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Glenelg Shire Council Cultural Collection
Tool - Whaling Spade, n.d
Part of the collection purchased from Brendan Kurtze by the City of Portland. From the Kurtze Museum. Spades were used primarily for cutting up a whale. They were flat-bladed implements (except the gouge spade) with a chisel cutting edge and were mounted on wood poles by means of a socket at the aft end of the spade. The blades of later spades, after the 1850's, were usually made of cast steel, while the sockets and shanks were wrought iron. Cast steel held a cutting edge far better than the earlier wrought iron, and was necessary for repeated cutting. The sockets of spades were forge welded closed, without an open seam, for added strength. They were secured to the pole with a nail, screw or pinWhaling implement, iron, painted gloss black. Flat blade and handle sleeve on either end of shaft, no handle. Spades were used primarily for cutting up a whale. They were flat-bladed implements (except the gouge spade) with a chisel cutting edge and were mounted on wood poles by means of a socket at the aft end of the spade. The blades of later spades, after the 1850's, were usually made of cast steel, while the sockets and shanks were wrought iron. Cast steel held a cutting edge far better than the earlier wrought iron, and was necessary for repeated cutting. The sockets of spades were forge welded closed, without an open seam, for added strength. They were secured to the pole with a nail, screw or pinkurtze museum, whaling, tools, industry, maritime -
Glenelg Shire Council Cultural Collection
Functional object - Pool Cue and Case, n.d
Pool cue, wooden, belonged to H.L. Vivian. ' H.V.' scratched into wood near grip end '16 1/2 oz' etched into cue, about 1/3 length from grip end. Carry case brown leather, metal ring narrow end, flap to fold over opening. Light tan leather label with 'H.L. VIVIAN''16 1/2 oz' etched into cue, about 1/3 length from grip end. Carry case brown leather, metal ring narrow end, flap to fold over opening. Light tan leather label with 'H.L. VIVIAN'billiards, pool, cue, local history, portland, betty vivian collection -
Glenelg Shire Council Cultural Collection
Weapon - Harpoon gun and harpoon, Harpoon, n.d
20/04/2000Wood and metal harpoon. -
Glenelg Shire Council Cultural Collection
Sign - Notice/Sign, Bathers are warned...... Dangerous Hole, n.d
Displayed in History House.Portland sign. Mounted in (bird-eye) wood frame. -
Glenelg Shire Council Cultural Collection
Functional object - Fid, n.d
Used by Peter Carrison (donor's father-in-law) who was a boat builder. Originally used by Henty brothers, for splicing cordage (rope) A fid is a conical tool traditionally made of wood or bone. It is used to work with rope and canvas in marlinespike seamanshipHenty brothersFid made of whale bone. Three decorative grooves (straight) around top. A fid is a conical tool traditionally made of wood or bone. It is used to work with rope and canvas in marlinespike seamanshipmaritime technology, henty brothers -
Glenelg Shire Council Cultural Collection
Functional object - Oars, n.d
Port of Portland Collection|19/4/2000Two wooden oars, shafts are stained wood, the blades are painted white. Leather rowlock protection tacked to shafts. -
Mission to Seafarers Victoria
Painting, David K Taylor, Marking Time: Melbourne Waterfront, 1989
A period view of later 20th century waterside. Possibly MelbourneFrom the Artist website: "Born in Melbourne Australia in 1941, David’s early career began in etching and a 6-year apprenticeship at the north Melbourne Printing School of Graphic Arts to colour etching assisted in his future career as an artist painter. Many hand skills were learned such as hand engraving, lino and wood cutting also etching with zinc, copper and magnesium, later etching on film in lithography. David’s painting career expands many years of studying the art of watercolour painting and he has been involved in teaching his great love of this medium to painters both in Australia and overseas since the late sixties. He is involved in regularly tutoring for the Australian and International Artist magazine."Maritime ArtMatted framed and glazed watercolour painting of a waterfront with vessels and cranesArtist signature at lwr right corner On verso: number 31 in black ink / name and address of the artist written in black ink (top left corner) / sticker with number AMAA3053, name of artist, title of painting and number GFAM 047/ in pencil : GFAM 047waterside, docks, cranes, shipping, port, david k taylor, artwork, marine art, artwork-paintings -
Mission to Seafarers Victoria
Furniture - Desk, unknown
