White board with black print. A letter printed for general viewing. It describes with some humour, what family and friends can expect from the returned soldier.To our wives and the general public, this is to inform you that during the month of November, 1969, your husband/son/uncle/lover/cousin/nephew/mate/fiance/pet/old friend/brother ........having completed an arduous tour in the Republic of Vietnam, will be returning home to Australai (RTA).9 rar, letter, poster, information board

Program for RACV Centenary 2003-2004. Program describes many events for the period December 2003 until November 2004 including a travelling exhibition entitled 'In the Drivers Seat' that expored motoring past, present and future which came to Bendigo at the Golden Dragon Museum 15 April - 31 May 2004. Also a postcard, which reproduces a poster used to promote RACV road service in about 1925. Also a letter from the donor, Des Akers explaining that the items belonged to his uncle Ted malone who attended foot racing events in the Bendigo area.event

The photograph was printed for a historic display at the Bulla Primary School. The children in the photograph who were past pupils of the Bulla State School are Eric Lewis Grant, who was born on 10th September in 1889 and died on 26th March 1969 and Harold Bruce Grant, born 2nd December 1891 and died on 21 December 1934. Further information states that they were 'Ossie's uncles', who was also an old Bulla resident. Bulla State School was one of the earliest schools to be established in the nineteenth century. It was closed down in 1996, which caused much disappointment to the residents.A photocopied print of an old photograph of two boys in a garden. It has been pasted on board and has a white surround with information about the people in the photograph printed under the image. SCHOOL DAYS is printed at the top of the photograph. grant, eric lewis., grant, harold bruce., bulla, bulla primary school

This book is one volume of a series of six volumes of Bible commentaries. It was a 30 year project for the writer, Adam Clarke. He was the great uncle of Daniel Clarke, a 19th century resident of Warrnambool. Daniel Clarke, as a social worker for the Anglican Church, established the Framlingham Aboriginal Reserve in the 1860s. For thirty years he was a prominent businessman in Warrnambool as a photographer and artist. He is well-known today for his paintings of Tower Hill and the Hopkins River mouth. This book is retained not only because of its antiquarian value but also because of its link with Daniel Clarke, important in Warrnambool’s 19th century history. This is a hard cover book with a black leather spine and black leather trimming on the cover edges. The cover is green with gold lettering and ornamentation on the spine. The pages have a mottled blue and brown pattern on the edges. The cover is a little torn and stained. adam clarke, daniel clarke, bible commentary

Five cards were written by William Alexander MacMillan No 246 mechanic Aust Flying Corp to either, sister Mary, sister Bess, Mrs Stritch, sister Agnes, one card to “Dear Bess from John R McDonald (an Uncle) No 67 38th Battalion, two cards from J.C.Falconer No 4459 6th FAB to Mrs Stritch, the other is a “Xmas wish. Research has shown that all mentioned are linked in some waySeries of colour and silk postcards from WW1 from the years 1916 - 1918, nine of the ten have written material on the back in pencil or pen.cards, postcards, ww1

Butcher’s Delivery Cart belonging to Edward Tacey, butcher of 629 Canterbury Road which has been decorated for Empire Day Celebrations of 1930s. Driver: Keith…….? Photographed at corner of Canterbury Road and Alexander Avenue, the Tacey shop was just to the left. The donor's grandfather was Edward's brother, William. Her father Albert Arthur took over the business from his brother Joseph, who took over from his uncle Edward.A black and white photograph of a decorated horse and cart. There is a man sitting in the cart. The cart is decorated with flowers and a cut out shape of a sheep.butchers, transport, carts and wagons, horse drawn vehicles, empire day, festivals and celebrations

The fireplace was the main heating source for small houses before 1900, so a bellows to coax a flame from a dying fire was important. They would also be used to keep the fire going in a woodfire oven for cooking. In later cooking ranges, domestic water supply was also heated through the cooking range so bellows helped to maintaing a supply of hot water. These bellows were handcrafted by Mr James Ripper, a great uncle of Mrs. Jean Raper. An item of signifance throughout Australia, bellows were used in homes to coax a domestic fire into flame for heating and cooking purposes. It was probably used in late 19th to early 20th century homes.A set of hand carved wooden bellows. Each side of the bellows was crafted from one piece of timber. The bellows were joined with leather, brass studs and a metal nozzle.bellows, handcragted items, domestic items

