The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain hearth tiles in the fireplace of the dining room at Villa Alba. The square majolica plain tiles, positioned under where the original cast iron grill sat, are in shades of brown, green and blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the left side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the right side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the rear panel of the fireplace in the dining room at Villa Alba. The central decorative tiles depict pears and pomegranates. Above and below this central pair are abstract floral tiles in shades of olive green, blue and white. These six decorative tiles are surrounded by rectangular plain majolica tiles in shades of maroon and teal blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative hearth tiles used the fireplace of the morning room at Villa Alba. The patterns within the decorative tiles are self-contained or show their pattern when assembled with matching tiles. The multicoloured tiles have a grey or maroon background. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- morning room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the decorative surround tiles on the right tiled panels of the fireplace in the main bedroom at Villa Alba. The four grey monochrome surround tiles were selected from a series of twelve 'Waverley' [novels] tiles designed by John Moyr Smith and produced by Mintons Ltd, Catalogue No. 1607 (Mintons Tile catalogue p. 62/206)Tiles x 4 Upper left: BRIDE OF LAMMERMOOR \ RAVENSWOOD & LUCY Lower left: THE ANTIQUARY / SIR ARTHUR DOVSTERSWIVEL Upper right: THE MAID OF PERTH / BONTHRON ACCUSES ROTHSAY Lower right: THE HEART OF MIDLOTHIAN / JEANIE & THE QUEENfireplaces, mintons, mintons - tiles, villa alba --- main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the decorative surround tiles on the left tiled panel of the fireplace in the main bedroom at Villa Alba. The four grey monochrome surround tiles were selected from a series of twelve 'Waverley' [novels] tiles designed by John Moyr Smith and produced by Mintons Ltd, Catalogue No. 1607 (Mintons Tile catalogue p. 62/206). Tiles x 4 Upper left: KENILWORTH / AMY ROBSART AND LEICESTER Lower left: THE ANTIQUARY / SIR ARTHUR DOVSTERSWIVEL Upper right: GUY MANNERING / MEG MERRILEES AND HATTERAICK Lower right: QUENTIN DURWARD / LOUIS QUENTIN & JACQUELINE fireplaces, mintons, mintons - tiles, villa alba --- main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the gold, black and white hearth tiles of the fireplace in the main bedroom at Villa Alba. The twelve geometric, visually interlocking tiles feature an abstract flower within a black border. There are twelve parts of the pattern on each tile.fireplaces, mintons, mintons - tiles, villa alba --- main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the decorative tiles used in the hearth of the fireplace in the second bedroom of Villa Alba. The polychrome tiles are decorated in a manner reminiscent of Ottoman Iznik tile work. They feature the flowers and foliage of fuchsias and lily of the valley. The tiles at the edge have been cut to fit into the surround. The tiles have black visually interlocking borders. There are twelve tiles used at the front which extends six tiles deep. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the decorative tiles used in the surround of the fireplace in the second bedroom of Villa Alba. The brick red, monochrome, geometrically patterned tiles feature a neo-classical Late Victorian use of Ancient Greek fretwork. Each side of the surround has four of these large tiles. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the third bedroom of Villa Alba. The original 1880s black stone mantel, obliquely positioned in the southwest corner of the room (one of two examples in the house) is painted with a central group of three white roses. These are surrounded by flowers and foliage of jasmine that extend along the upper panel and down the sides of the mantel. It is believed that the addition of the painted flowers was completed by a freelance artist working for the Paterson Brothers; probably Ulysses Rizzi. The mantel is inset with two-tone surround tiles and decorative polychrome hearth tiles that incorporate a green ivy pattern which climbs up pieces of bamboo. Each tile is separated by a white and black border. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the pattern of the rectangular surround tiles in the third bedroom of Villa Alba. The tiles, which are painted in underglaze red and green have a central scrolling pattern of large six- and small four-petalled flowers in green. The border use Late Victorian neo-classical fretwork. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the pattern of the square hearth tiles in the third bedroom of Villa Alba. The glazed decorative tiles are painted in a pattern of climbing green ivy on a black base. The tiles have borders on two sides using a repeated black and white pattern. The tiles are laid so that the pattern of the ivy extends to the rear of the hearth. An oriental element with the design is the use of bamboo on which the ivy climbs. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the fourth bedroom of Villa Alba. This is the only replacement fire place setting in the house. It was purchased with the support of a grant from the Bendigo Community Bank - Kew East Branch. The mantel, like that in the. third bedroom features garlands of polychrome painted flowers on the three panels. The mantel is inset with monochrome surround and hearth tiles. The latter is incomplete, missing the front row. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba - fourth bedroom

