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Melbourne Legacy
Postcard, Postcards of India
Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. These postcard scenes are from Bombay which is a stop on the route from Australia to Europe. India was often the first time young soldiers saw a different culture on their way to the first World War. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs (none of these have been written on or posted). J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', (which stopped in Bombay), arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1. These places in Bombay, India could have been visited by the first Legatees when they were soldiers in World War 1.Postcards x 7 with images from Bombay in India.01139.1 Bombay - A street scene, Pydowni Junction 01139.2 Bird's eye view of Fort from Taj Mahal Hotel, Bombay 01139.3 Cuffe Parade - Bombay 01139.4 General Post Office - Bombay 01139.5 Bombay - Queen's Road showing palms 01139.6 A woman tapping rubber tree (possibly from Sri Lanka as it was printed in Colombo). 01139.7 Bombay from Harbour Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one -
Melbourne Legacy
Postcard, Postcards of the UK
Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. These postcard scenes are from Scotland and England so could have been places visited. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs (none of these have been written on or posted). J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1. Postcards x 3 with images from Edinburgh and Stirling in Scotland, and the pier in Dover.01140.1 S.S. Deutschland at Prince of Wales Pier, Dover. 01140.2 Princes Street looking West, Edinburgh 01140.3 View from Gowan Hill, Stirling Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one -
Linton and District Historical Society Inc
Photograph, Steam Train, Linton Railway Station
Postcard black and white photograph of men in suits and hats standing on platform beside steam engine R327 at Linton Railway station and two young men sitting on the side front platform of train.Text, reverse: Boy sitting on engine is Harold Morgan, man wearing bowler hat standing beside engine thought to be Mr. Bourke, engine driver, father of Kitty and Lizzie. White house behind station master's cap, weatherboard cottage occupied by Mrs. Howe, her daughter Myra and son Billy. Man on station wearing cap thought to be station master, Alec Thompson's father.steam engines, railways, linton railway station -
Linton and District Historical Society Inc
Postcard - Photograph, Steam Train, Linton Railway Station
Postcard which has a black and white image of a steam engine and carriages at Linton Railway Station. The R class engine was constructed at the Phoenix Foundry, Ballarat, between 1881 and 1886.Text, reverse: "Boy sitting on engine is Harold Morgan, man wearing bowler hat standing beside engine thought to be Mr Bourke, engine driver, father of Kitty and Lizzie. White house behind station master's cap, weatherboard cottage occupied by Mrs Howe, her daughter Myra and son Billy. Man on station wearing cap thought to be station master, Alec Thompson's father".linton railway station, steam engines, transport, railways -
Sherbrooke Foothills Historical Society
Postcard - Blairgowrie Guesthouse ca. 1920
Original postcard with handwritten letter dated 1922 on reverse. Text on front of card: At Blairgowrie. Upwey. Real Photo Series M.3290At Blairgowrie. Upwey. Real Photo Series M.3290 -
Melbourne Legacy
Photograph - Photo, Legacy Camp Yea, 1928
Photograph made into a postcard of a group of people at Legacy Camp Yea in approx 1928. Seven men and 28 boys. Legacy has provided camps and outings for junior legatees for many years. A photo showing Legatees and boys attending a camp in late 1920s.Black and white photo a camp on a postcard."POST CARD" printed in Black ink. "Legacy Camp Yea 1928-30? Received from Josie Brown (sister of Alec and Ted Brown from Central Class?" in pencil on reverse. Legacy Camp Yea 1928-30? received from Josie Brown sister of Alec and Ted Brown from Central Class" in black ink. "D.S. Lee Yea" in black ink.camp, junior legatee outing -
