This photograph dating to the late 1900s depicts the entrance to a reef mine the in Beechworth division. The image depicts two men outside the entrance, which is covered by a hut, where one is standing near a mine cart. The mine car was used to haul soil from the mine. The Beewchworth divison consisted of 5 locations: Beechworth, Stanley, El Dorado, Hurdle Flat and Stony Creek. These locations were set up due to speculative fever that more gold could be found. In places such as El Dorado, Beechworth and Stanley there was profit, however Hurdle Flat and Stonry Creek, gold could not be found in the quantities that was required. By 1880 the Beechworth division was in depression due to the reserves being used up. However, in spite of the depression mining was continued until the late 20th Century.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about reef mining in the late 1900s. It also shows a location where reef mining was undertook which provides insight into the impact of reef mining on the environment at a time when it was done. This image is important for current research into the history of Beechworth , a town in Victoria's north-east. Therefore, this image has the capacity to be beneficial for research into society and the motivations of those living and working in this region during this period and therefore, has social significance. The Beechworth Burke Museum has additional images relating to reef mining and Beechworth which can be analysed and studied alongside images like this one.Sepia coloured retangular photograph printed on newspaper.Reverse: 7813beechworth, beechworth division, mining, reef mining, gold, gold mining, 1990

The photograph depicts the two-storey building of the Bank of Victoria which was built in 1858 and was replaced in 1867 after a fire destroyed the original building. The branch had originally opened under John Farran in 1856 before the office building was erected in Beechworth. The building was located on the corner of Ford and Camp streets and embodied the dignified appearance of Beechworth during the mid-1800s due to the building's features. The Bank of Victoria was designed by "Smith and Watts" and built from white brick and render, which cost three thousand and seven hundred pounds to construct. The building was inspired by a formal Italian villa, including square-headed windows, cornices, and a parapet. The ground floor consisted of banking chambers, a strong room, and servants' quarters. The residential quarters were located on the second floor.The photograph is significant as it depicts not only depicts a building of importance to the town of Beechworth but it also shows aesthetic significance due to the style it was built in. As the Bank of Victoria was constructed in the classic Italian style, it exemplifies the classic quality and refined manner of this architectural style. This building style represents the image Beechworth held for itself at that time, which was a sophisticated and distinguished town.Black and white rectangular photograph printed on paper.Reverse: 23/80 / Beechworth / (Indecipherable) / Banking to (Indecipherable) / Sydney / “Bank of Victoria” / BMM 8692.1 / [Stamped: ILFORD]bank of victoria, beechworth, banks, beechworth bank, 1858, 1867, ford street, camp street, victoria, john farran, smith and watts, italian architecture, italian style building, brick building, brick, banking, money, fire, building destroyed

The photo is taken in 1934 and illustrates the internal view of a ward in the Mental Hospital at Beechworth. Some patients in beds and three nurses are in view. Beds were arranged in lines alongside the walls and there were no partitions or screens to create privacy for patients. Furniture was simple and humble; bed frames were made of metal or wood and pillowcases and covers for the attendant`s tables were sometimes made of blue-striped canvas or calico. Large windows in the walls were offering ample light and the room was well-tended, with Christmas decoration, flowers, pots and carpets on the floor. The nurse in the foreground is Miss Neary. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. The need for an institution of this kind was arisen due to the increased number of people with mental disturbances (induced by the harsh living conditions on the goldfields) and the remoteness of the district from Melbourne. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients. The Hospital was originally named the “Ovens Lunatic Asylum” but, during the centenary celebrations in 1967, the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation. This photograph is historically significant as it provides an insight into the living conditions of patients admitted to the Mayday Hills Hospital at the beginning of the 20th century. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history. Additionally, it provides important information about the way mental health conditions were perceived at that time and how patients were treated. Black and white rectangular photograph printed on paper. Reverse: 1997.2665/ To Miss JA.Peach/ [hallmark: Printed by Harringtons]/ With best wishes/from/H.Jeanes/for 1934.mayday hills hospital, benevolent asylum, ovens hospital, ovens lunatic asylum, kulin nation, beechworth, patients, nurse, social welfare, goldfields, melbourne, mental health, living conditions, blue-striped canvas, calico, bed frames, miss neary, mental disturbances, traditional land, centenary celebrations