This desk was donated to the MTSV in 2017 by a descendant of Padre Oliver, Chaplain from 1930-1960.This desk belonged to Rodney Oliver and is believed to have been used by Padre Oliver and his wife while Chaplain, and the family resided at the MTS and thereafter in subsequent parish postings. The desk makes a link with one of the longest serving Chaplains who had a significant influence through the intense period of operations early - mid 20th C. The Padre's influence was substantial. The desk is also believed to have been used by son Rodney Oliver who also served the Mission as Chairman in the later 20th C.A four drawer leather topped desk with detachable unit comprising double sliding door lockable cabinet with small bookshelf backed with shallow pediment. Sorting / sectioned pigeonhole interiors to the top cabinets see images. The main table desk appears to be of a different wood with green leather inset to top surface and heavy legs. Drawers with heavily decorated brass handles. The top cabinet features finer cabinetry and darker colour wood or stain which could be cedar.with simple narrow reeded decoration. interior two pigeon holes with labelsfrank leslie oliver, padre oliver, chaplain, desk, mission to seafarers, melbourne, seamen's mission, flinders street, padre frank leslie oliver -
Mission to Seafarers Victoria
Leisure object - Model Ship, H.M.S Bounty, 2013
A modern detailed replica of Captain Bligh's ship later taken over by the mutineers.Gift to MTS seafarers leisure space and clubroomVery small model of three masted sailing ship with sails and string rigging,and Australian Federation flag in stern; cannon deck sections picked out in yellow paint ; model stands on polished wood plinth with paper labelpaper label : H.M.S. Bountymodel ships, bounty, david lumsden -
Mission to Seafarers Victoria
Photograph, Chapel at the Hastings Seafarer Centre, late 20th Century
Made for the Hastings seafarer centre which opened in the later half of the 20th Century Colour photograph of a contemporary Altar hanging behind a hand crafted altar in wood designed with a key design element resembling a circular lifebuoy or life belt inset into the front panel.hastings -
Mission to Seafarers Victoria
Card - Christmas Card
christmas, wishes, flying angel, holly wood, seamen's mission, mission to seamen, melbourne -
Mission to Seafarers Victoria
Programme (item) - Program, National Trust, Australian Heritage Festival - Victorian Program 2019, 2019
The Australian Heritage Festival is a yearly event organised by the National Trust. Organisations can register their events held during a month, with dates varying in each state.The Mission to Seafarers holds tours and other events every year during this Festival for the community to discover its history. In 2019, The Mission hosted "Practice Makes Perfect", a showcase of rare trades: stained glass windows, lace making, marine knots, wood carving etc.australian heritage festival, 2019, events, victorian program, national trust, friend of the festival, practice makes perfect, lost trades, artisans, rare trades, gordon byrne, artisan's guild of australia, bruce hutton, bruce walker, henry hakopian, keiran dunleavy, david stephenson, duncan mcharg, james charlwood, barry smith -
Mission to Seafarers Victoria
Furniture - Sanctuary chairs, pair, Gladys Hawkey (1886-1974), c. 1917
William Scott Purves Godfrey (1872-1953) designed the chairs and Miss Gladys Hawkey (1886-1974) carved them. W.S.P Godfrey was born in Toorak on 6 April 1872. He was was the cousin of Ethel Godfrey. Educated in Brussels and at Melbourne Grammar, he studied Architecture at the University of Melbourne. He and Henry Howard Spowers established the architectural firm Godfrey & Spowers, known for the design of the Argus building, around 1901. W S P Godfrey retired from practice in 1944. He died in August 1953, aged 81. He's buired in the St Kilda Cemetery with the Godfrey family. Gladys Hawkey was a member of the Guild. (photographed during the Norla Fete). She was born in Sandhurst, Bendigo and is buired in the Bendigo Cemetery. Little is known about Gladys Hawkey. She may have been a student of Robert Prenzel. Another mention of her work is made in an article in 1915 where her escritoire is offered in a raffle to raise funds for the Australian sick and Wounded. The chairs were donated in 1919 when the Flinders Street mission was open. In a style of Robert Prenzel with Australian Flora, the chairs are in the typical Arts and Crafts style. Like many women from the early 1900s, she was likely to have been inspired by the Australian exhibition of women's work and other female woodworkers of the time.Handcarvedgladys amy hawkey (1886-1974), william scott purves godfrey (1872-1953), lhlg, ladies harbour lights guild, chapel, flinders street, mission to seafarers, seamen's mission, wood carving, godfrey and spowers, heritage listed, arts and crafts, gifts-1917 -
Mission to Seafarers Victoria
Postcard - Postcard, Black and white, KODAK, The Mission to Seamen, Melbourne - Central Hall, Main Hall, c. 1950
One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. Visual record of the club area in the 1950s (before Queen Elizabeth's coronation) ready for the dances.Black and white gloss postcard depicts the central club space facing stage with flowers on stage, a drum kit and a piano. Curtained backdrop with sixteen chairs in front of the proscenium. Shows dance floorboards. Note: Possible heater at far right of picture frame.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right is indicated by the word 'KODAK' on four sides.stage, curtains, mission to seafarers, seamen's mission, main hall, dancing, events, concerts, band, flowers, drums, piano, paintings, royal portraits, flinders street, melbourne, mission to seamen, wood floor, writing room, heater, stairs, chairs, king george vi, queen mother -