Tarnagulla History Archive
Postcard - Photographic postcard: Company's Dam and Flour Mill, Tarnagulla, c. 1880 - 1920
Williams Family Collection. On the 20th December 1873 it was reported in the Tarnagulla Courier that arrangements were being made for the erection of a steam flour mill at Tarnagulla. Mr Bristol had purchased the necessary plant which would be erected with as little delay as possible. The site chosen was the premises occupied previously by Mr John Pierce, grocer and wine and spirit merchant, at the corner of King and Commercial Road. These premises were incorporated in the mill building. Suitable buildings for receiving and storing grain and flour had been erected already. On 10th January, 1874 an advertisement in the Courier called for tenders from masons, bricklayers and carpenters for the erection of a flour mill at Tarnagulla for H. C. Bristol, Esq. with all enquiries to be made from G. Minto, Engineer. In December 1881 the proprietors made a request to the Tarnagulla Borough Council for permission to lay pipes to the Municipal Dam, which was generally known as the Company's Dam, and to obtain water from the dam for milling purposes. This was granted. Steam was got up for the first time on 30th of March, 1882. A large quantity of wheat was stored ready for milling. Just prior to 29th of April 1882 the boiler at the mill burst, as the result of which two men, J. H. Smith and W. Hargreaves died and H. Joyce Bousfield, senior and junior, were seriously injured. The mill commenced operations on 13th June, 1882 with Mr W Fitzgerald as manager. The price offered for wheat was thirty-seven pence per bushell. It operated with grinding stones until considerable renovations were done in the early part of 1899 when new rollers and more up to date equipment installed. The mill was then known as the Tarnagulla Flour Mill Co., with Thos. Comrie as proprietor, Mr Fitzgerald was still manager, and Mr T. Leonard was the traveller. Much new equipment was put in and each of the three floors had different processes. The rollers were on the ground floor, the purifiers and elevators reel were on the second floor, plus the clean wheat bin directly over the Ganz rollers. On the top floor was the chop reel, bran reel, inter-elevator reels, brush machine cyclone sack hoist, dirty wheat shaker, clean wheat bin, dust rooms and also double damping rooms. A plant was also erected for the making of an improved quality of wheaten meal, for which purpose special machinery was procured and a pair of stones was left for grinding the meal. A complete plant for the crushing of oats etc was also erected. The driving power of the mill was supplied by a new engine complete with 16 inch cylinder, manufactured and erected by Bousfield & Co. of Eaglehawk. It was fitted with Pickering governors, connected with the cylinder was a super heater. The boiler was tested and all connections etc. overhauled, with much of it being completely renewed. There was a complete network of belts, spouts, elevators etc. all over the building, all conveniently placed. The plans etc for the new plant were drawn up by Mr J. Kilborn, manager of the firm of Bodington & Co., engineers and millwrights of Carlton, which supplied the whole of the machinery, excepting the engine. The work of erection was carried out by Mr Kilborn and his assistants to the entire satisfaction of Mr Comrie, who had gone to considerable expense to bring the mill to a completely up-todate machine, fitted with all of the most modern appliances available. An advertisement on May 6th, 1899 read: "Tarnagulla Flour Mill Co., Patent Roller Flour. Also their Digestive Wheaten Meal specially prepared for Porridge or Bread." In January 1901, 6000 bags of wheat were received weekly at the mill and it was a common sight to see the streets lined with wagons. In May 1902 the mill was lighted by gas