The photograph shows E class tram No. 39 at Kew Depot in 1922 with the depot buildings in the background. The tram has the route number 6 and shows Esplanade as the destination. There are several uniformed crews standing around the tram. The conductor in the foreground has a black cap, and is wearing several small badges, while two crew in the background are wearing summer-style uniforms, grey jackets, and white topped caps. The photograph is included in item 8295, "My Uncle Bill".Yields information about the tram 39 and variations in uniforms in 1922.Photograph - Black and White - three copies, one with notes on rear."Bogie tram Kew Depot 1922" in ink.mmtb, tramways, kew depot, e class, tramm 39, uniforms

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

Published in Hurstbridge but claims to have a wide circulation around the area, including Eltham and Greensborough. It contains numerous advertisements by businesses in the district. This edition records the death of Victor Barnes (uncle of the donor) from the after-effects of service in the trenches in France during WW1. Digital copy accessible via Trove (1927, April 22). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 1 (AFTERNOON). Retrieved July 26, 2024, from http://nla.gov.au/nla.news-page5870397the advertiser, advertisements, victor barnes, david smyth collection

These hand painted bowls were the work of Ethel Mary Ellen Hose who married Albert Ernest Uebergang in 1917, who was an uncle of Ray and Joyce Uebergang. After leaving the family farm at Cudgee the couple moved to Surrey Hills in Melbourne. [Ref: p.228 The Uebergang Families in Australia] The donor, Heather Mclean, daughter of Charles Henry Uebergang, is a cousin of Ray and Joyce Uebergang. A visitor to the museum in March 2018 advised that the bowl with no 'U' was a replacement piece. It is unsigned and undated.This fruit set indicates the work of amateur china painters and is in pristine condition.Black hand-painted fruit set consisting of a large bowl and six small bowls. Each bowl has an individual fruit design and a gold-painted letter 'U' except one small bowl which only has the fruit design. The bowls have a gold rim.[on base] E M Uebergang/ 8/5/1923 [except for bowl with no 'U']uebergang, ethel mary uebergang, china painting, crockery, allansford, food & drink consumption

The Common School No. 213 East Brighton 1864 - 1878 replaced the original St Stephen's Church of England School in Tucker Road. 1878-1908 the School was known as Education Department State School No. 2083 Brighton East. 1908 - 1936 the School changed it's name to Bentleigh and then from 1936 - 1993 was known as East Bentleigh. 1993 the school was closed due to low enrolments and the building was demolished and land sold. Eric Hutchinson, the uncle of Les Hutchinson attended this school. A school photograph of one of the original schools in the Bentleigh area showing a gathering of adults and children who had connection with this school either as teachers, pupils, parents or neighbours in 1930.A Photograph , black & white panoramic showing group of adults and children in front of Bentleigh State School No. 2083 c1930 (Reprint) moorabbin, bentleigh, education department state schools, st stephens anglican school east brighton, hutchinson les, hutchinson eric, market gardeners, early settlers, pioneers, henry dendyspecial survey brighton 1841, east bentleigh state school no. 2083, coates charles j, bent thomas

The wagga was owned by the great uncle of the donor's husband, George Stephens. Mr Stephens was a mining engineer in the late 1800s to early 1900s in Stawell, Main Lead (near Beaufort), Diamond Creek and Costerfield in Victoria. His last residence was at Bosterfield, where the wagga was used as a bed quilt in the mid 1940s. It may have also been used in the childhood home of Mr Stephens at Stawell. Mr Stephens saved the life of a blacksmith at Diamond Creek Gold Mine circa 1910.A wagga made from men's suits and coats, unpicked and sewn together. Pieces are in blue, brown checked and striped materials. There are remnants of a backing around the edges.wagga, running stitch collection, diamond creek, victoria, stawell, beaufort, costerfield

A British statesman and author. In a ministerial career stretching almost 30 years, he was twice Secretary of State for Scotland under William Ewart Gladstone and the Earl of Rosebery. He broke with Gladstone over the 1886 Irish Home Rule Bill, but after modifications were made to the bill he re-joined the Liberal Party shortly afterwards. Also a writer and historian, Trevelyan published The Life and Letters of Lord Macaulay, his maternal uncle, in 1876. (http://en.wikipedia.org/wiki/Sir_George_Trevelyan,_2nd_Baronet)Image of George Otto Tavelyon.ballarat irish, tavelyon, george tavelyon, macauey, irish home rule

