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Linton and District Historical Society Inc
Photograph, Nelson Brothers, Stained Glass Window, Linton, 1988, 1988
Colour photograph showing stained glass window in the former Nelson Bros. Undertakers building (now the LDHS Resource Centre).nelson bros. funeral parlour, ldhs resource centre, stained glass windows, buildings -
Buda Historic Home & Garden Castlemaine
Furniture - Desk
Used by the Leviny family membersStained and varnished desk with 3 drawers on r.h.s & pull-out work surface above. Drawer is missing from left. -
Stawell Historical Society Inc
Photograph, Stained Glass windows from inside St Matthews Church. Photographic Committee National Trust Photographs of Stawell
7006 National Trust Photographs Stained Glass windows from inside St Matthews Church Series of Colour Photographs of buildings of interest to National TrustJune 1993buildings, heritage buildings -
Federation University Art Collection
Artwork - Printmaking, Les Kossatz, 'Studio Table' by Les Kossatz, 1985
Les KOSSATZ (1934-2011) Les Kossatz was a painter, printmaker, sculptor and stained-glass designerFramed lithograph. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 10/15less kossatz, tools, studio, equipment -
City of Greater Geelong
Decorative object - Stain Glass Window, Arthur S. Pittock, Geelong Crest Stained Glass Window, 1916
This stained glass was originally installed at Geelong Town Hall following its expansion in 1917. The Geelong Council involved the staff and former students of the Gordon Technical College in designing the artwork and aesthetic of the building. Arthur S. Pittock, former student and local glazier, was responsible for the design and construction of the large stained glass window in the stair hall. The window was described as “a special feature” in the new building with the leaded glass work using “the motif throughout in Greek form, of admirable colour”. The window showcases the City of Geelong’s original coat of arms, featuring images of Geelong’s early industries: sailing, wool, wine and wheat production, and a kangaroo as an inescutcheon. During the redevelopment of City Hall in the late 1960s the stained glass window was removed from the building. The surviving City Hall window is the most elaborate, known surviving stained glass window by PittockGeelong Crest fashioned in glassBy the right use of God's gifts 1894stain glass window, arthur s. pittock, city hall geelong -
Federation University Historical Collection
Photograph - Black and White, Frank Wright and Mr Sandon in band uniforms, 04/1934
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaA black and white photograph of two men in band uniforms standing in a garden. The men are Frank Wright and Mr SandonWritten in pencil on the back of the photograph is "Frank Wright 32 (B.M. St Hildas) Mr Sandon (B.M. Staines) (London) London April 1934"frank wright, sandon, st hildas, staines, london -
Bendigo Military Museum
Programme - PROGRAMME, DEDICATION of RATS of TOBRUK, Rats of Tobruk Association, Dedication Service, Memorial Window, St. John's Presbyterian Church, Bendigo
The stained glass memorial window was dedicated 12 April 1987. Dean Collection, refer Cat No 4575P1. The programme consists of 4 sheets of A.4 paper, when folded in two forms 16 pages. The cover is a yellow colour. The front cover has an image of St John's Church, the Rats of Tobruk Association logo and the title words. The rear cover has a black and white image of "A Weary Digger" drawn by Ivor Hele. Inside is a coloured photograph (15 x 10 cms) of the memorial window. The rest of the programme has the introduction and the church service by Rev. John E Webster B.A. LTh. Bendigo. 2, The programme is the same but without the coloured photo.ww2, rats of tobruk association -
Kilmore Historical Society
Clothing - Silk Shawl, c1870?
