Cohn Brothers Vic Brewery 600 shares of J D S Pinnock transferred to A Nicholson dated 11th Nov 1895. One penny duty stamp affixed. Fred Thonemann Stock & Share Broker 58 Queen St Melbourne red hand stamp.bendigo, industry, cohn bros brewery, j d s pinnock. alfred nicholson. fred thonemann.

Slim rectangular booklet with red cover focusing on cooking with an automatic (electric) frypan. Centre stapled with two metal staples. Booklet has 58 pages - first 48 pages are recipes and instructions for frypan - last 10 pages are recipes and instructions on using a Sunbeam Mixmaster.'Sunbeam Controlled Heat Automatic Frypan'books, cookery

Further development of 9 shop sites took place along Whitehorse Road (later street numbers 58 to 64 Whitehorse Road) between New Street and Olive Grove around 1950 - See Victorian Collections reference 5227.Single sided page with red and blue print advertising Olive Grove Estate business and residential allotments, including subdivision plan and summary of local services.Subdivision includes Whitehorse Road, New Street, and Olive Grove. Agent - F.V. Parker, Telephone 131, Ringwood.

Set of two black and white pamphlets downloaded from the PTV website, 9/4/2017 regarding the introduction of Route 58, amalgamation of route 55 and 8 on 1/5/17. .1 - "Say hello to Route 58" - two pages going an outline of the new route and all the benefits! .2 - "We're growing with Melbourne" - pamphlet issued by PTV - 6 fold A3 sheet, printed on off white paper, full colour - with changes out lined and a map of Melbourne tram services - see i2 for pdf copy. Two copies held .3 - Pamphlet, printed and cut for use in trams around passenger hanging rails, titled "Say hello to the new Route 58" - on rear gives the new routes and key changes and what to do if you catch route 8? Two copies held - 2 copies held. .4 - Folded DL size sheet - vertical - titled "Tram Route Guide 8 Moreland to Toorak" with a photo of the Shrine of Remembrance on the front. Dated 02/16 - gives a map of all route stops, zones, estimated frequencies, with notes on night services and Myki. .5 - As for .4, but for route 55, with a giraffe on the front, dated 02/16. .6 - Route 58 guide - pending publication at time of entry. There were other service changes as well to other routes. Have Yarra Trams, PTV and State Government logos on the various documents.trams, tramways, yarra trams, ptv, route 8, route 6, route 55, route 58, map, route guide

1 chrome metal barrel with adjustable parts; black grip and trigger; 1 Instruction manual."ASHTON AUTOMATIC INJECTOR / MANUFACTURER" "ASHTON & CO. LTD." "ADELAIDE, S.A." "PAT. APPN. 37054 / 58" "APP. RD. 39141"

Hardcover w/Dust JacketImage of suburban roofscape on p. 58 partially clipped out. Mention of R. Boyd on p. 59 regarding 'The Australian Ugliness'walsh st library

Nelse Lodge was established in Falls Creek c1958 probably by Des Crosser. It was later purchased by Bob Scott (Scotty). He was killed during a tragic accident during the construction of the Sun Valley T-bar. In 1973, Bob's widow sold Nelse Lodge to Jack and Elva Smith who were proprietors at the time this brochure was published.This brochure is significant because it is linked to one of the early lodges established in Falls Creek. A small brochure advertising Nelse Lodge, Falls Creek.It features a skier and brown text.1975 Snow Season Nelse Lodge Slalom Street FALLS CREEK Phone: 58 3263 (ELVA and JACK SMITH, Props)falls creek accommodation, nelse lodge, falls creek history

A Silver trophy with square arched handles58-32.BN. B COY COMD TROPHY 1953.LT.B.J.GREENWOOD.4PL. 1954.LT.D.C.ARNOLDT.6PL. 1955.LT.C.A.ARNOT.4PL.58 battalion, 58/32 battalion

