74p./ This history is more about the people that have been through this club than the statistics. It is about the larrikins, characters, the bad boys, the fun times, the friendships forged over a lifetime, the comedians, the stalwarts and the snake oil salesmen.74p./ This history is more about the people that have been through this club than the stats. It is about the larrikins, characters, the bad boys, the fun times, the friendships forged over a lifetime, the comedians, the stalwarts and the snake oil salesmen.canterbury football club, australian foortball teams, (mr) brian coleman, shrublands, balwyn road, canterbury, malone's hotel, (mr) brendan allen, (mr) don allsop, (mr) don alsop, (mr) glen archer, (mr) nicholas ardley, (mr) r ashton, (mr) w j atkinson, (mr) a austin, (ms) sue bach, (mr) bob bailey, (mr) ted bailey, (mr) lindsay baillie, (mr) - bakaitis, (mr) s bakaitis, (mr) d banks, chris barras, (mr) p bates, (mr) s bates, (mr) steve bates, (mr) n bell, (mr) a beveridge, (mr) k blandthorn, (mr) bill blezard, (mr) a blood, (mr) b boag, (ms) eileen bogan, (mr) r bogan, d bradley, (mr) a briggs, (mr) e brown, val brown, (mr) j byrne, (mr) a callaway, (mr) alan callaway, (mr) m carroll, (mr) m clark, (mr) c clarke, (mr) r coleman, (mr) ron coleman, l connaughton, (mr) l coultard, (mr) peter curran, (mr) n dartnell, (mr) d dell, (mr) david dell, (mr) m demko, (mr) m dosser, (mr) alec dowling, (mr) m dowwer, (mr) w dundas, (mr) r eade, (mr) n eddy, (mr) noel, (mr) gary evans, (mr) d fleming, (mr) m fleming, p fleming, (mr) j foote, (mr) john foote, (mr) l foote, (mr) les foote, (mr) t fraser, (mr) basil gibson, (mr) i gibson, (mr) gary giles, (mr) l giles, (mr) k gill, (ms) m gill, (mr) bob goode, (mr) w a gordes, (mr) m gordon, (mr) mark gordon, (mr) r gracie, (mr) mark gray, (mr) k griffiths, (mr) b gwynne, (mr) peter gwynne, (mr) dick hamer, (mr) a hams, (mr) wayne handley, (mr) rocky hanrahan, (mr) mick harper, (mr) john harris, (mr) don harrop, (mr) george harrop, (mr) keith harvey, (mr) - hasset, (mr) n henderson, (mr) neil henderson, (mr) c herz, (mr) c higgins, (mr) k higson, (mr) ken higson, (mr) k hodgson, (mr) keith hodgson, nugie holland, (mr) p holland, (mr) peter holland, (mr) terry holland, (mr) h honner, (mr) henry honner, (mr) g hopkins, (mr) glen hopkins, (mr) j horner, (mr) g hoskin, (mr) george hoskin, (mr) p hoskin, (mr) peter hoskin, (mr) p hughan, (mr) paul hughan, (mr) k james, (mr) keith james, (mr) f jenkins, s jenkins, (mr) w jenkins, (mr) brian johnson, (mr) j johnson, (ms) lorraine johnson, (mr) p johnson, (mr) rex johnson, (mr) darren kappler, (mr) c kennedy, (ms) h kennedy, (ms) n kennedy, (mr) richard kent, (mr) harold kinder, (mr) richard kingwell, (mr) j kitson, (mr) john kitson, (mr) andrew lamb, (mr) j lambert, (mr) doug langham, (mr) jim langham, (mr) b latimer, (mr) bruce latimer, (ms) belinda leigh, (mr) ian leith, (mr) lloyd, (mr) r lyons, (mr) a mack, (mr) a macpherson, (ms) d madden, (mr) b maguire, (mr) barry maguire, (mr) leo maguire, (mr) s manzie, (mr) s mcdonald, (mr) al mcdonnell, (mr) al mcdonell, (mr) i mckenzie, (mr) r mckenzie, (mr) rhett mckenzie, (mrs) tina mckenzie, (mr) t mcmahon, (mr) j mcnamara, (mr) r mcnamara, (mr) ray mcvilly, (mr) w mcwaters, (mr) warren mecca, (mr) g mihalidis, (mr) euan miles, (mr) r morse, (mr) ray morse, (mr) j mullalley, (mr) bill munn, (ms) elsie munn, (mr) p murphy, (mr) g musker, (mr) l nelson, (mr) leigh nelson, (mr) snowy nicolas, (mrs) myrtle nicolas, (mr) b o'brien, (mr) k o'connor, (mr) d o'sullivan, (ms) emily o'sullivan, (mr) s ogden, (mr) kevin tipping, (ms) dot pacey, (mr) pop pacey, (mr) a v paul, (ms) carol pearce, (mr) danny pearce, (mr) roger pearce, (mr) john peck, (mr) k peterson, (mr) a pickering, (mr) - pieper, (mr) k piper, (mr) j post, (mr) bob pratt, (mr) r a proctor, (mr) - reynold, (mr) l reynolds, (mr) laurie reynolds, (mr) t rigzin, (mr) - rimes, (mr) b rimes, (mr) s rosman, (mr) j ross, (mr) david rowe, (mr) tony rowe, lou salvas, (mr) geoff scash, (mr) james schulz, (mr) kenny schwind, (mr) - scuttles, (mr) stan self, (mr) a sharp, (mr) j sherwell, (mr) - simmons, (mr) k simmons, (mr) n simmons, (mr) n smith, (mr) p smith, (mr) m stals, (mr) marty stals, (mr) a stapleton, (mr) l stephenson, (mr) w taylor, (mr) j thomas, (mr) m thomas, (mr) l tipping, (mr) lindsay tipping, (ms) beryl tory, (mr) ossie tory, (mr) j tsetsenekos, (mr) george veale, (mr) a wadsworth, (mr) b walder, (mr) bud walder, (mr) rohan walmsley, (mr) j watson, (mr) jack watson, (mr) o watson, (mr) c weaver, (mr) r a williams, (mr) w g williams, (mr) geoff wilson, (mr) t wilson, (mr) - wishart, (mr) b wishart, (mr) brian wishart, (mr) r wishart, (mr) j wood, (mr) k woodford, (cr) (mr) - woodhouse, (mr) k wright, (mr) frank yarman, (mr) theo zaharopoulos