In approximately 1934 Beryl Jacquier (nee Keenan) was given this pram. The pram was purchased in Melbourne and picked up by Beryl's uncle who brought it by train to Seville Station (in Killara). Beryl's mother, Una Keenan, was the post-mistress who operated the post office from her home which was next to the station. When Beryl grew up and left home she and Una would write letters to each other every day so that there was always something in the mailbag for Una to process.Cream painted wooden dolls pram with sprung metal frame, black metal wheels and handle. Padded pattern on sides, padded floral cotton sides and base. The hood is missing.dolls prams

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief embroidered in cream silk white work.The edge is done in blanket stitch on a scalloped edge. The embroidery is patterned around the edge in a wide border.warrnambool,, world war 1 hankerchief, hankerchief, redman hankerchief, embroidered hankerchief

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with gold coloured blanket stitch on scalloped edge. Hot pink flowers with green leaves and stems are embroidered in each corner.warrnambool, silk hankerchief, embroidered hankerchief, ww1 embroidered hankerchief, redman

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with soft pink edge in blanket stitch Embroidered with cluster of flowers and leaves in each corner with embroidered mauve butterfly. Smaller embroidered flowers above each butterfly. All done in colours of pink mauve, green and cream.warrnambool, embroidered hankerchief, ww1 embroidered hankerchief, redman hankerchief ww1

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home. Cream silk handkerchief with cream blanket stitched edge with three cream and one pink flower embroidered in each corner. Stems and leaves worked in green.redman, hankerchief, warrnambool, ww1 hankerchief, souvenir ww1

Uncle Brian McKinnon (b. 1957 – d. 2023) was a Geelong-based artist and descendent of the Amangu and Wongai people of Western Australia. He created powerful mixed media works that explore his campaign for Aboriginal rights and his childhood experiences growing up in Western Australia. Scars is a deeply personal and political work that reflects on some of the ways in which Aboriginal people have historically been discriminated against and marginalised because of the colour of their skin and cultural practices. Originally exhibited with two other paintings, it was also made in honour of the artist’s children and their struggle to maintain positive self-esteem. Uncle Brian McKinnon said his children inherited keloids from their ancestors: ‘These keloids look like body scars. In this work, I have placed them in the past and the presence of their ancestors through the act of beautifying the marks, which reflect the landscape and the identity of the person wearing the beautification marks. Although the marks on my children are not so beautiful and they are ostracised because of them, this made me think of racist policies and of course the referendum and when my people were seen for the first time as being human.’

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available

This book belonged to Rolf Crawley who was an engineer in the employ of the Shire of Warrnambool at the time he acquired this book. In 1926 he was the engineer/secretary for the Minhamite Shire, returning in 1935 to the Shire of Warrnambool as the engineer after the death of his father, John William Crawley Junior. Rolf retained this position until 1968. Rolf’s grandfather, father and uncle had all been engineers or shire secretary for the Shire of Warrnambool, with the Crawley family recording a total of 132 years of service to the Shire of Warrnambool which existed from 1863 to 1994. This book is retained as a memento of Rolf Crawley, the engineer with the Shire of Warrnambool from 1935 to 1968. This is a hard cover book of 626 pages. The cover is green with gold lettering on the spine. The edges of the cover are rubbed. The book contains a preface, 18 chapters of text and an appendix. The pages contain many diagrams and plans. The inscriptions on the first page are handwritten in black ink. There is a label from the bookseller attached to the first page. Rolf L. Crawley 1922 Please return to R.L.Crawley ‘Korongah’ Port Fairy or Shire Hall Warrnambool Tait Book Co. 90 William Street St. Melbourne for Technical Books crawley family, warrnambool, shire of warrnambool, history of warrnambool

John Kruse was the brother of August Schwerkolt"s second wife, Wilhelmina. Born in Germany he had spent some time in Australia bur eventually settled in Pittsburg USA. Thirteen years after August died, Wilhelmina moved to Pittsburg with John & Mary, but within three years Wilhelmina and son John had died. Mary, then an orphan lived with uncle John Kruse. In 1909 John and Mary sailed to Melbourne in order to regain the titles of both the Northcote & Mitcham properties, which they were able to do.Sepia photograph of John Kruse, brother of Wilhelmina Schwerkolt.The name John Kruse written on the bottom of photographkruse john, schwerkolt wilhelmina