Was the building of Morrissey Butchers established in 186512.5cm x 20cm black and white photograph of 61-63 Sydney Street Kilmore. The building look to have been separated into two stores, the left storefront looks original and the right storefront look to have been retrofitted. The roof of the building has a decretive trim and a arch which says "B.M Morrissey 1865 Established". This calls to the building original owners which used the building as a Butchers. The retrofitted side of the building was being used as a Butchers at the time of the photograph, E & G Fanger Butcher.Written on the back: 112/58 B. Mossissey Established 1865 1035 Kilmore Historical Society Photographer: Ray Fagg :- 1977shopfronts, storefronts, butchers, butcher shops, retail stores

Julian Newton Brown arrived at Falls Creek in 1957. He had studied Pharmacy at Melbourne University. After developing a love for the mountains, Julian moved to Mt. Beauty and then Falls Creek. He worked for the SEC in the test laboratory at Rocky Valley reading weather instruments. By working several jobs, Julian was able to build a small lodge of 10 beds named “Arundel”, located at 18 Slalom Street, Falls Creek. The lodge is now the “Elk at Falls”. Arundel prospered and Julian extended it to include 32 beds and changed its name to ‘Julian’s” in 1961. When alcohol restrictions were eased in Falls Creek, Julian built a night club which he called “Big Julian’s” and later “THE MAN”. When Julian and his wife Beth retired and left Falls Creek, their son took over running the lodge. An active community man, Julian was a member of the Falls Creek Chamber of Commerce, a member of the SES, a stakeholder in Falls Creek, an author and a documentary maker. Julian Newton-Brown died in May 2020.This brochure is important because it documents an establishment operated by a highly regarded pioneer and businessman of Falls Creek.A brochure printed on glossy paper, featuring information and images. On Cover: BIG JULIANS FALLS CREEK Swinging Summer and Winter Alpine Holidays PHONE: Falls Creek 58 3211 TELEX:v56992accommodation falls creek, big julians falls creek, julian newton-brown

Account of the Commonwealth Trans-Antarctic Expedition, (the 'race to the South Pole' 1957-58) where two field parties, headed by Dr. Vivian Fuchs and Sir Edmund Hillary, both reached the South Pole. G. L. Martin was photographer to the expedition.Paperback book, 160 pages, colour photographssouth pole, trans-antarctic expedition

Long Sleeve Battle Jacket. 1 Button on each Sleeve. Epaulet on each shoulder with one button. Australian Army Catering Corps shouder flashes. Single breasted with 4 buttons. Shoulder width 43cm. Waist 47cm. Length 58 cm. Sleeve Length 63cm. AGCF VIC 1981 8405.66 025 6419 SIZE 107-109L MACQUARIE 80 BATCH K DRY CLEAN ONLY CREASE UPPER HALF OF LAPEL ONLY NO BYHAM NAME 330989

These ledger books provide some data on club members and the financial resources of the club in the mid 20th century.These ledgers provide a picture of business conducted by the then Geelong West Cycling Club and are important resources for those investigating the activities of the Geelong cycling club at that time.Three ledger books. All foolscap size. 1954-58 book contains race results and newspaper articles of the time including many articles on Russell Mockridge. 1965 book contains the ledger for fees and race results. 1956-64 book contains the register of Financial Statements.race results; russell mockridge; 1954-68; 1965; 1956-64; geelong west cycling club;

Paper cover, white background, red / gold print on front, black print on back. Front cover illustrated in red / purple / gold Coat of Arms of 58/32 Infantry Battalion. 26 cut, glossy white pages. Illustrated black / white / sepia / colour photos. Stapled.booklet, 58/32, infantry, battalion

