Early settlers had to be self sufficient, growing their own vegetables, making tools and clothing and usually had a house cow to produce their milk supply. .All the buttermilk separated from the butterfat had to be rinsed out. This would improve texture and flavour, and also help the butter keep well, since milk turns rancid more quickly than fat alone. Salt was usually mixed in at this stage - for flavour and preservation. The rinsing could be done simply by washing in water, followed by draining, salting and working or "kneading" the butter with a pair of wooden butter pats, or with bare hands. c1880 2 wooden butter patsearly settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, dairy farmers, dairy cows, milk, butter

John GLEESON Living at Campbell's Creek for over 30 years, John Gleeson makes a range of functional stoneware pottery. He fell in loved with pottery during a hobby class in Geelong in 1972. He worked for a year at Canny Ridge Pottery in Harcourt. John Gleeson uses white stoneware and porcelain clay from The Bendigo Pottery, and buff clay from Bennetts Pottery in Adelaide. He mixed all his own glazes from commercially sourced raw materials, sometimes supplemented with ash from his fire and local red clay to get special effects.Large celadon platter with incised fish design. john gleason, studio pottery, ceramics, australian studio pottery

This two level Liquid Level Sensor is an aid which prevents cups from being overfilled with 2 levels of liquid. The unit simply hangs over the side of a cup or glass with the probes on the inside. Ideal for making a cup of tea or coffee with milk. Simply pour in the hot water stopping when a pulsating tone is heard then pour in milk stopping when a continuous tone is heard. Can also be used as a single level sensor such as for non mixed drinks. Handy magnets on the back of the unit allow for easy storage on fridge or other metal object. Uses a 12V battery. 1 black liquid sensor with 2 magnets assistive devices, equipment

Set of four items (six images) regarding the colour of the City Circle trams: 1 - "W is for Waste" - The Age 10/2/1994 - photocopy of a newspaper cutting. 2 - "Mixed hues on 'new' trams - Herald Sun 8/2/1994 3 - "Trust tracks down our new trams" - with Michael Norbury peering over a fence - Herald Sun 8/2/1994 4 - Three page letter from Robert Green to Alan Brown dated 20/11/1993 and response dated 1/12/1993 regarding colours of the trams.Yields information about Melbourne City Circle tramcars.Set of four items regarding the introduction of the City Circle trams.tramways, conductors, city circle, livery, w class

In 1978 a new campus for Williamstown Grammar, named Westbourne, was established at Truganina to accommodate the new secondary school. The first year 12 class graduated in 1983 and to commemorate this historic event, the Year 12 art and signature book was begun. Since 1983, each Year 12 group has nominated a student to create an artwork, which in many cases represents a theme that was important to the Year 12 cohort at the time, to be signed by each student of Year 12. The practice quickly became to create the artwork on a separate sheet of paper and paste it across the fold of each consecutive double page spread. The book, opened at the entry of the graduating class, would then be displayed at the Year 12 Valedictory Dinner each year.This books commemorates each graduating year 12 class since the establishment of the secondary campus at Truganina. It is an example of beginning community building traditions for the new school.Red vinyl bound book with tan-coloured suede corners and spine. The front cover features gold embossed lettering of the school name above a school logo (self-adhesive applied after manufacture) with further embossed gold lettering 'Year 12' below. Artworks on paper have been adhered across bifold pages of the book, using unknown adhesive, each year between 1983 and 2018. Adhered pages contain mixed media. Pages at the back of the book contain lists with senior student office holder names and signatures for each year 1983-2018.year 12, graduation, valedictory, art, community, student work, prefects

