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Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.4 No.11 : July 1983
Art exhibition: Trinity Grammar School / p1. A new Musical at St Hilary's Kew ('Rocky & the Bloke' / p1. Visitors welcome (Rheumatism and Arthritis Association of Victoria) / p1. Uniting Church Congregational Casserole Dinner / p2. 1st Kew Scout Group bottle recycling depot change / p2. Native Plant Group / p2. Save the Children Fund / p2. Kew Citizens' Advice Bureau / p2. Kew Historical Society / p2. Kew Library (displays) / p2. Billabong Club for boys and girls primary school age (Kew Baptist Church) / p2. Th treasures of our city (Villa Alba; Historic houses; Heritage planning; Louis Kahan - Kew Synagogue windows) / p3. C.A.B. volunteers need (Citizens' Advice Bureau) / p3. Daytime Garden Club / p3. East Kew Uniting Church (calendar of events) / p4. Kew Garden Club / p4. Evening Mission Group (Kew Uniting Church) / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. 'Rotaract Rave' / p4. Scrabble / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionArt exhibition: Trinity Grammar School / p1. A new Musical at St Hilary's Kew ('Rocky & the Bloke' / p1. Visitors welcome (Rheumatism and Arthritis Association of Victoria) / p1. Uniting Church Congregational Casserole Dinner / p2. 1st Kew Scout Group bottle recycling depot change / p2. Native Plant Group / p2. Save the Children Fund / p2. Kew Citizens' Advice Bureau / p2. Kew Historical Society / p2. Kew Library (displays) / p2. Billabong Club for boys and girls primary school age (Kew Baptist Church) / p2. Th treasures of our city (Villa Alba; Historic houses; Heritage planning; Louis Kahan - Kew Synagogue windows) / p3. C.A.B. volunteers need (Citizens' Advice Bureau) / p3. Daytime Garden Club / p3. East Kew Uniting Church (calendar of events) / p4. Kew Garden Club / p4. Evening Mission Group (Kew Uniting Church) / p4. Hyde Park Fellowship (Hyde Park Uniting Church) / p4. 'Rotaract Rave' / p4. Scrabble / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day, 1914-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A yellow and blue ‘Wattle Day’ badge featuring a seated girl holding a bouquet of wattle. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide on 1 September 1910. Public support for Wattle Day peaked during World War I, when it was a potent symbol of home for military personnel serving overseas, and a means of raising money for organisations such as the Red Cross."Wattle Day"patriotic buttons, wattle day, first world war (1914-18), badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day For Children’s Charities, 1914-1920
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised.Wattle Day / For Children’s Charitieswattle day, patriotic buttons, badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day For Children’s Charities, 1914-1920
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ badge featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised."Wattle Day: For Children’s Charities"wattle day, patriotic buttons, first world war (1914-18), badges -
Kew Historical Society Inc
Uniform - Girl Guide Uniform, 6th Kew, Scout Association of Victoria, c.1987
This Guide uniform was worn by Jane Reid when she was a Guide at 6th St Hilary's between 1987 and 1989. The uniform consists of a pale blue blouse, junior navy A-line skirt and navy wool beret with the World Guide badge embroidered on it. The scarf with the Victorian State Badge at the back is a triangle and can be used as a sling or bandage in an emergency. Jane's woggle (a band holding the tie) was made by hand. Some girls made woggles from leather, cord or items from nature such as gumnuts. The leather belt with the Girl Guide buckle bears a metal badge obtained at Britannia Park, the Victorian Guide camping ground at Yarra Junction. Her white lanyard (indicating she was a Patrol Leader) and brown leather pouch are attached to the belt. Metal badges pinned to the collar of the blouse are the World Guide badge on the right and the Guide Trefoil or Promise badge on the left. The tapes on the left sleeve identify the Guide Company, District and Region. Badges on the right sleeve are interest and achievement badges.jane reid, costumes, uniforms, girl guides 6th kew -
Kew Historical Society Inc
Uniform - Scout Uniform, 4th Kew, Scout Association of Victoria, c.1990
