This item is part of a collection of three unmounted black and white glass negatives previously housed together in a plain brown envelope. [8631 - 8633] The negatives are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The negatives were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass negative depicting a graph relating to sheep grazing.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, negative, glass lantern slide, sheep

This item is part of a collection of three unmounted black and white glass negatives previously housed together in a plain brown envelope. [8631 - 8633] The negatives are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The negatives were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass negative depicting a geometric graph relating to sheep breeds.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, negative, glass lantern slide, sheep

The kerosene lamp is a type of lighting device that uses kerosene as a fuel. Kerosene lamps have a wick or mantle as light source, protected by a glass chimney or globe; lamps may be used on a table, or hand-held lanterns may used for portable lighting. There are three types of kerosene lamp: traditional flat wick, central draught (tubular round wick), and mantle lamp. The side screws adjust the length of the wick and hence the strength of the flame / light produced. Prior to the introduction of gas and electricity these lamps provided light in households after sunset.Prior to the introduction of gas and electricity these lamps provided light after sunset for the early settlers, as they established their farms and businesses, in Moorabbin Shire.A Victorian kerosene banquet lamp, with a gilded metal quad footed base, cranberry glass oil reservoir with geometric patterns, original etched, yellow, glass globe shade and clear glass chimney. There are 2 side screws for adjusting the flame.early settlers. pioneers, follett w, moorabbin, bentleigh, brighton, ormond, market gardeners, kerosene, paraffin, lights, lamps, candles

The kerosene lamp is a type of lighting device that uses kerosene as a fuel. Kerosene lamps have a wick or mantle as light source, protected by a glass chimney or globe; lamps may be used on a table, or hand-held lanterns may used for portable lighting. There are three types of kerosene lamp: traditional flat wick, central draught (tubular round wick), and mantle lamp. The side screws adjust the length of the wick and hence the strength of the flame/light produced. Prior to the introduction of gas and electricity these lamps were used for lighting in all households after sunsetPioneers and early settlers relied on kerosene lamps for lighting their homes after sunset.A 19th Century kerosene chamber lamp, with clear, plain glass shade and reservoir, circular metal base and 1 side screw for adjusting the flameearly settlers, pioneers, market gardeners, moorabbin, brighton, bentleigh, ormond, cheltenham, candles, lights, lamps, kerosene, paraffin, oil

The two hand-held, portable kerosene lamps each have green enamel caps over the glass. They were used from around the 1930s until 1993, and one is now located on the groundfloor level of the lighthouse and the other is in the assistant lightkeeper’s quarters. The brand name of the Point Hicks lamp, while not stated is probably Coleman, Tilley or Austramax, which were all similarly made, portable pressurised kerosene lamps. Coleman brand pressure lamps and lanterns were first made in about 1905 by American, William Coleman, and their English competitor was the firm, Tilley. The Australian company Austramax began manufacturing kerosene pressure lamps in Brunswick in 1946, making the bases and the workings by hand, turning out 1000s of lamps each week. Portable lamps were used worldwide where bright light was needed and they became essential as an emergency back-up source of light for the lightstation as well as the lantern room. Through the multiplication of light by the lighthouse lenses, they could provide a tower with a 26 nautical mile range. Lamps similar to the two Point Hicks examples can be found at Gabo Island, one of which is a green enamelled Austramax lamp; Cape Nelson (Austramax), and similar lamps are held at Cape Schanck and Cape Otway. The two Point Hicks lamps have first level contributory significance for their historic value and provenance, and as representative examples of lamps that were widely used in Australian lightstations between the 1930s and 1960s.PHLS0008.1 & PHLS0008.2 Pressurised kerosene lamp, cover over glass is made of green enamelled metal.

A Vesta case is a small, portable box / safe to carry matches that came into use around the 1830s and was produced extensively between 1890 and 1920. During this period, almost everyone carried strike-anywhere matches, so they could light stoves, lanterns and other devices. Early matches were unreliable and prone to ignite from rubbing on one another or spontaneously. Accordingly, most people carried a match safe / box to house their matches. Wealthy people had match safes made of gold or silver, while common folk had ones made of tin or brass.C 1900 A small silver vesta case, with a roughened strike plate, to hold matches for lighting fires, lamps, cigarettes or pipes. The tin case has been embossed with a bird and floral design on the front and back Embossed with bird and floral design on the front and back .jewellery, personal effects, craftwork, vesta case, lights, candles, safety matches, moorabbin, brighton, bentleigh, cheltenham, early settlers, pioneers