The Artist in Residence program enabled research of the Museum's collection of artefacts relating to 11th Battalion AIF. Access was provided to the behind the scenes storerooms of uniforms, banners, photographs, artefacts and diaries. Michele summarised her experience with the project as follows: "It was an interesting experience and a topic I would not probably have considered had I not been asked. The mixture of history and the people who lived through these times has been an absorbing and rewarding journey for my art practice."Mixed media / textile art from Department of Culture and the Arts, Artist in Residence program 2015 by Michele Eastwood. The hand knitted sleeveless jumper in the Museum, made by Sergeant John Ellwood Rudd of the 48th Battalion was the inspiration behind this work. With great ingenuity John Rudd unwound the knitted socks sent by the women back home. Creating knitting needles fashioned from the barbed wire surrounding the POW camp he was incarcerated in, he knitted a jumper to help him through the freezing winters of Germany in the First World War. Original artefact was inspiration for this artistic interpretation.

Calendar - The Pleasant Creek News and Stawell Chronicle 1887 Advertisers - W.H. Bindon Grocer, H McGibbony Watchmaker, Michael P. Ahern Law, Stabb & Fair Coachbuilders, E.H. Goodwin Mixed Goods, A. Brown Grocer, C.W. Playford Grocer, J Mayes Bookseller, Town Hall Hotel, J Treloar & Co Grocers, T.Y. Smith & Co Jewellers, Charles A. Akins Books, C. Bryant & Co Brewery, Post Office Hotel, Grieve & Gray Stock & Station Agents, Wayman & Kay Engineers, The P.C. News and Stawell Chronicle, C Shirreff Coachbuilder stawell

Copy of a newspaper photo titled To Make Bend Safer. Photo shows a tram passing a newsagent shop. On the right is a dilapidated picket fence. Allso hand written paper on one side is: Approx 1966 ? One of the last trams No 18 to run up Main Street of Long Gully (Bond Street) Now known as Eaglehawk Road. On Left - Post Office - now Gents Hairdresser & Rose of No 3 Australia Hotel. On Right - Les & Marie Norris Newsagency & Mixed Business. 2 story building was Commercial Hotel. No 26 Tram was the last to run between Bendigo, Long Gully & Eaglehawk. Still running as a Tourist. Donated by Alan Crossley. tram in Bendigo 1987 1985. On the other side is written: One building has already been demolished and the proprietor of the Newsagency & mixed business Mr. L W Norris, will also demolish and rebuild further back from the road in preparation for eventual re-alignment of the Long Gully bend by the Country Roads Board. The Board declared an alignment some years ago for the corner - a severe traffic hazard - but, the assistant Divisional Engineer, Mr G Marshallsea said yesterday the Board had no immediate plans. These were one of the last Trams to run through Long Gully.bendigo, history, long gully history group, the long gully history group - eaglehawk road - long gully

The mortar is a bowl, typically made of hard wood, ceramic or stone. The pestle is a heavy club-shaped object, the end of which is used for crushing and grinding. The substance to be ground is placed in the mortar and ground, crushed or mixed with the pestle. The mortar and pestle is usually utilised when cooking and when crushing ingredients for a certain drug in pharmacies. For pharmaceutical use, the mortar and the head of the pestle are usually made of porcelain, while the handle of the pestle is made of wood. This is known as a Wedgwood mortar and pestle and originated in 1779. Glass mortars and pestles are fragile, but stain-resistant and suitable for use with liquids. However, they do not grind as finely as the ceramic type The mortar is a thick clear glass bowl and the pestle is a solid clear glass club-shaped tool for crushing tablets to a finer powder or mixing liquids by a pharmacist.pharmacy, mortar & pestle, medications, medicines, glass manufacturing, glass works, early settlers, moorabbin, bentleigh, cheltenham