The photograph is a copy of the original one, with the latter been captured in 1870. The man depicted is Doctor Thomas Thomson Dick, who was the first Medical Superintendent at Mayday Hills Hospital. He was born in Scotland in 1840 and he died in East Malvern in 1919. He obtained his degree of Doctor of Medicine from Melbourne University in 1864 and, later in his career, he became Inspector-General of the mentally ill. Dr Dick promoted the hospital`s self-sufficiency by engaging patients in various forms of work, such as clothing alterations and cultivation of the farm. He also introduced monthly balls, which could be attended by patients, staff and guests, and they were later replaced by concerts. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. The need for an institution of this kind was arisen due to the increased number of people with mental disturbances (induced by the harsh living conditions on the goldfields) and the remoteness of the district from Melbourne. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients.The Hospital was originally named the “Ovens Lunatic Asylum” but, during the centenary celebrations in 1967, the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation.This photograph is historically significant as it provides information about the staff served at the Mayday Hills Hospital when it first opened. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history and adds valuable information about the changing approaches to the treatment of mental health conditions.Black and white rectangular photograph printed on paper.Obverse: (7)/ Reverse: 1997.2452/ Dr Dick/No(7) Pioneer Board/doctor thomas thomson dick, superintendent, mayday hills hospital, scotland, east malvern, doctor of medicine, melbourne university, inspector-general, clothing alterations, cultivation of the farm, self-sufficiency, balls, concerts, ovens hospital, benevolent asylum, beechworth, goldfields, kulin nation, panoramic view, mental health conditions

Taken in Beechworth, this photograph depicts the intersection between Victorian Avenue and Loch Street. Black and white photograph printed on a rectangular postcardObverse: F & V SERIES NO 15 VICTORIA AVENUE, BEECHWORTH (hand printed) Reverse: A03086 97.21.99 POST CARD R Pigram Cootamundra beechworth, victoria avenue, loch street, burke museum, photograph, postcard, intersection

Christina Key (1870) was Ada Ingram's (nee Key) eldest sister, daughter of Frederick Key (1842-1908) and Jane Key (nee Dalrymple 1845-1931) Paris Panel Photo Eden Photo Studios Eden Studios was big in Sydney from 1895 through 1927+ but only appears to have operated in Melbourne at 284 Collins Street from 1896-1900 and 149 Swanston Street 1904-1906.On back in pencil Christina Key 1898christina key, eden photo studios photographer, paris panel photo, pam thoonen (nee ingram) collection

Paris Panel Photo Eden Studios Photographer, Melbourne and Sydney George Frederick Harless, son of Christina (nee Key) and William George Harless, born 1894 (Carlton Vic. 27661/1894), died 25 Oct 1907 and was buried Boroondara General Cemetery, Kew, Victoria, Australia Eden Studios was big in Sydney from 1895 through 1927+ but only appears to have operated in Melbourne at 284 Collins Street from 1896-1900 and 149 Swanston Street 1904-1906.Inscibed on back in pencil George Frederick Harless 1898eden photo studios photographer, paris panel photo, george frederick harless, pam thoonen (nee ingram) collection

School photograph of Grade 6, Briar Hill Primary School [BH4341] 1954. Names as written on copy: Back row left to right: Denise Epps, Jean?, Leila Chamberlain, Dawn, Meg, Joan?, Beverley Moss; middle row: Neville, Glenys Godwill, Judy?, Marcia?, Gwyneth?, Charlie Barnett; front row: Eddie Holmes, Anthony?, unknown, Andrew Ronald, Billy Boase.Black and white photograph printed on white card. Some names handwrittenbriar hill primary school