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Alexander McCubbin published Fanny Withers ‘The Life & Art of Walter Withers’ in 1920. But, although Withers had written a 100 page manuscript, the book was edited into a 28 page format. This is that entire manuscript, its preparatory notes and three other manuscripts (1902, 1911, 1918).1. Signed by Andrew Mackenzie on Title page 2. Collector's edition No 58 signed by Andrew Mackenzie and Kathleen Mangan on Title pageartists, eltham, fanny withers (nee flinn), walter withers

This scrapbook. although much smaller than others in the collection, contains newspaper clippings, notes and correspondence relating to the work at the Mission.This scrapbook outlines the many events, concerts, important visits and social occasions held at and by the Mission during this time frame. It includes the names and activities of many prominent Melburnians and shows the vivacity of the work at the Mission.Small red sticker on inside of reverse cover: "NORMAN BROS./Stationers, Printers,/and/Artists' Material Importers/52-58 Elizabeth St."scrapbook, newspaper cuttings, seamen's missions, mission to seamen, newspaper clippings, events, melbourne

This membership ticket belonged to John Ely. Tickets admit bearer to games. Tickets include the names of office-bearers of the Greensborough Football Club and the season's fixture or draw.Gary Partington is a lifetime member of the football club and a GHS member. The Ely tickets were given to the late Trevor Partington when John Ely left the area and have been passed to Gary. Season ticket, cardboard. Cover: dark green with silver printing. Inside: white with green textCover: "Greensborough Football Club. Season 1950". Inside: "Alan John Ely" in blue pen. Membership number "58" stamped inside.greensborough football club, membership tickets, partington family, ely family

This Magazine was compiled and issued by the Geelong RSL in March 1973.This is an original magazine. The magazine is a collection of stories and club information relating to the 'times'.An oblong booklet, paper pages with purple typed stories there is a photograph of the Cenotaph on the front cover.Published by Geelong RSL, G A Mitchell, Secretary Printed by Henwood & Dancey Pty. Ltd., 54-58 Little Ryrie Street, Geelonggeelong rsl news march 1973

There are 32 boys and 16 girls in the class. Don Taggart, late president, is 3rd from the left in the front row.black and white post card fair conditionGrade 4B, Elwood Primary School. D.J.H Taggart, 58 Glenhuntly Road, Elwood 3184, Ph 531 6127. 1930's

Sepia photograph of a young woman wearing a dress with a small bustle, which has a white bow at the neck and white frills at the sleeves. The young woman's hair is plaited and coiled on top of her head. She is standing in front of a studio backdrop of pillars and curtains, near a decorative table and chair, her hands resting on books on the table.On back: "BEATRICE WARD / HAPPY VALLEY / RETURN TO / MRS E. MONTI / 56-58 REA ST / SHEPPARTON 3630 / 058 - 212493".beatrice ward

Section of ammunition link belt for a (CSMG) MAG 58 calibre 7.62mm . The belt is made up of disintegrating links, normally fitted in the ration of 1 tracer to every 4 rounds. Items souvenired by Mathew Redwood. Refer Cat No 3891 for his service details..1) - .5) Five 7.62 mm cartridge cases. .6) Section of link belt for 7.62mm.“LC 11, “LC 08”mag 58, 7.62mm

Tate ADAMS (1922-8 April 2018 ) Born Hollywood, County Wicklow, Ireland Arrived Australia 1952 England 1956-58 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paper linocut, printed in colour inks, from three blocks. art, artwork, tate adams, printmaking, available, woodblock, woodcut, sailing, boats, ballarat teachers' college collection

Report - single A4 sheet prepared by Kevin Staines 28/3/2019 titled "C & D Series Conductors Tins", or outfits and when they were phased out of use - during 1957/58. Has notes on recollections of Alan Bailey and National Service for young men in Australia at the time.trams, tramways, conductors, outfits, tickets, national service

Historical Details: . Description: The Westland Wessex was developed in Britain as a turbine engined version of the American Sikorsky S-58 with over 356 built between 1958 to 1970. The Wessex was used by the R.A.F. and Royal Navy and countries around the world including Australia. Th. Level of Importance: Regionalwessex

