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Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
This media item is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). You may share (i.e. copy, distribute, transmit) this item provided that you attribute the content source and copyright holder; do not use the content for commercial purposes; and do not rework (i.e. alter, transform, build upon) the material.
Attribution
Please acknowledge the item’s source, creator and title (where known)
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
This media item is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). You may share (i.e. copy, distribute, transmit) this item provided that you attribute the content source and copyright holder; do not use the content for commercial purposes; and do not rework (i.e. alter, transform, build upon) the material.
Attribution
Please acknowledge the item’s source, creator and title (where known)
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
This media item is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). You may share (i.e. copy, distribute, transmit) this item provided that you attribute the content source and copyright holder; do not use the content for commercial purposes; and do not rework (i.e. alter, transform, build upon) the material.
Attribution
Please acknowledge the item’s source, creator and title (where known)
The wagga was owned by the great uncle of the donor's husband, George Stephens. Mr Stephens was a mining engineer in the late 1800s to early 1900s in Stawell, Main Lead (near Beaufort), Diamond Creek and Costerfield in Victoria. His last residence was at Bosterfield, where the wagga was used as a bed quilt in the mid 1940s. It may have also been used in the childhood home of Mr Stephens at Stawell. Mr Stephens saved the life of a blacksmith at Diamond Creek Gold Mine circa 1910.
Physical description
A wagga made from men's suits and coats, unpicked and sewn together. Pieces are in blue, brown checked and striped materials. There are remnants of a backing around the edges.
Making Do on ‘the Susso’: The material culture of the Great Depression
There are currently 5.25 trillion pieces of plastic in our oceans. The demands on renewable sources like timber, clean water and soil are so great they are now being used at almost twice the rate that the earth can replenish them. Finite resources like fossil fuel are consumed at an alarming rate, changing the earth’s climate and pushing animal species to the brink of extinction. Current patterns of consumption are exceeding the capacity of the earth’s ability to provide into the future.
Curated byPaige Gleeson, Wodonga Council - Wodonga Historical Society
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander
peoples as the first inhabitants of the nation and the traditional custodians of the lands
where we live, learn and work.