John Ely and friends ready for football at Greensborough Football Club. Mascot is Arthur.Digital copy of black and white photograph printed.Caption on backjohn ely

Fabbro's farm and house, Bell Street, Eltham, c.1990s. A crop of artichokes were planted on the farm at this time. The site of the Fabbro farm (Diamond Creek side land) is now called Barrack Bushlands. It is doubtful that Fabbro's farm holding was ever called Barrak Park, This title is fairly recent after the Shire of Eltham purchased the land, including the last section in 1993/94. About this time the area on the west side of Falkiner Street was purchased by a private developer and developed as housing. The area in Bell Street opposite the Eltham High School was purchased by the State Government is recent years and is called Fabbro Fields. The Fabbro Family operated their farm in Bell Street, Eltham. 1 colour photograph printed with white borderfabbro's farm, bell street, eltham, artichokes, barak farm

Fabbro's farm and house, Bell Street, Eltham, c.1990s. A crop of artichokes were planted on the farm at this time. The site of the Fabbro farm (Diamond Creek side land) is now called Barrack Bushlands. It is doubtful that Fabbro's farm holding was ever called Barrak Park, This title is fairly recent after the Shire of Eltham purchased the land, including the last section in 1993/94. About this time the area on the west side of Falkiner Street was purchased by a private developer and developed as housing. The area in Bell Street opposite the Eltham High School was purchased by the State Government is recent years and is called Fabbro Fields. The Fabbro Family operated their farm in Bell Street, Eltham. 1 colour photograph printed with white borderfabbro's farm, bell street, eltham, artichokes, barak farm

Fabbro's farm and house, Bell Street, Eltham, c.1990s. A crop of artichokes were planted on the farm at this time. The site of the Fabbro farm (Diamond Creek side land) is now called Barrack Bushlands. It is doubtful that Fabbro's farm holding was ever called Barrak Park, This title is fairly recent after the Shire of Eltham purchased the land, including the last section in 1993/94. About this time the area on the west side of Falkiner Street was purchased by a private developer and developed as housing. The area in Bell Street opposite the Eltham High School was purchased by the State Government is recent years and is called Fabbro Fields. The Fabbro Family operated their farm in Bell Street, Eltham. 1 colour photograph printed with white borderfabbro's farm, bell street, eltham, artichokes, barak farm

Fabbro's farm and house, Bell Street, Eltham, c.1990s. A crop of artichokes were planted on the farm at this time. The site of the Fabbro farm (Diamond Creek side land) is now called Barrack Bushlands. It is doubtful that Fabbro's farm holding was ever called Barrak Park, This title is fairly recent after the Shire of Eltham purchased the land, including the last section in 1993/94. About this time the area on the west side of Falkiner Street was purchased by a private developer and developed as housing. The area in Bell Street opposite the Eltham High School was purchased by the State Government is recent years and is called Fabbro Fields. The Fabbro Family operated their farm in Bell Street, Eltham. 1 colour photograph printed with white borderfabbro's farm, bell street, eltham, artichokes, barak farm, maurice fabbro

Rev. Albert T. Holden (1886-135) was Superintendent of Home Missions 1904 to 1932.Print of a photograph of Rev. Albert T Holden.holden, at, methodist

This is a photograph from the W.C. Busse Collection and an elderly woman is illustrated sitting on a couch. Wilfred Clarence Busse 1898-1960, born in Chiltern, was a barrister and author. His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse attended school at Wesley College and studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930. "The Golden Plague: A Romance of the Early Fifties", written in 1930, won the T. E. Role gold medal for the best historical novel published that year and went on to become a best seller. His passion for the region led him to write “The History of Chiltern”, which was published in a serial form in the Chiltern Federal Standard from 1922-1923. He was a member of the Chiltern Athenaeum upon his death in 1960.The photograph belongs to the W.C. Busse Collection, which is of great importance to Chiltern Athenaeum. Wilfred Clarence Busse was a barrister and author born in Chiltern and drew inspiration to write novels from his life growing up in Chiltern.Black and white framed photograph printed on paper.Obverse: 1,018/w.c. busse collection, wesley college, leo finn bernard cussen, supreme court of victoria, wilfred clarence busse, chiltern, murray river, barrister, author, bush life, the blue beyond, the golden plague, t. e. role gold medal, the history of chiltern, chiltern federal standard, chiltern athenaeum, historical novels, university of melbourne, gold rush, best seller

