Showing 5610 items
matching iron
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Kiewa Valley Historical Society
Photos - King Family Collection
The King family lived in Tawonga South where my older brother and sister went to school. We lived over the road from Wally Madison's farm. Later when a house became available, we moved into Valley Avenue, Mt Beauty. This is when I turned 5 and started my schooling. It was a long walk for a 5 year old as I remember. Then later we moved to 50 Lakeside Ave. I remember we loved living there as it was close to the school, footy ground and kindergarten. My father, Ted King, wad a carpenter and was involved in the building of many houses in Mt Beauty which was the home for the workers on the Kiewa Electric Scheme. So as they are part of the history of Mt Beauty I thought they may be useful to you as part of the history. The tennis photos, I vaguely remember Lou Hoad and Ken Rosewell giving exhibition matches in Mt Beauty. I may stand corrected on this, but I do remember my parents who were keen tennis players themselves were most excited at seeing these famous tennis players. As I was only 9 when we left Mt Beauty to live in Dimboola I still remember the shock of leaving a beautiful mountainous county side and arriving in a flat farming land next to a desert and seeing windmills One thing I do remember from school is, once a week (or fortnight) the teacher used to come around with a jar of little white pills, of which we were all to take. I really don't know what they were?? or for?? I also remember being taught to swim in the freezing cold river by a Mrs Smith who wore black bathers and wore her hair in a bun...... ...I am now in my 70s My father used to also carve intricate trays and jewellery boxes in his spare time. I think they were used for tennis trophies. by Diane Werner.x33 photos of small black and white photos of the Tawonga, Tawonga South and Mt Beauty - Photos not labelled but described as follows. See each photo for a possible label. A. Tawonga? B. Mt Beauty taken on the road to Bogong ? C. SEC Works D. Industrial buildings with mountains in the background E. Building site with wooden frame and 3 men F. Buildings with power poles G. Building site with lots of huts H. Buildings under construction I. Group of houses in the distance J. Group of houses in the distance K. Group of people in front of a building L. Group of 8 men sitting on timber planks, corrugated iron at back. M.& N. Building site with floor and upright timbers O. Mountain view with camp site in foreground P.& Q. Buiding site, several houses R.5 men at a building site S. portable building on trailer T & U. Mountain view V. Building site W. Group of men, car and mountains in background X. Cows Y. Pigs Z. 2 men standing next to cars. AA. Football players BB. Man painting a corrugated iron building CC. Football DD. Men in front of a building EE Buildings with mountains in background FF & GG Tennis payersHH & II. Electricity infrastructure -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 22.06.1977
Royal District Nursing Service (RDNS) Sisters worked from this, their rented Collingwood Centre at 98 Charles Street, Collingwood, which opened in 1977. The Sisters left each morning taking any sterilized equipment needed with them to carry out their nursing visits in a specific area (district), They returned at the end of the day to write up their patients nursing histories, clean and reset any equipment used ready for re-sterilization, and contact other medical and community personal as necessary. From its inception as Melbourne District Nursing Society (MDNS), in 1885, their Trained nurses (Nurses) worked in specific areas, 'districts'. The first Nurse worked east and west, between Victoria Parade and Flinders Street and, north and south, between Spencer Street and Spring Street. When a second Nurse was employed they divided this area at Elizabeth Street so each Nurse could attend to patients in the same area giving continuity of care. Gradually over the years, Melbourne District Nursing Service (MDNS), later known as Royal District Nursing Service (RDNS) from 1966 when they received Royal patronage, opened Centres throughout the Melbourne Metropolitan area and outer suburbs with Heidelberg Centre opening in 1971. Their Trained nurses (Sisters) left from these Centres each morning to carry out their nursing visits in a specific area (district), taking any sterilized equipment needed with them. They returned at the end of the day to write up their patients nursing histories, clean and reset any equipment used ready for sterilization, and contact other medical and community personal as necessary. Through its expansion quality of care was not lost, the RDNS nursing staff gave best practice care in many fields of nursing and to people of many cultures with their patients