Showing 22091 items matching " work "
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National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, carding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, spinning machinery, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, Tweedside 1920: Northrope loom
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroyd Tweedside/ 1920/ Northrope /Loomstextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, weaving looms, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroyd Pirn Windingtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, winding machinery, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, scouring, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, spinning machinery, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionF Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, spinning machinery, spinning, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, winding machinery, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, Federal Mill 1918: weft winding department
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionFEDERAL MILL - 1918/ WEFT WINDING DEPT FILM No13textile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, winding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, Federal Mill 1918: weft winding department
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, winding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, [Federal Mill: dyeing and finishing c1918-1920s]
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionF Murgatroyd Federal Mill/ Dyeing and Finishing/ c1918-1920stextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill, dyeing, finishing, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionSHUTTLES (TOP OF PHOTO) FEDERAL MILL - c.1918/1920textile machinery textile mills weaving mills textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill federal woollen mills ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills -
Whitehorse Historical Society Inc.
Badge
Badge was worn on the lapel of a Blazer worn by Donor's Father Harold Victor Allen, who worked for Colonial Gas Co. during 1945 - 1971. The 25 on the pin represented the years depicted he worked.Badge, black & gold on a pin. Has 25 in gold on black background.25numismatics, badges -
Sunbury Family History and Heritage Society Inc.
Photograph, c1900
The huts along the railway line were built to house 'navvies' who worked on and maintained the Bendigo-Echuca railway line. At the time this photo was taken, work was being undertaken on the railway line in the Sunbury area.The Bendigo-Echuca was one of Victoria's earliest government owned and operated regional rail systems. It was an important link with the river traffic along the Murray and Melbourne.An oval shaped sepia photograph within cream border of a row of small huts along a railway line. With trees forming a backdrop. railways, 'navvies' -
National Wool Museum
Photograph - Carding Room, 1918-1920
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Black and white photograph of workers in a carding room, probably at Federal Woollen Mill.F Murgatroydtextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, carding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
Federation University Historical Collection
Letter - Correspondence, Henry J. Hall, Henry J. Hall to Ballarat School of Mines, 19/03/1898
Henry J. Hall was an teacher Freehand Drawing and Model Drawing at the Ballarat School of Mines. In 1889 he reported to the Ballarat School of Mines Council that this class was never established for the cultivation of Art (as generally understood) or the making of pictures but with an idea of assisting artisans - of both sexes - and persons connected with mechanical industries, in acquiring lightness of hand, and facility in the use of a black-lead pencil so as to be able to place legibly and intelligibly upon a sheet. For many years Henry Hall advertised private tuition in Drawing, Painting and Perspective, at 'Ferndale', 25 Eyre Street. Handwritten letter on paper with the address 'Ferndale, 25 Eyre Street, Ballarat' printed at the top. The handwritten letter is from Henry J. Hall to Andrew Anderson, President of the Ballarat School of Mines. Handwritten in ink "March 19th 98 Andrew Anderson Esq President School of Mines Dear Sir I am informed by the registrar of the School of Miens that you are desirous of despensing [sic] with the services of Drawing Instructor at that Institution. The reason assigned being dis-satisfaction expressed by the inspector regarding "the quantity and quality of the freehand work done during the year. Before any definite action is taken, might I ask in justice to myself and the students whose work is thus maligned, that I be allowed a personal interview with Mr Monkhouse in order to ascertain the grounds of his complaint, and afford me an opportunity of vindicating my position. I have the honor to remain, respectfully yours Henry J. Hall." Written and circled in red ink "168" ballarat school of mines, henry j. hall, henry hall, andrew anderson, drawing, art -
Ballarat Tramway Museum
Photograph - Colour Print/s, Keith Kings, 13/03/2005 12:00:00 AM
Colour print - of VR 41, in Bridge St Bendigo 13/3/2005, shortly after its reconstruction at Bendigo and re-commissioned for the MTPA - see note.In ink on the rear - Keith Kings stamp and "501-32", and "Melbourne Tramcar Preservation Association, Ex VR Tramcar 41 on an Exhibition trip in Bridge St Bendigo 13/3/05, shortly after it had been "launched" / recommissioned. Most of the restoration work was out by Bendigo Trust staff, under contract, with the not insignificant balance done by MTPS members"trams, tramways, mtpa, mtpa, bendigo, bridge st, restoration, vr trams, tram 41 -