This uniform belonged to Jane Reid when she was a member of the 4th Kew Scout Troop. Jane joined Scouts in 1990 and was one of the first two girls to join Scouts in Kew. Prior to this, the Scout Section was restricted to boys only but was progressively opened to girls. Now girls are members in every section. The khaki shirt bears the Kew District badge on the right and the Scout Membership badge on the left. On the left sleeve is the patrol badge and target badges. The black and green scarf is excludove to 4th Kew and the woggle was Jane's choice.Short-sleeved, collarless fabric shirt of khaki color, with embroidered badges. Also fabric neck scard, with braid and vinyl holdfast (woggle). Various Scout badges.scout uniform, scouts - 4th kew, costumes, jane reid -
Surrey Hills Historical Society Collection
Photograph, Stalker family beach picnic, 1930s
Associated with the Stalker family of Surrey Hills. Betty Neil Smith (Stalker) was born in 1919 in Balwyn (Surrey Hills). She was one of 4 daughters of Alexander MacLaren Stalker (1885-1970/1973) and Charlotte Eleanor Hayward (1884-1953) who were married in 1911. Her sisters were Ruth McLaren Stalker (1913, Surrey Hills), Joan Winnock Stalker (1917, Surrey Hills) and Beatrice Mary Stalker(1919). Their mother Charlotte Hayward was a teacher prior to her marriage. Their father Alexander, an accountant, lived in Wattle Valley Road, Canterbury in 1910. From 1912-1931 they are listed at ‘Benwerrin’, (44) Wandsworth Road, Surrey Hills. This was later the home of Beatrice Mary and Howard Everard. Betty, Ruth and Joan later lived at 9/48 Wandsworth Road. it is assumed that the photo is of the Stalker girls and given their parents' later residence at Brighton, this may have been taken at Brighton beach. This photo documents part of the social history of a family with a long and strong association with Surrey Hills. The backdrop of the typical bathing boxes used for changing into swimsuits, for lunch and for storing sports and beach gear, documents beach recreation and culture of the 1930s. For many years in the late nineteenth century, Brighton was Melbourne's favourite seaside destination. The now iconic bathing boxes were a response to Victorian ideas of morality and sea bathing. There are 82 Brighton bathing boxes, which protected by a heritage overlay because of their uniform scale and proportion, building materials, sentry order alignment. All retain their classic Victorian architectural features with timber framing, weatherboards and corrugated iron roofs. They remain as they did over one hundred years ago, as licensed bathing boxes. Service amenities such as electricity or water were never connected.A black and white photograph of many people enjoying the beach. There are bathing boxes in the background and some ti-tree beyond that.uniforms, clothing and dress, bathing boxes, stalker family -
Surrey Hills Historical Society Collection
Book, Dorothy Selby (nee Emerson), How green were my hills - my Surrey Hills, September 1979
A biographical history by Dorothy Selby (nee Emerson) recollecting the people she came into contact with during her time in Surrey Hills from 1915-1937.A4, comb binding, 9 pageshouse names, kookaburra, albany crescent, surrey hills, (miss) dorothy emerson, (mrs) dorothy emerson, warrigal road, boundary road, st stephen's presbyterian church, (mrs) - gillies, (mr) tom ward, dentist, (mrs) - bowen, edwardian style, royal hotel, broughton road, (mrs) - brogan, (mr) - brogan, (mr) - tuckett, tacey's butcher, (mr) james tait, draper, (mr) alfred rose, state savings bank, surrey college, tower house college, balmoral crescent, (mr) - clewett, (mr) percy blood, stenning and holyoak, grocers, (mr) - pell, greengrocer, confectioner, fishmonger, (mr) tommy everon, (miss) beatrice bligh, (mr) - lyons, (mr) - ray, surrey hills station, transport, (ms) kitty mcewan, golfer, taxis, (mr) - collins, surrey hills primary school, (dr) (mr) - forsythe, (dr) (mr) - gandever, windsor crescent, valonia avenue, victoria avenue, (mr) john blogg, progress association, rechabite hall, (mr) claude wardle, (miss) beatrice oakley, empire day, (mr) robert gordon menzies, girl guides, (ms) nancy steele, (ms) hattie steele, (dr) (mr) - blaikie, (mr) - richards, stationmaster, crime, (mr) - cockerill, (mr) horrie breedon, first enlistment, (mr) (rev) brazier, (mr) (rev) - oakes, (mr) (rev) - gillies, (mr) (rev) - mudford, (mr) (rev) - millikan, (mr) (rev) - cockett, (mr) (rev) alfred gifford, (mr) (fr) david gleeson -
Surrey Hills Historical Society Collection
Book, Fintona - the story in pictures, 1896-1986, 1986