ranging in age from babes, children, adults to the elderly. Some of the care provided was – Post-Natal care, Diabetic Care, Wound Care, Giving of injections and medications, Catheterizations on children and adults, Stoma care, Dementia care, Palliative Care, General care, Rehabilitation, Spinal care, Cystic Fibrosis care, Haemo-Oncology care, Home Enteral Feeding care, and IV therapy at home. Assisting with rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds. All care included giving advice and support to the patient and their Carers. Black and white photograph showing the front facade of the Royal District Nursing Service (RDNS), Collingwood Centre. It is a Victorian style, single story, light coloured painted concrete faced building built around the 1870s. To its left is the front wooden door with a small central glass section in the upper center, and a wire door in front of this. To its right is an Electricity Department meter attached to the wall, and under this a large "98" and to its right, and a little lower is an attached rectangular white sign, with black capital letters, saying "Royal District Nursing Service" and below this in smaller letters "Collingwood". To the right sits a long sash window with dark frame. At either end of the building white concrete face extensions, with embellishments, support a corrugated iron straight veranda roof, with wrought iron embellishment attached to its outer edge. This sits above the window and door and runs along the building protecting the small porch. Above this, along the building, is deep decoration, including a row of concrete balusters and above and central is a concave shell shaped structure. A short dark metal spiked fence runs along the edge of the narrow garden bed. In the foreground the footpath and part of a road can be seen. A small bare tree can be seen on the left hand side of the building and a small bush on the right hand side.Photographer stamp. Quote No. DO 66royal district nursing service, rdns, rdns centre -
Bendigo Historical Society Inc.
Map - BELLE VUE NO 2 - PLAN OF LEASES
BHS CollectionPlan of Mining Leases from Rowan Street to Long Gully. Reference J. N. Macartney 2nd Edition Bendigo Goldfields Registry for 1872. Names of Leases are: Moore ?, Ellesmere Co, Bonati & Co, Dennis, Abe Lincoln Co, Lansell & Hunt, Black & White Lead Co, Koch & Hildebrand, Ballerstedt, Lazarus Co No 1, Lazarus Co, Watson, Lazarus Freehold, Lazarus Co No 2, Lazarus Tribute, South Extended Burra, Endeavor Co, Old Chum Co, Burrows and Sterry, New Chum & Victoria Trib, Jackson, North Old Wybrants Chum Co, Myra Co, McLenn, Geary & Co, Western Victoria Hill G. M. Co, Victoria Reef G.M.Co, South Adventure Co, South Try Me Well, W. Rae, Wells Midway, Extended Co, Handy Andy, Moonta Co, Humboldt Co, Adventure Co, Try Me Well, Sterry & Co, Midway, Tudor, Friedman's Reef, Rising Sun, Try Me Luck, Pomponia, Confidence Co, Alfred Co, Advance Co, Prince Alfred Co, Canterbury Co, Platus Co, S. Platus Co, Golden Fleece United, Alfred Co, Iron Duke Co, Victoria Gold Mines Co, Hercules Co and Iron Bark. Notes prepared by Albert Richardson.map, bendigo, mining plan, belle vue no 2, no 2 belle vue new chum & c, j n macartney bendigo goldfields registry 1872, moore ?, ellesmere co, bonati & co, dennis, abe lincoln co, lansell & hunt, black & white lead co, koch & hildebrand, ballerstedt, lazarus co no 1, lazarus co, watson, lazarus freehold, lazarus co no 2, lazarus tribute, south extended burra, endeavor co, old chum co, burrows and sterry, new chum & victoria trib, jackson, north old wybrants chum co, myra co, mclenn, geary & co, western victoria hill g. m. co, victoria reef g.m.co, south adventure co, south try me well, w. rae, wells midway, extended co, handy andy, moonta co, humboldt co, adventure co, try me well, sterry & co, midway, tudor, friedman's reef, rising sun, try me luck, pomponia, confidence co, alfred co, advance co, prince alfred co, canterbury co, platus co, s. platus co, golden fleece united, alfred co, iron duke co, victoria gold mines co, hercules co, iron bark -
Flagstaff Hill Maritime Museum and Village
Tool - Moulding Plane
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. A vintage tool made by an unknown maker, this item was made commercially for firms and individuals who worked in wood and needed a tool that could produce a ornamental finish to timber. These profiled planes came in various shapes and sizes to achieve a decorative finish. This item is a significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Moulding Plane, concave cut.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. A vintage tool made by an unknown maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use to produce a decorative moulding for a piece of furniture, door trims etc, or other timber items that had to be accomplished by using hand tools and in particular one of these types of planes. Profiled planes came in various shapes and sizes to achieve the required decorative finish. A significant tool from the mid to late 19th century that today is sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Moulding Plane W size has 4 screws holding side together (repair)J Allin GN stamped inside W size 16 one end and Inglis R F Sharp on other end.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Moulding Plane, J Hastie, 1766-1802