A Vesta case is a small, portable box / safe to carry matches and came into use around the 1830s and were produced extensively between 1890 and 1920. During this period, almost everyone carried strike anywhere matches, so they could light stoves, lanterns and other devices. Early matches were unreliable and prone to ignite from rubbing on one another or spontaneously. Accordingly, most people carried a match safe / box to house their matches. Wealthy people had match safes made of gold or silver, while common folk had ones made of tin or brass.c1860 A small tin Japanesque vesta case, with a roughened strike plate, to hold matches for lighting fires, lamps, cigarettes or pipes. The tin case has been embossed with a Japanese type bird design on the front and back and then coated with copper and brass to decorate and highlight different parts of the design.Embossed with a Japanese type bird design on the front and back . jewellery, personal effects, craftwork, vesta case, lights, candles, safety matches, moorabbin, brighton, bentleigh, cheltenham, early settlers, pioneers

Yields information about the Sturt St west of the Town Hall c1900 and horse tram operations.Digital image of a horse tram travelling east bound in Sturt St near the corner of Armstrong St, c1900. Photo taken from the Town Hall clock tower. Note the horse drawn cabs, building on the north side of Sturt St, Art Gallery Association, Craig's, stores Woodrow's Hats and Jago Boots. George Crocker's store and HP White side building. Made from a scan of a Magic Lantern slide by John Hyett, ([email protected]) June 2010. See email to Secretary dated 21/6/2010 copy with the worksheet file.trams, tramways, sturt st, horse trams, town hall, horse cabs

Possibly one of the Watson brothers? Note the red kerosene warning lantern sitting on the bluestone blocks. The EK Holden may have belonged to the Council employee who took the photos. Work is under way at the house one down from the bend where two piles of bluestone are gathered; possibly for terrace edging of the driveway and footpath. These images were from a strip of negatives, most likely taken by a Shire of Eltham employee so the works could have been part of council operations. Many streets in the shire have stonework edges for gardens abutting footpaths where the roads have been cut into the terrain. Much of this stone masonry work was undertaken for the council by C.J. Watson and Sons.Roll of medium format 120 6x6 black and white negative film, 1 stripbriar hill, c.j. watson and sons, mountainview road

Sherwood Ltd. Was a manufacturer of oil lamps and burners at the Nechells Park Works Birmingham UK and regarded at the time as a renowned name in the oil lamp and burner manufacturing industries in Birmingham during the early part of the 20th century. They started selling as ‘Isaac Sherwood & Son Ltd.’ in 1904, later around 1920 they merged with Linley and Co makers of American pattern lamps and became ‘Sherwood-Linley” moving to 44-50, Granville St. Birmingham. They became one of the largest manufacturers of lighting devices and burners in England. They produced all sorts of illumination devices and became famous for their oil burners. Apart from oil burners, they produced table and floor lamps, sconces, lanterns and chandeliers that made Sherwood unique. A Significant item as part of a kerosene lamp that was commonplace in homes and other premises during the early 20th century as a means of lighting before electric lighting became the standard. These types of items give a snapshot into domestic and social life during this period.Lamp Burner housing, brass with wick-screw (no wick). Made in England Sherwoods LTD Birminghamwarrnambool, flagstaff-hill, shipwreck-coast, flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp burner, sconces, kerosene lamp, wick adjuster, sherwood & son ltd, sherwood-linley

During the Victorian goldrushes of the 1850s thousands of Chinese migrants arrived to seek their fortunes. At that time many came to the lucrative gold fields of Northeast Victoria. After the Gold rush, many Chinese migrants returned home. However, a number settled in the area as merchants, hawkers and market gardeners in surrounding towns including Wodonga, the Ovens, King, Buffalo River and Kiewa Valleys. They also rented lands and established themselves in the hops and tobacco farming industries. Items of Chinese origin made their way into many households. Importation of Chinese mass produced items such as this lantern continued well into the 20th century and were common domestic items across Australia before households were connected to electricity.This item is representation of kerosene / paraffin lamps used throughout Australia to provide lighting inside and outdoors prior to the widespread availability of electricity.A small hurricane lamp with a rounded tank and small carry handle attached to the top. A larger handle is also attached at the top of the frame. It has a lever to open the glass tank. It has a metal base which is filled with kerosene. It has a screw knob to open the kerosene receptacle. The metal hood also has vents. The Chinese characters around the base translate to "Shanghai Guanghuaheng".Around base : Chinese characters. On top : "Made in China KWANG HWA"kerosene lamp, domestic appliances, chinese artefacts

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the iron work at the Ballarat City Oval Grandstand.grandstand, ballarat city oval, cast iron, iron lace

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the Ballarat Coat of Arms on the City Oval Grandstand, Ballarat. ballarat, ballarat coat of arms, city oval grandstand, grandstand

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the Ballarat City Oval grandstand.ballarat city oval, grandstand, cast iron

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the Ballarat City Oval Grandstandballarat, heritage, city oval, grandstand, cast iron, ballarat city oval