Possibly belonged to Elizabeth Jane Hartnell (1855-1922) whose descendants donated the Turner Collection. Slip found with clothing 'Grandmother Hartnell's shawl". Turner Collection.Clothing belonging to early Kilmore families.Yellow silk shawl, self-fringed on all four sides, floral embroidered borders, some staining present, approx. 1.2m sq. Two stitched "tucks" horizontal 15cm from edge of opposite sides approx. midway. Appears to cover stain /ink. A few small holes otherwise ood condition. hartnell, turner collection -
Christ Church Anglican Parish of Warrnambool
Memorial window: Herbert Firks SAMBELL, "I Am The Light Of The World"
Herbert Firks Sambell was the son of John Sambell, a chemist,who settled in Warrnambool in 1886.Stained glass, lancet window, north wall, north nave, depiction of Holman Hunt's painting (1851-1853) "The Light of the World" "To the Glory of God/ and in Memory of Herbert Firks Sambell/ died 16th June 1943./The gift of his loving family. -
Warrnambool and District Historical Society Inc.
Bees wax
This is a lump of beeswax that has been used to polish and clean old flat irons. Beeswax is a natural product made by bees to form the honeycomb in their beehives. It was used historically in many areas, including candle making, bow making, cosmetics production, bullet-making and modelling. It still has many commercial uses today. Flat irons were metal objects that had a flat polished surface and were heated to iron material and garments. The beeswax assisted in keeping the polished surface clean and shiny. This piece of beeswax comes from a local source but the full provenance is not known. It is important to keep it in the collection as an adjunct to the Historical Society’s collection of sad and flat irons from the past. This is a lump of beeswax in a round shape with one end broken across to reveal the inner part of the beeswax. The outer part is somewhat stained. flat and sad irons, household items from the past, history of warrnambool -
Warrnambool and District Historical Society Inc.
Plate, Fragment Hotel Mansions, 1920s
This plate fragment came from the Hotel Mansions in Warrnambool. This building was opened in 1890 as the Grand Ozone Coffee Palace (a temperance hotel) and it was at the corner of Koroit and Kepler Streets in Warrnambool. It was built by a company of local businessmen and was leased out. In 1891 the Coffee Palace was granted a wine licence. In 1895 Thomas Randall was the proprietor and it was re-named the Ozone Hotel. The building was closed in 1915 and re-opened in 1920 as the Hotel Mansions. In 1923 the Hotel Mansions became a fully-licensed hotel. In 1929 it was destroyed by fire and the present day Hotel Warrnambool was built on the site. This plate fragment is significant as it came from the Hotel Mansions in Warrnambool and was probably recovered from the fire that destroyed the building. The Grand Ozone Coffee Palace/Ozone Hotel/Hotel Mansions was the grandest building ever erected in Warrnambool and its destruction by fire was a major loss to the town. This is a piece of a white china plate. On the side of the plate is embedded the name of the hotel in a circular pattern. The plate fragment is badly stained and crazed. ‘H D Hotel Mansions’ ‘Ironstone’ grand ozone coffee palace/ozone hotel/hotel mansions warrnambool -
Warrnambool and District Historical Society Inc.
Household, Swagger Stick, Early 20th century
Swagger sticks were carried by army officers as a mark of authority. They were usually carried under the arm. The use of a swagger stick is now largely obsolete.Thus item is retained as an example of an object previously used by Army officers. It will be useful for display. This is a rounded cane stick with a spherical-shaped top that is slightly curved. The top is of a slightly darker colour. The stick is a little marked and stained. australian army, history of warrnambool -
Bendigo Military Museum
Photograph - PHOTOGRAPH VIETNAM, FRAMED, 1968
Geoff Murray No 3411521, Vietnam 3 Cav Regt 27.11.67 to 22.10.68, Survey Corp 15.10.69 to 15.10.70. Refer 638P.Colour photo of G Murray with captured weapons. Label at bottom details time, place and weapons. Frame is brown stained wood.vietnam, 3 cav, weapons -
Flagstaff Hill Maritime Museum and Village
Bottle
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Bottle, Black glass with some encrustation and iron stain, recovered from the wreck of the Loch Ard. Artefact Rego No LA/80. -
Port Melbourne Historical & Preservation Society
Photograph - Stained glass window, Holy Trinity Anglican Church, Port Melbourne, Jim Hillis, 1996
Photos taken by Jim Hillis prior to final sale of church, and donated to the PMH&PS. Society subsequently located a home for the windows with a church in Richmond, Vic.Photo of stained glass window above altar, from set of nine colour photos of vacated interior of Holy Trinity Churchreligion - anglican (holy trinity), jim hillis -
Coal Creek Community Park & Museum
Final Notice Stamp
8707.1 - This is a stamp made of predominately wood. The knob-like handle is painted black where as the rest is either naked or stained wood.8707.1 - This A/C is PAST DUE we have sent you several statements calling attention to it unless you give this one prompt consideration we shall be compelled to place the A/C in the hands of a collector -
Bendigo Historical Society Inc.
