Showing 24022 items
matching no name
-
University of Melbourne, Burnley Campus Archives
Book - Register, Register of Names and Addresses, 1930-1986
Large leather covered register with the Title, Register of Fruits Horticultural Society of Victoria, Printed pages headed with name of fruit or nut and columns headed: Name, From whom or where obtained, Various descriptions, Habit of tree and foliage, Date planted, Synonyms, Time of ripening remarks. However, only used as an Index of names, addresses, phone numbers and dates up to the 1980's. Handwritten in different styles. Could have been used by the Burnley Past Students Association?fruits, horticultural society of victoria, nuts, trees, foliage, ripening, burnley past students association -
Bendigo Historical Society Inc.
Administrative record - Prescription Book
Large prescription book, green and red cover. The book has 489 pages. At the front an alphabetical index with the names of the patients and the page number where the prescription is recorded. The main part of the book records the name and number the copy of the prescription and the price. Also 48 scripts dating from the 1940's from various medical practices. Some of the names are: Edgar H. Brotchie Town Hall Pharmacy, Dr J.L.W. Sharland, Dr. John Long, Dr. Philip Goodman.Prescription book on the spine.medical, prescriptions -
Kew Historical Society Inc
Booklet, Herbert Chambers, SP Bookie's Record Book, pre 1966
Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenn’th [sic] Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by Bailey as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.Small notebook, of which the cover is lost, including the names of male and female staff members at the Kew Mental Hospital, the amounts that they gambled and their winnings. It is presumed that the record was kept by Herbert Joseph Chambers, a member of staff between c.1945-70. The names in the book, including some of their aliases are arranged alphabetically. The prices are listed in pre-decimal currency, (i.e. before 1966). From the number of names listed in the book, it must have been a very extensive SP betting ring. herbert joseph chambers, kew mental hospital, gambling - kew (vic) -
Tennis Australia
Racquet, Circa 1971
A Spalding, "Pancho Gonzales" Impact-333 Model tennis racquet, featuring whipping around shoulders. Manufacturer's name along shaft and on butt cap; endorser name across base of head and rest of model name along lower shaft (both sides). 'S' symbol spray-painted across net. Perforated leather hand grip and white plastic butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Plastic, Stringtennis -
Tennis Australia
Racquet & cover, Circa 1973
Two-part object. (1) A Dura-Fiber XT tennis racquet, featuring black frame with open throat, hand grip wrapped in leather. Plastic butt cap printed with manufacturer's name. Manufacturer and model name also along shaft. (2) Brown & black vinyl head cover with zip. Printed with manufacturer and model name and words: 'TOTAL FIBREGLASS/MADE IN USA'. Materials: Wood, Metal, Fibreglass, Leather, Adhesive tape, Vinyl, Plastic, Inktennis -
Tennis Australia
Racquet, Circa 1980
Two-part object. (1) A Fischer 'Powerwood' model tennis racquet, with teardrop shaped head, cloth whipping on shoulders, handle wrapped in perforated leather, and a plastic butt cap impressed with manufacturer logo. Modela name on base of head; manufacturer name and logo along shaft. (2) Brown vinyl racquet head cover printed with manufacturer logo and name in silver. Materials: Wood, Vinyl, Adhesive tape, Cloth tape, Leather, Ink, Plastic, Paint, Metaltennis -
Tennis Australia
Racquet, Circa 1975
A Seamco Ken Rosewall-endorsed metal tennis racquet, with double shaft, metal shaft bridge, plastic throat bridge; black plastic shaft casing embossed with 'ACRO'; and a handle wrapped in brown leather. Black plastic butt cap with adhesive label featuring manufacturer's 'S' logo and name. Manufacturer name on label on throat bridge (reverse). Endorser name on troat bridge (obverse). Materials: Metal, Plastic, Adhesive label, Leather, Adhesive tape, Nylontennis -
Tennis Australia
Racquet, Circa 1926