Surrey Hills Mounted Police Station was located at 5 Suffolk Road (dem.) from 1889-1914. It was a police residence with two rooms as the police office and workshop. There were stables on the back fence. The property adjoined Wyclif Church in Norfolk Road. Gilbert McCallum rented from c.1914-1923 when he built a home in Westminster Street. It is his son Archie who can just be seen on the front steps. Archie remembers the 2 storied stables with a gantry for hauling feed sacks up with a block and tackle, then a polished wood slide to send the feed down. The McCallum children and local friends found this to be a marvellous slide. David McPhie, ex-police force, lived here with his family from 1923-c.1950. A black and white photograph showing a mid to late Victorian style weatherboard house with decorative brackets under the eaves. The verandah is of timber with decorative timber fretwork.surrey hills mounted police, suffolk road, surrey hills, wyclif church, (mr) gilbert mccallum, (mr) david mcphie, police, (master) archie mccallum

A check of the electoral rolls points to this being the home of Frederick Harry Percival Lamble, labourer, born in Collingwood. He and his family continued to live at 87 Essex Road until his death in 1968 and his occupation is consistently given as labourer. His wife Bessie Louisa Woods died in 1957.Black and white photo taken from the street of an Edwardian style timber house with 2 chimneys, one of which looks like a kitchen or laundry chimney. The house stands behind a white wooden picket fence in a mature garden which conceals the bull-nose verandah. The house appears to have a slate roof with galvanised capping. To the left can be seen the roofs of houses in Durham Road.timber houses, edwardian style, essex road, lamble family, durham road, bessie ethel lamble, bessie ethel smith

