Created for and entered in the 2008 ‘Expressions: The Wool Quilt Prize’- “The quilts connect us to our past and to our future, by interpreting Australian themes and telling our stories.”- Judy Hooworth, Quilter and Judge of the Prize. Donated to the National Wool Museum after the conclusion of the exhibition.Eucalyptus dyed woolen blanket base with salvaged fabrics hand sewn to create a patchwork effect. The eucalyptus dye has been used to create different tones of brown and red throughout the design with further dyeing used to create leaf imprints on the fabrics. A running stitch has been used to quilt the wagga, the stitching is imperfect, in places tied on the surface of the wagga.On reverse: INDIA FLINT RED BLANKET WAGGAexpressions: the wool quilt prize, quilt, india flint, wagga

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle

Item is particular to areaTankard Wagga SGT Mess ceramic with handle and Coat of Arms insignia "Torch with a Black Bird either side"Ceramic Mug with RAAF Wagga, insignia "Torch with a Black Bird either side", Sergeants Mess.grey ceramic glazed tankard, raaf wagga

‘By Wagga Design’ is the winner of the Art Quilt Australia 2019 Expressions: Wool Quilt Prize. Barbara Mellor, of St Helens in Tasmania, made this quilt after researching the history of waggas and was fascinated by this early form of recycling. ‘By Wagga Design’ is her contemporary take on the traditional wagga that was born out of hard times and limited resources. Barbara wrote the poem below while thinking of the workers who used waggas while travelling: Black night campfire night sheep in the shadows dreams on the track a comforting wagga stitched with love for a homesick heart. The wagga was made in 2017 and was first submitted into the Bay of Fires Art Prize. In 2018 the wagga was submitted into the Break O’Day Stitchers Quilting and Embroidery Exhibition, where it won the Hanger’s Prize. Barbara sourced the fabrics used from a variety of places. Some are from her personal collection while others were given to her. She purchased a woollen three-piece suit from a local op shop and decided to incorporate it into the design, making some unique and distinctive shapes. Another distinctive feature of the quilt is the patch labelled ‘Parkside’. Barbara noted that it was cut from a blanket she purchased from a garage sale from a property that had once been a caravan park titled ‘Parkside’ in the 1960s. The filling of the wagga contains the rest of the Parkside blanket.Quilt made from various woollen garments and bedding in cool tone colours. Patches mostly cut into square and rectangle shapes. Three patches made from a second-hand woollen suit, showcasing the arm with cuff buttons, pocket flap on a hip pocket containing a pocket square and front of vest with buttons. wagga, art quilt australia, expressions: wool quilt prize

This quilt was created by Ms Shirley Critchley, c.1960. it was made in a wagga style from unpicked knitted jumpers that Shirley would repurpose. Some of these jumpers were from her daughters out growing their garments, while others were from jumpers Shirley would find at opportunity stores. One of Shirley’s daughters, Jane McGrath, followed in her mother’s footsteps and begun quilting with Shirley’s guidance. One of Jane’s first quilts, the “Tartan Fabric Sample Quilt” is located within the National Wool Museum’s collection (REG 8282). Multicoloured wagga style quilt. The quilt’s top layer is made from unpicked knitted woollen jumpers. These jumpers are in a variety of colours including yellow, blue, green, and red. Some blocks are a single colour, while others have been knitted with a different secondary colour such as grey or white to give noise. The quilt has an unknown insulating fabric. It shares its backing fabric with the material used to bind the edges together. This material is a woollen blanket in a tartan pattern of a blue background with green and red lines. The quilt is sized to suit a single bed. quilts, wagga, upcycle, shirley critchley/jane mcgrath collection, woollen jumpers

