Painting and ornaments were taught at the convent school at Tomaj where Marcela attended the school. She was taught by the NunsWatercolour painting presenting leaf ornamentJesenski ornament - Autumn leaf ornamentmarcela bole, autumn leah ornament, slovenian association melbourne

The painting was raffled by the historical society in 1986 and won by Donna RussellOriginal painting of Coonanga Homestead by Helen Sigley, 1986coonanga homestead, painting, helen sigley

The painting depicts HMVS Cerberus, HMVS Nelson and one of the P&O Mail Steamers.Of great significance as the colour scheme of Cerberus and Nelson is shown.Original oil painting by George Frederick Gregory.G F Gregory 72victorian navy, hmvs cerberus, hmvs nelson

DECORATE FLOAT IN BACK TO CLUNES 1982. CELEBRATION PHOTOGRAPH TAKEN IN SERVICE AND FRASER STREET, CLUNES.BLACK AND WHITE PHOTOGRAPH MALE AND FEMALE PERSONS IN COSTUME ON DECORATED FLOAT IN PROCESSION. BACK TO CLUNES 1982.DUTCH WINDMILL, KANGAROO, WHITE PARROT.photographs, events and celebrations, back to clunes

Oil painting of a lemon-scented gum at Heidelberg Golf Course, painted by Joy Kirwan. The corner of the old pro shop is on the right, the putting green in foreground.An original painting of part of the HGC groundsOil painting with timber frame Signed "Joy Kirwan"heidelberg golf club, joy kirwan, oil paintings

This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting; timber framed oil painting with the image of a cargo steamship off the coast of Warrnambool. Artist is Mike McCrea. Framed by Patana Galleries, Manly Vale, NSW. Hand written, "Red. No. 390 A" Sticker "61"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mic mccrea, patana galleries, master mariners of australia, steamship

The painting of the didgeridoo was one of the activities the students at Bulla Primary School engaged in on their Colonial Dress Day.A coloured photograph of two children painting a didgeridooart activities, colonial dress day, bulla primary school

"Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria painting Signed: Glover-Fleay 35 (lower right) Verso: DRY SWAMP

Brian was born in Melbourne in 1949. Early life was spent in the stimulating bush environment in Montrose. Ramon Horsefield saw a spark and Brian began to paint in oils at the age of thirteen. He contunued tuition with Graham Moore, in class and at night classes. An Art Diploma at Swinburne was not completed. This did not crush his creative spirit and he resumed tuition with Graham Moore. Within a few years he was winning prizes. Many and varied jobs allowed him to survive whilst aspiring to become a full time painter and bring up his growing family. In 1977 Brian resigned from his last employment as a picture framer. He leased a shop in Main St, Mornington and set up classes. Brian taught painting and had his own studio behind the school. Later he was to move and build his "bushland gothic" home in North Warrandyte. Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. He has won many prizes, was a finalist in the 1992 Moran Portrait prize. The Alice Bale Scholarship which he won, entailed a year traveling and studying in Europe. Brian returned home in 1996. Sharing his skills with many students over the years, he taught privately and at various art societies. His oils, pastels and charcoals capture the light of landscape, portrails and nudes. In 2012 it will be thirty-five years since Brian has had a "real job". At times this has been really difficult. He is now semi retired after suffering from Rheumatoid Arthritis for a decade. Now he paints what he loves to. His portraits capture the very essence of the sitter. In 2009 he remarried and moved back into the bushland of North Warrandyte. 'Duet' by Brian E. Armstrong was donated by the Artist to the Eltham Copper Butterfly Appeal Auction.Oil on canvas painting depicting a 'Duet' scene with two children. One is shown playing the flute whilst the other is playing the piano. The painting is fashioned in sombre colours and muted tones, with alternating tones of violet prominent.Signed- Brian E. Armstrong '87 On label - artist's name: Brian E. Armstrong Address: 844.2925 Title of Painting: Duet Medium: Oil on canvas On Frame: 82 enclosed in circle. 31 1/2. C Enclosed in circlebrian e. armstrong

Painting of Camp 3 showing the layout of the compounds and fences. Done by internee Wilhelm Kuebler.Photograph of a painting of the layout of huts, fences, compounds of Camp 3. Sky and trees in background. Photograph has been laminated. Painting is by Templer internee Wilhelm Kuebler.J A K bottom right corner On back sticker: "Bird's eye view of Internment camp 3 J A K"camp 3 compound, wilhelm kuebler

Part of the 2009 Mouth and Foot Painting Artist Exhibition held at The Shearer's Arms Arts Centre & Visual GalleryLandscape painting of wool shed with sheep in foregroundsheep, mouth and foot painting

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, victorian artists society, marysville, victoria

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large abstract painting.art, artwork, garth sansom, sansom, abstract

IT IS ON PERMAMENT LOAN FROM HEPBURN SHIRE PAINTING BY WILLIAM TIBBITS, CIRCA 1870. HE WAS A WELL KNOWN FIGURE TO BE SEEN RIDING HIS BICYCLE FROM ONE GOLDFIELD TO ANOTHER WHERE HE PAITED MANY OF HIS FAMOUS PAINTINGS.OWNERSHIP TRANSFERRED FROM SHIRE OF TALBOT AND CLUNES TO HEPBURN SHIRE COUNCILWATERCOLOUR PAINTING OF CLUNES TOWN HALL BY ARTIST WILLIAM TIBBITS - FRAMEDTOWN HALL CLUNES BALLARAT 1874local history, illustration, watercolour, hepburn shire

Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. They later moved to Heidelberg. Plein air painting instigated by Tom Roberts.Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. painting, roberts, tom, mccubbin, frederick, abrahams, louis, streeton, arthur, sutherland, jane, heidelberg school, conder, charles, humphrey, mather, john, handasyde, stewart, hansen, theo brooke, gardiners creek, dewar, s. g.

