BHS CollectionTwelve pages pictorial lift out from Bendigo Advertiser. the pages are full of pictures divided into sections: Early days, Views of Bendigo 1905, Hargreaves Street, Eaglehawk, The Doney collection, Great old pics.bendigo advertiser, pictorial

"Dp You Remember?" Twelve pages pictorial lift-out of the Bendigo Advertiser of Wednesday, September 24, 1986. All twelve pages full of black and white photographs of Bendigo. Aileen and John Ellison Collection.bendigo, bendigo advertiser, photographs

Telephones were mounted on the wall and were operated by turning a small handle situated in the middle of the phone. This connected the speaker to the switch board where they were 'put through' to the other end (speaker).Wall phones were used by State Electricity Commission of Victoria workers and their families on the Kiewa Hydro Electric Scheme. The SECV had a switchboard located at Mt Beauty. Also refer to article in "This Week" Newsletter 30th June 2023 and attached to KVHS 0050Black bakelite wall mounted telephone with handset connected by black spiral plastic cord. The round dial in the centre has a small handle with knob for turning. The base is silver steel with screws to attach it to the wall. The handset has a circular end with 4 small holes for the ear and the other end, the speaker end has 3 rings of small holes and a curved protective mouth piece to direct speech into the holes.On white circle in centre of dial: "To call turn handle and lift hand set. / When finished replace handset and turn handle" Handset embossed on inner side: 164 55wall mounted telephone; state electricity commission of victoria; kiewa hydro electric scheme; telecommunications; switchboard

Photo in the collection of Geoff Murray, Vietnam. Refer Cat No 638P for his service history.Photograph, framed. Howitzer lifted by Chinook helicopter. White framed glass front cardboard backing. Two coloured photos taken n Vietnam. 1968 Both photos described on note at bottom. Mounted on green background. vietnam, coral, balmoral, fsb

Maize has been grown on the Orbost flats for at least 70 years. When early settlers began to arrive on the Snowy River somewhere in the 1880s, the land was mostly swamps and heavily timbered jungle on the river frontages. The swamps were drained, bit by bit, with short handled shovels working in mud and water. The frontages were cleared by axe and shovel and fire. Several kinds of crops were experimented with such as hops, hemp and maize which grew particularly well and became the main crop of district. The problem then was to thresh and deliver the product to the market. A small single cob machine was brought here and one man turned the handle, while the boy or Mum fed the cobs singly into the machine. A good day’s work would thresh about 50 bushels or about 12 bags (4 bushels). The task then was to cart the maize to market. For a few years this was done by horses and dray carrying about 60 bushels to Mossiface, where it was loaded onto river boats to Lakes Entrance, and then by ocean boats to Melbourne. (information from NEWSLETTER OCTOBER, 2006)The growing of maize in the Orbost district contributed significantly to the economy of the township for many years, The many maize cribs once seen on the surrounding farms have now disappeared and this photograph is a pictorial record of that significance.A small sepia photograph with six men in front of a wooden barn. They are bagging maize. In the foreground are two rows of filled bags. On the right is a lifting machine to take the bags to the top storey. On the far right is a water tank on a stand"on back - "Thrashing Maize"maize-orbost agriculture-maize industry

Wheatstone Bridge, Type WBSRS, 4 Decade. Serial Number 3875. Black panel with terminal posts, selector knobs and switches in a polished wood box with lift-off lid. Circuit diagram photocopy inside the lid. scientific instruments, j.l. williams, wheatstone bridge

Free standing, dark stained wood and metal gramophone cabinet. The gramophone has a lift up top over the turntable. Underneath are three shelves for records. The bottom shelf has 4 shelves for records. The cabinet is on castors.Model "Bungalow".

Bendigo Pottery tobacco jar in shape of dogs head, pressed earthenware, blue and tan majolica glaze with blue ribbon around neck, head lifts off for lid. No makers mark & lid has been repaired.domestic equipment, containers, tobacco

In their original form these smoothing irons were filled with hot coal or charcoal and used to remove creases from garments.Brass smoothing iron most likely produced for the souvenir industry. The original would have held coal or charcoal. The lid can be lifted and there are openings to allow smoke to escape. The lid can be fastened to the main body with a hook. .

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

Piece of embroidery owned by Adele Grey from the collection of the late Jenny Lang. Jenny was a member of the Embroiderers Guild of VictoriaOne Old Gold personal handkerchief sachet piped in burgundy cotton surrounded by floral braid. Lift up centre piece of red silk, with diamond shaped embroidered flannel flowers in cream and green and citrus leaves.costume accessories, female

Made by Duncan and Fraser for fitting to horse-drawn tramcars and possibly other products of their Adelaide workshops. See also items 2172 and 8744 for other examples.Tramcar component, Duncan and Fraser, Window lifter Cast brass window lifter, with raised letters - "DUNCAN & FRASER" on outside &"ADELAIDE S.A." inside circle. Has three mounting holes & rolled top edge to give a finger hold. Of type used on horse trams.DUNCAN & FRASER ADELAIDE S.A.windows, duncan & fraser, ballarat, tramways, tramcars, horse trams, window furniture, tramcar component, btm, ballarat tramways

Bibliog., 101 p. 23cm and 1 booklet (18p) This book covers specifically the problems encountered in small museum collections, including a lift-out supplement listing possible chemical and equipment suppliers in various Australian States.Front page: stamp of : Dr. W. R. C. Bennett / Director of Radiology / another stamp: RADIOLOGY DEPARTMENT /PRESTON & NORTHCOTE COMMUNITY HOSPITALmuseum conservation methods, suppliers-chemical and equipment