Norma Dessent (the donor) was cleaning out her Mother-in-law Amy Dessent’s home, after she passed away in 1995. She came across a collection of gunny sacks for chicken feed, potatoes, and flour. Norma gave the bags to her good friend Beryl Andersen, thinking she might be able to make use of the material in her quilting. Many years later in 2001, Beryl gave Norma this quilt made in a wagga style out of the bags. This was both a great surprise and a great delight for Norma. Amy Dessent was a housewife. Her chickens were her friends, keeping her company as she worked in her renowned garden and while she cooked and maintained a beautiful home. Typically, Amy would have a dozen chickens clucking around at a time. In the style of the time, everything was kept for a possible repurposing later in life, such as these gunny sacks. The Chicken Feed Wagga was created in Ballarat by Mrs Beryl Andersen. Beryl was the inaugural president of the Hamilton Quilters Guild and is a well-known quilter. Perhaps her best-known work was the “Quilt for Hope”, a living memorial for victims of institutional church-related sexual abuse. More information about this quilt can be found on the following link. https://www.nationalquiltregister.org.au/quilts/quilt-of-hope/). The wool blanket used as a backing belonged to Beryl’s mother. Beryl’s mother married in 1930 and the blanket is thought to have been a present from this wedding, making the blanket close to a century old. Norma donated the quilt to the National Wool Museum in 2021 as a result of downsizing. She no longer had room for the quilt to hang on her wall. Before downsizing, the quilt had hung in the entryway to her home for the last two decades.Wagga style quilt made with a appliqué top layer of gunny sacks that once held chicken feed, flour, and potatoes. The insulating internal material is not known. The backing fabric is made from a cream woollen blanket. The edges are bound with a material of a red and white plaid. The gunny sacks are quilted together with a machine stitch of red thread. The sacks contain imagery pertaining to their previous use. Some sacks have an image of a chicken applied with blue, red, or green ink. Other sacks contain imagery of potatoes. While other sacks contain information “Minimum Crude Protein 14%, Minimum Crude Fat 3%, Maximum Crude Fibre 7%”. One of the sacks shows a handwritten price for a bag of chicken feed in a red ink.Numerous. See multimediaquilts, wagga, gunny sacks, upcycle

Wagga Lily flour bag, from the Murrumbidgee Milling Company Limited, Wagga Wagga, NSW. 10 kg bag.Cotton flour bag with green, yellow and red faded text and image. Rectangular with casing sewn at upper edge.agriculture, murrumbidgee milling co ltd, gibbs, ms cynthia

This wagga was made during World War Two from disused patterned rayon patches. The wagga is filled with jute bags. The maker of the quilt is unknown. The wagga was a necessity given the austerity of war, it shows the persistence of wagga quilt making right through the 1940s.Quilt/wagga, patterned rayon cover in mixed patches in blues and greens, with jute lining.quilting history, running stitch group, running stitch collection, quilting - history, world war two, wagga, jute

This wagga has been made of regular sized, machine sewn patches of mens suiting fabrics. The fabrics would almost certainly have been sourced from a sample book of fabrics for mens suits, owing to their regular size and the fact that many have the same pattern but vary in colour.Wagga, made from samples of mens suiting in machine sewn patchwork.patchwork, wagga, fabrics, mens suits, pattern, necessity

3 black and white photographs. Image No 1: Hubert Maggs in his garden at Gumly, NSW. Image No 2: Horses at Hubert Maggs wheat farm at Peak Hill, NSW. Image No 3: Home of Hubert Maggs at Gumly, NSW. Written on back of photographs: Image No 1- Dad looking very fit in this one. Hubert in his garden at Gumly. Image No 2- Hubert- second eldest son of Joseph Maggs. This photo was taken at the wheat farm and some of these horses were bred from a mare named 'Jess' which Hubert took from Ringwood to Mount Mercer, Victoria, and then to Peak Hill. Image No 3- The house at Gumly from the front.

This wagga style blanket was made by May Shortte using blanket samples from Solomons department store, Geelong (now Market Square Shopping Centre). May Shortte is the grandmother of Emily McNeight. Part of a collection of three blankets donated by Emily McNeight.Blue, orange, green, yellow, purple and grey wagga style blanket made with off cuts of blankets.wool, blankets, wagga, solomons, geelong, may shortte, samples

The wagga was owned by the great uncle of the donor's husband, George Stephens. Mr Stephens was a mining engineer in the late 1800s to early 1900s in Stawell, Main Lead (near Beaufort), Diamond Creek and Costerfield in Victoria. His last residence was at Bosterfield, where the wagga was used as a bed quilt in the mid 1940s. It may have also been used in the childhood home of Mr Stephens at Stawell. Mr Stephens saved the life of a blacksmith at Diamond Creek Gold Mine circa 1910.A wagga made from men's suits and coats, unpicked and sewn together. Pieces are in blue, brown checked and striped materials. There are remnants of a backing around the edges.wagga, running stitch collection, diamond creek, victoria, stawell, beaufort, costerfield

Part of the Running Stitch collection. Possibly made in the Ballarat area.Heavy weight domestic waggaWAGGA/ Maker Unknown. 108cm long X 67cm wide/ Floral cotton cover with filler of old garments/ Running Stitch Collection/ c/- Barbara Macey/ ...handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history

Booknon-fictionThe Men and the movements of The Australian Bathurst Class Minesweeper HMAS Wagga