A Wright & Ditson 'WLS Blue Ribbon' tennis racquet. String whipping and blue plastic reinforcements around shoulders. Racquet model name 'BLUE RIBBON' , printed along throat on obverse and model name 'WLS' printed as lightning bolts across throat on reverse. Manufacturer name and place of manufacture printed on right side of shaft. Octagonal fine-grooved handle, with leather end wrap. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, String, Plastictennis -
Tennis Australia
Racquet, Circa 1930
A Spalding 'Lakeside' model tennis racquet, featuring concave throat & striped plastic whipping around shuolders. Handle wrapped in perforated leather. Has leather butt cloth. Model name and manufacturer name printed on throat. 'SPALDING' also printed on butt cloth. Adhesive tape along crown and around base of throat. Name 'JAMIE' written on shaft with black marker. Materials: Wood, Metal, Lacquer, Glue, Vinyl, Ink, String, Leather, Paint, Adhesive tape, Plastictennis -
Eltham District Historical Society Inc
Photograph (Item) - Print, Nicholas West, An Alsation Scavenging in Eltham Town Park, 1988
Nicholas West 1988 Entrant No. 66 Ref: Series 34, Items 82-86 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, alistair knox park, alsatian (dog), council pound, dog, eltham town park, film - kodak gb 200 5096, german shepherd (dog), nicholas west, scan - 35mm negative -
Eltham District Historical Society Inc
Photograph (Item) - Print, Nicholas West, Geman Shepherd Found by Photographer Roaming in Eltham Town Park, 1988
Nicholas West 1988 Entrant No. 66 Ref: Series 34, Items 82-86 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, alistair knox park, alsatian (dog), council pound, dog, eltham town park, film - kodak gb 200 5096, german shepherd (dog), nicholas west, scan - 35mm negative -
Eltham District Historical Society Inc
Photograph (Item) - Print, Stephanie Johnson, Bridge Near Leisure Centre, 1988
Brougham Street Bridge Stephanie Johnson 1988 Entrant No. 128 Ref: Series 34, Items 99, 100 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, brougham street bridge, film - kodak ga 100 5095, scan - 35mm negative, stephanie johnson -
Chiltern Athenaeum Trust
Farewell Trophy RAEME (Royal Australian Electrical and Mechanical Engineers) Australian Army : F. LE' Compte, 1979
To signify a service members contribution to their Corps (RAEME) of the Royal Australian Army and upon their leaving at 15 years of service. The name plate indicates member F. LE' Compte. Royal Australian Army - RAEME Corps, member F. LE' Compte, 4 Base Workshop Battalion. Wooden trophy with synthetic plate signifying a farewell remembrance from fellow service personnel within the Number 4 Base Workshop Battalion. RAEME being "The Royal Australian Army Electrical and Mechanical Engineering Corps. From CO and Members 4 Base Workshop Battalion May 64 - 79. F. LE' Compte. The synthetic name plate also has the RAEME Corps emblem which is : : 'Upon a lighting flash a horse forcene gorged with a coronet of four fleur-de-lis, a chain reflexed over its back and standing on a globe. ... The horse forcene and chain are symbolic of power under control and the lightning flash, of electrical engineering.raeme corps, royal austrlaian army 64-79, f. le'compte -
Federation University Historical Collection
Postcard, Picnic in the Auckland district, New Zealand, 1910
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A sepia photograph showing a group of women and two children seated on the grass with picnic baskets open. Two wicker prams are behind the group. The three women named are Mrs W. Wright, Mrs C. Cane and Mrs W.G. WrightFront face of photograph written in white - "Snaps.", Auch.1R.R.10, R34; in pen - 0, X and a crossed 0. On the back - Printed - New Zealand Post Card; Hand written - Mrs W.Wright (Marked with a X) snapped during a 6 months holiday in New Zealand 1910. Mrs C. Cane marked with a 0, Mrs W.G. Wright (jn) marked with a crossed 0frank wright, mrs w wright, cane, pram, picnic, new zealand -
Wodonga & District Historical Society Inc
Functional object - Earthenware Bottle - Brown Brothers Milawa, 1970s - 1980s