Includes copy of will of William Clark. Resident of the property at 9 Wolseley Close in 1910. Includes copy of the Alan Holts home occupier / tenant records - names from 1920 - 1980. Includes photo of Wolseley Close house, taken 1888/1889 plus colour photo of Wolseley Close house taken by Lin Merry, 2010. Land Title information, surveys, subdivision Includes list of occupants of the house, p.17Includes some plans of houses built in Wolseley Close, Mont Albert, Victoria. Outlines details of property at 9 Wolseley Close19p : col illcragg family, windsor crescent, surrey hills, (mr) william ainger, (mr) isaiah ainger, whitehorse road, noorn hill, house names, koonda, d j maloney, (mrs) louisa clara maggs, taramera, union road, st.abbs, york street, (mr) william henry cleverdon, wolseley street, windsor park estate, tarawera, merry family, clinton family, adams family, tel-el-kebir, farrell family, (mr) william clark, trafalgar street, (mr) (sir) matthew davies, (mr) c h james, (mr) james munro, (mrs) elizabeth clark, langdale, (mr) stanley dewar, (mr) john jose, (mrs) emily hampton, potton, (mr) alexander potton, (mr) john atkinson morris, freehold investment & banking co., mont albert, windsor park surrey hills, dalton family, (mr) henry wood, wolsley close

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.Leather, wood and metal ankle boots c.1860. Dark brown leather upper constructed of two pieces, the foot secures with a metal clasp at the centre front ankle. The upper is adhered to the wooden sole with metal nails. The sole of the forefoot has been reinforced with a metal horseshoe around the edge. On one shoe, a modern inscription (ball point pen) : From "Barone" 9 Moule Ave Brighton. Sept 1970 On other shoe, typewritten on paper: From "Barone", 9 Moule Ave., Brighton Pres. Aug 1970children's shoe, barone, seaview, brighton, 1860s

The Denny Lascelles Wool Warehouse was the first building in Victorian planned to facilitate storage, inspection and marketing of wool in one operation, and upon completion was the second largest store in the colony. CJ Denny's was largely responsible for establishment and development of the wool marketing industry in Geelong and is a figure of significance in the history of settlement in Geelong. The wool store, a basalt structure with cement rendered ornamentation, was erected for CJ Denny's and Co, in 1872 to the design of Jacob Pitman, Architect.Wood cut engraving of the Mesrs. C. J. Dennys and Co.'s New Wool Store Geelong, published in The Illustrated Australian News, 1872. The half page full colour illustration shows the newly constructed Wool Store with a bull drawn cart carrying full wool bales situated out the front of the store.Top margin: THE ILLUSTRATED AUSTRALIAN NEWS 201 Below image: Mesrs. C. J. Dennys and Co.'s New Wool Store Geelong Image signed, lower mid edge: WINSTON Image, on building: C.J. Dennys Wool Brokers 1872 C.J. Dennys & Co. Wool & Produce Warehousedenny lascelles wool warehouse, wool, dennys, wool store

This bookplate was part of the 2013 Australian Bookplate Award.Framed ex Libris wood engraved bookplate for Robert C. Littlewood.john ryrie, ryrie, artist, artwork, available, available bookplate, littlewood, bookplate, ex libris, printmaking, available framed bookplate, framed bookplate

David Frazer (1966- ) David Frazer is an Australian artist who works in painting, wood engraving, etching, lithography and bronze. Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. (http://www.goldfieldsprintmakers.com/david-frazer.html) Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award.Bookplate for Tony Irvinng featuring the Yarra River and silos at Richmond, Victoria. bookplate, tony irving, david frazer, nylex clock, yarra river, silos, richmond

Chainsaw sculpture made from fresh green pine wood. Artworks Self I initiative Program. C/O F&S Enterprises in association with Switchback.artist, artwork, sculpture, chainsaw sculpture, gippsland campus, churchill