Mission to Seafarers Victoria
Furniture - Stool, 1950-2000
Possibly one of a pair of piano stools acquired in the early 20th C. for use with pianos at the Mission.Small reddish wood stool with rails at either short edge supporting stretcher. stool, piano, music -
Mission to Seafarers Victoria
photograph - Photograph, Colour, Former ladies for the Ladies Harbour Light Guild with Padre Oliver in the late 70s
... Mission to Seafarers Victoria 717 Flinders Street Docklands ...christine woods, padre frank leslie oliver, marjorie duckett, bernice kennett, reunion, hlg -
Mission to Seafarers Victoria
Painting - Illumination, Charles Terry Printer, Illumination: Believe in God The Father Almighty, c. 1880
MedievalismMedieval type illumination framed in wood painted blueBotton left corner: Charles Terry, Printer, 183 and 184, High Holborn, London, W.C. Bottom right corner: Sunday School Union, 56, Old Baily, London.illumination, religion, artwork, artwork-paintings, sunday school union, old bailey, london, charles terry -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Reverend John Reginald Weller, The Chaplain's Quarters: Sitting Room, c. 1925
The photograph taken by either Reverend or Mrs Weller depicts the interior of the Manse: sofas, rugs, artworks on the walls, and a barrister stacking bookshelf.chaplain, manse, sofa, bookshelves, rugs, wood floor, reverend john reginald weller (1880-1969), weller album -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Mr and Mrs Gurney Goldsmith, Landing lumber on the South Side of the Yarra - On the Wharf, 1906
Small monochrome photograph, lightly faded depicting lumber on the wharf with the James Henty and Co store in the backgroundWritten in pencil on verso "12"james henty & co, docks, lumber, timber, wood, wharf, yarra river -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Mr and Mrs Gurney Goldsmith, Landing lumber on the South Side of the Yarra - Apprentice measuring wood, 1906
Dockside photograph of young man loading/measuring wood Small monochrome photograph depicting an apprentice on the wharf holding planks of woodWritten in pencil on verso "12"apprentice, wood, lumber, timber, wharf, yarra river -
Mission to Seafarers Victoria
Print - Wood engraving, F.A. Sleap, A Bird's-eye View Of Melbourne From Sandridge, 2 September 1885
The illustration published in the Illustrated Australian News (Melbourne, Vic. : 1876 - 1889), p. 144, on 2 September 1885, depicts Sandridge now Port Melbourne in 1885 from a seamen's point of view on board a ship.This engraving is a rare depiction fo the Bethel church as there is no early photograph. The Sailors' Rest is located at the back. In 1887, the church was demolished to erect the building still standing on the corner of Nott Street and Beach Road.Copy of an engraving depicting a sailor sitting on the mast of the ship and looking at the shore from the sea. A Bird's-eye View Of Melbourne From Sandridge.nott street, sandridge, melbourne, port melbourne, beach road, seamen, ships, sails, sailing ships, customs house, bethel church -
Mission to Seafarers Victoria
Container - Small Wood Drawer
"Sena" is the medieval Latin and archaic spelling of "senna", which is used most often to treat constipation or to clear out a patients bowels before a medical procedure.The left one of two marching small sized wood drawers. Each drawer features one sliding lid on their top face which has a corresponding paper label depending on its contents as well as a small semi-circle notch, these lids slide vertically in one direction. These drawers are found in the front storage location of the parent item and bellow a row of medium sized drawers.Sena.volum collection -
Mission to Seafarers Victoria
Container - Small Wood Drawer
Rochelle salts, or potassium sodium tartrate, are a type of tartaric acid which was used medically as a laxative similar to sena and tartar Emetic.The right one of two marching small sized wood drawers. Each drawer features one sliding lid on their top face which has a corresponding paper label depending on its contents as well as a small semi-circle notch, these lids slide vertically in one direction. These drawers are found in the front storage location of the parent item and bellow a row of medium sized drawers.Rochelle Saltsvolum collection, medicine -
Mission to Seafarers Victoria
Container - Large Wood Drawer
The left one of two marching large sized wood drawers. This drawer features one sliding lid with no label, when removed is a space containing various types of vials. These drawers are found in the front storage location of the parent item and bellow a row of small sized drawers.volum collection -
Mission to Seafarers Victoria
Container - Large Wood Drawer
The right one of two marching large sized wood drawers. This drawer features no sliding lid and no label. Stored within this drawer are four small glasses made of glass which are secured in place by a piece of wood with four circular cutouts. These drawers are found in the front storage location of the parent item and bellow a row of small sized drawers.volum collection -