In 1885 John Francis Brown first planted 10 acres of vines in Milawa, Victoria. Brown Brothers was founded in 1889 when the vines were ready to produce their first crop, as John hoped his brothers would join him in this new and promising venture. This did not happen but the name remained. Since 1899 Brown Brothers has grown into one of Australia’s largest family-owned wine businesses and now operates several vineyards in Victoria and Tasmania. These ceramic jars were used by Brown Brothers in the 1970s and 1980s to package Port, Muscat and Tokay. Fortified wines packaged in this manner would maintain their quality for decades as long as the wax seal was unbroken. Elischer Pottery was started in Sandringham, Melbourne Victoria in 1947 by well-known sculptor John (Johann Wolfgang) Elischer (1891-1966) and his son, also named John, (known as Wolly). John (Snr) was born in Vienna and trained at the Academy of Vienna from 1908 to 1911 and was an Associate of the Royal Academy Vienna. John (Senior) died in 1966 and the business was continued by his son John (Wolly), until 1987 when it was sold. Prior to that, at some time, he started making pieces the brand NCP. The business continues today as “Unique Ceramics” in Highett, Victoria. They continue to use the “Elischer” brand on some of their products.This jug is representative of an historic and continuing leading Australian Winemaker located in Northeast Victoria.An earthenware wine jug created for Brown Brothers Milawa Vineyard manufactured by John Elischer Pottery. The jug has a tradition loop handle. The bottom half of the jug is a traditional beige colour with a darker brown top section. The logo is imprinted in black and is covered in a clear glaze. The cork stopper is still intact although before being opened would have been sealed with wax.Company logo on one side: at top a central male image between the text "Founding Father /John F Brown. In a central oval around the name "Milawa", BROWN BROTHERS/ VINEYARD AUSTRALIA" On base: "97"brown brothers milawa, elischer pottery, northeast victorian wineries -
The Beechworth Burke Museum
Animal specimen - Turtle, Trustees of the Australian Museum, 1860-1880
The family Chelidae is endemic to Australia, New Guinea, and South America and consists of some 40 species of freshwater turtle. Twenty-four described species are found in Australia and three of these occur in the Murray Darling Basin. Turtles of the genus Chelodina are distinguished by their exceptionally long necks, giving them the names long-neck and snake-neck. These turles are also referred to as side-necked turtles, so named because the neck and head, when not extended, fold under the leading edge of the carapace. They are further characterised by their relatively flattened shells and their clawed webbed feet. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snake-Necked Turtle is stylized standing on a wooden platform. It has a long, narrow neck (the inspiration behind the name of this particular species of Turtle) and a large and relatively flat shell. The head, neck and limbs are all dark grey or brown in colour and the underside is a pale brown. The feet are webbed and have long claws. The eyes are made from pale glass and the specimen has a short tale.BMM5891taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, turtle, australian turtle, australian animal, snake-necked turtle, chelidae -
8th/13th Victorian Mounted Rifles Regimental Collection
Document
On Canberra Day held on 12 March 1988, a ceremony is conducted to commemorate the relocation of the Commencement Column Monument (also known as the Commemoration Stone) on Capital Hill. The Light Horse Heritage Troop of 8/13 Victorian Mounted Rifles supported the event. The monument was originally designed to have a 20 metre column to signify the Commonwealth. It was to be erected on a hexagonal base comprising six granite blocks, one from each of the original States of the Commonwealth, on the land axis between Capital Hill and Camp Hill. Whilst the column was never completed, the hexagonal base was constructed and, on 12 March 1913, three foundation stones were laid, by the then Governor-General Lord Denman, the Prime Minister Andrew Fisher, and the Minister of Home Affairs the Hon. King O'Malley, to commemorate the founding and naming of Canberra as the national capital. In 1981 the 63 stones making up the monument were removed from Capital Hill and stored prior to the commencement of excavation work for the new Parliament House. Following a Joint Standing Committee recommendation in 1987, the Commencement Column monument is relocated 'on the land axis immediately north of the parade ground associated with the new Parliament House'. Typed Administrative Instruction for A Squadron 8/13 VMR support to Festival of Canberra 10-13 March 1988. Four pages including nominal roll.Light Horse Troop provided mounted guard for the re-naming of Canberra ceremony and participated in Festival Parade. -