Compiled by Phyllis Reichl (b1915). She was awarded an Honorary Life Membership of the Geography Teachers' Association of Victoria. She died in 2005.Soft cover book of 110 pages with annotated photos. There is a 4 page overview of the school's history and an appendix with identification of individuals in group photos.Inside the front cover: "For the Surrey Hills Historical Society / from Fintona Girls' School / 19.10.98 Alison Adams, Archivist"schools, education, fintona, independent schools, (ms) alison adams, (ms) phyllis reichl -
Vision Australia
Certificate - Text, Royal Children's Hospital certificate of appreciation, 1983
Royal Children's Hospital, Patron Her Majesty the Queen, certificate of appreciation presented to H. M. Lightfoot Centre in grateful recognition of the your generous support. Signed by Rosemary Derham, President, on April 19, 1983, certificate no. 945. This was mostly liked given in response to the funds donated by the Centre in response to the Good Friday appeal. 1 coloured certificate of appreciationSymbol for the Royal Children's Hospital (a boy and girl dressed in Roman togas stand looking at a pelican nesting on a shield with a golden lion, two snakes twined around staffs and white stars on a blue background) at the head of the page. A gold and red border is present around the edge of the page.association for the blind, fundraising -
Surrey Hills Historical Society Collection
Work on paper - Photograph, Mont Albert Central School Senior Team, December 1927, 1927
Mont Albert was one of a number of local government schools which provided both primary and some secondary education. The term Central School was quite common in Melbourne from at least the 1920's and was used to refer to a school that went up to year 8 or form 2. The reference to the C.S.A. Sports probably refers to the Central Schools Association, or perhaps a shortening of C.S.S.A. (Central Schools Sports Association). A later over-arching association was known as the V.P.S.S.A. (Victorian Primary School Sports Association - now School Sport Victoria.) Mont Albert was frequently mentioned in articles about or results of sporting tournaments, particularly in the Box Hill Reporter.Black and white head and shoulders photo of 10 girls in a uniform of white blouses and a dark tunic. Some are wearing ties. All are wearing head bands. Caption below the photo: "OUR SENIOR TEAM AT THE C.S.A. SPORTS (By courtesy of the "Leader")mont albert central school, sports, central school association, victorian central schools sports association -
Vision Australia
Photograph - Image, Older man with young child in his lap, 1970-1980s
An older man sits on the floor, his back resting against the wall where nearby a mural of koalas and a gum tree have been painted. On his right leg he holds a young possibly Aboriginal girl who smiles as she plays with a teddy bear and watches as he holds up other items. A blonde curly haired boy stands as he watches the man, whilst an older child sits as he plays with a rattle. There are 5 photos in this sequence, which takes place at an unknown location.5 B/W photographs of an older man who holds a young girl in his lapassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Herald and Weekly Times, Elanora resident accepting a kiss from a young girl
A elderly woman, dressed up in hat, jacket, dress and gloves leans over in her chair to kiss a young girl lightly on the lips.1 b/w photograph of seated elderly woman kissing a young girlassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Unknown Elanora resident with smiling girl
... inclines towards the girl. Association for the Blind Elanora Home ...A young girl sits next to an Elanora resident and places her hand on top of those beside her. The older lady smiles as her head inclines towards the girl.1 b/w photograph of unknown Elanora resident and young childassociation for the blind, elanora home (brighton) -
University of Melbourne, Burnley Campus Archives
Album - Colour slides, Burnley Views, 1966-1991