Mission to Seafarers Victoria
Container - Medium Wood Drawer
A lone drawer which sits in between two lightly smaller drawers on either side. This drawer features no sliding lid and no label. Stored within this drawer is a small mortar and pestle made of glass which are secured in place by a piece of wood, to which the pestle rests atop. This drawer is found in the front storage location of the parent item and bellow a row of small sized drawers.volum collection -
Mission to Seafarers Victoria
Ceremonial object - Crucifix, early 20th Century
Whilst the crucifix appears to be the result of two separate items being fused together it is probable that this artefact was used in one of the Missions at Port Melbourne or possibly aboard a ship.The Mission to Seafarers began its life as an Anglican based charity and continues to be so today. However, throughout the years it has always offered an ecumenical approach to offering social, spiritual and physical comfort to seafarers. Wooden crucifix with ornate brass Jesus on the cross affixed to front. The brass cross is very ornate with floral motifs and scroll work. It appears that the wooden crucifix and brass crucifix were originally two separate items and several nails have been used to affix the brass ornament to the wooden one. Brass plaque on wooden crucifix: "INRI" Brass inscription on brass crucifix: "INRI"religion, wood, brass, anglican, jesus, crucifix, ecumenical-tradition, st peter chapel, mission to seafarers, flinders street, seamen's mission -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Bill Doyle (Reverend C.J. Eldridge-Doyle), c. 1950
The photograph portrays the main hall of the Mission to Seamen as it was used c.1950.The photograph is documents a moment in history that reflects how the main hall of the Mission to Seamen was used around the 1950s. The photograph also portrays one of many events held by the Ladies Harbour Lights Guild as one of the services provided for visiting seafarers.A black and white photograph inside the Mission to Seafarers Melbourne main hall. In the foreground there are two couples; on the left side of the photograph the couple are facing the left side, a man in a suit, vest and tie and a lady to the right in a mid-length skirt, jumper and short hair. The couple on the right of the photograph are facing each other - the lady has her back to the camera, and the man facing more toward the camera, he is also in a suit and is balding. A couple are standing in the mid ground, central in the photograph; a lady is on the left in a light coloured cardigan, mid length skirt and short dark hair; the man on the right is wearing a dark suit and tie, and a light coloured shirt. There are a number of people in the background that are partly concealed by the couples in the mid-foreground. An archway is visible to the left, that leads to the 'cafeteria', and an arch window can be seen on the right side of the photograph in the background, The hardwood floorboards are visible, as is the wainscote (wood panelling) on the walls in the background. A clock is situated right of centre on the back wall.collar, clock, vest, window, suit, 1950s, main-hall, tie, wainscote, cardigan, jumper, skirt, arch, bald, lhlg, dance, socialising, events, entertainments, mission to seafarers, mission to seamen, seamen mission, flinders street, ladies harbour lights guild, hardwood, floorboards, wood panelling -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Melbourne Harbour Trust, c. 1963
Black and white photograph with a white border. Image is taken from inside the main hall of the Mission to Seafarers Melbourne. It shows a radiator, noticeboard, group of six chairs around a coffee table (all situated on a mat), jukebox, two chairs next to a wall and three vases of flowers in front of two of the main hall's arch windows. The hardwood floorboards are visible, as is the wainscote (wood panelling) on the walls in the background. Overhead lights are also visible as is a fan next to one of the windows.window, jukebox, main-hall, wainscote, wood-panelling, arch, chairs, mission to seafarers, mission to seamen, music, arched windows, floorboards, flowers -
Glenelg Shire Council Cultural Collection
Souvenir - Plate - Bicentenary of Australia, c. 1970
Ironstone is a porous earthenware, made of clay mixed with feldspar. Patented in 1813 by Charles James Mason in Staffordshire, England, it was an immediate success, and ironstone blanks were decorated with transfer patterns or hand painting to imitate Chinese porcelain.Alpine white English ironstone Wood & Sons, plate commemorating bicentenary of Australia, 1770-1970. Black and white depiction of HMS 'ENDEAVOUR', Capt. James Cook, Coats of Arms for states of Australia, Australian Coat of Arms; background of state floral emblems.Front: 'To commemorate the Bi-Centenary of the Discovery of Australia 1770-1970' - black, around inner rim Back: Short history of James Cook's voyage to Australia. History of HMB 'Endeavour'. Makers mark.celebration, souvenir, australian souvenir, 1970, 1770, bicentenary, ironstone, english ironstone