Tool - NORM GILLIES COLLECTION: BENDIGO PRESERVING COMPANY STENCIL
Bendigo Preserving Company Stencil: GREEN - TOMATO PICKLES Poor condition, upper RH portion missing, stained and print marked -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Window in St John's, Colac, 2015, 23/08/2015
St John's Anglican Church was dedicated to St John the Evangelist. The current church replaces an earlier building and was constructed from plans prepared by Henderson and Davidson and was opened on 8 May 1870, and was consecrated on 18 April 1882. Stained Glass Window recognizing the Australian Commonwealth Military Forces, and the death of Lieutenant Benjamin Meredith who was killed in action at Beersheba.To the Glory of God in loving memory or our dear parents John jenner Meredith - Born 29th Nov 1929 Died 30th March 1914. Margaret Meredit - Born 14th Jan 1843 Died 16th August 1915 and our dear brother Lt Benjamin P.G. Meredith Born 9th July 1882 killed in action at Beersheeba 31st Oct 1917. Erected by Annie F.T. and Charlie Meredithst john's colac, colac, john jenner meredith, margaret meredith, benjamin meredith, annie meredith, charles meredith, world war one, beersheeba -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass windows north wall, 9/11/1991
historic building, windows donated by Mr G Richmond, former pupil at Rev. Hastie's school, as a tribute to Mr & Mrs Thomas Scott Window made by James Ballantyne & Son, Edinburgh, Scotland.Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass windows north wall, memorial to Scott family.buninyong, church, presbyterian, uniting, scott, stained glass -
Uniting Church Archives - Synod of Victoria
Award - Address to Miss A Hope Goldie, 27/02/1954
From the staff and pupils of the Goodlet High School, Sholinghur,. Sholinghur is a municipality under Sholinghur taluk in Ranipet District of Tamil Nadu, India. Deaconess Hope Goldie attended Rolland House, Deaconess' Training Institute and the Missionary Training Institute. She left her home in Port Fairy for India in 1927. Fine cotton printed address in the form of a scroll. It is attached to stained brown wooden rods at tend end and is printed with indigo blue."AN ADDRESS PRESENTED TO MISS A. HOPE GOLDIE, ON THE OCCASION OF HER SILVER JUBILEE CELEBRATION"a hope goldie, annie hope goldie, presbyterian missionary, goodlet high school sholinghur india, presbyterian deaconess -
Uniting Church Archives - Synod of Victoria
Award - Wooden Shield, Lewbury, 1950
Winners: Cheltenham Methodists 1950-51; Mentone Presbyterian 1951-52; Cheltenham Church of Christ 1952-52; St Matthews 1953-54; Cheltenham Church of Christ 1954-55; St Augustine's 1955-56"Dark wood stained shield with silver award plaques and winners shields. The centre shield bears an image of a male tennis player."CHELTENHAM DISTRICT CHURCHES TENNIS ASSOCIATION" "PRESENTED BY CLARK MATTING & RUBBER LTD"cheltenham district churches tennis association -
Ballarat Heritage Services
Photograph, Sacred Heart Mercy Convent, Victoria Street, Ballarat East
Number of photographes of the entrance to Sacred Heart Mercy Convent, Victoria Street, Ballarat East, as well as stained glass windows in the chapel.sacred heart mercy convent, ballarat east, stained glass window, sacred heart of jesus, john hove, announciation, kathleen blanche meagan, sacred heart college -
Kilmore Historical Society
VICTORIAN STATUTES, The Victorian Statutes. Vol.3. Markets to Public Works, 1887
The Public General Statutes of the Colony of Victoria also The Acts of the Federal Council of Australasia. In five volumes. Vol 3. "Markets" to "Public Works"Light brown cloth-bound hardcover book, worn at extremities, staining & fading. Front hinge loose. Generally good condition.Nilvictorian, statutes, kilmore court house library -
Kilmore Historical Society
Book, VICTORIAN READERS FIFTH BOOK, 1940