PASTEL PAINTING BY MRS, HOLLY BARKELLGOLD FRAMED & GOLD MOUNTED PASTEL PAINTING, SHOWING TREES WITH WATER IN BACKGROUND.local history, illustration, pastel, barkell, harris family

Rohan Robinson is an artist born in Geelong, and attended “the Mill” part of Deakin University in 1980-82, studying Fine Art. In 2010-11, he was the manager of Kayili Artists Aboriginal Corporation, at Patjarr in the Gibson Desert W.A., where he oversaw the development and marketing of artworks of the corporation’s members. The community is the remotest in Australia and averaged 25 people, mostly consisting of elderly people and part of the Ngaanyatjarra region, with some members not having any consistent contact with white fellas up to the mid 1960’s. During his time it was common for all the community members to go out hunting and having a visit to important areas, where members would get some tucker of rabbits and lizards and honey ants and perhaps some “meow meow” and have a nice sleep in the shade on the warm sand. Robinson would often take his painting gear along and do some work on unstretched linen on the desert ground, he would paint for a while and then perhaps lie around with the elders or follow one of the expert hunters and observe from a distance [several meters] the skills of elderly women casually walking through some recently burned spinifex knocking cowering bunnies on the head with a steel rod. It was on one of these occasions, when this particular painting was being conceived, that after returning from the hunting mission, he was informed by some of the mob, that an elder had been spending time looking at this work in it’s infantile stage...”You know the old fella over there, he been looking at that painting of yours” It was later in the day, when returning to Patjarr, that the elder Arthur Robertson approached Robinson, and demanded/asked that Robinson paint his stories for him. Mr Robertson was suffering from Parkinson’s disease, and was having trouble painting, but had been doing some brilliant work with Posca markers. It was with a certain reluctance that Robinson agreed, as he felt this to be a “political hot potato in some quarters” but also respected a relationship between artists beyond the cultural divide. Mr Robertson demanded that they start immediately and armed with pencil and paper they created the notes for several paintings under Mr Robertson’s direction. The painting that you are viewing is signifcant in that it was the catalyst for this relationship between the two artists. Mr Arthur Robertson died later that year 2011.Gold framed blue and earth tone painting. Painting depicting four circles with mountain and sky in the background.

OIL PAINTING FEATURING BRIDGE ACROSS CRESWICK CREEK IN THE STATION FLAT AREA. NORTH WEST OF CLUNES. BRIDGE IS NOW REPLACED BY "FORD".OIL PAINTING BY CLUNES ARTIST RICHARD FORD.local history, illustration, oil, ford richard

Painting by Miss M. Matheson (later Mrs. H.T. Sebire).Painting on a wood panel, of red poppies and yellow daisies with a cream background.paintings, artworks

The print was donated by a local resident, Joan Armstrong. https://www.ngv.vic.gov.au/explore/collection/work/75826/ The print is of a local regional homestead, Yalla-Y-Poora.A small, laminated copy / print of an 1864 painting titled Yalla-y-Poora by artist Eugene von Guerard."Painting by Eugene von Guerard / Yalla-Y-Poora / Copied from a diary loaned / by Judy Armstrong" on rear of itemeugene von guerard, yalla-y-poora, landscape, national gallery victoria, ngv, ararat

Butcher’s Delivery Cart belonging to Edward Tacey, butcher of 629 Canterbury Road which has been decorated for Empire Day Celebrations of 1930s. Driver: Keith…….? Photographed at corner of Canterbury Road and Alexander Avenue, the Tacey shop was just to the left. The donor's grandfather was Edward's brother, William. Her father Albert Arthur took over the business from his brother Joseph, who took over from his uncle Edward.A black and white photograph of a decorated horse and cart. There is a man sitting in the cart. The cart is decorated with flowers and a cut out shape of a sheep.butchers, transport, carts and wagons, horse drawn vehicles, empire day, festivals and celebrations, edward tacey

Large coloured framed print of a Supermarine Spitfire, Australian RAAF Pacific Theatre Rounders. Probably a MU8. Squadron + A/C CR-C Titled " Spitfire of Spades - Group Captain Clive Caldwell" From a painting by Andrew Stuart Smith Frame - timber, moulded gold paint with a decorative edge, glass front. Mount - off white cardboard, innner mount, light blue cardboard.Below painting in black print " SPITFIRE - ACE OF SPADES/ GROUP CAPTAIN CLIVE CALDWELL/ PAINTING BY: ANDREW STUART SMITH " framed print, history, airforce, ww2

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - TEXTILE, DYE, COLOURED CRAYON ON COATED PAPER. DEPICTS IN DARK BROWN COLOURS WITH SMALL ACCENTS OF PALE BLUE, RED AND YELLOW - BELOW HORSE. VISIBLE IN PAINTING IS A SOLDIER, HORSE AND GUN CARRIAGE. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print; "SIDNEY NOLAN (1917 - 1992) Gallipoli soldier, horse and gun carriage 1961". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period. 252 drawings and painting.framed accessories, prints, ww1, gallipoli, centenary

The painting used to hang in Panton Hill RSL and shows the Hotel de FranceBlack and white photograph of painting of Panton Hill by M Rattray 1890panton hill