David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002. These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. Two limited edition prints by David Frazer using the wood engraving technique. They have been framed together. .1) Messenger Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 .2) Woe Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, frazer, david frazer, wood engraving, framed bookplate, printmaking, bookplates, churchill, gippsland campus

This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. The California bungalow style of housing was the dominant style of housing built in the interwar period through the northern parts of Surrey Hills and Mont Albert as formerly semi-rural land was subdivided for new housing. It was relatively inexpensive and affordable. In Australia the Californian bungalow drew upon elements that were popular across the United States from around 1910 to 1939. In Australia the style became popular from 1913. In Melbourne both timber and red brick were used as the main building material. Typically they are one or one and a half story houses and feature sloping roofs and eaves with unenclosed rafters and often a feature a dormer window (or an attic vent designed to look like one) over the main portion of the house. Decorative elements include wood shingles, part stucco rendered exteriors, brick, stone, rendered or a combination of these treatments to exterior chimneys and front porches supported by heavy timber, brick or stucco columns.A black & white photo taken at an angle of a Californian bungalow.californian bungalow, whitehorse road, george frank coop, (miss) josephine vistarini, (mrs) josephine coop, george burton coop, (miss) winifred trewartha, (mrs) winifred coop, george lister coop, alison coop

Harriet Cecilia Hordern Williams (1889 - 1968) was the grand-daughter of William Hordern (1830 - 1881) and Cecelia Monger (1830 - 1914). William Hordern was the sixth of seven children of Anthony Hordern Snr. who established the Anthony Hordern & Sons department store in Sydney which operated from 1923 to 1970. Harriet's mother Cecilia (1854 - 1934) was married to Christopher Williams. Harriet's uncle William was appointed commissioner of the Supreme Court of South Australia in 1903. Her cousin Doris Amelia Hordern (1889 - 1970), as Doris Blackburn won the Federal seat of Bourke in 1946 following the death of her husband who had previously held the seat. This branch of the Hordern family has a strong connection to Hawthorn through their home "Stramshall" in Auburn Road Hawthorn and also with the Auburn Baptist Church. Harriet Williams enlisted in the Australian Army Nurse in December 1916 and served as a Staff Nurse until her marriage in London in 1919. This certificate is significant to the history of Hawthorn and Australia through its connection with the Hordern family, the home Stramshall in Hawthorn and with the Auburn Baptist Church. It is significant to the history of the Royal Children's Hospital Melbourne as an example of early 20th century training protocol, in the persons who signed the certificate and the photographs of the hospital buildings of that time. Leather bound certificate of two pages hinged together as a book. Gold lettering embossed on the front. Gold ornamental border embossed on front and back. Inside a personalised presentation certificate on one page. Second page has photographs of the Melbourne Children's Hospital circa 1916.Certificate Reads: Childrens Hospital/ Training School For Nurses/ Melbourne October 5th 1916 This is to certify that Harriet Cecilia Hordern Williams has attended the prescribed course of Three Years Teaching at the Training School for Nurses in connection with the Childrens Hospital and has passed the examinations necessary for registration as a TRAINED NURSE. Signed by: Lalla Williams - Signature of Nurse M. J Turnbull, President Cora C. Oakden , Honorary Secretary Examiners: F. Hobill Cole M.D. A. Jeffreys Wood M.D. E. Alan Mackay M.B.B.S. Douglas Stephenson M.D.M.S. A. E. Rowden White M.D. Stuart W. Ferguson M.D. Captions on the photographs read: Convalescent Home Brighton Nurses Home Children's Hospital Princess May Pavilion Red Cross with banner beneath reading BY LABOR MUST THE PRIZE BE WON Printed on certificate: Sands & McDougall Limited Melb.childrens hospital, certificate, nurse, hordern, williams, hawthorn, harriet williams, lalla williams, rowden white, cora oakden, hobill cole, jeffreys wood, mary jane turnbull, alan mackay, douglas stephenson, stuart ferguson, brighton convalescent home, princess may pavilion