Made by Duncan and Fraser for fitting to horse-drawn tramcars and possibly other products of their Adelaide workshops. See also items 565 and 2172 for other examples.Demonstrates Duncan and Fraser's workshop practice of putting their name on some fittings.Cast brass window lifter, with raised letters - "DUNCAN & FRASER" on outside &"ADELAIDE S.A." inside circle. Has three mounting holes & rolled top edge to give a finger hold. Of type used on horse trams.DUNCAN & FRASER ADELAIDE S.A.tramways, tramcars, horse trams, duncan & fraser, window furniture, tramcar component, btm, ballarat tramways

The photograph shows the construction of the Stores building at Preston workshops during 1925. In the middle foreground is a lifting jib crane. The Lifting Shop is the background. See also items 5526 and 7418 for other construction photographs.Yields information about the then new Preston Workshops being built.Photograph, black and white, on Kodak Velox paper with notes on the rear.On rear in black ink "17/6/25" tramways, preston workshops, construction, buildings

component of lowering and lifting a bucket into the mineChain of 4 links with swivel fittinggold, mining, carrying, carting ore

The two set squares belonged to the donor's father. Purchased in Melbourne in 1912. He was an engineer with John's Waygood, Otis and Skinner, lift engineers. The only hydraulic lift remaining in Melbourne was designed by and installed by Edward HughesAustralian oak drafting set squares. Edges inlaid with ebony. One 45 degree angle, the other 60 degree angle.145 E L Hughestrades, drafting

.1) Base covered with brown contact with wooden model of HMAS Bataan attached with blu tack. Model painted grey, black & red. Warship wooden stand attached below ship. .2) Perspex lift off cover.“HMAS BATAAN 1945 - 55” printed label attached. “HMAS BATAAN” black print under gold writing. “K MOORE 2001” printed label attached.military history - navy, maritime technology - model ships, bataan

This book is part of the collection donated by Leon Garner. It provides information relating to the dairy industry covering topics such as planning, breeding, choosing dairy cattle, feed crops, care of milk and cream and herd health. It covers all areas of Australia. This book is an early manual for Australian dairy farmers.Grey hard cover book with full colour picture of a jersey cow and title printed in black on the front cover. The inside back cover contains a paper lift-up model of a cow showing its skeleton and internal organs.639 (stamped on front page)noel garner, dairy industry, allansford, dairy cattle, cattle breeding, herd health

Used by donor's familyElectric cooker - slow - cylinder shape - orange with brown and yellow stripes. Glass lid - knob on lid. Controls - Off/High/Low. 'Crock - Cooker'. Two handles for lifting and three legs to support cooker off bench.Made in Japan. General Electric Model No. SC10domestic items, cooking

This is one of a series of 17 black and white undated photographic proofs donated to the Kew Historical Society in 2013 by the Queenscliffe Historical Museum. The series includes images of individuals, tea rooms, ferries, motor launches, ocean liners and tugs. The subject of the photograph is a Hicks Bros ferry, which from circa 1921 operated a ferry service from Princess Walk (Melbourne) to Studley Park.Faded black and white photographic positive proof of a worker or employee standing on an engine as it is being lifted towards a Hicks Bros launch (tourist ferry) which is docked in an unidentified location. The undated photographic positive was probably taken in the 1950s.melbourne, motor launches, ferries, hicks bros, boat engines

Newspaper clipping from The Courier, ?/4/1973 of five members of the BTPS lifting a rail onto sleepers along the position of the access track. Features from Left (W. A. Doubleday, ? (behind a person), ?, L. Bounds and J. Bounds)date in pencil of "12?/4/73" in top right hand corner of cutting.trams, tramways, btps, track laying, museum establishment

Set of 9 digital images of BTPS moving tram 33 from Hamilton to the Sebastopol depot or store - 28/4/1988 .1 - 33 stored in the building at the Hamilton Pastoral Museum - 24/4/1977 .2 - 33 moved out ready for lifting .3 - ditto .4 - being lifted by a Barry James crane - 28/4/1977 .5 - on the truck .6 - leaving the Hamilton Museum ,7 - on the road .8 - ditto .9 - placed outside the Sebastopol store - was placed in the shed soon after the sheet of metal was removed.trams, tramways, btps, hamilton, moving trams, tram acquisition, sebastopol, tram 33

The item is a Plaque struck in 1951 to celebrate the Centenary of Government in Victoria and the Centenary of the discovery of gold.A round bronze medallion set in a green baize lift out in a black presentation case. It is a 1951 Commemorative Plaque to mark the Centenary of Government in Victoria and Centenary of the Discovery of Gold. There is a printed insert card describing the obverse and reverse sides of the Medallion."Presented to the Shire of Ballan 1951" is engraved on the reverse side. "1851" and "1951" are marked on the lining of the cover of the box.medallion, plaque, shire of ballan, centenary of government

This item is situated in the gardens of the Bendigo District RSL Sub Branch Inc Havilah Road Bendigo.Bomb 1000 lb Aerial, metal construction, cylindrical shape, on top are two lifting lugs, rear tapers down with 4 fins inside a circular cover, the nose tapers sharply then forms a smaller impact point. Item is on a stand.On side of the bomb, “No.37 - IMC 1000 LB R&M 9/43”bdrslinc, smirsl, brsl, bomb, 1000