This tin which once contained coffee with chicory was purchased in a period when the importation of coffee beans into Australia was quite expensive and to counter that local distributors of coffee mixed it with Chicory, a blended coffee, flavoured slightly milder depending on the amount of coffee(percentage) per serve. This provided a cheaper cup of "coffee" drink. This mixture was a spin off from the 1930's Great Depression and the naval blockages of World War II (imports from India and other regional coffee growers) and the scarcity of secure ship supplies. As supplies became more secure "pure" coffee as a drink became available at reasonable costs. This "insignificant" coffee/chicory tin is very significant as it demonstrates that the Kiewa Valley was becoming more accessible to reliable coffee supplies and general food items.This was brought about through reliable roads and an ever increasing population The need for travelling supply caravans to the area, and with the establishment of grocery stores in Tawonga and Mount Beauty the supply of previously "hard to get" groceries vanished. This transition was precipitated by the SEC Vic Hydro Scheme of the 1940's to 1960's which increased the valley population two fold.This container of McKenzie's Coffee and Chicory is made from pressed steel and has a tight fitting lid (steel with a protruding lip to allow finger pressured removal). The tin has one pressed seem (holding the cylinder together). The backdrop of the outside of the tin is "grained" brown painted with dark brown (worn) lettering and central between McKenzie's/Coffee is a figure of an eagle with its wings outstretched. All the letters and figure have been embossed into the tin surface. The weighted contents are listed at a capacity of 1Ib Net.On one side (front) "McKenzie's Coffee and Chicory 1lb Net". On the other side "COFFEE & CHICORY" underneath "Guaranteed under the Victorian Pure Food Act 1905" "No. 1000 guaranteed under the Pure Food Act 1908, N.S.W. by Jas F. McKenzie & Co. Pty Ltd., No. 1000." "No 22 Guaranteed under the Food and Drugs Act 1910 by Jas F. McKenzie Pty. Ltd No. 22 (Tasmania)." Further "No. 1000 Guaranteed under the Health Acts by Jas. F McKenzie & Co. Pty Ltd No. 1000 (Queensland) "Containing not less than 50 percent of coffee." And at the bottom Jas.F. McKENZIE & Co. Pty Ltd Melbourne and Sydney"tin food/drink mild steel containers, food/drink storage containers

black and white photo, group of mixed aged males and females. Seated and standing on lawn amongst trees. C.E. picnic at Botanical Gardens, Bendigo 1930, on reverse. Also names of figures written on back in pencil. Back row: Vern Carroll - - Ray Carroll - - - - - Daisy Hinkson, Mrs W. Potter. Middle Row: Bob Wilkinson - Stella Dunston, Daisy Thorogood, Vim Wilkinson, Edith Dingfelder. Front Row : Wes Harry, Wally Beaton, Moira Draper, Bill Baxter, Olly Williams, Lil Potter, Arthur Lewis, Harry Potter. Stamp at bottom, Wesley C. Harry.,Wesley C. Har-y Stamp on backperson, group, c.e. picnic at botanical gardens

Baggaley mixed documents: 13a 38 page, paper booklet 'Hints and Helps to Soda Dispensers', compliments Horlick's Malted Milk Co.,with sticker 'sole agents Hutchison & Co. Ltd. 26-30 Jamieson Street, Sydney'. Copyright 19111 3b envelope and hand written letter from John Hayman of Avoca forwarding the dnation of Baggaley family related documents, dated 6/10/2022 13c soldier in uniform in garden 13d State Savings Bank savings book , estate of Charles Arthur Baggalery, savings book closed; from 8/06/1952 to 6/04/1958

Negative No. N391 and black and white print made by a laser printer (stored in folder) of Ballarat tram No. 34 about to cross Grenville St from Sturt St into Bridge St. Photo has the driver setting the route to control the tram signals for Mt. Pleasant. Photo has the buildings along the north side of Sturt St in the photograph. Date of photo on folder - 5/9/1959, but this is incorrect, as the tram has been fitted with dash canopy lights and tiger stripes, post 1961. Folder and negative could have been mixed up. Original negative rescanned 24/5/2020 and image file updated. Paper folder that contained the negative had "NR8A" in red ink, "BA19" in pencil, date stamp of "5/9/1959" on front, and on rear date stamps "26 Sep 1962" and "26 Sep 1962".trams, tramways, sturt st, grenville st, signals, safeworking, tram 34