Owned by the Sebire family.Studio portrait of Henry and Martha Sebire taken C 1880. Has tan and burgundy mount with gold metallic paint on wood frame.portrait photographs

From the home of Mrs Edna Andrews C 1930Wood and metal butter churn in a glass jar with a screw top lid. C 19301L inscribed on bottom of glass jarbutter churns

Sold as a souvenir of Mt Buffalo. 'Souvenirs in relation to the Chalet and Mount Buffalo were first mention in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg. 114. Historica) "Souvenirs in relation to the chalet were perhaps first mentioned in December 1912, when enterprising locals, Mr J Pass of Porepunkah and Mr C Walker asked for permission to use timber on the mountain for making ornamental souvenirs . The government was agreeable to the ide and soon afterwards PWD chief architect George Austin went to Mount buffalo to make arrangements for supply of the timber, They proposed to make wooden egg cups, small boxes and photograph frames to sell to tourists, small items that' will serve as an advertising medium of the famous mount'" (Pg. 113.Historica) ' Fig 123. Bookends MBC0319,serviette rings MBC0217.2,eggcup MBC0218 and ashtray MBC0205 made of mulga, a wood from particular types of wattle tree that grow in arid climates. Souvenirs crafted from mulga became popular in the post WW2 years' (Pg 117. Historica) Purchased in a second hand shop and donated to MBC. Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).Two matching mulga wood book ends. They form a sphere when placed together. Hand painted motif and inscription on each. Painting of a skier dressed in colourful clothing on each and "From Mt Buffalo" painted at the base. "From Mt Buffalo"

During May through to July 1920 Prince Edward, later to become King Edward VIII of England toured Australia to thank the country for its support during World War One and to strengthen ties between Australia and the United Kingdom. He arrived in Victoria on the 26 May 1920 and on the 29 May attended a special agricultural show at the Royal Agricultural Showgrounds at Flemington. Bacchus Marsh district was invited to contribute to a display of agricultural produce and products which was displayed in the Government Pavilion at the Showgrounds. The display according to a newspaper report in the Bacchus Marsh Express on 5 June 1920 included 33 trays of fresh fruit, preserved fruit, pickles, sauces, bacon and other small goods, vegetables, hay grasses, grain, turned wood, wines and other drinks', &c., aided by pot plants, flags, draping of maroon and gold (official Exhibit colors) made up a color scheme and general effect worthy of the occasion. The Prince inspected the exhibit and expressed his admiration of it, his only regret was that he could not give more time to its examination. There was also 'an improvised "pheasant" nestling in one corner, and what "amazing" eyes it had!'. The organiser of the display was F. C. Minns, and the decorator was T. Stewart. This photograph is notable for its size and high quality framing. This signifies the importance the local community placed upon being chosen to participate in a major royal event and the desire to record this in a grand and elaborate way for posterity. Very large framed photograph of the agricultural produce and products from the Bacchus Marsh district displayed as part of a special exhibition for Prince Edward, the heir to the British throne when he visited Melbourne in May 1920. The display comprised a wide variety of produce such as fresh and preserved fruit, meats, vegetables, hay, grasses, grain, turned wood, wines and other drinks. The image is divided in the middle into two different angles of the display.A caption in gold lettering at the foot of the image reads 'The Prince's Show May 1920 Bacchus Marsh District Exhibit Royal Agricultural Society Showgrounds'royal visits, shows and exhibitions

The collection of thirteen model horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Small Wheel Lorry replicates the vehicle that enjoyed respect from the public during the 1880's and early 1900's. A model of a Small Wheel Lorry with a long four spoked wheeled wooden flay tray drawn by a brown horse. The wooden shafts are to control the horse whilst working. It has a grey wooden ice box with a metal lid with ICE painted in black letters inside a black lined outline on the side. On the side of they lorry or dray is painted WOOD - COAL - COKE - C. MEE LA1271 in black paint. These are long strong carts or drays without fixed sides for carrying heavy loads. They were the truck of the horse drawn era, from the large wool bale lorry to the suburban ice and wood lorry. It has been said they had their origins in the German farm wagon.ICE is painted in black capital letters on the side of the ice box. On the side of the lorry is painted - WOOD - COAL - COKE - C. MEE LA1271replicas, models, scale models, vehicles, horse drawn vehicles, toy horses, drays, carts

