.3) South Australian School of MInes and Technological Museum Annual Report for 1908 and Prospectus for 1909. Includes images of the School Council (H. Adams, E.A. Roberts, E.W. Van Senden, Hon. Sir J. Langdon Bonython, Hon. Sir F.W. Holder, Hon. D.M. Charleston, Professor W.H. Bragg, J. Theo Scherk. L. Grayson, J.G. Bice, W.H. Matthews), The School, Plans of the Metallurgical and Chemical Laboratories, Physics Students, Assaying Furnace Room, David Murray, Museum, Noyes Electrical Engineering Laboratory, Model Scouring Plant at the Angas Wool laboratory, Sir George Ruthven Le Hunte, Wet Assay Laboratory. Electro-Technical Room.south australian school of mines, museum, e.a. roberts, e.w. van senden, hon. sir j. langdon bonython, hon. sir f.w. holder, hon. d.m. charleston, professor w.h. bragg, j.g. bice, w.h. matthews), the school, plans of the metallurgical and chemical laboratories, physics students, assaying furnace room, david murray, noyes electrical engineering laboratory, model scouring plant at the angas wool laboratory, sir george ruthven le hunte, wet assay laboratory. electro-technical room., h. adams, j. langdon bonython, f.w. holder, d.m. charlston, w.h. bragg, j. tho scherk, l. grayson, ruthven le hunte, south australia, schools of mines

Collections from the Museum of Victoria which show their holdings of arts and crafts by Victorian Aboriginal people. Includes tools, weapons, baskets, paintings and photos.b&w photographs, b&w illustrationssocial life and customs, material culture, catalogues, victorian history

This photograph depicts female singers accompanied by members of the Beechworth Band at a 'Liedertafel' concert in the main hall at the Burke Museum in 1999. The concert related to an exhibition titled, 'From the Liedertafel to the Skating Rink: Entertainment in Beechworth 1852 - early 1900s', which celebrated the rich and diverse entertainments that were part of Beechworth life in the nineteenth and early twentieth centuries. 'Liedertafel' is a German tradition that accompanied European settlers to Australia. It refers to a friendly society of men united by an enthusiasm for singing. The Beechworth Liedertafel was established 14 March 1894 at the London Tavern, Camp Street, Beechworth, by president, Mr. A.A. Billson, and a visiting conductor, Mr. H. Fielder. The Beechworth Brass Band was formed by Mr. H. Vandenberg in 1887. Marching bands, choirs, circus acts, theatrical performances, races, and seasonal activities, such as Mr. Spiller's roller skating rink, which was founded in the late 1860s, were among the entertainments on offer in Beechworth.This photograph of the Beechworth Band playing at the Burke Museum is historically significant for the information it conveys about an exhibition at the Burke Museum between September and November 1999. The use of the contemporary Beechworth Band in a 'Liedertafel' performance provides insight into curatorial approaches at the turn of the twenty-first century and improves our understanding of how exhibitions use objects in the Burke Museum's Collection to tell stories about the past in the present. The image is historically and socially significant for attesting to the enduring appeal of local musical associations, which were a popular means of entertainment that fostered social connections among settlers from diverse ethnic backgrounds. Liedertafel choirs were originally male-only, therefore, the presence of female singers at the 1999 exhibition reflects progressive social and community values with regard to gender and inclusion.Rectangular colour photograph printed on matte photographic paper.Reverse: 7030 / Label: Burke Museum / Liedertafel Exh / Emily Messen, Luetta / Schier, Hannah / Routledge, Sarah / McKinley 2000 (?) / 2000 (?) / liedertafel, beechworth band, burke museum, exhibition 1999, from the liedertafel to the skating rink, entertainment in beechworth 1852 - early 1900s, past exhibitions, performances at the burke museum, european settlers, german community, german choral societies, brass bands, male choir, colonial passtimes, colonial entertainments, cultural traditions, gold rush, immigration, beechworth's german heritage, london tavern beechworth, camp st beechworth, beechworth historic district, beechworth's first brick tavern, spiller's skating rink, vandenberg's beechworth brass band, benevolent societies, intellectual societies, protestantism, billson brewery beechworth, teetotallism, fancy dress carnivals, skating carnivals, fundraising societies, german musicians, crimean war, beechworth german association, freemasonry, yma's, beechworth athenaeum, beechworth skating rink

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Leather covered ledger with thin copies of handwritten details relating to donations to the Ballarat School of Mines Museum. The book has been written by curator Ferdinand Krause.ballarat school of mines museum, curator's donation book, museum donations, james oddie, ferdinand krause, rivett henry bland, w.h. bacchus, w. corbould, a. doepel, c. flude, j. fussell, m. gould and co, hugh gray, w. little, w. lapslau, r. menz, madame berry mine, r.m. sergeant, d.w. spence, willaim bramwell withers, m. zwar, moonta, william corbould, william little

Whitehorse Gazette article re Nunawading Historical Museum which features sporting memorabilia dating back to 1930 including Cardiff and Edinburgh Commonwealth Games. Photograph.gardiner, bob, keene, barbara, nunawading historical society, commonwealth games

In 1961 Robin Boyd designed the Tower Hill Reserve Visitors Centre to fit naturally within the surrounding terrain. The building’s shape reflects a volcanic cone. The windows allow a 360-degree view of the park. The Centre opened just after Robin Boyd’s death in October 1971. Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 2. General view and external perspective. Watercolour on dyeline. tower hill, robin boyd, ohm2022, ohm2022_15