A wooden chest (.1) containing lawn tennis equipment, specifically: racquets (.2 - .3); net (.4); net posts (.5 - .6, 2 parts each); and a pair of pegs (.7, 2 parts). Inscription across the top of the lid, in French: JEU DE LAWN TENNIS. Inscription below features manufacturing details. Lithographic print on inside of lid features a mixed doubles match, in a park, with inscription: JEU DE TENNIS. Handwritten inscription across front of box: TENNIS 3 11 *POUND* 45. Materials: Wood, Metal, Lacquer, Cord, Cloth tape, Ink, Gut, Papertennis

A wooden chest (.1) containing lawn tennis and badminton equipment, specifically: a tennis net (.2); a badminton net (.3); net posts (.4 - .5, 3 parts each); guy ropes (.6 - .7); stick (.8); pegs (.9 - .12); a fold-out stool (.13); and a mallet (.14). Extra, (probably non-original), objects are: guy ropes (.15 - .16); pegs (.17 - .20); mallets (.21 - .22). Black and green lithographic print on inside of lid features the image of a mixed doubles amtch, with inscription: TENNIS. Materials: Wood, Metal, Lacquer, Cord, Ink, Paper, Rope, Cloth, Painttennis

Framed artists proof of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Framed under Truguard UV glass. Materials: Paper, Ink, Graphite, Paper, Cardboard, Glass, Metaltennis

The Liquid 2 Level Sensor is an aid for people with vision impairment to fill cups and glasses with 2 levels of liquid. The unit simply hangs over the side of a cup or glass with the probes on the inside. Ideal for making a cup of tea or coffee with milk. Simply pour in your hot water stopping when a pulsating tone is heard. Pour in milk stopping when a continuous tone is heard. Your cup is now filled to approximately 15mm from the top and ready to drink. Can also be used as a single level sensor such as for non-mixed drinks. Handy magnets on the back of the unit allow for easy storage on fridge or other metal object.Yellow plastic round container with blue base and four yellow wiresassistive devices, equipment

Luke King’s mixed media artwork Portrait (2023) was shown in the group exhibition Fever’Dreams at the Counihan Gallery in 2023. The group exhibition explored the slippery boundaries between abstract and figurative artwork, showcasing local artists with a strong connection to Merri-bek’s arts community. King uses portraiture to highlight the importance of gesture and facial expression in personal storytelling. Exhibition curator of Fever’Dreams, Mitchel Brannan, writes of King’s work: ‘King explores the profound capacity of the human face to convey emotions within the context of constraint. Through his art, King invites viewers to reflect on the complexities of human expression and the underlying dynamics of restraint within society.’

Exercise or Mapping book - Australian Mapping book, decorative cover with mathematical tables on the rear, plain paper, 48 pages holding tickets collected by Keith Stodden. Titled "Tickets 2". Tickets have been positioned using stamp hinges. Pages 1 - Sydney 2 - 5 - mixed VR Bus, MMTB, railway tours, National Trust, and other admission tickets 6 - 8 - Brisbane 9 - BTMS, TAA 10 - TMSV, Sydney 11 - MMTB 12 - Sandhurst Town, National Trust, mixed admission 13 - Sydney 14 - MMTB Bus 15 - Adelaide 16 - 19 - Brisbane 20 - 21- Melbourne Rail, 22 - Melbourne Pageant 23 - 24 - Melbourne Rail and Tram - Travel cards 25 - 26 - Auckland, MOTAT 27 - 28 - Travelcards, Ballarat, Bendigo, Perth, MMTB Swimming ticket 29 - Melbourne rail 30 - Ansett bus, rail and MTT Perth 31 - 32 - Rail travel cards 33 - CRB Westgate bridge toll, Neighbourhood tickets 34 - ARHS ACT, Westgate bridge toll vouchers, 35 - 37 - MMTB, Rail travel cards, ACT bus 38 - Muni, and Travelcard 39 - 40 - Rail, 41 - 42 - travel cards, ARHS ACT 43 - 44 - Travelcards, Santa tram Bendigo 45 - blank 46 - VicRail country ticket, Ansett boarding pass 47 - Levers coachlines.trams, tramways, tickets, the met, mmtb, adelaide, sec, tmsv, sydney, buses