Uniting Church Archives - Synod of Victoria
Booklet - Methodist Order of Knights Court Astolat Benalla, Astolat : Being the record of Court Astolat No 31
Court Astolat was chosen as the name for the Benalla Mehtodist Order of Knights in 1939. It is manor/castle in Arthurian legend where Sir Lancelot spent the night. The story of the naming of the Court is explained in E3112.73. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Blue paper covered booklet with a black silhouette image of the Methodist Order of Knights knight. The 16 typed pages include the theme hymn of the Order; the Court's Honour Roll; the story of the naming of the Court; its history and details of its one hundredth meeting held on October 9th, 1939.On cover: "0158 BOX 4 ITEM 9"methodist order of knights court astolat -
Kew Historical Society Inc
Clothing - Two Piece White Satin & Lace Wedding Dress, Mme Pamely, c.1900
This wedding dress was made for an unknown customer by a late 19th and early 20th century Richmond dressmaker known by her married name as Mrs Pamely. The dressmaker’s name is identified on Petersham ribbon on the bodice. (1877 was the first known use of a dressmaker’s name on a dress in Australia). The dress entered the Collection by donation. The donor, Netta Fuller, and her husband Alec, were long-term residents of Kew. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The core of the parade consisted of a collection of 19th Costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, she also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century items of clothing to the Kew Historical Society. Some garments were parts of costumes such as bodices, while others were complete outfits. Many of the latter exhibit signs of old damage, however very few of the costumes have been modified to enable them to be worn in exhibitions. Known provenance is limited to donor information, although some of these donations may have originally formed part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance. This is the only 19th century costume in the Collection where the maker's name and address is known. To date, no other costumes by this dressmaker have been identified. The maker's business activity (1888-1905) allow one to, with an assessment of style, be relatively certain about its late Victorian construction. This adds to the item's significance even though its condition has been compromised by later removals and additions of decorative fabric on the bodice.Cream satin wedding dress comprised of a fitted bodice and a full skirt with a long wide train. Both the skirt and the bodice feature extensive use of ruched silk. Originally the bodice was covered with silk net embroidered with small white flowers. While sections of the net remain on the rear of the bodice (and on the sleeves), that on the front has been removed, probably due to damage. The name of the dressmaker is stamped on Petersham ribbon on the bodice."Madame Pamely, Costumiere, 41 Stanley St. Richmond"wedding dresses, australian fashion - 19th century, women's clothing, dressmakers - richmond (vic), netta fuller, fashion manufacturers - mrs pamely -
Bendigo Historical Society Inc.
Administrative record - Optical Prescription Book
Heavy loose-leaf binder, brown hardcover. The book contains optical prescriptions dating from the late 1950's to the late 1960's. The pages are indexed alphabetically. After the name of the patient a description of the lens prescribed. The binder can be locked and there is a key in the lock attached to the key a label: "J.S.R. Barker, Chemist and Kodak dealer, 65 Mestyn Street, Castlemaine. Optical Px book. Medicine urgent".On front cover in pen: No.269 April 1954 a list of names, in the middle printed in red "Conquest series, loose leaf binder and a picture of a knight on horseback. Norman Bros Pty ltd, 60 Elizabeth Street, Melbourne". On the first page a label with the words Optical Px book J.S.R Barker, M.P.S. Pharmaceutical Chemist, Phone 34, Castlemaine.medical, optician, prescriptions -
Eltham District Historical Society Inc
Photograph (Item) - Print, Andrew Peel, Untitled (Former Bootmaker's Shop), 1988