Victorian school reader, Fifth Book.Blue cloth-bound cover, faded, staining, worn at extremities. Pages discoloured, dislocation of rear hinge. 215pp. Poor condition.fictionVictorian school reader, Fifth Book.reading, textbook, children -
Parks Victoria - State Coal Mine - Wonthaggi
Book, Australasian Institute of Mining Engineers, "Transcriptions of the Australasian Institute of Mining Engineers Vol XIV", 1912
Owned by General Manager J. McLeish.Stained beige cover. Inscription title in black. 327 pages. Titled "Transcriptions of the Australasian Institute of Mining Engineers Vol XIV".On cover " Australasian Institute of Mining Engineers". On spine " Transcriptions Australasian Institute of Mining Engineers Vol XIV". -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. stained glass, st john of god hospital, ballarat -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. stained glass, st john of god hospital, ballarat, bishop, pectoral cross -
Mission to Seafarers Victoria
Book, Australian Scholarly Publishing, Lights Everlasting: Australia’s commemorative stained glass from the Boer War to Vietnam, 2023
Almost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.255 pages with colour and black and white illustrations; notes, bibliography, index.non-fictionAlmost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.australian history, ww1, ww2, boer war, vietnam war, stained glass windows, bronwyn hughes -
Warrnambool and District Historical Society Inc.
Book, Believers Daily, 1848
This book belonged to Emily Gascoigne Stratford. She married Barnard Mathews in Victoria in 1856 and the births of seven children are recorded in Victoria. Carshalton (the home of the aunt who gave the book?) is a town in Surrey, England. So far no connection has been found between the Mathews family and Warrnambool.This book has no known local provenance but it is of interest for its antiquarian value. This is a hard cover book of 381 pages. It has a brown cover with embossed ornamentation and gold lettering on the spine. The front cover is partly detached from the binding and the pages are gilt-edged. There is a black and white illustration on the second page. The cover is very faded and stained and there is some staining throughout the pages. The inscription is handwritten in black ink. ‘Mifs Emily Gazoigne Stratford, From her Aunt, F.S. Stratford, Carshalton, Augst. 1850’. emily gascoigne stratford, emily mathews, warrnambool history, believers daily -
Port Melbourne Historical & Preservation Society
Book, Sigrid Borke, In and Out of Port - Voices from the Port of Melbourne: An Oral History, Dec 2000
PMH&PS applied for a LocalHistory Grant to publish this book on member Sigred BORKE'S behalf. Grant was denied but Sigrid produced it anyway, with family doing the design and typesetting and partner Bill IRELAND loaning the money. Purchased at the launch 15 December, International Bookstore, Trades Hall. Subsequently this book won the Victorian Local History Award for the Best Collaborative Effort, with $1000 prize.'In and Out of Port - Voices from the Port of Melbourne: An Oral History' by Sigrid BORKE. Paperback 280 pp book of stories from local seamen and others, self published in 2000. Full colour cover with waterfront photograph. (Absent from collection October 2023)Signed by author 'To Port Melbourne Historical and Preservation Society - who keep the flames burning - Sigrid Borke' Stains on back, probably from the launch celebration.piers and wharves - waterside workers, transport - shipping, societies clubs unions and other organisations, sigrid borke, bill ireland, flossy bell barry, bert fagin, maisie adams, frank milne, roger ilson, kim ryan, bob o'shea, nancy vorherr, lou guihenneuc, elain cleary, eileen cleary, fred frese, raymond frank julier, alby ireland, maritime union of australia, mua, seamen's union of australia, sua, peter close