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

This book was awarded to Amy Evelyn Bailey for second prize in Geography in the fourth form. Amy entered Ballarat College in January of 1885 at the age of 12. Parent/Guardian named in Registry as Ed Bailey residing in [Mt. Rowan?]. It is also noted in the Register that Amy came from Miss. [Keeps?] Ladies' School.During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that Amy Bailey entered the College at the age of 12. Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in red half calf with marble edging, gilt lettering and decoration on spine. Six raised bands on spine with gold decoration; gold writing on second compartment with green calf; College crest embossed on front cover; colour illustrations, end papers marbled, slight foxing on pages, detached spine, 670 p.Book plate inside front cover: college crest, Geography/ Fourth Form/ Second prize/ Awarded to/ Amy E. Bailey./ Christmas,1886.amy-evelyn-bailey, ballarat-college, ed-bailey, miss.-[keeps?]-ladies'-college

In 1992 the Shire of Ballarat gave their support to the Australian O;ympic Team who competed at Barcelona & Albertville,and in appreciation were presented with this Plaque. Acknowledgement and support given by Shire of Ballarat.rectangular in shape this plaque is on a marble look background.At the top is a round medallion enamelled in white background, on which is the Australian Coat of Arms and the Olympic Rings,"hanging"from a green and gold "ribbon".At the base is a rectangular plate with the inscription-Presented to Shire of Ballarat in grateful acknowledgement of your support to the Australian Olympic Games Team Barcelona & Albertville.1992.PRESENTED TO SHIRE OF BALLARAT IN GRATEFULL ACKNOWLEDGEMENT OF YOUR SUPPORT TO THE AUSTRALIAN OLYMPIC GAMES TEAM. BARCELONA & ALBERTVILLE 1992.1992 olypic games.shire of ballarat.plaque

The Bendigo Chamber of Commerce and Industry was constituted in 1886 with the vision to be the single voice for the business community across greater Bendigo. ‘Be.Bendigo’ is the trading name of the organisation ‘Bendigo Business Council’ which was formed in 2008 as a merger between two Bendigo business organisations: The Bendigo Chamber of Commerce and Central Victorian Business Network (CVBN). Upon the merger, Bendigo Business Council continued the functions of both the Chamber and CVBN by providing advocacy, networking and events to members and partners.Large minute book/journal - 381 pages of hand-written minutes of meetings of the Bendigo Chamber of Commerce. Light weight card covers with red, yellow and black marble pattern. Includes newspaper cuttings pasted onto pages and loose sheets of correspondence. First entry 25 November 1904. Last entry 4 April 1913.Secretary's Copyhistory, bendigo, bendigo chamber of commerce collection

Account Ledger of Albert Boldt containing Financial statements, Diary notes and Copies of letters. First entry Oct 8, 1859. Last entry 1866/7. Book has brown cloth cover with dark brown spine and triangular corners. Blue, cream and two shades of brown marbling inside the front and back covers.bendigo, clubs, bendigo heritage, german heritage society collection - account ledger of albert boldt