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane Hollow type No15 J Hastie Stamped EG W.M flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Wood moulding Plane, 1890-1920
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown moulding required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc. or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Wood Moulding, plane Rabbet Hollow type Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Complex Moulding Plane, Mid to Late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown maker, this item was made commercially for firms and individuals who worked in wood and needed a tool that could produce a ornamental finish to timber. These profiled planes came in various shapes and sizes to achieve a decorative finish. Although the item is marked J Dixon no reference can be found at this time for a maker of complex moulding planes J Dixon of London. The plane could have been made by an unknown maker and sold through a merchandising agent of which there was one in London at the time. It is this agent J Dixon that could have stamped his mark on the item and then sold the plane on giving the impression J Dixon was the maker, this practice was quite common in the 18th & 19th centuries. This item is still regarded as a significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Panel Plough Plane white wood, blade missing. Stamped "J Dixon London" also has the letter "B" stamped flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood working, cabinet making, complex moulding plane, j dixon london, mouldings -
Eltham District Historical Society Inc
Photograph, Jim Connor, Main Road, Eltham, 14 Jan 2017
Eltham Gateway, Sweet D Lites, 820 Main Road, Eltham. Former Burgoyne shop and Post Office, now home to San Antonio Barbershop. Once affectionately known as the Hilltop milk bar, or Burgoyne’s, this is one of the only three remaining early twentieth century village shops in Eltham and as the community’s first post office. In the 1920’s, the post office was run from a tiny 6 by 6 corrugated iron shed at the side of the store. Miss Hunniford, the post mistress, would give you your mail or take your letters to send, as there was no postal delivery service at that time. In an emergency, such as illness, you could send a telegraph for tuppence (around two cents) a word. Later, this was the site of the Eltham’s first telephone exchange. Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, burgoyne's shop, sweeet d lites, hilltop milk bar -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, SS Koolonga
HMAS Koolonga was a cargo ship built by Sunderland Shipbuilding Company, England, in 1914 and bought by McIlwraith, McEacharn Line Pty Ltd, Melbourne and named SS Koolonga. She was requisitioned by the Royal Australian Navy on 6 August 1914, as a collier and supply ship and commissioned as HMAS Koolonga. She participated during the Australian Naval and Military Expeditionary Force occupation of German New Guinea until May 1915 when she was later returned to her owners. After being returned, she was employed on cargo trades from Whyalla, South Australia to Newcastle, New South Wales. She was sold in October 1917 through Scott Fell & Company, Newcastle to BHP Shipping and renamed Iron Monarch, before being sold again in 1920 to Interstate Steamships Ltd. This ship linked to record VC 0747. The ship played a role in WW1 small black and white photograph of steamship.steam ships, world war 1, hmas koolonga, fan album, ss koolonga -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Smoothing Plane, Late 18th to Early 19th Century