Photograph shows Geelong 2 after it has been enclosed at the ends converting it to a one-man tram in 1935. The reference provides dates for this appearance. The tram is on display at the Ballarat Tramway Museum in the appearance prior to the change to the one-man version. In the background is the Bright and Hitchcocks store. Photo by Arthur Atkins Oct. 1941Yields information about Geelong 2 after its conversion to a one man tram and Bright & Hitchcocks store.Photograph print and negative in brown paper envelope.Print has "Geelong" in blue ink along the bottom edge.tramways, tramcar, geelong, tram 2, moorabool st, bright & hitchcocks

Photo of Ballarat No. 18 waiting at the Lydiard St. gates with the Ballarat station building in the background, and a R class hauled train in No. 2 platform. Shows the signal gantry. No. 18 has the destination of city and has a an auxiliary board advertising a Fete - see also Reg. Item 2020 for 18 with the same sign.Colour photograph, printed on a postcard back format.On the rear in pencil "Ball 18 Railway Stn / Ron Scholten Collection for BTM archives".trams, tramways, railway station, lydiard st nth, tram 18

Photograph taken during Easter 1962 AETA tour of Ballarat with trams 37 and 18 at the Victoria St terminus. Yields information about the trams used for an AETA visit in 1962Black and white photograph printed on Ilford paper.trams, tramways, aeta, tours, special trams, tram 18, tram 37, victoria st.

Black and white photo of one of the saloon doors, possibly tram 37 with the Hawthorn Tramways Trust HTT logo or emblem etched into the glass. Most likely taken during the AETA 1962 tour, Demonstrates the practice of having a logo etched into a former HTT tram.Black and white photograph printed on Ilford paper.trams, tramways, tram 37, htt, logos, emblems

Photograph taken during Easter 1962 AETA tour of Ballarat with trams 37 and 18 waiting in Lydiard St North to the North of the level crossing. Yields information about the trams used for an AETA visit in 1962Black and white photograph printed on Ilford paper. has "tram" and "trams at" in red ink on the side of the print.trams, tramways, aeta, tours, special trams, tram 18, tram 37, lydiard st

Photograph taken during Easter 1962 AETA tour of Ballarat with trams 37 and 18 at the Lydiard St North terminus. Yields information about the trams used for an AETA visit in 1962Black and white photograph printed on Ilford paper. has "tram" and "trams at" in red ink on the side of the print.trams, tramways, aeta, tours, special trams, tram 18, tram 37, lydiard st

Passenger & emigrant square rigged sailing shipRealismSepia print of a photograph of the SS GRACE HARWAR.Reverse: " The second vessel to load wheat at the port of Geelong / wheat carried for [to] Europe until c1930 (?) "freight ship

Colour print of Gold Tram, Ballarat 45 (Bendigo 18), at Carlton St with Peter Winspur and David Frost standing in front of the tram. Photo probably soon after its launch in June 2001.Demonstrates the work of BTMColour photograph print, printed on Kodak paper.btm, carlton st, tramways, gold tram, tram 45