Dedicated to all nurses who have contributed to and have been part of the Alfred Hospital 1871-1996. Special bound copy dedicated to Von ClinchWritten by Alfred nurse Helen Paterson with the support of the Alfred Hospital Nurses League, the book tells the story of Alfred nurses from the opening of the hospital in 1871. The closure of the school of nursing in 1992 was the catalyst for the book but the story continues.Special Edition- Illustrated hardcover book with dark blue/grey/red/gold marble effect front and back cover. Black leather corners and spine. Title and author's name are embossed in gold on a red background on spine. Also on spine are 13 gold bands and 5 gold decorations. The book has a matching cardboard sleeve.On title page there is a handwritten dedication "Presented to Von Clinch with our thanks for a terrific project, all the best Andrew" (publisher)alfred hospital, helen paterson, nurses’ history/story

Certificate issued by "California Gully Mechanics Institute/10th June 1946/ From the Citizens of California Gully.Photograph - colour photograph, half portrait of a soldier in uniform. Certificate beside photograph - in colour at top Australian Coat of Arms with two flags. print in Navy blue and brown ink. Three service badges illustrated. Frame - timber with marble effect paint finish, gold trim. Mount - Cardboard, dark green colour. Glass front. Backing - Cardboard.Handwritten in black ink on Certificate "Craftsman W. G.Wrights".framed items, certificates, ww2

Black and white photograph of hallway decorated with many paintings, statures, chairs, etc. Decorated ceiling. History of object: James Lerk 2000 'Quartz King George Lansell's portrait hangs over the marble overmantle of the fire place in the foyer of 'Fortuna Villa'The bronze incense urns are now in the Bendigo Art Gallery collection'. Photographed for Bendigo Advertiser 11.1.2001W Ninnisbuildings, residential, fortuna villa

Donated by Christine Pitt, Whitehorse Historical Society member. Umbrella is from the 1920's, belonged to her mother, Fay Pitt of Box Hill, and her grandmother, Myrtle Grant of Richmond and Brighton.Red cotton umbrella with plastic handle and paint in a marble pattern. Ten black metal spokes are tipped with red, clear plastic. Wooden shaft. Material fastened with red elastic and metal button and eye clasp. Red material covers the join of spokes to shaft. Brown cotton cord fastened around shaft for hand-hold. From the 1920's'British Make' on one spoke.costume accessories, female

A Wilson, Alice Marble Tournament tennis racquet. Base of head features Wilson logo. Shaft and butt cover feature 'W' trademark. Leather handle is perforated. Handwritten name, in biro, across cloth butt cover: SUE/WARNER. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Paint, Ribbon, Clothtennis

At a well attended meeting at the Mechanics Hall in Cheltenham in March 1900, attendees decided to form a rifle club. The newly appointed secretary of the newly formed Cheltenham Rifle Club, Mr E.C. Rippon, enrolled 55 new members on the day, and the club resolved to consult with the Defence Department regarding the suitability of Cheltenham Park for that purpose, and Moorabbin Council to grant the use of the park. By 1912 the club was already on the verge of disintegrating. The Cheltenham Park range had been disbanded two years earlier. A new, shorter range and club rooms were completed in October 1912. The club continued to have difficulties over location and funds, despite being granted an exemption from paying rates for the duration of the First World War. In 1919, a proposal to disband was put forward at a club meeting. Members rejected the proposal deciding instead to wait on the rumoured reopening of the Langwarrin range. By 1921 it became evident the Langwarrin range would not reopen. A resolution to wind up the organisation was put to the meeting and accepted.Green, cloth bound book with red leather spine. A white label is adhered to the front of the book with MINUTE BOOK printed in black text. The book is hardcovered and, inside, are approximately 186 pages which have been filled with handwritten text as meeting minutes and lists, including a list of commitee officers. The inside fly pages are decorated with blue and red marbling.Handwritten text on the white paper adhered to the front of the book is no longer legible.cheltenham, sport, club, rifles