A block, jack or smoothing plane is used for making a smooth finish to timber that is used to make furniture or other wooden objects. Traditionally, wood planes were blocks of wear-resistant hardwood, often beech or maple, which were worked to the intended shape of the item being worked on. The blade or iron was likewise formed to a flat shape and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers' shop might have many, perhaps hundreds, of smoothing and moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other workers to pull the plane ahead of the master who guided it. A vintage tool by an unknown maker, this item was made for cabinet-making firms and individuals that worked in wood and needed a tool that could remove large amounts of timber. These jack, block or dressing planes as they were known came in various shapes and sizes to achieve a flat and even finish to timber surfaces before the use of mechanical smoothing planes and came in many sizes. A significant tool from the late 18th to early 19th century that's pattern or shape is still in use today. Early models of this type of woodworking plane are sought after by collectors today. This tool gives us a snapshot of how furniture and other finishes were created on timber by the use of cutting-edged hand tools used by craftsmen of the time. Tools that were themselves handmade, demonstrating the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce either a decorative or even finish for timber items. Smoothing Plane blade and wedge present. Raised handle at front end. Right-hand wedge guide broken away. Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane, wood plane, cabinet makers tools, furniture making -
Flagstaff Hill Maritime Museum and Village
Tool - Wood moulding Plane, Mid to late 19th century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use to produce a decorative moulding for a piece of furniture, door trims etc. or other timber items that had to be accomplished by using hand tools and in particular one of these types of planes. Profiled planes came in various shapes and sizes to achieve the required decorative finish. A significant tool from the mid to late 19th century that today is sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tongue and groove match plane with metal strip affixed with 5 screws Mc Vicar stamped on end and No 2. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, James Hastie, Late 19th to Early 20th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane with metal blade attached. Made by J Hastie. Inscriptions stamped into wood. "J Hastie" "E G" "W.M" "EG" "11"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, j hastie, plane, wood working tool, hand tool -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, Early to Mid 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. It also gives an insight into how many manufacturing companies bid for the rights to use prison labour to make their products at this time in our history. Moulding Plane T S Richards & Co. J Heath owner stamped. No 4/8 opposite endflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, plane, j heath, t s richards & co -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, Mid to late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane 4 screws attached to wood bottom plateJ Heath. 1/2 inch on opposite end.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, j heath -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, Mid to late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Circular moulding Rabbet Plane Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, circular rabbet plane, plane -
Flagstaff Hill Maritime Museum and Village
Tool - Moulding Plane, Mid to late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it.A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane H Heathflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, plane -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, spanner, Garrington 'Magpie' c1950, c1950
John Garrington & Sons was founded 1837 in London as a company producing iron and steel tools, pistols, coach parts, military harness, nuts and bolts . In 1879 the business moved to Albert Works in Willenhall Road. 1912 the business was sold to F.W.Cotterill, a local nut and bolt manufacturer. F.W.Cotterill and consequently Garrington's was purchased in 1919 by G.K.N. (originally Guest, Keen and Nettlefolds). 1926 they were producing drop forged automobile tools, spanners and in 1947 'lightweight high tensile carbon steel' 'Magpie" automobile spanner. They had a lot of products named after birds. Early settlers were reliant on the draught horse and wagon but by the 1930's Vulcan trucks transported the produce to market and post war settlers in the Moorabbin Estates gradually purchased cars (automobiles) for transport and pleasure.This Garrington Tools Pty Ltd automobile spanner is typical of the type used by automobile mechanics in Moorabbin c1950A large high tensile carbon steel spanner c1950 for use in automobile repair and manufacture.GARRINGTON 'MAGPIE' tools, garrington tool company england, post world war 11 estates, moorabbin , automobile tools, automotive parts, jaguar cars pty ltd, early settlers, market gardeners, blacksmiths, tools, building equipment, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd, -
City of Ballarat
Sculpture - Public Artwork, John Undy, Robert Burns Memorial Statue by John Udny, 22 April 1887