Contributor: T.H. KneenBox of 30 slides. Dates printed on slides. May 1966: (1) Rose Garden (now Herbaceous Border). (2) View from outside PRI towards Administration Building showing roses. (3) View of young trees? (4) View from Administration Building towards PSL. Dec 1966: (5) Yarra Boulevard with Burnley Campus on left. (6) View of greenhouses from Yarra Boulevard. Sept 1967: (7) Demonstration of root system of ? (8) Demonstration of root system of a strawberry plant. (9, 10) The Kneen children sitting in a felled tree. (11- 13) One of the Kneen girls by the Luffmann Ponds. (14,15) Principal's Residence with blossom tree. (16) Back of the Administration Building. (17) View of trees at Burnley? (18) Back of the Administration Building. (19-24) Inside Nursery. (25) Unveiling of plaque presented by the Burnley Horticultural Past Students Association for the 1991 Centenary of the College. Eric Littlejohn, ? Tom Kneen. (26) Float advertising Dookie Agricultural College.rose garden, administration building, trees, yarra boulevard, greenhouses, root system, strawberry plant, kneen family, children, luffmann ponds, principal's residence, nursery, burnley horticultural past students association, eric littlejohn, t.h. kneen, dookie agricultural college, garden views, plaque -
University of Melbourne, Burnley Campus Archives
Document, Kathleen Currey, Some Girl Graduates and Their Work
graduates, female, jobs in horticulture, kathleen currey, burnley horticultural students' association -
City of Greater Bendigo - Civic Collection
Textile - Yomut Turkmen Islamic Rug, c 1880
This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Monica Flood, Mayoress 1952 - 53, 1957 - 58, 1966 - 67, 1968 - 69, c 1950's
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Monica Cecelia Murray was born in 1910 in Strathfieldsaye and married Thomas Flood in 1934. She served as Mayoress for four terms and died in 1973. Mayoress Flood was president of the St Mary's Past Pupul's Association and a patron of the Bendigo Girl Guildes. Reproduction of photographic studio portrait sitting behind oval mount.studio photography, raymond kelly, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayoress flood, mayor t.r. flood -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Don Semmens, Mollie Sandner, Mayoress 1978 -79, c 1978
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Annie Mary (Mollie) Sibson was born in England in 1904 and worked as a nursing sister at Bendigo Base Hospital until her marriage to Alec Sandner in 1933. Mollie was an active member of the community and was particularly interested in raising the participation of girls in sports and the lack of competitive sports opportunities for girls led Mollie to create an inter school tennis competition in 1944. The Mollie Sandner Cup continues to be played today and Mollie was recognised by the Sportswomens' Association of Bendigo for her contribution to women's sports. Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigocity of bendigo mayoress, city of bendigo mayor, eugene and mollie sandner collection, mayoress mollie sandner, mayor sandner, sandner collection, bendigo base hospital, lansell pendant -
City of Greater Bendigo - Civic Collection
Ephemera - Council election advertising pamplets, Alec Craig, 1966
Alec Craig was elected to the Barkly Ward seat on the Bendigo City Council in March 1954 after the resignation of Cr J A Michelsen. He became Mayor in 1956 and served from 1956 -57, 1963 - 64 and 1973 -74. Councillor Craig first posited the idea of Hargreaves Street becoming a shopping mall but retired from council in 1976 before the idea was executed. Alec Craig was the foundation President of the Provincial cities and Town Association of Victoria and President of the Bendigo Base Hospital in 1973. He was awarded an O.B.E. in 1973 for outstanding public service. Grace Adeline Craig was a respected teacher at Bendigo Girl's School and Bendigo High School.0383.1 Three fold voting pamphlet with photo of Councillor Craig on front cover. Inside is a printed letter to Mr and Mrs Ratepayer promoting Councillor Craig's past achievements. 0383.2 How to vote flyer for Councillor Craig. Printed on pink paper. 0383.3 Vote 1 Craig poster. Two colour print on cream paper. Edges missing.mayor craig, mayoress craig, councillor alec craig, grace adeline craig -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Award - Trophy
The ''Private Schools Baseball Trophy'' cup. A hallmarked silver, two handled cup on a dark wood base with annual winners'' shields.Private Schools Baseball Association 1926-1930 The Gift of Mrs. George T Bell -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Award - Trophy
The ''Private Schools Baseball Trophy'' cup. A hallmarked silver, two handled cup on a dark wooden base with some annual winner'' shields attached. The shields date from 1920 to 1925 and then 1938 to 1940.Private Schools Baseball Association 1920-1925 The gift of Mrs. R. C. Meares -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Painting, Portrait of Miss Margaret Irving Founder & Headmistress 1931-1956
