adopted plumes and today all Royal Australian Armoured Corps (RAAC) regiments wear emu plumes in slouch hats. In the 1950s 8/13 Victorian Mounted Rifles and some other RAAC regiments wore an emu plume tuft behind the regimental badge on black berets. Framed Emu feathers with the use of, with news item on history of the Light HorseKangaroo feathersmilitary, light horse, queensland, plumes, emu, wwi, world war one, hat -
Melbourne Tram Museum
Photograph - Showing a reporter how to drive a tram, c1963
Photograph shows a female journalist with notebook in hand being shown the controls by a uniformed tramway employee at a depot yard, most likely Hawthorn depot. Photo undated and no details of the paper and it is post trove scanning at the time of cataloguing. The cutting notes that it appears much simpler than driving a car. Note the table card in the employee's pocket. The journalist is probably from the women's pages of one of the metropolitan newspapers. Her coat would have been very expensive and definitely extremely fashionable - which is why it is thought she was from the women's pages of one of the major papers. The coat appears to be real ocelot fur dating it to about 1963. Cars in the yard are: FX Holden 1948-53 or FJ Holden 1953-56 Austin 8 Tourer 1947-49 (very rare) Ford Prefect 1950 Chevrolet 1949-50Demonstrates learning to drive a tram though women drivers were not permitted at the time.Black and white photograph with an undated press cutting on the rear.tramcars, tramways, training, drivers -
Wooragee Landcare Group
Photograph, 27th February 2004
Photograph of Quoll taxidermy, part of the Quoll presentation at the Wooragee Hall on Friday, 27th February, 2004 as part of an event called Foxy Night Out. Foxy Night Out is part of a land fox control project. This workshop is conducted to help private and public community members to understand foxes and effective fox control techniques, and its impact to agriculture and other animals. Quolls are carnivorous marsupials native to Australia and New Guinea. They grow up to 125cm and weighs up to 5kg. The spotted-tail Quoll is now the largest carnivore on the mainland. Quolls have black to fawn fur, white spots, long and thin tails. Quolls can attack livestock like chickens. They are known for sharp teeth that enables them to sustain a diet that involves poultry meat. They hunt for their families. Historically, Quolls are treated as pests and were trapped or poisoned by people who are protecting their chickens.This photograph contributes to the scientific and historical records on fox control in Victoria. It reflects the effects of foxes and quolls to livelihood, thus, creates a picture of Victorian agriculture, trade, and community activities. Coloured rectangular photograph printed on matte photographic paperReverse: WAN NA / 0ANA2N0 BN2+ 2 1636 / (No. 5) 919foxes, quoll, landcare workshop, taxidermy, ecosystem, fox control project, agriculture, fox, marsupials, carnivore, pests -
Frankston RSL Sub Branch
Hat, Felt RAN, 1991
The Slouch hat (also known as a Hat KFF, or Hat Khaki Fur Felt) is worn as the standard ceremonial headress for all members of the army, except those belonging to units or corps that have an official headress, e.g., some units wear a beret. As such, it is treated with the utmost care and respect. The Grade 1 Slouch hat is worn with a seven band puggaree, said to represent the six states and the territories of Australia.. This broad brimmed hat has a navy colored puggaree, and a plastic, circular badge for RAN comprinsing crown atop a 30mm diameter circle cotaining an anchor & rope.The hat (Hat KFF) has a brand marking on the internal leather brim; AKUBRA 1991 56 (nb size) Made in Australia The navy blue puggaree has a label on the inside; ABI vic 1992 8405-66-126-4453 The puggaree has a notation of the wearer; BAQUIREZA -
Bendigo Historical Society Inc.
Photograph - NEW CHUM GOLDFIELDS MINE, EMPLOYEE PHOTO
Black and white photo, faded, pasted onto buff board. Possibly copy of original. Image shows 23 men standing and seated in front of corrugated iron mine shed. Men are dressed in suit coats and trousers, some wearing hats. Two men wearing collar and tie. On back of photo, written in pen : 'The photo of the New Chum Gold Fields Mine, Ddgiamond Hill, Bendigo, was taken about 1911, the Manager (Wilfred Rickards) seated in centre. There was a dozen or more mines in diamond Hill at that time. G.H. Furness, 116 High Street, Kangaroo Flat.'bendigo, mining, new chum goldfields mine