This is Australia’s first monument to the famous Scottish poet Robert Burns and his dog. It was carved from marble in Italy by sculptor John Udny and is inscribed with quotes from the writer himself and features beautiful patterned tiles at its base. This sculpture tells us much of Ballarat’s Scottish history by placing their most revered poet and ballardier of Auld Lang Syne at the corner of Lydiard and Sturt Streets. The local design was carried out by artist John Undy in Carrara marble and placed with this scene. The proud figure of Burns faces west and is accompanied by his collie dog with a book purposely hanging in his hand and a pencil in the other as his constant companions. Burns is mounted on a plinth engraved with some beautiful Burn’s poetry and surrounded by art deco styled tiling and a cast iron palisade. The statue is of aesthetic and historical significance to the people of BallaratCarved marble statue of Scottish poet Robert Burns and his dogIncludes panels with poems and writings by Robert Burns. Plaque reads - Designed by Thomas Thompson Ballarat Sculptured by John Undy, Carrara, Italy.robert burns, scottish poet -
Uniting Church Archives - Synod of Victoria
Photograph, 1986
Tynong North former Methodist Church, originally known as Christ Church, Berwick, has been an important community meeting place from c1870 and is significant to the Cardinia and Casey Shires as a major and early public building in both districts. The church may be the oldest (in part) public building in Cardinia Shire. This is a simple gabled church, clad with weatherboards and roofed with corrugated iron. It has a gabled porch with finial and distinctive arched openings (windows and doors) which may be indicative of its reputed early date (c1870), as linked with its classical styling. The windows have multi-paned glazing and the roof gable retains its finial. The concrete stumps and lack of mature planting around the church confirm that it has been moved to the site and restumped. Ref: https://vhd.heritagecouncil.vic.gov.au/places/30143/download-reportColour exterior view of the Tynong North Uniting Church, Clarke Rd. Tynong. The image shows a timber church with a porch.tynong north uniting church -
Uniting Church Archives - Synod of Victoria
Photograph, 1986
Tynong North former Methodist Church, originally known as Christ Church, Berwick, has been an important community meeting place from c1870 and is significant to the Cardinia and Casey Shires as a major and early public building in both districts. The church may be the oldest (in part) public building in Cardinia Shire. This is a simple gabled church, clad with weatherboards and roofed with corrugated iron. It has a gabled porch with finial and distinctive arched openings (windows and doors) which may be indicative of its reputed early date (c1870), as linked with its classical styling. The windows have multi-paned glazing and the roof gable retains its finial. The concrete stumps and lack of mature planting around the church confirm that it has been moved to the site and restumped. Ref: https://vhd.heritagecouncil.vic.gov.au/places/30143/download-reportColour exterior view of the Tynong North Uniting Church, Clarke Rd. Tynong. The image shows a timber church with a porch.tynong north uniting church -
Stawell Historical Society Inc
Photograph, Stawell Post Office Cnr Wimmera and Main Streets 1875
Stawell Post Office on corner of Wimmera and Main Streets. Erected 1875. Telegraph pole and streetlamp in foreground. Akins store visible at right of photo. The building has 3 arched doors & 6 arched windows on the ground floor and 8 square windows on the top story. Two chimneys on the roof and a wrought iron square fence on the roof. The outside of the building has not changed while the interior has been remodelled several times. The early Postmasters and their families lived upstairs. The main room originally included the Telegraph office where operators worked at machines, sending and receiving Morse code messages. Later alterations were made for a telephone switchboard room downstairs, with trunk line equipment upstairs. In 1965 the telephone system was converted to automatic.Black & white photo of a two story building on the corner of Wimmera & Main St. The building the Stawell Post and Telegraph Office. Out the front of the Post office is a telegraph pole and a light post. Next door in Main St is a single story building with a sign over the building Argus Australasian, underneath Akins, Age/Leader possible a newsagent. stawell -
Stawell Historical Society Inc
Photograph, Albert Davey, 20 Sloane Street Stawell 1950
