Bamboo wall hanging with picture of a house and sailing boat in the background. A paper calendar is attached at the bottom.Complimentary Calendar fron W. Curnow & Son. General Storekeepers Charltonbamboo calendar, w. curnow & son

A razor strop is flexible strip of leather or canvas used to maintain a shaving edge on a thin blade such as a straight razor. Fine powdered jeweler's rouge or other pastes can be added as an abrasive to polish the blade. The strop may be a hanging strip or a hand-held paddle. This one is a hanging strop. Strops were quite commonly found in barber shops and homes before the invention of the safety razor, They are still used for sharpening tool blades. This one was owned and used by Mr Bill Weston, an early Orbost sleeper cutter.This item is an example of the self-reliance shown by rural families when household necessities were not readily available.A brown leather (probably horse hide) razor strop with a double hook at one end. It consists of two strips of leather with padded 'tongue' at bottom. This is a hanging strop which has a metal swivel on top so that the strop can be turned over while hanging from a hook/peg Front top in gold : MALWA Base in gold: 910razor-strop shaving personal-effects

Dry stone construction as a technique is used for much more than paddock walls. Across the volcanic plains of western Victoriaare marvelous sheep dips, stock loading ramps, huts, dams, retaining walls, and the rich and largely undiscovered heritage of indigenous dry stone structures. Dry stone walls indicate many aspects of our rural environment; the geological beginnings of the way the landscape was created, the patterns of early settlement by pastoralists and squatters, the types of stock that grazed the land and the methods of cattle and sheep management, of the efforts to thwart the spread of rabbits .... "For the casual but interested observer dry stone walls are good to look at, to photograph, to get up alongside and see the way they are constructed, to appreciate the varying shapes and sizes of stones and learn of the techniques of keeping often quite rounded stones in place. Apart from walls and other dry stone structures on grazing land we can also see dry stone techniques used in other places and in other phases of our history. Indigenous Australians have built, and continue to build, structures for shelter or hunting or trapping eels and fish in rivers and estuaries around the country. At spots around our coast line there is evidence of simple stone structures built by early maritime explorers. Prospectors in early mining encampments used dry stone construction to build retaining walls or the low walls of rudimentary shelters. If the future of dry stone walls in the Australian landscape is to be assured. wall owners and local governments have to accept and embrace their custodial role in assuring the preservation and celebration of walls. This is not an easy task, but, along with putting the necessary statutory mechanisms to ensure their retention, it is a task that must be pursued. The Dry Stone Walls Association of Australia has as its primary goal the increase in awareness of wall owners and local governments of the importance of dry stone walls. It also seeks to increase the level of training of skilled and semi skilled wallers, and the gaining of rudimentary skills by farmers so that they can maintain their own walls". Melton Star Weekly article about the Stone Wallslandscapes of significance

Carving was made by a Japanese Prisoner Of War in a New Zealand POW Camp in Featherston, North Island. Original owner believed to be Graeme Richards who was a guard at the camp.Solid wooden carving of the Great Wall of China. Tan with matching frame, cord hanging strap on back.Carving history attached to backing.memorabilia, carving, china, pow,

Wall hanging wooden container for holding boxes of matches, painted burgundy with a fretwork rabbit applied to front.domestic equipment, containers, matches, k47

Colour photograph. Couples dancing in hall some wearing pyjamas. Balloons on wall Hanging star and moon.clubs, music, bush dance & music club of bendigo

White oval china plate with pink and blue flower design. Holes in the back for hanging on the wall etc."Kaiser W. Germany" "31"plates

sepia photograph of adult female holding baby, small girl at her right. Group is standing at gateway to double fronted weatherboard cottage. Youngster wearing pinafore over dark dress. Picket fence and gate, brick chimney at left of cottage. Wall Bros. printed in script, photographers, Melbourne and Bendigo printed in lower case and capitals at bottom front of card.Wall Bros., Melbourne and Bendigoperson, family, casual