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Foundation stone at the City Oval grandstand.foundation stone, grandstand, city oval, ballarat, alexander bell

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the grandstand at Ballarat City Oval. ballarat city oval, grandstand, seating

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the grandstand at Ballarat's City Oval. city oval, ballarat city oval, grandstand, seating

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the grandstand at Ballarat City Oval. grandstand, ballarat city oval

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the Ballarat City Oval Grandstand. ballarat city oval, grandstand

Cricketer W.G. Grace said the City Oval was the 'most English' of any grounds he had played on in Australia. The City Ova Grandstand was constructed in 1898 to the designs of Clegg, Kell and Miller. The arched roof is supported by iron columns with cast iron brackets. Three squat lanterns are a feature of the roof, and support flagpoles. The cast iron balustrading at the front of the grandstand features a sunflower pattern, and the upper tiered section covers dressing rooms and internal stairways. Registered by Heritage Victoria, it is significant as a large and intact grandstand. The design, especially the roof, is unique in Victoria and the setting is enhanced by the ancillary ticket boxes and nearby mature trees. It was classifed by the National Trust on 11 June 1981. Colour photograph of the Iron lace, seats and floor at the City Oval grandstand, Ballaratcity oval ballarat, grandstand, iron, sun

The Harvest Home Hotel was licensed as a beer shop in 1866. Patrick Vallence was the licensee. On his death in 1874 his widow Mrs M. A. Vallence obtained the license. The date that this image was created has not been identified. Around 1883 George Marshall was leasing the hotel. The people in this image are could be members of the Marshall family and some of the staff who worked in the hotel at this time. Following a decrease in the population of Bacchus Marsh by 1911 the hotel had lost its licence. The Vallence family still owned the building after the loss of the hotel license in 1911and it was used for some years after this as a private residence by some members of the Vallence family. Small black and white photograph. The image depicts the Harvest Home Hotel situated in Main Street Bacchus Marsh. The name of the hotel can be seen above the verandah roof. The building appears to be of stone with decorative stonework corners. A verandah is inset to the left of a gabled front section which has its own door and window. A deep gutter runs along the front of the hotel, with a slab acting as a bridge to the road. Standing in front of the building facing the camera is a group of adults and children, men and women and boys and girls. A four seated buggy drawn by a single horse is also present in the image. The lantern erected above the horse trough can be seen.hotels bacchus marsh, vallence family bacchus marsh, marshall family bacchus marsh, harvest home hotel bacchus marsh

Originally these mantles where produced to be used in gas street lights in Europe and North America cities.There use started in 1891. These mantles were used before electrical power street lighting was installed. They have been used ever since until safety concerns regarding radiation from their thorium infused particles made alternate mobile lamps more attractive. The age of open flame recreational lighting is fast coming to a close. The greater use of battery and generator powered lighting(ease of operation) has brought the costing of these alternative lighting to an acceptable level. The age of miniaturisation and volatility of the open flame has seen a greater swing to smaller and more stable lighting. These incandescent gas mantles were initially used in the Coleman White Gas LanternsThe Kiewa Valley, with its closeness to the Victorian Alps, allows greater opportunity for the "happy" campers to enjoy the outdoors. The lighting provided by the incandescent gas lamps allow the adventurer at heart to enjoy an alternative lifestyle and still having the comforts of "home" at their finger tips. The numerous camping facilities in the Kiewa Valley and the upper alpine region is testament that those living in the cities need a break from the day to day grind and go to a quieter and more spiritual environment. Artificial lighting, as provided by mobile apparatus, is highly valued by the urban gypsy. The outdoor recreational industry has significantly provided for, if only at holiday time, an industry that has a relatively high employment rate and beneficial to local communities.The gas mantle is in a fabric, pear shaped, of rayon fabric impregnated with cerium. It's appearance is similar to a very small fishing net. The fabric is very ply-able until it is heated by an open flame then it becomes more rigid and lets out an incandescent white light. Its colour is white to off white. It has a draw string fastened a t the bottom (to wrap around the flame source)lighting, gas, heating, camping, outdoor equipment lamp

An oil can or oiler is a can that holds oil usually motor oil for lubricating machines. An oil can can also be used to fill oil-based lanterns. An occupation, referred to as an oiler, can use an oil can (among other tools) to lubricate machinery. Oil cans were made by companies like Noera Manufacturing Company and Perfection in the late 19th and early 20th centuries and around this time, oil cans frequently leaked and contributed to fires. In 1957, aluminium oil cans were introduced, produced by companies like the American Can Company. Rocanville, Saskatchewan, Canada is home to a large-scale oil can industry because of the Symons Oiler factory which produced oil cans during World War II.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item a is believed to have been produced in the first half of the 20th century for marine use.Conical oiler can with spout, screw top lid and top hook for hanging, side handle missing.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, conical pot, pot