Home 20 Sloane Street Stawell taken in 1950 by Albert Davey who resided there with his family. House has three chimneys bull nose verandah with cast iron lacework, weatherboard construction with picket fence. Albert (Bert) worked for the Lands Department and his family consisted of 4 girls oldest being Aubrey about 18, Beverley about 16, Gwenda about 14 and the baby Faye about 4. and Alberts wife Phyllis. Albert worked all over Victoria from Buchan where they lived in the Caves Residence for 6 months, in Omeo, Yackandandah, Stawell, Wangaratta and Shepperton and then Melbourne where he took on the top job of Chief Superintendent of the Lands Dept. Now, 2018 uses as a cottage for distributing food by Inter Church CouncilResidence 20 Sloane Street Stawell housing -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Former School at Weatherboard, Victoria, c2010
Weatherboard is a small town in Western Victoria.Anecdotally the name is thought to have originated because it was the first place in the region to have a home built using weatherboard rather than corrugated iron, stone or bricks. It is in the boundaries of the City of Ballarat. The School, Number 656, was opened on 01 August 1862 and closed on 04 February 1948. it was also known as Weatherboard Hill Common School and Weatherboard Hill State School.The bluestone school building had a slate roofand its first head teacher was James Richmond..In 1915 Health Officer, Dr Willis, strongly condemned the old bluestone building as being damp and unsanitary. in 1948 enrolments dropped to 6 and the school closed. The Weatherboard State School World War One Honour Board is located at Burrumbeet Hall. An early bluestone school known as the Weatherboard School.weatherboard school, former weatherboard school, education, weatherboard hill common school, weatherboard hill state school -
Kew Historical Society Inc
Photograph - Lalla Rookh : 41 Fellows Street, Progress Press, 1978
The National Trust (Victoria) citation on the Heritage Victoria Database describes Lalla Rookh as charming and rare example of a substantial domestic building from the depths of the depression of the 1890s. It was Classified by the Trust on 22/04/1971. The first Kew Urban Conservation Study established that the house was built in 1897 for John Duncan, civil servant. By 1910 William Robert Frayne, chemist, had purchased the property. When the building was listed by the National Estate the building was described as: '... Single-storied, the symmetrical, stuccoed house features a central porch with an arched opening and pedimented consoles and a bull-nose verandah which returns down both sides and is constructed with cast iron columns and friezes. A balustraded parapet crowns the main walls of the house. The encaustic tiled verandah is distinctive.'"Lalla Rookh", 41 Fellows Street, Kew, is of architectural interest as a representative example of a villa house of the period and also forms pan of the townscape of Kew. In a late version of Boom Style Classicism, the basically modest and conventionally planned house is proportioned to emphasise the porch and heavy balustrade, contrasting with the verandah and plain wall surfaces. The parapet may have had urns originally. The encaustic tiled verandah is of note. ... Of local significance.'Photographic print positive of the facade of Lalla Rookh at 41 Fellows Street, Kew.lalla rookh, houses -- fellows street -- kew (vic.), boom style architecture, architecture -- melbourne -- 1890s -
Eltham District Historical Society Inc
Document - Folder, Sartori, Alan
Alan Sartori became an artist in 1974, moving from Greensborough to live and have his studio at Diamond Creek, 100 Iron bark Road; he also wrote a book "Alan Sartori's Stories" in 1992. He died in 2007. Contents Newspaper article: "Alan's artful life", Diamond Valley News, 23 November 1992. Alan Sartori to exhibit at his studio in November and December 1992. Newspaper article: "Artist paints views of his state", Diamond Valley newspaper, no date. Alan Sartori to exhibit at his studio in November and December that year. Newspaper article: "Loss of an 'amazing' extrovert", Report of funeral of Alan Sartori. Newspaper article: "Art and memories", Diamond Valley newspaper, no date. An exhibition to be held of the late Alan Sartori's work at his studio. Newspaper clippings, A4 photocopies, etcalan sartori, 100 ironbark road diamond creek, cerel sartori, irma sartoria, g j coles, nilumbik artists open studios, tony summers, martyn thompson, rotary club greensborough, victorian artists society -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Photograph - Reproduction photograph, Charles Nettleton (1826-1902), The Lying In Hospital, circa 1870, c. 1868
