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Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: RESTING PLACE
BHS CollectionBendigo Advertiser '' The way we were'' from 2003. Resting place: the Darwin cemetery as it was in 1942 during World War 2. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Buninyong & District Historical Society
Photograph - Original Photograph, Portrait of John William Henry Austin, photographer of Durham Lead, c1870
historic, people, Copy of original portrait of Portrait of John William Henry Austin, photographer of Durham Lead, seated, holding early camera resting on his leg.john william henry austin, photographer, durham lead -
Stawell Historical Society Inc
Photograph, Mr C. Brown's Coachbuilders shop in Lower Main Street Stawell
C. Brown Coachbuilder with buggy out front of shop Lower Main Street Stawell.B/W. Photograph. Showing two men standing in a doorway of a wooden factory. with a two wheel gig, resting on a wooden t stand, in the foregroundLeft to right: Buggies. Gigs, Carts, & c, Built to Order. C Brown Coachbuilder. Repairs Painting and Trimmingstawell industry -
Linton and District Historical Society Inc
Photograph, Hans Thiesen Steinhold
Sepia photograph of a man with moustache wearing suit with fob watch and chain, standing with left arm resting on furniture, right arm by his side."Hans Thiesen Steinhold".hans thiesen steinhold, old lintonians collection -
Flagstaff Hill Maritime Museum and Village
Instrument - Musical, Autoharp, circa 1900
The autoharp is a portable, stringed musical instrument. It is a member of the zither family but differs from the traditional zither in that chords can be easily played. The buttons on the chord bars of the autoharp can be pressed onto the strings to make different sounds. The labels on the autoharp denote the chords and the notes that the strings play. The instrument is played with the box resting on a flat surface such as a tabletop, with the left hand moving the chord buttons and the right hand strumming the strings, usually with a pick or plectrum . The autoharp was invented around the mid-1880s. There are models now available that have variations in the numbers of strings the instrument has, and differences in the sounds of the chords. Typically the autoharp has 36 strings.This autoharp is an example of musical instruments played at social gatherings and concerts in the late 1800s and early to mid 1900s. It was easily carried by the player. It is usually held in the crook of the left arm with the narrow end resting on the should and the left hand supporting the wider end, the hand pressing on the chord buttons. The right hand strums in a similar way to a playing a guitar, usually holding a soft pick or plectrum.Autoharp, painted dark brown with red rose flower decals. The portable stringed musical instrument is a member of the zither family. The autoharp is shaped like a hollow box with one corner cut off. Strings of various lengths are attached with equal spacing, parallel to the long edge of the box. A slotted board rests over the top of the strings at one end, and buttons on the slots can be pressed onto the felt-padded bars below them to produce chords. There are labels on the upper and lower boards that denote chords and musical notes.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, musical instrument, stringed instrument, harp, auto harp, zither, portable -
Flagstaff Hill Maritime Museum and Village
Cat, 19th century
This toy cat was part of the cargo from the Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife.This toy cat is classified as Fiji 10 on the SWR Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. China toy cat salvaged from the wreck of the Fiji. The cat is in a resting pose. This solid, moulded toy is made of bisque (sometimes described as bisque or porcelain) and the material is tan in colour with a slightly pitted surface.1891, china, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, porcelain, moonlight head, wreck bay, cargo, bisque, toys, miniature animals, cat -
Linton and District Historical Society Inc
Photograph, Mr. and Mrs. McLachlan
Part of Old Lintonian collection No. 111.Sepia photograph of an older bearded gentleman wearing three-piece suit, bow tie and fob watch on chain, standing with right arm by his side, left hand resting on the right arm of a woman wearing long full gown and fur trimmed jacket (collar wrists and hem) and hat, seated with left arm on lap, right arm resting on chair armmr mclachlan, mrs mclachlan, old lintonian collection -
Supreme Court of Victoria Library
Portrait, Robert Dowling, Sir Redmond Barry, 1886
This painting was created by Robert Dowling (1827-1886) in 1885. At this time Dowling was considered Australia's best portraitist. Dowling had been born in England, but migrated to Van Diemen's Land in the early 1830s with his parents. Dowling worked in both Tasmania and Victoria as an artist, before returning to England in 1857. He did not return to Australia until 1884 and received eighteen commissions for portraits. The Barry portrait was commissioned after Barry's death which explains some of the mistakes in the depiction of Barry's robes; the fur cuffs and collar are too large, and the cummerbund is sitting in the wrong place. Sir Redmond Barry is an important figure in Colonial Victorian History, responsible for the establishment and support of some of our finest cultural institutions (the University of Melbourne, the State Library of Victoria, the Supreme Court Library, and aspects of the Museum of Victoria's collection). This is in addition to his role as barrister defending aborigines in the 1840s and his position as a foundation judge of the Supreme Court of Victoria, a position he held for nearly 30 years, presiding over two of the most well known of colonial trials: the Eureka Trials in 1854 and the Kelly trial in 1880.The portrait of Sir Redmond Barry is significant because of the historical importance of Redmond Barry in colonial Victorian history. The painting is also of aesthetic significance as the work of the distinguished portraitist Robert Dowling. Portrait in oils of Sir Redmond Barry. Barry is depicted standing, dressed in red Judicial robes, his hand resting on a chair; behind is a table with books.Signed and dated 1886 (lower left) by Robert Dowling.redmond barry, portraits, judges, robert dowling -
Frankston RSL Sub Branch
Print, "GOOD-BYE, OLD MAN."