and in July 1906 an application was made to the Tarnagulla Borough Council for permission to lay a tram track from the mill to the Railways Station. Council was agreeable to this provided suitable plans were submitted. In 1913, 15,000 bags of wheat were bought at three shillings and four pence per bushell. In January 1914 the mill was renovated. At this time 1500 bags of wheat were coming in daily, with 20,000 bags in storage. On 15th December, 1917 the mill was advertised for sale, to be sold on Friday, 21st December,.1917, on behalf of the Estate of the Late Thomas Comrie, who had died on 4th August, 1910. The Courier at that time recorded him as being responsible for the building of the mill and with being the sole proprietor. The mill was closed, apparently, for a short period. The Courier reported on 13th of September, 1918 that the mill had been sold to Mr O. Albert of Talbot and that it would re-open. An advertisement read: ALBERT. O. & SON, MILLERS. During 1920 the mill was closed and pulled down. It was later re-erected at Mildura where it operated for many years. (by Donald Clark)Photographic postcard, front image depicting view of Company's Dam and the flour mill in Tarnagulla. Handwritten on reverse: 'A Merry Christmas and a Happy New Year, E. Bool' and photographer's stamp 'C. Bock Photo Tarnagulla'.tarnagulla -
Tarnagulla History Archive
Postcard - Photographic postcard: Poverty Mine and Engine House, Tarnagulla, 1911
Williams Family Collection. Photographic postcard, Reids Series No.6. Front image depicting the Poverty Mine and Engine House, Tarnagulla Above information handwritten on reverse.tarnagulla -
Tarnagulla History Archive
Postcard - Photographic postcard: Commercial Road, Tarnagulla looking south from Poverty Street, c. 1910
Williams Family Collection. Photographic postcard, front image depicting Commercial Road, Tarnagulla looking south from Poverty Street. Handwritten on reverse: '1/2 main street, Commercial Road, Tarnagulla' and 'L.Williams Tarnagulla'tarnagulla -
City of Greater Bendigo - Civic Collection
Souvenir - Reproduction of postcard, Bendigo Art Gallery
Bendigo Art Gallery was founded in 1887 and has over the years undergone extensive building and renovation programs in recent years adding a new contemporary wing, storage areas, and a new entrance and gallery shop. This photographic reproduction of an older post card shows the interior of the rooms now known as the 'historic courts' and an exterior front view c. 1910. Photographic reproduction of unknown post card. Possibly larger than original size. Writing on reverse. Believed to be related to Cat No 0306.Reverse: BENDIGO ART GALLERY 1910 / "The interior architecture remains / largely the same.' / *This photograph is the property / of the Bendigo Art Gallery, and / should be returned promptly.bendigo art gallery, city of greater bendigo tourism -
Kew Historical Society Inc
Flyer, A beautiful trip on the Upper Yarra on the motor boat 'Minerva', 1930s
An item of ephemera relating to tourism and recreation on the Yarra River in Melbourne in the first half of the twentieth century.An item from a large collection assembled by the Christian and Washfold families of Kew, including photographs, postcards, and ephemera. Many of the items in the Christian-Washfold Collection relate to the Yarra River and its use as as a recreational resource. Numerous items in the collection are historically important in that they are rare and often unique records of vanished locations or past recreational activities.Flyer for a ‘beautiful trip on the Upper Yarra on the motor boat ‘Minerva’. The proprietor is named as E. Burn. There is a picture of the Minerva with passengers on the front and an advertisement for Woodrow’s Hats on the reverse. christian-washfold collection, river yarra -- recreation, yarra -- boat trips, motor boat -- minerva -
Kew Historical Society Inc
Photograph - Mrs Emmeline Lovell Ratten (nee Padbury)