Print of a painting by Bill Walls. Fortuna Villa was the home of the Army Survey Regiment from 1942 - 1996. This print was printed by the Army Survey Regiment. A number of prints were produced at various sizes including the Unit Christmas cards.Print on heavy paper, laminated and printed by the Royal Australian Survey Corps, Army Survey Regiment, BendigoLabelled "Fortuna Villa" signed by Bill Wallsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

training wall East sideColoured photograph of Left training wall on Moyne rivertraining wall, east beach, moyne river

Colour photograph. Couples dancing in hall wearing pyjamas. Balloons on wall Hanging moon. Man in shirt and tie.clubs, music, bush dance & music club of bendigo

Metal letter holder, for hanging on a wall. Back panel with embossed design, protruding shelf at front to hold letters.

This banner was constructed by a group of Deacons and Deaconesses at a National Diaconate Conference held in Melbourne in February 1993. The banner was originally held at Catherine Ritchie House. It is significant because it was put together by a group of Deacons who were ordained in December 1992 and Deaconesses who gathered for the biennial National Diaconate Conference which was held in Melbourne in February 1993 prior to the formal establishment of DUCA (Diaconia UCA, the national body of Deacons and Deaconesses in the Uniting Church in Australia). This conference happed at a time leading up to a special service in Wesley Uniting Church in Melbourne when 12 Deaconesses were ordained as Deacons in Feb 1993. The banner was first used in this special service of Ordination in February 1993. Calico wall banner with 54 individual square panels. The banner has four loops at the top and bottom for hanging. catherine ritchie house mount martha, national diaconate conference melbourne 1993, rev dr alison f mcrae (deacon)

Professional Straight Razor Sharpening Strop All Leather Construction, Suede Side And Smooth Side Hanging Eyelet Attached at Top popular 1920's. Circa 1920's used professionally in Barber Shops. Leather razor strop (strap) leather finish on ends with inscription "soft finish" on the leather end of the strop. A chrome loop is attached to the end for hanging or attaching. "Soft Finish" annotated on the end of the leather finish of the strop. leather razor strop

“The artwork speaks to the historical architecture of this area, while exploring the idea of changing understanding of space. Space is bent, bulged and repeated, in this painting, like a mirror maze. In this way, it will inspire playfulness, curiosity and thought, by transforming the way we observe, move through and engage with public space”Artist George Goodnow has installed their artwork on the Annex Wall in Alfred Deakin Place from 30th November 2021 - 1 November 2022. George is a multidisciplinary artist and curator currently living in Naarm (Melbourne). Their work for the Annexe Wall will feature a fictional architectural arrangement of the Police Lane site. George utilises painting (designed through hand-drawn and digital processes) to adjust existing architecture, illuminating how spaces reflect, orientate and hold bodies. Recent work explores feelings of disorientation, binaries and queerness within suburban and urban landscapes. painted wall

Certificates won by J G Scott at Rutherglen Show. 32.6 First Prize - Hanging Basket, Blue.Prize certificate for 1906, Rutherglen & Murray Valley Agricultural & Horticultural Society. Blue certificate with gold printing. First Prize certificate won by J G Scott at Rutherglen Show for Hanging Basket."Rutherglen and Murray Valley / Agricultural & Horticultural Society / Twenty Seventh Annual Exhibition / Wednesday, 24th October, 1906" / "A.H. Thompson, Secretary"rutherglen show, rutherglen & murray valley agricultural & horticultural society, j g scott

Thai silk wall hanging on a wooden pole with plastic ends and cord for hanging. The banner is blue and aqua with black silhouettes of figures and cream felt appliqued text. There is UCA badge at the top right."BOURKE" "CARING"