WW1 artist printSepia parchment sketch by F. Matania dated 1916. A young soldier is bidding farewell to his fatally wounded horse, as the rest of his unit move on.The artist's name and date is located in the bottom left hand corner F. Matania, 1916. Underneath the print is the inscription "GOOD-BYE, OLD MAN." An incident on the road to Southern Flanders. -
Phillip Island and District Historical Society Inc.
Photograph, 23/04/1925
Photograph (plus an identical one) taken by Jessie "Girlie" Smith of San Remo who owned the Penguin Cafe in Thompson Avenue, Cowes.Photograph (2) of scene during fire at Isle of Wight Hotel 23/04/1925. Garden in foreground. Chinmey back left. The rest obscured by smoke.Post Cardphillip island, isle of wight hotel fire, jessie smith -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Miss Euphemia Ethel Elizabeth Spencer Middleton Henderson standing with right hand resting on chair back. Sister to Mrs J. D. McHaffie.local history, photography, photographs, miss euphemia henderson, black & white photograph, mchaffies, early settlers, john jenner, bryant west -
Glenelg Shire Council Cultural Collection
Flyer - Flyer - Historic Casterton, Victoria, n.d
DL flyer, bi-fold, Historic Casterton. Blue front page, white print, rest is white, blue print and maps and images, tourist information. -
Ringwood and District Historical Society
Booklet, Ringwood Technical School Magazine 1987, 1987
School magazine, 40 Pages. Colour Cover, rest of magazine is Black and White. (24/6/22: still to be scanned to pdf and pdf loaded to this record)rts, ringwood tech -
Bright & District Historical Society operating the Bright Museum
Pipe clay
White clay long bowl of pipe. The bowl has a thick wall. Shaft broken off at the base of the bowl. Has a rest bar at the base of the bowl."CORK" inscribed on the outer surface of the bowl, above the shaft.pipe, goldfields, tobacco, leisure, smoking, recreation, gios -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority Archivesport of portland archives, parapet wall model -
Bendigo Historical Society Inc.
Functional object - THREADED WOODEN PEG
Small beige wooden peg with a large head and threaded about 2 cm from the head. The rest of the thread is broken off. Sides of head are flat.threaded wooden peg -
Bendigo Historical Society Inc.