The Padbury family were the dominant funeral directors in Kew in the 19th and 20th centuries. Sepia photographic positive of Mrs Emmeline Lovell Ratten (nee Padbury) (1860-1941). It would appear that the later inscription on the reverse is incorrect as Frederick Ratten married Emmeline Padbury in 1885.Postcard format: "Auntie Ratten (nee Florence Padbury) wife of Fred Ratten - Kew councillor. Florence Avenue named in her honour". Stamp upper left: "The Allen Studio, 318 Smith Street, Collingwood." Postcard stamp upper right: "Kodak Australia".padbury family, ratten family, florence padbury, florence ratten, florence avenue -- kew (vic.) -
Wodonga & District Historical Society Inc
Postcard - Hamilton-Smith Collection Photograph of Grace Hamilton-Smith c.1930s
The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A black and white photograph of Grace Hamilton-Smith with a horse in bushland printed onto a postcard, c.1930s Handwritten inscription on reverse: "GHS @ GWAMBEGININE STN. TAROOM. QLD./1931/1932?/GRACE HAMILTON-SMITH (wife)/married/JOHN HAMILTON-SMITH."hamilton-smith collection, hamilton-smith, ellwood, wodonga, horse, photograph, photography, 1930s, bush, station, queensland -
Ringwood RSL Sub-Branch
Album, Souvenir Post Cards, 'Post Cards'
Personal postcard album with letters on reverse from a soldier and relatives.Cardboard and paper post card album containing souvernir cards sent during the First World War and later to Gertrude (Gertie), (Mrs C Hodgett). Cards range from scenes of Egypt, England, country Victoria and France. Also cards written by family members to Gertie. Back page of album contains abituaries and newspaper cuttings for Hodgetts, Burton, Atkinson, Cam. Cover is embossed with art nouveau decoration.Inside front cover Cards, Sent to Gertie/ From Cazzie Hodgett/Year 1916 -
Tarnagulla History Archive
Photograph of Comrie family in Tarnagulla, Comrie family in Tarnagulla, 31st January 1924
Murray Comrie Collection. The house in this photo was the residence of the town police officer. The town block where the house was located was the base for policing in Tarnagulla from 1878 until the 1990s. At the time of this photo (1924), the father of these children, Angus Comrie Snr was the constable for Tarnagulla. Adjacent to this house was a lockup, office and stable (shown in THA-2019.0031). Behind the residence and outbuildings (in background of this photo) was an adjoining paddock for the police horses. This house was sold for removal in in the 1960s and replaced with a prefabricated residence and small office from Bealiba. These as well as the lockup are still in place (as of 2019), but are no longer used. There are now private residences built on the former police horse paddock. A later image of this house is THA-2019.0032. For almost 100 years the Comrie name has been involved with the Victoria Police. Angus Comrie Snr, joined the force in 1899 and served as constable in Kaniva and Avoca and then in Tarnagulla from late 1909 until 1927. His son Murray Comrie, born in Tarnagulla in 1912 also became a policeman and later a Chief Superintendent, retiring in 1972 and passing away in 1983 after a long illness. Murray Comrie's son Murray Jnr., to avoid confusion became known by his middle name, Neil. Neil Comrie also joined Victoria Police and rose through the ranks to become Chief Commissioner of Victoria Police from 1993 to 2001. The Murray Comrie Collection held by Tarnagulla History Archive was collated in the 1970s by Murray Comrie (1912-1983). Sepia photographic postcard, image depicting members of the Comrie family outside their home in Tarnagulla. According to the note on reverse, the subjects are as follows: On the verandah (left to right) are Murray Comrie, 'Mother' (Mary Ellen Comrie), and Keith Comrie. Angus Comrie Jr. is holding a roped mare. Standing at centre are 'Hilda' and 'Roy' (small child). See second image for handwritten notes on reverse.tarnagulla, police, policing, comrie -
Tarnagulla History Archive
Photograph of police buildings in Tarnagulla, Police buildings in Tarnagulla, 31st January 1924