The Geelong Harbour Trust Band was one of five brass bands existing in the Geelong area in the early 1900's. They were quite successful in competition under the direction of conductor Mr Harry Shugg. After their conductor, Harry Shugg left to conductor the Malvern Tramways Band in 1915, the band merged with the Geelong Municipal Band to become the Geelong City Band.This postcard is significant as it provides a historical window on this (former) brass band and their achievements. The postcard is also significant as it is part of a series of four in the VBL's collection which have Mr Harry Shugg (conductor) as a central figure.Rectangular black and white photograph printed on a postcard.Front: "GEELONG HARBOUR TRUST BAND, Winners of Double Event, Ballarat, 1910, B and C Grades On a Complete Set of Higham Clear Bore Band Instruments. LYONS, Sole Agend, 256 Bourke St., Melb.geelong harbour trust band, geelong, victoria, brass band, victorian bands' association, harry shugg, geelong city band, geelong municipal band, victorian bands' league

The A.B.C. Band was formed in the early 1930's and performed for radio broadcasts and other events. Their Conductor Mr Harry Shugg was very famous in the banding community having previously conducted the Geelong Harbour Trust Band and at this time was conducting the Malvern Tramways Band. He was also active as an adjudicator of band competitions.The significance of this postcard is that it shows another aspect of the career of Harry Shugg and also the A.B.C. Military Band in its formative years.Rectangular black and white photograph printed on a postcard.Front: A.B.C. Military Band - Conductor: Harry Shugg Back: Post Card Correspondence | Address Australian Broadcasting Co. Ltd.harry shugg, a.b.c military band, malvern tramways band, geelong harbour trust band, victorian bands' league, victorian bands' association

Cardboard cover, printed pages plus photographs.War details

Photograph of the Geelong scrubber tram turning from Brougham St into Moorabool St with the Geelong Customs house in the background. The small building on the left hand side of the building has since been removed. The worker is cleaning the points for the wharf line which can be seen the foreground. The wharf line was closed and the rails used to extend the depot line to Beach during Oct. 1940. Photo c1939.Yields information about the Geelong scrubber tram and the line to Geelong wharf.Black and white photograph printed on plain paper.tramcars, geelong, scrubber tram, geelong scrubber, moorabool st, geelong wharf, beach

Photograph of a Geelong Birney tram in Ryrie St. Note the large bag the conductor is carrying around his shoulder, and who is speaking to two people. Tram has the destination of Eastern Park. Behind is the Mayfair School of Dancing, Gurr Frier & Collins Auctioneer, and a shop showing it as Agents for Tri-Cleaning and Art Dyers. Photo c1940.Yields information about the Geelong Birney trams and their use.Black and white photograph printed on plain paper.tramcars, geelong, birney tramcars, ryrie st, conductors, eastern park

Photograph of the three trams at the Mt Pleasant terminus during an AETA tour 21-4-1962. No. 20 the service tram, 18 and 37 the tour trams. No. 20 has Advertisements for the SEC, Ilford Film and a dash panel advert for The Age newspaper. See item 5249 for a similar Wal Jack photo. The date and location on the rear of the photo are incorrect. Yields information about the trams used for an AETA visit in 1962 and worked within the service trams.Black and white photograph printed on Ilford paper.on rear in ink "Drummond St North 7th April 1962"trams, tramways, aeta, tours, special trams, mt pleasant, tram 20, tram 18, tram 37

This photograph was taken at Wooragee Hall on the Friday 27th February, 2004 as part of an event called Foxy Night Out. This event was about sharing awareness about the impacts of foxes in rural areas and discussing methods to control their populations. There were two mains speakers at this event, the first; Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, and the second; Leanne Wheaton, a nature conservationist. Pictured in this photograph, background (left -right): Graeme Missen, Bob Stelling, Quentin Mansfield, unknown, unknown; Colin Payne. Foreground (left -right): Tony Prowse; Mary Prowse, Digby Race. Also pictured are two taxidermy goannas on top of the tables which were brought in as an example of reptile species that are vulnerable to fox attacks. Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals. (One paragraph about the significance ie: The photograph is an example of the type of events hosted by Wooragee Landcare to inform the general public about potential risks to private and public property. .....)Landscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 ANN+ 1 6329 / [PRINTED] (No.5a7) / 496wooragee, wooragee landcare, fox, foxy