Postcard - PRINCESS MARGARET ROSE
Postcard: HRH Princess Margaret Rose, daughter of the Duke and Duchess of York. Image shows baby resting on lace pillows. Beagles' postcard.1930's ?royalty, british, princess margaret, princess margaret, royalty -
National Vietnam Veterans Museum (NVVM)
Print - Print, Framed, Respite in the Rubber
Timber framed red bordered signed print. 81/250 Mike Eggleston 2783957, depicting lunch break in rubber plantation and six soldiers at rest.'Respite in the Rrubber', Mike Eggleston 2783957, 81/250. On reverse are the signatures of D&E Pl/ 1 ARU Reunion, 2010.print, soldiers -
National Vietnam Veterans Museum (NVVM)
Photograph, Tank And A Bike
A mounted coloured photograph of a tank parked on the side of a road. A bike rests against the front of the tank. The tank is outside a Military compound and there is civilian traffic on the roadphotograph, military compound, armoured vehicle -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Kodak, Groom and Beckwith Garage, 1920's original
Copy of Original photograph of group of men sitting in doorway of Railway Motor Garage, Tatura. Cars for hire. Phone 89. Also in sign. Later Groom and Beckwith. c 1920'sCopy of Original sepia photograph of six Tatura men resting outside the Railway garage early 1920's. Some had bicycles. original L0333on back: A midday gathering of Tatura workers, Groom and Beckwith Garage. Early 1920's. -
Hume City Civic Collection
Photograph
It is a photograph of an official in the Police Force of the late 19th century.Sepia photograph of a uniformed gentleman sitting beside a round table. The police helmet is resting on the table. The photo is mounted onto black cardboard with gold writingOn front: Walter Shaw / opposite Staff College / CAMBERLEY Handwritten on back: Clive Clarkpolice, uniforms, clark, clive, shaw, walter, photographers, george evans collection -
Latrobe Regional Gallery
Sculpture, FOLLAND, Nicholas, A job for tomorrow, 2009
A chandelier resting on a stainless steel bench which houses a refrigeration unit. The unit is connected to the chandelier and generates ice growth around its central body. -
Whitehorse Historical Society Inc.
Medal - Framed medal, 22/04/1990 12:00:00 AM
The Gallipoli Star was presented to those who had fought at Gallipoli on 25 April 1915 (Anzac Day) and those who had arrived subsequently to the initial landing. although Australian and New Zealand governments intended to issue the star the British government thought it unfair. So it was not issued until April 1990 when it was officially presentedBrass metal frame with a green background. At top is a cut out where the 'Gallipoli Star' medal rests. Medal has ribbon Yellow, red, blue,military history, army, numismatics, medals - military -
Whitehorse Historical Society Inc.
Tool - Vice, c1920
Blacksmith's vice called a leg vice. It rests on a solid block on the floor and secured on the bench with bolts. The vice was made of wrought iron with hardened steel jaws.rural industry, farm machinery, trades, blacksmithing -
Whitehorse Historical Society Inc.
Photograph, Charles Frederick/Francis Rooks
Son of Abraham Rooks, (17/8/1824-1/9/1889) who emigrated from England, 1857 on board the 'Grand Trianon' with wife Sarah, and three children (John, Edward and Edmund). Charles, son of Abraham was elected to Council, 1940. Representing West Central Ward when he died, 1959. Mayor, City of Nunawading 1946-47 and 1955-56.Sepia photograph taken in mayoral robes with hand resting on ornamental chair. Birth registration as Charles Frederick Rooks afterwards known as Charles Francis Rooks.rooks, charles francis -
Mt Dandenong & District Historical Society Inc.
Photograph, Woolrich Nurseries Under Snow
View of Range View (Woolrich Nursery) Nursery under snow. The section owned by Jim Woolrich is up by the pine trees. The rest belongs to Ted Woolrich.The nursery. Jim's place up by the pine trees.woolrich, woolrich nursery, range view nursery, jim woolrich, ted woolrich, olinda, snow, nursery -
Southern Sherbrooke Historical Society Inc.
Dish rack
Wooden rack. consists of two wooden frames with ridges at the top, held together by a wooden peg in the middle. Can be opened to allow dishes to rest on the ridges.helen gibson -
Southern Sherbrooke Historical Society Inc.
Photograph - Photo-colour- tractor
Colour photograph of an upturned tractor at the Narre Warren orchard. It lies in the mud. Two other tractors are resting behind it. A fence surrounds the paddock with trees in the background. -
Vision Australia
Photograph - Image, John Wicking in his office
Portrait photo of President John Wicking sitting at his desk at the Association for the Blind, taken for the annual report.B/W photograph of John Wicking wearing a dark jacket, white shirt and striped tie, sitting at his desk with his hands resting on a blotter.john wicking, association for the blind -
Melbourne Tram Museum
Ephemera - Ticket/s, The Met, Neighbourhood tickets, 1983/1984
Tickets - set of 60 Neighbourhood paper tickets 1983 - 1984 for various Neighbourhoods. Some have been used, rest have been stamped "Cancelled".trams, tramways, mta, neighbourhood tickets, tickets, travel cards, weekly tickets