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Commonwealth government issue. This nest of tables are currently in use by the lighthouse staff.The set of three tables of descending size are designed in the same distinctive style as the bookcases and share the same wood type and finish (GILS 0012.2). Information on the underside of the tables indicates they were purchased by the Commonwealth through the Department of Transport for the CLS. The design bears the stylistic marks of the easily recognisable furnishings produced by the Kalmar firm, Sydney. Steven Kalmar (1909-1989), who migrated to Australia in 1939 and opened his own interiors business in 1949, played a significant role in popularising modernist design concepts in Australia drawing his ideas from Scandinavian and American trends. Born in Hungary, he trained as an architect and his contemporary affordable furnishings were especially suitable for the open-plan houses built in Australia’s new post-war suburbs. He closed the retail side of this in 1957 and concentrated on commissions, some for large-scale orders. One of these bulk orders came from the Commonwealth Government sometime between 1957 and the early 1970s, with several examples of light, compact and functional domestic furnishings supplied to lightstations in Victoria. Because the order was placed by the CLS, it is possible that Kalmar furnishings were also provided to lightstations in other states. Additional examples at Gabo Island include three bedside tables (GILS 0042.2 & 0076.10), chest of drawers (GILS 0077) and two bookcases (GILS 0012.2), with the backs of at least two of the furnishings bearing the Kalmar label. Kalmar furnishings in the other Victorian lightstations investigated by this study include bookcases at Cape Otway, Cape Nelson (3 examples) and Point Hicks (2 examples); two bedside tables at Cape Otway, and a long coffee table at Wilsons Promontory. The set of tables has first level contributory significance for their clear provenance, completeness and association with Steven Kalmar whose functional designs introduced modern, low cost furnishings to a number of Australia’s lightstations.Nest of three Scandinavian style tables, solid wood. Curved U shaped legs, one bar at base of table.Underside of GILS007.3:"C of A / D.O.T 1444248" (Commonwealth of Australia, Department of Transport.) •All tables have "16" on underside.

Rocket equipment which has been used in various lifeboat and rocket stations on the Victorian Coast. It is unclear if this is the original rocket equipment from Port Campbell. This equipment, if not original has been used in rescue operations and is identical to the equipment that was in use at Port Campbell from C.1890 onwardsTwo cylindrical rockets made of base metal with orange painted wooden heads. Three long cedar, wooden sticks (octaganal) that attach to the rockets. They have spring clips and a section of metal and a sheath to protect the wood from fire and with grooves for the rope. One rocket is attached firmly to a stick. A long length of cotton/linen (?) rope is attached to one of the rocketsYes

This rocket equipment has been used in various lifeboat and rocket stations on Victorian Coast. It is unclear if this is the original rocket equipment from Port Campbell. This equipment, if not original to the site, has been used in rescue operations and is identical to the equipment that was in use at Port Campbell from C.1890 onwardsRectangular box with fitted lid. All wood. Two rope handles at each end. Inscribed on lid -"Lights Illuminating Wrecks. Mark-IV 3 . 4/7/1910"Inscribed on lid -"Lights Illuminating Wrecks. Mark-IV 3 . 4/7/1910"