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of Revere kitchenware, which carries the prized "Process Patent" maker's mark on the thick copper bases. Mandie Boyd recalls: "I don’t remember a lot of cooking going on in them, if any, as they were a pain to clean but looked fabulous hanging on the wall absolutely gleaming. We would all check our hair and make up in them."A set of Revere Ware Saucepans and Frying Pans. A set of four Revere Ware copper clad, stainless steel saucepans with lids and black handles and hanging rings. A set of three Revere Ware copper clad, stainless steel pans with black handles and hanging rings. The largest flat one has no lid. Saucepans: largest 175mmx140mm, smallest 120mmx180mm. Frying Pans: largest 350mmx10mm, smallest 80mmx50mm.Revere Ware company engraving. Made under process patent #2363973. 'Revere Ware 1801' 'Patent # 22726091'revere, revereware, revere ware, cookware, walsh st kitchenware, robin boyd, ohm2022, ohm2022_10

A colour photograph of a King Parrot perched on a stone wall.A colour photograph of a King Parrot sitting on a stone wall. This postcard was produced by Nucolorvue Productions as a souvenir of Marysville.KING PARROT Marysville, Victoria. NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17 MA 012/ NCV 7778 ADDRESS/ POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd.,/ Telephone: (03) 560-1788 Made in Australiamarysville, king parrot, victoria, nucolorvue productions, postcard, souvenir

A colour photograph of a King Parrot perched on a stone wall.A colour photograph of a King Parrot sitting on a stone wall. This postcard was produced by Nucolorvue Productions as a souvenir of Marysville.KING PARROT Marysville, Victoria. NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17 MA 012/ NCV 7778 ADDRESS/ POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd.,/ Telephone: (03) 560-1788 Made in Australiamarysville, king parrot, victoria, nucolorvue productions, postcard, souvenir

Photograph,of a plaque on the wall of the original Victorian Woollen Mill.Photograph,of a plaque on the wall of the original Victorian Woollen Mill.Godfrey Hirst/16/2/65 Cobb Topweaving mills, godfrey hirst and co. pty ltd victorian woollen and cloth manufacturing co.

Tapestry wall hanging made in China featuring two fluffy Pandas on a blue and white looped background. Steel hanging rod with three looped sections of wool over the rod. Blue fringe at bottom edge. Red, black and white plaited hanging cord

Tait collection: item 45 of 62 This is a document giving details of the Letters of Administration following the death of Jessie Wall (nee Wood) who died intestate in Warrnambool in 1897 at the age of 53. She lived in the area in north Warrnambool known as Spring Gardens and left real estate to the value of £400 and personal estate to the value of £484. The estate was granted to her husband, Joseph Wall. The lawyer concerned with this document, Ernest Chambers, had legal offices in Port Fairy, Koroit and Warrnambool at the end of the 19th century and the beginning of the 20th century. He was in possession of this document and it was passed down to successive lawyers occupying legal premises in Kepler Street. It was located in this building in 2014.This document is of some significance as it contains details of the Letters of Administration of Jessie Wall who was a 19th century resident of Warrnambool. Her husband’s father was an important early settler in Warrnambool. The document will be useful to researchers.This is a cream-coloured piece of parchment paper folded in two with handwritten material on two pages (brownish-black ink). One of the pages has hand-ruled black lines on the edges of the page. A seal of the Supreme Court of Victoria is attached with green ribbon and there is also a red stamp of the Master in Equity of the Supreme Court. The document is a little stained but the writing is legible. The document gives details of the Letters of Administration following the death of Jessie Wall of Warrnambool who died in November 1897.In the Supreme Court of the Colony of Victoria In the Probate Jurisdiction In the Will of Jessie Maria Wall late of Spring Gardens near Warrnambool in the Colony of Victoria Married Woman deceased Intestatejessie wall, ernest chambers, warrnambool, tait collection, spring gardens

Round brass wall plaque impressed with scene of people around a table drinking and smoking. Ring for hanging attached to back.ornaments, metal, wall

Oblong pink lustre ware wall plaque with black religious text and coloured image. 2 holes on the back for hanging.'Praise ye the Lord' 'In the O Lord do I put my trust : let me never be confounded; PSA XXXI Ver 1'