Murray Comrie Collection. The buildings in this image are (from left to right) the lockup, stable and office of the Tarnagulla Police complex. At far left a small part of the rear of the policeman's residence is visible. This residence is clearly depicted in THA-2019.0030. Behind the residence and outbuildings (in background of this photo) was an adjoining paddock for the police horses. This town block was the base for policing in Tarnagulla from 1878 until the 1990s. At the time of this photo (1924), Angus Comrie Snr was the constable for Tarnagulla, living at the police residence with his family. The residence was sold for removal in in the 1960s and replaced with a prefabricated residence and small office from Bealiba which were used until the 1990s. These as well as the lockup are still in place (as of 2019) on the corner of Victoria and Gladstone Streets. There are now private residences built on the former police horse paddock. For over 100 years the Comrie name has been involved with the Victoria Police. Angus Comrie Snr, joined the force in 1899 and served as constable in Kaniva and Avoca and then in Tarnagulla from late 1909 until 1927. His son Murray Comrie, born in Tarnagulla in 1912 also became a policeman and later a Chief Superintendent, retiring in 1972 and passing away in 1983 after a long illness. Murray Comrie's son Murray Jnr., to avoid confusion became known by his middle name, Neil. Neil Comrie also joined Victoria Police and and rose through the ranks to become Chief Commissioner of Victoria Police from 1993 to 2001. The Murray Comrie Collection held by Tarnagulla History Archive was collated in the 1970s by Murray Comrie (1912-1983).Sepia photographic postcard, image depicting members of the Angus Comrie family standing among police outbuildings in Tarnagulla. Based on the note on reverse of THA-2019.0030, the subjects are probably (left to right): Hilda Comrie (b.1904, married in1907 to Alf Clarke), Roy Comrie (b.1921), Keith Comrie (b.1911, d.1934) and either Angus Comrie Jr. (b.1909) or Murray Comrie (b. circa 1912). See second image for handwritten notes on reverse.tarnagulla, police, policing, comrie -
Tarnagulla History Archive
Photo-postcard depicting Company's Dam, Tarnagulla, Late 1919 or in 1920
Murray Comrie Collection. Image must have been made after October 1919 when the Memorial was erected and before 1920 when the Flour Mill was relocated. This is an original photo-postcard. Sepia photo-postcard depicting Company's Dam, Tarnagulla. In the backgrond the Soldiers Memorial, the Wesleyan Church and the Flour Mill complex are visible.Reverse is printed as standard postcard format (blank/unused).tarnagulla, dam, water, company's dam, flour mill, wesleyan church, soldier's memorial -
Tarnagulla History Archive
Photo-postcard depicting Company's Dam & Pepper Trees, Tarnagulla, c. 1910
Murray Comrie Collection. Photo taken from near the courthouse in Victoria Street, looking east down King Street. This is an original photo-postcard. Sepia photo-postcard depicting Company's Dam, Tarnagulla and 'Peppers' (row of peppercorn trees at left). Visible at centre is King Street and in the background the the Wesleyan Church. Card is from Reid's Series No. 3.Reverse is printed as standard postcard format (blank/unused). Handwritten on reverse in tiny lettering is 'Mrs. E. Whimpey' probably referring to the person who gave this item to Murray Comrie.tarnagulla, views, dam, water, company's dam, wesleyan church, telegraph -
Tarnagulla History Archive
Photo-postcard depicting man outside Tarnagulla Post Office, c. 1920s
Murray Comrie Collection. This is an original photo-postcard. Sepia photo-postcard depicting a man standing outside Tarnagulla Post Office.Reverse is printed as standard postcard format (blank/unused). Handwritten on reverse in tiny lettering is 'Mrs Ison' probably referring to the person who gave this item to Murray Comrie.tarnagulla, post office, people, commercial road, lighting -
Whitehorse Historical Society Inc.