This sheet music is "The Parade of the Tin Soldiers', the original German title, composed by Leon Jessel as a solo piece for the piano in 1905. The work is also known as "The Parade of the Wooden Soldiers". In 1907 the orchestra version was published, Opus 123. (Op. 123, as written on the cover). The sheet music was published by Sole Publishers for the British Empire, Enoch & Sons Ld (1890-1927) of 58 Great Marlborough Street, London, W. Versions for all other countries were published by Neinrichshofen's, Verlag, Magdeburg. Orchestral and Military arrangements of the music were published by Hawkes & Son, Denman St, Piccadilly Circus, London, Leon Jessel (Jan. 22, 1821 to Jan. 4, 1942) was a German composer who was born a Jew and converted to Christianity in 1894. His works included a wide variety of music including 'The Parade of Tin Soldiers' (Die Parade der Zinnsoldaten). Jessel was also a music conductor and bandmaster. The instrumental piece 'Die Marokkanische Patrouille' (The Moroccan Patrol) was published in 1911, Opus 227. He was also known for his operettas 'Schwarzwaldmädel'(Black Forest Girl), presented in 1917, and 'Die Postmeisterin' (The Postmistress), presented in 1921. In December 1941 he was arrested and then tortured by the German Gestapo; he died in January 1942. In the early 1920s, The Parade of the Tin Soldiers became very popular; it was presented as part of a show and was re-titled The Parade of the Wooden Soldiers. It was also made into a film and its recording was a hit single record. The music continues to be played and presented and is a Christmas-time favourite.This music is significant for its connection with the German composer Leon Jessel, a victim of the Germans for being born a Jew, even though he converted to Christianity in his youth. It is also significant as a popular work of music composed in the early 1900s and later used for a variety show and a film. The music an example of entertainment in the early 20th century that has endured to current times and often played at Christmas celebrations.Book of sheet music for four tunes. The thin softcovered book has eight pages, with the front cover featuring colourful graphics of soldiers marching and others on horseback. The four tunes are: - The Parade of the Tin Soldiers, (piano solo), Composer: Leon Jessel. Ballade de la Lune, Enjolement, Lentement, document, tendrament, Publisher: for the British Empire, Hawkes & Son, Denman St, Piccadilly Circus, London, Sole Publishers for the British Empire, Printer: Enoch & Sons Ld. 58 Great Marlborough Street, London, W. Printer: Lowe & Brydone Printers Ltd. London N.W. 10 Publisher, for all other countries: Heinrichshofen's, Verlag, Magdeburg. Printed: in England by Heinrichshofen's Verlag Copyright: 1911 by Heinrichshofen's VerlagOther print on the cover includes: ALSO KNOWN AS "THE PARADE OF THE WOODEN SOLDIERS" "Op. 123" "Characteristic Piede" "SOLE PROPRIETORS FOR THE BRITISH EMPIRE" "NEW SUCCESS BY THE SAME COMPOSER 'MOROCCAN PAT(ROL) (CH)ARASTIC PIECE" "PIANO SOLO" "SIMPLIFIED" "DUET" "VIOLIN & PIANO" "Orchestral & Military Arrangements" On the bottom of pages: "E & S 4370" "Copyright 1911 by Heinrichshofen's Verlag" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, leon jessel, composer, operetta composer, the parade of the tin soldiers, the parade of the wooden soldiers, musical march, music conductor, music director, bandmaster, 19th-century classical composers, 19th-century german composers, 20th-century classical composers, 20th-century german composers, sheet music, music book, piano music, jewish composer, world war ii victim, composer: leon jessel., ballade de la lune, enjolement, lentement, hawkes & son, for all other countries: heinrichshofen's, verlag, magdeburg., book of sheet music, enoch & sons ltd london, lowe & brydone london, heinrichschofens verlag, marching music, 1911, early 20th century