Pamphlet titled "Melbourne Tram Museum", advertising the Hawthorn Tram depot, giving opening hours, location and contact details. Prepared by Adam Chandler April 2015.trams, tramways, hawthorn, melbourne tramway museum, pamphlets, fohtd

Set of two newspaper clippings from The Courier, concerning BTM seeking volunteers. .1 - Clipping from 13/1/2014 - titled "Tram Museum seeks volunteers", featuring a photograph of Geoff Gardner standing alongside horse tram No.1 - gives details of the volunteers sought. .2 - part of a page from 2/1/2014 - showing the Museum's small advert for volunteers. Gives contact number.volunteers, btm, horse tram

Colour photocopy - folded to A5 on titled "Melbourne Tram Museum", providing details of the Hawthorn Tram depot. Includes photo of depot on front cover, history of the Building, Operations, Location , Expansion, Decline and Redevelopment. Includes a depot map and a list of the tramcars On the rear is a timeline, details of the Museum. First version with the new logo. Used for the 2018 Melbourne Open House depot. Prepared by Adam Chandler July 2018.trams, tramways, hawthorn, melbourne tram museum, mtm, depots, pamphlets

Colour print showing the installation of the wooden shelter at Gardens Loop by the Museum prior to the installation of the interpretative board in the shelter. The shelter was subsequently replaced by the Council with a new structure.Yields information about the shelter installed by the Museum at Gardens Loop during 1994. Colour photograph print on Fujichrome paper.museum, shelter, gardens loop, shelters

Colour photograph printed onto white card as a BTM Membership card for 2021-22 featuring a photo of the new Museum Entrance with the organisational name. On rear along bottom edge of the rear, has words "Photo Virginia Fenelon 29/9/2021." Three copies held. No label on rear.trams, tramways, membership cards, buildings, museum, btm, new depot

Yields information about the design and construction of the depot extensions for the BTPS in the mid 1970's and has a strong association with Warren DoubledaySet of personal papers of Warren Doubleday concerning the extension of the original depot of the BTPS in the mid 1970s' Includes drawings, sketches, Letters In and Out, Specifications, calculations, Building Permit and General Papers. This includes plans of Bungaree, list of drawings held by Bill Kingsley at the time, and a report dated 25/4/1977 titled "First Report of the Expert Panel on Tramway Museum Safety Standards to the Chairman and Members of the Council of Tramway Museums of Australasia".trams, tramways, btps, depot extensions, cotma, safety

2005 DViets visit to the older Vietnam Veterans Museum, Phillip Island and present the museum with a $1,200 donation.Photo shows sub branch members and includes older picture of museum external wall. Photograph, in color of sub branch members visiting the National Vietnam Veterans Museum, Phillip Island, September 2005.DViets visit National Vietnam Museum Phillip Island, September 2005; During the visit the Sub Branch presented a donation cheque of $1,200 to the museum.vietnam, vietnam war, diamond valley vietnam veterans sub branch, national vietnam veterans museum

Newspaper clipping from The Courier, Ballarat, dated Thursday 18/5/1972 titled "Tramway museum plan to go to committee". Item reporting that a interdepartmental committee would be asked to consider a request by the BTPS for help in establishing a working tramway museum in Wendouree Parade. Reports on a letter to Mr. Bill Stephen MLA written by the Premier, Sir Henry Bolte. One of a large group of newspaper cuttings from John Bainbridge, 7/4/02.btps, museums, tramway museums, victorian government

Newspaper clipping photocopied onto an A3 sheet from the Herald Sun 8/11/2000 titled "Tramways Heritage hidden away in depots - Next Stop, a museum" with a photo of the Minister for transport Peter Bachelor under a tram at Preston workshops. Story by Genevieve Lally, is about the possibility of using Preston Workshops as a Museum. Looks at other options of Docklands, Newport Workshops and the Gertrude St cable tram winding house. Quotes Roberto D'Andrea.trams, tramways, tram museum, preston workshops

formerly St Andrews College Bairnsdale VictoriaBlack and white copy of photograph of Bairnsdale Historical Society Museum formerly St Andrews College before refurbishment Bairnsdale Victoria. Also a second black and white photograph from different angle education, museums

"Upwey Belgrave RSL Running Rabbits MILITARY MUSEUM OPEN Thursdays 10 a.m. to 2 p.m. and Sundays 10a.m. to 2 p.m."

Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.greenwich, stone, museum, chapel, sculpture

Photo depicts the interior of a shearing shed with shearing taking place. The shed is located in New South Wales and this photo would appear to date from the turn of the century. Presumably the Philadelphia Museum inscription on the front indicates that either this photo is from their collection (unlikely) or that it was commissioned by them for selling / distribution.Photograph, 'Shearing Sheep', 1900-10 (Philadelphia Museum). Caption on reverse of photograph - 'Shearing Sheep', (Philadelphia Museum) c.1900-10.SHEARING SHEEP / NEW SOUTH WALES, AUSTRALIA / THE PHILADELPHIA MUSEUMshearing shearing sheds, philadelphia museum, shearing, shearing sheds

.1 - Printed and folded card to give a ticket holder or wallet, with the title "Sea Life Melbourne Aquarium", at Stop 124, with Yarra Trams and PTV logos. Includes a reference to the new E class trams, "Catch the new attraction on Route 96". Has various cartoon images of sea creatures on a blue back ground. .2 - as for above, but brown background advertising the Melbourne Museum at Stop 12. Has images of the Museum. .2 - added 20/11/2015trams, tramways, yarra trams, route 96, tickets, melbourne museum, museums