Photograph, Maggs, Evelyn, 1919
Evelyn Victoria Maggs, married Sydney Norman Till in 1920Black & white studio postcard photograph of Evelyn Maggs in a white dress. Dated 1919. Inscription on reverse side ' To the Bloom family with loving Xmas wishes & fondest love for 1919 from Eve.maggs, evelyn -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Stawell Historical Society Inc
Photograph, Memorial Gates at Central Park Stawell by Wayman & Kay Foundry - Postcard
PostCard Memorial Gates Central Park Stawell by Wayman & Kay Foundry. B/W Postcard of the Gates at Central Park, with gas lamps either side On Front Commemoration Gates, Public Gardens, Stawell, Victoria Real Photo Series M.675 On Reverse Published By Valentine & Sons Publishing Co. Ltd Melbourne, Sydney & Brisbane Valentines Real Photo Series Postcard Branches Sydney London Dundee Capetown Montreal Torontostawell -
Tatura Irrigation & Wartime Camps Museum
Photograph, Post Card of Vienna Mozart Boys' Choir, 1938
Postcard of Vienna Mozart Boys' Choir group dated 05.08.1939, Bendigo, with signature of the conductor Georg Gruber on reverse sideSepia photographs of the back and front of a post card. Front is a picture of 19 boys sitting in same style of clothing. Back has a signature of Georg Gruber and date. The two halves have been joined together and put on Corfu.Bendigo; 5/8/1939; signature of Georg Gruber; Georg Gruber (printed); Conductor (printed)vienna mozart boys choir, georg gruber, vienna boys choir conductor -
Ringwood and District Historical Society
Photograph, Archie Harker's Photographs and Postcards of trip to Middle East 1931, Karachi Jersusalem and Cairo. Family and friends in England
Archie Harker married Ruby Baker whose sister Thelma married Stanley Wieland and they are mentioned in the book "Wieland's of Heathmomt". They are notable for their collection of letters to each other and the memorabilia they retained.including these photographs.50 Black and White photographs of Archie Harker and friends and postcards of scenes. Scanned in groups Many of the photos have annottions on the reverse but these were to scanned (except for one postcard) -
Warrnambool RSL Sub Branch
Work on paper - ANZACS in FRANCE, Machine Gunners out of the Tenches, part of Daily Mail Official War Pictures; series XIX no 146 (see Notes)
... of the Tenches Black and White Postcard On Reverse: With a swinging Back ...Trench life WW1 a Propaganda image purports to show a bunch of 'jolly good chaps'Black and White PostcardOn Reverse: With a swinging Back-to-Billets step, these Anzacs are leaving trench duty for their well-earned rest.anzacs -
Warrnambool RSL Sub Branch
Work on paper - WW1 Postcard - France, ANZACS IN FRANCE, WW1 by Daily Mail
... and white postcard on reverse: These merry Anzacs, just returned ...WW1 propaganda imageIllustrates control of information from the 'front'black and white postcardon reverse: These merry Anzacs, just returned from taking Pozieres, laughingly face the camera in the attitudes of surrendering Huns, shouting "Mercy, Kamerad". Also Series XIX No 146anzac machine gun unit -
Warrnambool RSL Sub Branch
Work on paper - ANZACS in FRANCE, Drawing water for the gun crew, WW1
... crew postcard On Reverse: Firing a heavy gun is thirsty work ...One of a series promoting the mateship of the Anzac troops.reveals the 'behind the scenes' work of Artillery troops. (see also Notes)postcardOn Reverse: Firing a heavy gun is thirsty work. These Anzac gunners are drawing water from a well for their comrades. Also Series XIX No151the work of the heavy artillery -
Warrnambool RSL Sub Branch
Work on paper - Postcard propaganda WW1 (see Notes), ANZACS IN FRANCE, WW1 in England by Daily Mail
... IN FRANCE. Black and White Postcard On Reverse: Hot weather and hot ...part of set of propaganda pics to be sent 'home'Attempts to present an idealised view of the fighting although the surroundings counteract this.Black and White PostcardOn Reverse: Hot weather and hot work at their big gun have induced these splendidly built Anzacs to strip to the waist. Also Series XIX No 148soldires in ww1 -
Warrnambool RSL Sub Branch
Work on paper - ANZACS in FRANCE, daily Mail, A Burial on the Battlefield
... Black and white Postcard On Reverse: The burial of an Anzac man ...WW1 Anzacs in FranceIllustrates the often fatal consequences of war while appealing to patriotism at the same timeBlack and white PostcardOn Reverse: The burial of an Anzac man behind the lines where he fought and died for the Empire. Also Series XIX No 149. -
Warrnambool RSL Sub Branch
Work on paper - Propaganda postcard, ANZACS IN FRANCE, WW1
Series of official pics promoting life in WW1 (see Notes)Careful examination reveals different attitudes and uniforms (eg a soldier in what is definitely not an Australian Hat!)fair, with mottling discolorationOn Reverse: A pleasing incident in King George's visit to the Front. A party of Anzacs line up to cheer his majesty as he passes. Also Serie XIX No 147anzacs and king george