It has been restored by lightstation staff in 2002. The phone has a fixed mouth piece and is attached to the lantern room wall on a timber box mount. Dating from the early twentieth century, it is the earliest of four telephones at the lightstation and the sole box-mounted model, and is also the only telephone in the lighthouse. It has a crank handle, a separate black hand piece and an inclined horizontal shelf for jotting down notes. The four telephones provided an intercom system that facilitated communication between the lightstation buildings. Four other wall-mounted phones remain at the Cape Nelson Lightstation but unlike the Gabo Island example they do not provide a rest for jotting down notes. As a fixture, the telephone is part of the building fabric and is included in the existing Victorian Heritage Register extent of registration for the Gabo Island Lightstation (H1773). As a fixture, the telephone is part of the building fabric and is included in the existing Victorian Heritage Register extent of registration for the Gabo Island Lightstation (H1773). It is significant for its historic value and provenance, and relative uniqueness in a Victorian lighthouse.Telephone, wall-mounted in a wooden surround. Black crank handle on right-hand side. Separate black hand piece on left-hand side attached to main body by a fabric covered cord. The mouthpiece is fixed to the front of the telephone. There is a wooden rest attached to the lower front of phone on an angle. There are two half circular bells attached to the phone above the mouthpiece.

Wooden box with sliding lid - (bottom of box has a War Cry newspaper clipping dated 9.9.1893). Containing assorted glass antique Circa 1870's - 1900s (produced by Ernst Plank ?). Magic Lantern slides, 1 x red bordered slide - showing initials E.P.- Ernst Plank ? 7 inches x 2 inches -pictures include nursery rhyme / 8 x green bordered slides with ships / 7 x blue bordered slides 7 inches x 2 inches pictures include nursery rhymes / 1 x slide - pink border -6 x 1 1/2 inches (x ref 7535.2)photography, projectors - still

A small number of heavy cast iron weights and two rods remain at the Point Hicks. The weights and rods were part of the original clockwork mechanism that was fitted beneath the lens to keep the kerosene-fuelled light turning. They were attached to a cable or chains and moved vertically in similar fashion to the way weights move on grandfather clocks. As the weight fell, the optic clock was driven and the lens was turned. To keep the clock turning, the weight needed to be wound back up to the top of its travel. The cables and weights in this lighthouse were visible as they moved through the length of the tower up to the lantern room. It was usual for systems to move inside a tube extending up to the top, but in this case the tower’s cast iron spiral staircase, which is supported on cantilever cast iron brackets set into the concrete wall, spiralled around the space in which they moved. Lighthouse keepers had the arduous job of having to constantly wind the clock to keep the light active, and at least two keepers needed to observe a strict roster of hours. When electric motors were invented, all of this became redundant and the motors were able to turn the optic for as long as there was power to drive them. In December 1964, the original 1890 Chance Bros kerosene-fuelled light and clockwork mechanism were replaced by small electric motor, and the number of keepers reduced to two. The six circular weights and rods originate from the obsolete system and may have been part of a larger set. Wilsons Promontory retains seven of its original set of ten weights, all of which are detached from the tower’s weight tube. Cape Schanck has a set of fourteen weights remaining in situ as well as another four detached weights, which have inscriptions . One weight is displayed in the lantern room at Cape Otway. The Point Hicks weights have first level contributory significance for the insights they provide into the superseded technology and operations of a late nineteenth century lighthouse. They are well provenanced and are significant for their historic value as part of the lightstation’s Chance Brothers optical system installed in 1890.PHLS0005.1 Round cast iron weight with flat base used for lens clock-work mechanism attached to a bent metal rod. PHLS0005.2 Removable round cast iron weight with flat base used for lens clock-work mechanism stored above the other weight.

Cupboard is original to Lighthouse. This nineteenth century cedar furnishing has two doors and one internal shelf. It remains in the lighthouse although its original location was probably the lantern room, where similar surviving cabinets are more typically found. It was purpose built for the lighthouse with a curved back to fit the proportions of the tower interior with the wood reputed to have originated from a partition in the assistant lightkeepers’ houses, and the cupboard doors possibly crafted at a different time. Curved cabinets similar to this example can be found at three other early lighthouses investigated by this study. It is possible that these specially designed cabinets were included in the standard complement of furnishings provided to the colony’s lightstations by the Victorian Public Works Department. Other similar cabinets with curved backs remain in the Point Hicks Lighthouse and at Cape Nelson (two examples )and Cape Schanck, which has a curved front as well as back .The Gabo Island cabinet has first level contributory significance for its historic value, uniqueness, provenance to the lightstation and clear association with the functions of the lighthouse lantern room.Two door wooden (cedar) cabinet. One internal shelf, panelled, curved back. Doors are attached. Frame has been stripped, doors are unpainted.