This item was originally made to put around a farm or herd animal to enable it to be identified and found if it strayed. Horses, cows, goats and oxen were the animals most commonly given neck bells in Australia as a way of identifying and finding cattle particularly in areas where prpoerties were unfenced or when droving large herds of mixed cattle. Drovers often marked these bells as a way of identifying which cattle belonged to them. Some of these bells from the 1860's onwards were imported to Australia and some were manufactured locally. The cow bell in various sizes is often still produced to sell to tourists, particularly those in Europe. Many of these souvenir bells contain some form of art work. Although this item has no known local provenance it is retained as an early example of the bells placed around animals’ necks to stop them from straying. This is a piece of metal welded to form a cover or a bell container with a bottom opening to hold a metal clapper which is held in place by a metal ring. The top has a metal handle. The bell is very rusted and stained.animal husbandry, warrnambool, history of warrnambool, cow bell

The Small Box Respirator (SBC) was a British gas mask of the First World War and a successor to the Large Box Respirator. In late 1916, the respirator was introduced by the British with the aim to provide reliable protection against chlorine and phosgene gases. The respirator offered a first line of defence against these. The use of mustard gas, was begun by the Germans; a vesicant ("blister agent") that burnt the skin of individuals that were exposed to it. Death rates were high with exposure to both the mixed phosgene, chlorine and mustard gas, however with soldiers having readily available access to the small box respirator, death rates lowered significantly. Light and reasonably fitting, the respirator was a key piece of equipment to protect soldiers on the battlefield.The Small Box Respirator ('SBR') proved to be the most effective gas mask produced during the First World War, and had a number of advantages over its French and German contemporaries.Canvas bag containing Small Box Respirator consisting of a rubberised fabric face mask, connected by a fabric covered rubber hose to a canister made of tin plate containing a chemical absorbent.gas mask, ww1

The Royal Australian Army Ordnance Corps (RAAOC) is the Corps within the Australian Army concerned with supply and administration, as well as the demolition and disposal of explosives and salvage of battle-damaged equipment. The Corps contains clerks, operator supplies (including q-store staff, warehouse staff and food technicians), petroleum operators, parachute riggers and ammunition technicians. Members of the Corps are nicknamed Roaches. Unlike other Corps within the Australian Army, there are no longer any RAAOC specific units, instead RAAOC sub-units sit within mixed units such as Combat Service Support Battalions (CSSBs) or Force Support Battalions (FSBs). RAAOC is also responsible for clerks and quartermaster store staff in all Australian Army Units.Circa 1953 to 1960. Associated with the supply chain and equipment resourcing within The Royal Australian Army. Gold and silver chrome hat corps badge. The reverse has two pin points that a stud affixes to so as to secure to a hat or cap. The top of the badge has a crown shape and the bottom is curved. There is corps writing on the badge at the bottom and surrounding sides : "Royal Australian Army Ordinance Corps". Royal Australian Army Ordinance Corps. 1953 to 1960 raaoc corps hat badge, royal australian army ordinance corps, raaoc

Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

Molassine was created in 1900 to exploit a secret formula for animal fed. The formula had been brought to Britain by Arthur Stein ‘a mid European probably hailing from one of the Balkan States’. At first the feed was made up by Henry Tate but in 1908 they began work in Greenwich. The molasses was bought locally from Silvertown and Plaistow refineries and the company built the first steel tanks for molasses bought from Danks, Steam Boiler Manufacturers, between 1910-1914. Their main product was a molasses based feed for horses - this consisted of sphagnum moss mixed with both beet and cane molasses and a ‘soupcon of maganesium calcum carbonate’. In the First World War this feed was considered antiseptic and soldiers used it as a plaster for wounds.Molassine Blotter Book published by the Molassine Company Limited, Tunnel Avenue, East greenwich, London, S.E. Red covered, it contains information Calendar for three years and information on domestic animals - how to keep them when ill, also an English Dictionary, Atlas, ready reckoner, address book, at home days diary etc.history, james lerk collection, molassine blotter