701 Main Road, Eltham Situated originally on the corner of the Dalton Street road reserve west of Main Road (now present-day Wingrove Park Trail), the former Jarrold Cottage (White Cloud) was purchased by Lena Skipper following Thekla Jarrold's death in 1943. It was built by William Jarrold in the early 1850s and was here that he married Hannah Coleman in 1856. The Bootmaker's shop was built by Thekla Jarrold in 1930 for use by her friend, John Clark, a local photographer who had boarded with the Jarrold family since about 1910. In 1930 he changed profession to a bootmaker and leather worker. The shop is one of only three remaining early 20th century shops in what was Little Eltham, the others being present-day San Antionio Barber Shop at 820 Main Road and Cafe Zen Den at 736 Main Road. Andrew Peel 1988 Entrant No. 28 Ref: Series 34, Items 11, 60-63 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, andrew peel, bootmaker's shop, film - kodak gb 200 5096, main road, scan - 35mm negative -
Eltham District Historical Society Inc
Photograph (Item) - Print, Elizabeth Simkin, Untitled (Cane baskets), 1988
Riverclay Craft Gallery, 573 Main Road, Eltham Riverclay was located along with Ansell and Muir's Chicken shop opposite Eltham Lower Park. The building has since been demolished as it lay within the 1934 flood plain limits Elizabeth Simkin 1988 Entrant No. 149 Ref: Series 34, Items 39, 111-113 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, elizabeth simkin, film - kodak ga 100 5095, riverclay craft gallery, scan - 35mm negative -
Federation University Historical Collection
Book - Book - Register, Ballarat Junior Technical School Register Book, 1913-1943
The Ballarat Junior Technical School opened in 1913 as a division of the Ballarat School of Mines. The first location was the Dana Street Primary School, and the first principal was Albert W. Steane. In 1921 a custom built building was erected on the grounds of the Ballarat School of Mines. A number of the students enlisted in the Australian Infantry Forces (AIF) during 1913, 1914. They were Robert Borradale, Albert Burge, Howard Bennett, Norman Carmichael, Reginald Crick, Herbert Collins, Frances Davis, Arthur Dixon, Frank Edwards, George Gilbert and Sydney Townsend. Frances Davis was killed while serving. Those who enlisted have been remembered with an Honour Board with their names. This is at SMB.Book is charcoal blue cloth on hard cover with red leather spine and corners. End papers are brown/grey "stone" patterned thick gloss paper. Name of school and type of book stamped on gold on the spine - REGISTER, BALLARAT JUNIOR TECHNICAL SCHOOL" It is the first Ballarat Junior Technical School Roll Book. The book includes handwritten names, age, date of birth, address, school last attended, grade, qualifications, date of entry, cause, results and remarks. The remarks includes workplaces, whether they joined the AIF, etc. Records A.I.F. service. 309 Trompf, Percival Albert 344 Moy, Richard James E. 376 Serjeant, Robert M 380 Tippett, Edgar John T. 447 Skilbeck, John E.Book plate on inside of front cover. "BERRY, ANDERSON & CO Bookbinder Lydiard St and Dana St Ballarat" Reordering information and reference number given - 24176ballarat school of mines, ballarat junior technical school, roll book, enrolments, albert steane, a.w. steane, albert w. steane, trades, apprentices, world war one, alchin saddlers, ronaldson and tippett, newport workshops, ballarat brewery, cutter coachbuilder, ballarat woollen mill, jelbart's foundry, eureka pottery, robson's leadlighter, long's biscuit factory, a.i.f. service, enrolment register, ballarat junior technical school enrolments, john dufler, robert borradale, albert burge, howard bennett, norman carmichael, reginald crick, herbert collins, frances davis, arthur dixon, frank edwards, george gilbert, sydney townsend -
Ringwood and District Historical Society
Plaque, P.S 2997 Ringwood
Heathmont Primary School merged with Ringwood Primary School and Southwood Primary School in 1997.wooden shield shaped plaque with 21 small shields all named. At top rectangular label Heathmont Primary School. Down left side eight plaques with School Captains names 1990-1997. Down right side Citizenship Awards 1989-1996. One blank label 1997P.S 2997 Ringwood Annual House Competition -
Bendigo Historical Society Inc.