John Owens (1831-1892) was a Welshman who spent 1853-1863 in Australia, predominantly on the Bendigo goldfields.He was a miner who also initially set up a horse drawn puddling machine, although he sold this in 1857. He gave first hand insight into life on the goldfields through letters he wrote home to his parents. He returned to Wales in 1863 and in 1864 he married his uncles widow, Jane Davis. Jane died in 1872 and John then married Mary Ellen Jackson.Letters from the Bendigo diggings comprising copies of letters written by John Owens to his family in Wales during the years 1854 - 1863 & Letters from Bendigo written by John Owens, Great Grandfather of Charles Paterson. John Owens was in the goldfields of Victoria during the years 1853 - 1863. . One of two books donated by Charles Paterson. Both books spiral bound and contain coloured prints & maps. Books enclosed in plastic sleeve.John Owensperson, family, john owens, history-bendigo-goldfields-family-owens

John Owens (1831-1892) was a Welshman who spent 1853-1863 in Australia, predominantly on the Bendigo goldfields.He was a miner who also initially set up a horse drawn puddling machine, although he sold this in 1857. He gave first hand insight into life on the goldfields through letters he wrote home to his parents. He returned to Wales in 1863 and in 1864 he married his uncles widow, Jane Davis. Jane died in 1872 and John then married Mary Ellen Jackson.Letter fromCharles Patersonaccompanying donation of two books 5316.1 Letters from Bendigo 5316.2 Letters from the Bendigo Diggings Both books spiral bound and contain coloured prints & maps. Books enclosed in plastic sleeve.John Owensperson, family, john owens, history-bendigo-goldfields-family-owens

Founded by Moritz Michaelis and Isaac Hallerstein in 1866. Isaac Hallenstein had previously been partnered with Hermann Buttner and they were travelling salesmen in the Goldfields. Eventually they bought Cleghorn's tannery in Melbourne but Buttner sold his part to Moritz, Isaac's uncle. The expanded the leather business until they had branches in most states and New Zealand and London. After WW1 and the deaths of the founders, the company moved into a variety of leather goods, including shoes, footballs and golf bags. They eventually began to sell all types of sporting goods.Michaelis, Hallenstein & Co PTY LTD Fishing 1939 -1940 Catalogue. Grey and Black cover in light cardboard, with 32 paper pages. Small tear on bottom right corner and top of cover and first page. Photographs and illustrations in B&W. Rear cover lists address as 441 Lonsdale street Melbourne

. Also accompanied by an identical black and white photograph. Shows St Kilda Theatre and a cable tramblack and white post card"Dear May and Floyd, So glad to hear that you all enjoy you self. We are well. Aunti Kate is not well Uncle Will is coming down to myself. No rest for the wicked. Happy New Years dears. Warmest love, Mum and Dad." Valetines Postcard. Branches; Sydney, London, Dundee, (?), Capetown, Montreal, Toronto

Archibald James Bower enlisted in World War I in November 1915, and was killed in action in France in August 1916. Before he left Australia, he drew designs on linen for his mother, Harriet Bower nee Harper, to embroider a quilt - mainly flowers, butterflies and moths. Mrs Bower finished the quilt, which was then used for many years by her grandson, Archibald William Luxford. He went to sleep every night, knowing the designs were drawn by the uncle he had never known, after whom he had been named.This quilt has historic significance as a memorial to a soldier lost in World War I. It is important as a tangible reminder of loss in war, and an example of how memorials to those lost in war take many forms. It has aestetic significance as an example of needlework that is original in design, with an impressive range of different stitches used to execute the design. It has spiritual significance to the Luxford family and the Munro community (even though Archie Bower was from Sale and the quilt moved later to Munro), as the quilt that Arch Luxford, a prominent member of the community, often spoke about as one his most important possessions. He was born after the death of his uncle, and named in memory of him. He grew up sleeping under the quilt, and knowing the story of his loss in World War I.A bedspread made principally of three sections of white linen sewn together with panels of crochet, with a deep linen edging and crochet edging. There are moths, butterflies and flowers embroidered on all sections in white cotton, as a form of candlewicking.world war 1914-1918, craft, needlework