This a cropped reproduction of a photograph taken by Charles Nettleton in c. 1868. Founded in 1856, the Lying-in Hospital was the second hospital to be established in Melbourne, after the Melbourne Hospital. It was, however, the first lying-in hospital in the Australasian colonies. The hospital was founded in a converted private house "Fairmont", which was located at 41 Albert Street, Eastern Hill (now East Melbourne). In 1858, the 'Lying-in Hospital' was relocated and opened in Madeline St, North Melbourne (now known as Swanston St, Carlton)." (The Women's) The building pictured here was eventually demolished in 1938 to make way for further extensions to the building. The original site in Albert Street was demolished in 1960, and the site is now occupied by the Melbourne Fire Brigade. A section of the wrought iron gates from the original site in Albert Street is held in RANZCOG's historical collection.Reproduction photograph of the front of a building. The building is three stories high. The lowest floor has eight large windows, with a door at centre, on the front side. One side window can also be seen at bottom right. There is a small flight of stairs leading up to the door. The second floor has eight windows in the same locations as the first floor, plus one additional window at centre instead of a door. The top floor is much smaller, with three small windows facing the front of the building. There are trees in the grounds in from of the building. House and grounds are enclosed behind a fence. There is a gate in the fence opposite the front door. Three figures are visible on the path outside the fence. One is at the centre of the image, and the other two are in the right hand corner. Text printed below image reads 'THE LYING - IN HOSPITAL circa 1870'. The image has been mounted and framed in a black wooden frame. An old display label for this image is attached to the back of the frame. handwritten text on backing board at back of work reads 'Probably prior to 1867 (J. Nattrass, 1968). Tape residue visible on backing board at upper right. A chain and two hooks have been added to the frame for hanging. -
The Beechworth Burke Museum Research Collection
Card (Series) - Index Card, George Tibbits, Ford Street, Beechworth, 1976
George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits -
Kiewa Valley Historical Society
Pot Melting, circa mid to late 1900's
Before 1908 the words "melting pot" was a term relating to a "crucible" with a meaning of "a pot in which metals and other substances are melted (fused) to provide metal items of varying shapes and uses. From the mid 1900's this term changed and became more related to the "mixing" of social and ethnically diverse populations. The description used here is that of pre 1908. This melting pot was used in the early to late 1900's when produce and hardware shops were too far away from the Kiewa Valley and time was at the essence. The ability to manufacture as many "crucial " items at the home property was the difference between running a successful rural business or not. The isolation of the Kiewa Valley (before the 1950's), hindered the "time down" of machinery and important "widget" replacements. The ability of self sufficiency on properties is still a boon to rural properties as time lost is never really recovered.This melting pot is highly significant to the Kiewa Valley as it provides evidence that the graziers and cattle stations required to be self sufficient in all aspects of day to day maintenance and replenishment of worn materials requiring to be "manufactured " at the property and lack of replacements from commercially shelved products. This aspect of "survival" in the "bush" can be seen in the "huts" built on the Bogong High Plains to accommodate the seasonal grazing of cattle from the Kiewa Valley.This black melting pot is made of cast iron. The lid is missing. The top rim of the pot has three lips for poring accuracy. The formation of these lips are in a "triangle" formation. The top section of the body has a curve inwards reducing the pot diameter from 270mm at the base to 135mm.at the top. The handle is made from heavy gauge wire which is fastened to the body through two lugs (welded onto the top section of the pot) and fasten through a hole at the top of each lug. The handle has a "U" shape as it goes through the lug hole, ensuring no accidental fixture to any side thus allowing free swiveling from one side to the other . "BH" indented within a diamond shape. Opposite "No 3"camp fire cooking utensils, hot plate, cast iron cooking appliance, drovers kitchen -
Halls Gap & Grampians Historical Society
Photograph - B/W
This is a photo of Beth and Ida Johnson (now Ida Stanton).The photo shows two women posed for a photo. The woman on the right is standing; she is wearing what appears to be frilly, full length under-garments, a rough cloth jacket and a lace cap. She is wearing glasses, has blond wavy hair and is holding an open, folding fan. The woman on the left is seated; she is wearing a dark coloured dress or tunic with a frilly petticoat showing from the knees down. She also has a frilly cap on and is wearing glasses. She has long hair tied in two ponytails or plaits and she has a book on her knee. Behind them is a corrugated iron wall and a tree fern.people, johnson