Document - BENDIGO SALEYARDS COLLECTION: TELEPHONE INDEX
Typed blue page titled Telephone Index. It has the name and number of various people and offices. Piece of white paper attached has the name , address and number of Norm Harris. Also two blank pages ruled into columns for Agents, Cows & Calves, Springing Heifers, Steers and Unjoined Heifers.bendigo, council, cattle markets, bendigo saleyards collection - telephone index, abbott mavis, adams jeff, allen geoff, ashby ann, bailey marilyn, bailey paul, barton bill, bentley barry, betts maurie, breen terry, bruhn kurt, bullen tracey, burton ray, cairns ross, cameron norm, campbell, colin, canfield carol, davison rod, eisfelder christine, elvey marg, erwin marg, flavell rod, frost ian, frost peter, gill robert, gillam stan, gladstone peter, green barry, griffith julie, guy linda, harvey glenn, hockings heather, holland kristine, huddle terry, ireland sandy, ivetic marko, johnson ian, kerr glen, lakey phil, leach sue, mace bernadette, maguire geoff, mccluskey neville, mckindley stan, mensforth jim, michelson alan, o'brien ray, oberin keith, phillips russell, plumkett debbie, powell cyril, power reg, preece john, pretty meryl, quigg jock, robson jackie, rogers ron, rosen andrew, shanahan peter, shurey mark, smart debbie, spedding christine, spence garry, standen peter, stannard janine, stewart david, stuart karen, telford sue, thomas michelle, thornton lorna, wallace ian, williams kaye, wilson john, wood craig, wrigley neal, yanner ken, young alan, young daryl, norm harris -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small, half portrait of a man seated on a chair with his right elbow on a table and his hand beside his face. He is wearing a three piece suit. The portrait is of The Rev. C. H. Spurgeon. The photographer's name and address is printed on the front and the back. The name of the subject is also printed on the front.Elliot and Fry, 55 & 56 Baker Street, London. Wphotograph, portrait, male, portrait of a man, the rev c h spurgeon, elliot & fry -
Bendigo Historical Society Inc.
Document - CAMBRIDGE PRESS COLLECTION: LETTER PAPER - G. D. GUTHRIE
Letterhead paper from G. D. Guthrie & Co. Pty. Ltd. Bendigo Pottery, Epsom. Date line ends 193-. Printed letterhead with the name and a casserole dish on the left and a teapot on the right. On the left is a list of earthenware manufactured. Printed in light brown on cream paper with decoration behind the name.business, printers, cambridge press, cambridge press collection, g d guthrie & co pty ltd, bendigo pottery, bendigo brown langley ware -
Port Melbourne Historical & Preservation Society
Document - Memoir, Lionel Layfield, Unilever/J Kitchen & Sons, Lionel Layfield, 2014
5 page type document written by Lionel Layfield who worked as a Unilever driver from 1966 to 2011. Lionel has described his working life and has included the names of many other "Kitchen's" workers and details of the products and the names of companies to which many of the products were delivered.industry - manufacturing, workers, transport - motor vehicles, j kitchen & sons pty ltd, unilever australia (holdings) ltd, toll holdings ltd, toll group -
Clunes Museum
Photograph - PHOTOGRAPH CRICKET 1952/1953, THORNTON - RICHARDS & CO. BALLARAT, PREMIERS SEASON 1952 - 53, 1952 - 53
1952 - 53 CLUNES CRICKET CLUB PREMIERS .1 MOUNTED PHOTOGRAPH BLACK AND WHITE, NAMES LISTED UNDERNEATH .2 MOUNTED PHOTOGRAPH BLACK AND WHITE, NAMES LISTED UNDERNEATH .3 PHOTOCOPY OF.2 .4 & .5 PHOTOCOPIES OF .1 .6 PHOTOGRAPH OF .2 .7 SMALL PHOTOGRAPH OF .1photographs, cricket, cricket club premiers 1952/1953 -
Kew Historical Society Inc
Plan - Subdivision Plan, Subdivision by Auction: 16 Ideal Home Sites, East Kew, 1940
An advertisement for the sale of a subdivision by Auction: of 16 Ideal Home Sites, East Kew, 1940. This significant sale of land between the Kew Golf Course and Willsmere Park led to the streets having a high degree of architectural uniformity.The subdivision in the second year of the war indicates that land sales for homes and speculation continued from the 1930s into the period of the Second World War. There is no indication on the plan that a war is occurring.Single page subdivision plan advertising the sale by Auction of 16 Ideal Home Sites, in East Kew, on 17 February 1940. Streets named in the plan include: Kilby Road, Belford Road, Elm Grove, Willow Grove. Willsmere Park is indicated but not named. The auction was conducted by Beauchamp Brothers. A number of lots are coloured pink on the plan indicating those lots for sale and/or those already sold.subdivision plans - kew east (vic)