The portrait was commissioned by the Old Lauristonian Association and painted by W.B. McInnes in 1932. It was exhibited in the Australian Art Exhibition, November 1932, and entered for the Archibald Prize in 1933. The inscription reads "Miss Margaret Irving Founder and headmistress 1901-1933". Size 1000mm x 800mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Margaret Irving Founder & Headmistress 1901-1933 Miss Margaret Irving Founder & Headmistress 1901-1933 -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Letter, Old Lauristonian's Association Letter
Old Lauristonian's Association Letter -
Melbourne Legacy
Slide, Costume preparation, 1950s
Slide photograph of ladies preparing costumes in Legacy House in the 1950s or 1960s. There is a sewing machine in the background. The lady in centre back is Miss Enez Domec Carre who ran the girls classes for many years. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Costumes for the Annual Demonstration were extremely elaborate and were often reused in different years. The beautiful costumes were made by members of the Junior Legacy Mothers' Club, senior girls, and the Melbourne Legacy Wives' Association. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the the work done for the Annual Demonstration.Colour slide of costume preparations at Legacy House in a navy blue Hanimount cardboard mount.annual demonstration, costumes -
Friends of St Brigids Association
Leatherwood honey for Gall : A convict marries an immigrant Girl, Reddrop, Mary. 2000. Leatherwood Honey for Gall : A Convict Marries an Immigrant Girl. Blackburn, Vic. : PenFolk Publishing, 2000 viii, 210 p. : ill. (some col.), facsim., maps, ports.; 21 cm
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Mordialloc College Alumni Association Inc (MCAA)
Photograph, 1980 All High Table Tennis Champions in both boys and girls sections
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Students, 1940s
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Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, I.R. (Dick) Lee
Dick Lee is a prolific Group 1 winning trainer and driver, successful breeder and owner, International and trotting pioneer, outstanding administrator and tireless volunteer. Dick Lee, son of a soldier-settler was a track ranger at the Melbourne Showgrounds before accepting a position as a private trainer in the emerging trotting industry in Wales, taking a team of horses to the UK where he had 105 drives for 29 wins. The adventure would also see him compete in Holland, Germany, Sweden, Belgium, Russia and the US, always with trotters. He returned to Australia in 1970 with “a wife, a trainer-driver premiership, half-a-dozen miniature Irish donkeys and a horse in tow”. The horse, Hermes, would sire 1976 Melbourne Cup winner Van Der Hum. Dick served 12 years as president of the Victorian Square Trotters Association to advocate for the gait. Emerging from this time are: 1985 The Redwood Classic for 2yo trotters 1996 the first all-trotting card, the Redwood Day at Maryborough. Dick Lee’s training and driving produced among others: Bendigo and Melbourne Pacing Cups winner Rhodonite Australian Trotters of the Year Hampdens Pride and Game Ebony V L Dullard Cup winners Glenfield Girl and Game Ebony Rufus Youngblood, whose racing career included 32 wins, 23 seconds and 18 thirds from 139 starts, the first Australian-bred horse to win four Derbies and Australian Horse of the Year in 1987. Dick Lee was inducted into the Victorian Harness Racing Hall of Fame in 2019White race colours with purple triangle pointing upbendigo, bendigo cup, lord's raceway, dick lee, rhodonite, bendigo harness racing club, bhrc, race colour, hall of fame, ir (dick) lee, ir lee -
Melbourne Legacy
Programme, First Annual Physical Culture and Eurhythmic Demonstration 1928, 1928
Programme of the first Legacy Demonstration at the Melbourne Town Hall on 28th March 1928. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Demonstration arranged by the Chairman of the Gymnasium Sub-Committee (Legatee Aaron Beattie) in conjunction with Mrs Gilles (Hon. Directress Girls' Section) and James Tierney FPCV (Chief Instructor Boys Section).A record of the first annual demonstration.Printed programme for 1928, purple cover with gold print and cream paper with black text. Stamped in purple ink 'The Property of Melbourne Legacy'.annual demonstration, junior legatee