The Australasian Shoveler is a species of duck that can be commonly found in heavily vegetated swamps in southwestern and southeastern Australia, Tasmania and New Zealand. The species, Australasian Shoveler, is aptly named after their large shovel-shaped bill. These birds use these large bills which are equipped with fine hair-like components which strain the water and mud for food including tiny creatures including insects, crustaceans and seeds while it swims. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australasian Shoveler is a species of low-floating duck with a dark head and brown plumage. The rear of this specimen is a dark brown, with mixed white and brown colouring on the upper torso. The underparts of this bird are brown and orange. The specimen has glass eyes made in an amber colour. The Shoveler is standing on a wooden platform which is labelled number 136. Amongst the feathers on the wings, this bird has a green coloured feather. The legs of the Shoveler would have once been a bright orange; however, the legs of this specimen have darkened in colour throughout the taxidermy process. This bird has a large bill shaped like a shovel from which the name "Shoveler" has been derived.5a. / Australian Shoveller / See Catalogue, page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, heron, duck, australaisian shovelor, shovelor

Photocopy of a newspaper article and photo of Eaglehawk Road with a tram outside a two story newsagency. On the right is a dilapidated timber fence. Written on the back is: approx 1966 ? One of the last trams No. 18 to run up Main Street of Long Gully (Bond Street) now known Eaglehawk Road. On Left Post Office - now Gents Hairdresser & Rose of No. 3 Australia Hotel. On right Les & Marie Norris Newsagency & Mixed Business. 2 story Building was Commercial Hotel. No. 26 Tram was the last To Run between Bendigo , Long Gully & Eaglehawk still running as a Tourist tram in Bendigo 1987. Donated by Alan Crossley 1985.bendigo, history, long gully history group, the long gully history group - eaglehawk road, mr l w norris, country roads board, mr g marshallsea, rose of australia hotel, les & marie norris, commercial hotel, alan crossley

Textiles. Linen flour bag printed on both sides in red and green.1. ''WITTSCHEIBE BROS. The famous WB Brand Regd. World's Best Self Raising Flour prepared from the choicest Victorian wheat. Factory 172 MITCHELL ST>< BENDIGO< 5 lbs''. Side 1 printed in black ink KA No 712. Side 2 printed in pen ink 1149. 5lbs net. Self raising Flour W.B. Brand Self Raising Flour is mixed and prepared from the choicest Victorian grown wheat, and possessing highly nutritious qualities is unequalled for Scones, Cakes, Puddings, ETC 172 Mitchell St., Bendigo, Telephone 339''.textiles, domestic, wittscheibe bros, bendigo. flour bag

View looking northeast from near junction of Wattle Grove and Mount Pleasant Road across to Eucalyptus Road on right and Pitt Street at top. Early pioneer, George Bird Snr. arrived from England in 1852 and lived with his uncle, George Stebbing. He worked for him as bricklayer's assistant in building, among others, the Anglican and Methodist Churches in Eltham. In 1862 he purchased land in the east end of Pitt Street bounded by Eucalyptus Road and Wattle Grove and established a mixed farm and orchard. His son, Arthur Bird succeeded him and also worked on this orchard which then passed to Arthur's son, Harold Bird OAM, where Harold and Yvonne Bird lived in the family home till the mid 2000s A4 size photographic print reproduction of a paintingaos6, wattle grove, pitt street, arthur bird, bird family orchard, eucalyptus road, george bird, harold bird, yvonne bird, eltham