Mr Perkins joined the police force in his early twenties and apart from an 18-month posting in Melbourne, spent the rest of his career serving communities in country Victoria. He was a keen fisherman and hunter- his first love was sitting on the banks of the Murray River with a fishing rod in his hand. Family camping trips were spent by the river where everyone slept on stretchers with several army blankets underneath and a wheat bag wagga on top. This wagga is made from two standard sized jute wheat bags split and hand bound along the seams. It is typical of a basic wagga made by shearers, farmers and swagmen. The paint stains on this wagga display signs of later use as a painting drop sheet by descendants who inherited the quilt. Quilt made of two standard size jute wheat bags (a bushel = 150lbs) split and hand bound along seams. It is an example of the basic type of wagga made by shearers, farmers or swagmen. Another use for the wagga was as a 'drop sheet' when doing house painting- possibly explaining the paint stains on the wagga.quilting history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), perkins, mr percy, quilting - history

Made by Adolphina Noll in 1934 in Wilmington, South Australia as a wedding gift for Mr Joe and Mrs Ida (aka 'Ike') Fulwood. Mrs Noll was Ike's maternal grandmother and was 69 when she made the quilt. (It was used on a bed in a plain heavy woven calico cover which was secured with safety pins. The cover is not in existence.) It was given to Lois Densham in Adeleide from Ike, who was a close friend of Lois' sister, Doreen Saunders.Double bed sized quilt cover insert made from several items of clothing: men's frock coat (possibly from the 1900's), another men's coat (date unknown), a woman's coat with a fur trim on the pockets (possibly from the 1930's) and a woman's dress or skirt (circa 1920-30's). The clothing pieces have been arranged in an apparent haphazard way to create a shape with straight edges and corners to fit neatly into a cover onto a bed. Lining materials are apparent on the back of the woman's skirt/dress pieces which may also show that this item of clothing was either taken apart or never finished. Orange cotton lining material is also evident on some pieces of the men's coat.handicrafts, quilting, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), noll, mrs adolphina fulwood, mrs e. g.

This small woollen suiting wagga was machine stitched, backed with orange cotton and edged with brown navy and white striped braid. It shows how important old and disused suiting fabric was for quilt making during World War Two. Part of the Running Stitch collection.Small woollen suitings wagga. It is machine stitched, backed with orange cotton and edged with brown navy and white striped braid. Two rows of orange braid and purple ric rac are stitched across the wagga.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history, world war two, wwii

Purchased by Ruth Lee around 1993 from an Opportunity Shop in Grovedale. Previously owned by Mrs Wall of Grovedale.Machined cotton and wool wagga, filled with woollen pullovers and other woollens. Purchased for a gold coin donation at an opportunity shop in Grovedale.quilt, wagga, quilting - history

Part of the Running Stitch collection, possibly made in BallaratDomestic wagga, unfilled, consisting of two machine sewn layers of woollen garment pieces both knitted and woven. The front pieces are predominantly red, blue and yellow, the back is mostly brown red and blue.WAGGA/ Maker unknown 154cm long X 90cm wide/ Made of parts of wool garments, knitted and woven.....handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history

Donated to the Running Stitch collection by Mrs Faulkner of Bendigo after she saw the exhibition curated by Murray Walker at the Museum of Victoria in 1985 of memorabilia. Mrs Faulkner sent the wagga down on the train and Lois Densham picked it up from 'Travellers Aid' at Spencer Sreet station. Mrs Faulkner made this wagga for her father in his later years when a hot water bottle was considered too dangerous and a blanket was not warm enough.Printed cretonne cover of yellow and orange flowers, covering a wagga style quilt made of two standard size wheat bags opened out and stitched together. An opening in the cover has been tacked down to reveal the jute lining.quilting - history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), faulkner

Hardcover book bound in red cloth - "Pianoforte Tone-Production" by Tobias MatthayA/C 5 30ci Altona Wagga Wagga 25/9/21

This cot cover insert was made during the 1929 depression an a time of financial hardship. It was made by Jean Hepner's Grandmother from used woollen garments. They were hand stitched on to an old woollen blanket. The quilt was used by at least five of the seven children born in to this family and also by grandchildren in later years. It was used with assorted covers which were replaced when needed.Child's cot cover insert (wagga) made from discarded woollen garments such as socks, stockings and vests and stitched in multiple layers on to a woollen blanket. It is mostly cream in colour with patches of blue and brown.quilting, history, depression era, wagga, geelong, quilting - history