A separator is a centrifugal device that separates milk into cream and skimmed milk. Separation was commonly performed on farms in the past. Most farmers milked a few cows, usually by hand, and separated milk with a hand operated machine for domestic use. The milk was poured into the bowl on the top and the handle had to then be turned fast enough to get the separator up to speed adequate to separate the cream and the milk. The milk would come out of one spigot and the cream out of the other. In general practice some of the skimmed milk was consumed by the family, while the rest may have been used to feed calves and pigs. Enough cream was saved to make butter, and the excess was sold. In many cases excess could be bartered or swapped with neighbours for other items of produce. LISTER - A prominent make of separator which became very popular with the dairy farmer, was the "Lister" separator. The early separators sold by R. A. Lister in the 1880's, were made by "Koefoed & Hauberg", Copenhagen. Denmark, called the "Alexandria". Ashton Lister became the sole agent for Koefoed & Hauberg made separators in England and all the English Colonies, throughout the world. Being an enterprising salesman, Ashton, sent his son Edward on a three-year sales tour of Australia & New Zealand in 1890, (hence the strong presence of Lister in Australia.) Initially, the separator was totally manufactured in Denmark and assembled in Dursley, England. By 1892 Lister were making parts at their Victorian Iron Works, and around about the early 1900's, Lister began manufacturing separators in their own right, severing ties with Koefoed & Hauberg. The Lister firm is still going today, under the name of Lister Petter, England, but do not manufacture separators, as the manufacture of farm / domestic separators ceased in the early 1960's.This item is significant as it is representative of domestic and dairying machinery used throughout rural areas of Australia in the early to mid 20th century.The separator is made in 3 sections. The base is metal plated with blue enamel. The vat is made from silver painted tin. There are 2 outlet spouts. The detachable handle, made from cast iron and wood, is held in place by a screw. A metal plate featuring the manufacturer information is attached to the side of the handle. Model CR 15 hand operated table version.On metal plate attached to handle" Lister/ MADE BY R. A. LISTER & Co.LTD. / AT DURSLEY ENGLAND / VICTORIAN AGENTS / GIPPSLAND & NORTHERN CO-OP/ CO. LTD. / MELBOURNE C.1"dairying industry, dairy machinery, milk separators, lister separators

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A long slender instrument turned from ebony (wood). A twist top cap at one end can be removed to reveal steel spikes in the body of the instrument. A thin handle at the opposite end of the instrument can be pushed inward to move the steel spikes out of the body of the instrument. There is cotton stored in the instruments cap.Nonemedical history, medical, medicine, disease, healthcare, health, medical instrument, medical equipment, haeusler collection, nineteenth century medicine, 19th century

Beehive smokers douse bees with smoke to calm them and make them less likely to sting while honey is extracted from beehives. They were invented in the mid nineteenth century, prior to which bees were killed in order to extract their honey. The invention of the bee smoker was an important innovation in the history of apiary. The Wodonga Historical Society beehive smoker appears to be of the same design as the patented Woodman’s Bingham Bee Smoker, produced from 1878 by T. F. Binghan of Albronia, Michigan. The Wodonga Historical Society beehive smoker is an important artefact connected to local history, and the history of apiary in Wodonga. Beekeeping was a popular pastime in the late nineteenth and early twentieth century, and apiaries were subject to regulation by the Wodonga Shire Council. At a 1914 meeting of the council, for instance, a by-law governing beekeeping in Wodonga was enacted after Mrs Smyth complained that Mr Bassett’s bees were swarming the watering holes in her paddocks and preventing livestock from drinking. There were areas within the Wodonga township where apiaries were prohibited, and Mr Bassett’s bees had fallen foul of the law. A canvas, wood and metal beesmoker from the early twentieth century. apiary, bees, beekeeping, honey, apiarists, wodonga, council, wodonga council, wodonga shire council, rural, livestock

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s."" This axe belonged to Louis Haeusler (b.1878) and is one of the many objects in the Haeusler Collection that represent home and farm life in early twentieth century Wodonga. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, agricultural history and social history. A steel axe with wooden handle. The handle is engraved with crosses. The axe bears scuff and scratch marks from use. Crosses engraved on wooden handle axe, farm, wood, wood chopping, haeusler, haeusler collection

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s."" This axe belonged to Louis Haeusler (b.1878) and is one of the many objects in the Haeusler Collection that represent home and farm life in early twentieth century Wodonga.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, agricultural history and social history.Steel axe with wooden handle from the Haeusler Collectionaxe, farm, wood, wood chopping, haeusler, haeusler collection, wodonga