Melbourne Tram Museum
Photograph - Colour Print, Keith Kings, 13/03/2005 12:00:00 AM
Colour print - of VR 41, in Bridge St Bendigo 13/3/2005, shortly after its reconstruction at Bendigo and re-commissioned for the MTPA - see note.In ink on the rear - Keith Kings stamp and "501-32", and "Melbourne Tramcar Preservation Association, Ex VR Tramcar 41 on an Exhibition trip in Bridge St Bendigo 13/3/05, shortly after it had been "launched" / recommissioned. Most of the restoration work was out by Bendigo Trust staff, under contract, with the not insignificant balance done by MTPS members"trams, tramways, mtpa, bendigo, bridge st, restoration, vr trams, tram 41 -
Federation University Historical Collection
Ethnographic Material, Aboriginal Knapping Tools
Knapping tools are used as for chipping away stone. Knapping is a fracture by striking the stone to be worked with or against another stone, or by use of a punch, thus purposely shaping the stone being worked or obtained desired flakes or fragmments. Aboriginal knapping tools.aboriginal, stone, tool, knapping tools -
Ballarat Diocesan Historical Commission
Bust, Bust of Bishop James Moore Ballarat, c. 1890
Plaster marquette, mounted on small pedestal, of James Moore, second Catholic Bishop of Ballarat by sculptor Commons of Ballarat. Commons work is mainly evidenced in headstone work at cemeteries but this demonstrates his ability in modelling and sculpture.Dr Moore titled to front of base of bust and Commons to back.commons, james moore, bishop, ballarat, sculptor. -
Flagstaff Hill Maritime Museum and Village
Marble Tile, circa 1878
The artefact is a white marble tile raised from the wreck of the LOCH ARD (1878). The cargo manifest of the sunken vessel has the entry “Marble £400”. This is placed directly following the entry “Glass (604 cases)”. This conjunction suggests the marble tile was originally part of a consignment intended for use in a ‘high end’ residential or public building project in the gold and wool rich Colony of Victoria. Traditionally, white or cream marble was imported into Britain from the Mediterranean region of Europe, where beds of sedimentary limestone (calcium and magnesium carbonate) had been buried over a long geological period of time. Deep in the earth’s crust, it had been subjected to immense pressures and high temperatures, sufficient to completely re-crystallise the original deposits. Marble beds began as layers of sediment at the bottom of ancient tropical seas, forming from the skeletal remains of calcareous fossils, shell, and coral fragments. The metamorphic process of prolonged compression and heating recrystallised this skeletal material, destroying all signs of the original sedimentary fabric. The resulting ‘true’ marbles of, for example, White Carrara (Tuscany, Italy), Verdi (green) Antico (Thessaly, Greece), and Rouge (red) Languadoc (Carcassone, France), were highly prized in classical decoration (sculpture and friezes) and architecture (temples and arches). Marble was found in nineteenth century Australia, but in small, uneconomic deposits, not suitable for commercial quarrying. The comparative expense of imported marble restricted its use in colonial buildings to carved fireplaces and mantel pieces, or outdoor ornaments such as fountains, statuary and grave stones. If Carrara marble floor tiles were used, they were used sparingly, as an arresting feature in entrance halls for instance. However, most prominent private and public construction used timber flooring, waxed or ‘japanned’, with carpet runners and rugs (for example the Austin’s Barwon Park Mansion, 1871), or laid tessellated and ceramic tiles of baked clay infused with colour (for example the Chirnside’s Werribee Park Mansion, 1878). HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The wreck of the LOCH ARD is of State significance — Victorian Heritage Register S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A square marble tile retrieved from the wreck of the LOCH ARD. Most of its surface is covered by a thin layer of limestone and marine growth encrustation that is stained rust-red. The tile is ‘rough-worked’, cut to shape and size, but not smoothed or polished. There is a companion tile in similar condition in the Flagstaff Hill collection. From visual observation of the original surface (at low magnification) the tile appears to be of white Carrara-type marble.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, white marble, marble tile, carrara marble, imported marble, colonial architecture, victorian building materials -
Bendigo Military Museum
Souvenir - ADDRESS BOOK, Rats of Tobruk Association, Rats of Tobruk Association
See Dean Cat 4575PGold coloured metal case. The left and right sides are of black curved plastic. All the metal work has a dimpled appearance. The front cover has the enamelled badge of the Rats of Tobruk Association. The right side of the front cover has a oolumn of letters A-Z. There is a pointer to indicate which letter it is set to. On the bottom edge is a button which opens the lid. Inside are small pages with red lines.Nilsouvenir, mini address book -
Glenelg Shire Council Cultural Collection
Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle)