Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron Seat Breaker with a wooden handle.

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery girl seated nursing doll. White.pottery

William FRATER (1890-1974) Born 31 January 1890 at Ochiltree Castle, near Linlithgow, Scotland Arrived Melbourne, Australia in September 1910 In a lecture on modern art in 1925, Frater stated the basic position from which the rest of his oeuvre stems: 'Copying nature is not an art; … to copy effects of light tends to destroy form and colour'. Frater gave aggressive leadership to the small group of modernists in the 1920s. His example, teaching, lecturing and crusty style of polemic did much to disrupt the academic style as the arbiter of pictorial values and to pioneer a change of taste in the community.His approach in the 1930s was markedly indebted to Cézanne, especially in the portraits which predominated until his retirement from stained-glass designing in 1940. (L. J. Course, 'Frater, William (1890–1974)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/frater-william-6239/text10739, published first in hard copy 1981, accessed online 3 May 2016.) Jock Frater was on of the first modern painters who opposed the fashionable and academic schools of painting. During the 1930s he exhibited with the Contemporary Art Group along with Arnold Shore and George Bell. During a very conservative period in Australian Art John Frater advanced the cause of innovation and modernism. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed seated nude study in oil on paper. Lower centre in pencil "W. Frater". In lighter pencil "painted 1932"art, artwork, frater, william frater, life drawing, nude, oil on paper, portrait, jock frater, william jock frater, available

Photograph of children in classroom. State School 502 3rd. Babies 1930 Teacher Miss Matheson. Joan Vagg 1930 3rd Babies written on back. Listed Students Front Row R/L - Norma Chapman, George Holloway, Jock Hill, Unknown, Unknown. Second Row - Miriam Colquhoun, Betty Wells, Venus Floyd, Audrey Roeby, Unknown, Allan Bell?, Gray?, Unknown, Unknown. Third Row - Ron? Byron, Alan Storer, Betty Chapman, Nina Lea, Dorothy Whiteside, Mavis Darker, Smith?, Unknown, Unknown. Fourth Row - Judy Campbell, Lesley Dalkin, Unknown, Shuttleworth?, Unknown, Valda Evers, Joyce Miller, Unknown. Fifth Row - Pauline Datson?, Dorothy Kingston, Smith?, Stan Anyon, Unknown, Paisley Bradley, Unknown, Unknown, Unknown, Unknown. TEACHER Miss Matheson This photograph came from the Vagg family. Joan Vagg Died October 1932 - 7 years. Presumed she must be one of the girls. Students seated behind benches in Classroom with teacher.Joan Vagg 1930 3rd Babiesstawell education students

Harriett Holmes is associated with the Coghill - Holmes - Chatham family of Ascot, Victoria. Harriet was born in Leicestershire, England in 1799. She was the daughter of Henry Carter and Dorothea Madge. Harriett Holmes married Henry Holmes. They had 12 children, 4 died in infancy. In 1852, Harriet Holmes, sailed from Bristol and arrived at Geelong, Victoria as an unassisted immigrant aboard ‘The Eagle’ https://trove.nla.gov.au/newspaper/article/12912185 with her four youngest children: Catherine Dorothy (Kate Coghill) age 19 Adelaide Harriet (Adelaide Reid) age 17 Henry Vincent age 15 Edmund Augustus age 13 A black and white photo of a seated woman in a hat. Verso in blue ball point "Harriett Holmes"chatham family collection, chatham, holmes, coghill, harriett holmes, catherine holmes, william coghill junior, ascot, pioneers of larpent, immigrants and diggers, family history, women, pioneer women

Small Sepia Photograph of 10 Council Staff and Cr McCaskill (Originally image P0124)Written on back of photograph, "November, 1944. Ringwood council staff. Cr. J.K. McCaskill seated"

Part of S E Surman collection (album) page 13 top right. John (born 1854) and William Todd (born 1855) were the sons of William and Sarah Todd, who migrated to Victoria in 1853 and were living at Linton's Diggings by 1855.Sepia photograph of a young man wearing suit, long boots and hat standing with right arm crooked hand on hip, leaning left arm on back of chair where a second bearded man wearing suit and hat, sits with legs crossed, right hand on lap."Uncle Jack and Dad (W) Mr W Todd seated, Mr J Todd Standing". surman collection, john todd, william todd

Black and white photographWritten on back of photograph: "Double seater at 'Back To'- Civic Centre entrance, 19-10-74."

Purchased from the estate of J.Winter of Doncaster through Mrs. Price c/o Mrs. A. M. Ansell of Hacketts Road, Olinda, Vic for £20 (pounds).Two seater, four wheel buggy painted green with cream trim. Luggage compartment at rear of seat. The two back wheels are larger than the front two. Long shafts at front. A buggy lamp is fitted at each side. Seats are curved at the back.transport, horse

It took 15 years to invent the can. It took 100 more to invent a standard way to open it. In the 19th century, decades after the invention of canning, there were virtually no can openers. Canned food, such as sardines, came with its own "key" to peel back the tin lid. Birth of the can One of the oddest things about the can opener is that the can predates it by almost 150 years. Though common today, cans were once military-grade technology. In 1795, Napoleon, to whom the phrase "an army marches on its stomach" is attributed, offered 12,000 francs to anyone who could find a way to preserve food. Without any knowledge of bacteria or their role in food spoilage, scientists didn't even know where to begin. It took 15 years before a chef named Nicholas Appert claimed the prize after successfully jarring food. Soon after that, his countryman Philippe de Girard came up with a variant on Appert's method—metal tins—and sold the idea to the British. Spoiled food, and the sickness it caused, was a widespread problem. The public would have benefited from canned food, but for decades cans were almost exclusively for the army and the navy. The canning process, with its hours of boiling and steaming, its scrupulous cleanliness, its heated metal, and its need for a great deal of disposable material, made canned food far too expensive for anyone but the military. No can openers were needed or even possible. The metal of early cans was too thick to make openers practical. Soldiers and sailors had plenty of sharp objects on hand and made ample use of them when they wanted to eat. During the 19th century, the process of canning was refined and mechanised, and the metal wall of the average can slimmed down enough that a civilian could get it open—if that civilian had the right tool. No one had that tool yet, so early cans had to open themselves. In other words, they came with built-in openers. The result was a confusing but pleasing free-for-all, in terms of product engineering. Each type of food came with its own kind of can, and each kind of can came with its own kind of opener. Tinned fish and meat were often sold in rectangular cans. These cans were fitted with a "key" that would roll down the top of the can. Coffee, beans, and other types of meat were packaged in cylinders with metal strips that could be peeled back with their own kinds of built-in keys. Cans of milk, which didn't need to be completely opened, came with puncture devices. As tinned food became more common, its containers became more regular. A nice cylindrical can became the norm, and, as these cans filled kitchens, more engineers put their minds to finding a convenient way to open all of them. The first standalone can opener worked on a simple principle: point, stab, and pull. From the mid-19th century to the end of World War I, the typical can opener looked roughly like a wrench, if the lower 'jaw' of the wrench were replaced with a blade. People used the blade to puncture the top of the can near its edge, push the upper jaw against the side of the can, and drag the blade through the metal along the rim. Because meat was the first and most popular canned substance, these can openers were often shaped to look like cows and given the nickname 'bully beef can openers'. The bully beef can opener, popular in the mid-19th century, resulted in many lost fingers. Later, a corkscrew was added that was seated in the handle, and could be pulled out for use. Bully beef can openers were so common, effective, and sturdy that they are still frequently available on collectors' sites. Some are advertised as “still working,” and every last one of them is, without a doubt, soaked in the blood of our ancestors. Dragging a sharp blade along the edge of a can is certain to cause injury sooner or later. So once people got a reliable can shape and a reliable way to get the can open, the search was on for a reliable way to get a can open without the possibility of losing a finger. The answer came in 1925, from the Star Can Opener Company of San Francisco. This is probably the first can opener that resembles the one people have in their kitchens today. Instead of using a blade to pry open a metal can, buyers could clamp the edge of the can between two wheels and twist the handle of one of the wheels to move the blade around the lip. The Star can openers weren't perfect. Compared to the bully beef model, they were flimsy and breakable, but they probably prevented a few injuries. Six short years after the Star model came to market, the first electric can opener was invented. It was patented in 1931 by the Bunker Clancey Company of Kansas City, who had already been sued by the Star Can Opener Company for trying sell a double-wheeled can opener like the Star model (the case was dismissed). The electric can opener must have seemed like the wave of the future and a sure-fire seller, but it proved to be too far ahead of its time. In 1931 not that many households had electricity, and those that did weren't interested in buying can openers. The Bunker Clancey Company was subsequently bought by the Rival Company, which still makes small appliances like can openers today. It took another 25 years for electrically powered can openers to become practical. In the 1950s, Walter Hess Bodle and his daughter, Elizabeth Bodle, developed an electric can opener in the family garage. Walter came up with the opener's blades and motor, and Elizabeth sculpted the outside. Their can opener was a free-standing unit that could sit on the kitchen counter. The Udico brand of the Union Die Casting Company put it on the market in time for Christmas in 1956 and had great success with it. Over the next few years it came out in different styles and colours, and, like the bully beef can opener, has become a collector's item. Also like the bully beef model, Udico can openers often still work. They don't make 'em like they used to. Although there have been some design changes and refinements over the last sixty years, there have yet to be any more leaps forward in can opener technology. If you're resentfully opening a can, you are almost certainly doing it using the Star design, manually forcing the can between two wheels, or the Bodle design, clamping the can into a free-standing electrical opener. Whether or not you enjoy your holiday meals, at least you can be happy that you are not getting poisoned by your own food or cutting open your hand with the blade you use to get at it. That's something, right?The can opener, Bottle opener and the corkscrew are still very important and essential items in most kitchens.Metal can opener, chromed, with bottle opener, and a corkscrew seated in the handle.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, canning, can opener, corkscrew, bottle opener, kitchen equipment

Inside driver's side of Ford Fairlane 300 showing steering wheel, column shift and seat belt draped over driver's seat. Circa 1961police vehicles; wireless patrol; motor transport branch; ford fairlane car

HUttleyB/W. Studio Portrait of Wartime Bride in white, Groom in Uniform flanked by seated Bestman in Uniform and seated Brides Maid with short Sleeved dressKeith Donald, Lorna, Jack, Hazel Richhuttley

First Nation child at Carrs Plains with slate on her lap. Dressed in simple frock and laced boots. (May be linked to no. 5563-1 series in records). This photograph is a copy of the original held by Museum of Victoria. Carrs Plains was one of the early runs. Once described as a desirable spot, with the Richardson river running through it into the first level part of the country. In later years it was described as having a fascinating view of the Grampians thirty-fourth miles to the South West. To the South the Pyrenees, East the Bolangum Ranges, North limitless Plains. Black and white photograph of a young child seated holding a slate on her lap. The child is dressed in a simple frock with laced boots and seated in front of a plant. Copyright Museum of Victoriastawell aboriginal portrait

The photograph is of an early Ithacan Philanthropic Society committee. Some of the members were also in the inaugral committee of the Society, which was formed in Melbourne in 1916. It became affectionately known as 'The Club' and provided the early Ithacan Greeks a place of belonging in a strange and at times a hostile environment. A black and white photograph of men dressed in suits, standing and seated in two rows in a studio. There are seven men standing behind four men who are seated.

Black and white photograph. Staff group 1968 seated and standing on tiered benches in the Gardens. E. B. Littlejohn, Principal, seated front row centre.Names in paper catalogue. On reverse, "Staff 1968," and, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D.1341.D."staff, 1968, e b littlejohn, principal, staff group, publicity

Presentation of Life Membership to William James Norman Smart (Norm) at the Bendigo RSL Sub Branch Annual Dinner in 1998. Norm served on the Committee of the Sub Branch from 1985 to 2003, he was Treasurer from 1989 to 2003. He also served on the Welfare and Charitable Sub Committee, as a delegate to the 27/27A District Board of the RSL, an Office Bearer of the RSL Flats in Kangaroo Flat from 1987 to 2002, as a museum guide in the RSL Museum SMI from 1998 to 2015. With Appeals Norm raised some $250,000.00 in the Anzac & Poppy Appeals. The men seated are Bert Pollard, Harold Trahair Eaglehawk RSL, Ivan Hutchison, Hugh Connolly Kangaroo Flat RSL.Two photographs colour an award being presented. .1) Shows a man in a suit and tie, microphone in one hand and a certificate n the other. .2) Shows same man standing n front of a table with men seated. Text in red pen on rear off.“Presentation N. Smart Life Membership Annual Dinner”brsl, smirsl, life memberrship, 1998

Black and white photo of 4 women, 2 seated, and a baby (seated) 1 woman has a dog in her arms. The group is situated by a small weatherboard houseOn back of photo: "RH Society | Richard Power home Carlyle | Power Family"community, family, power family, carlyle

Black & white studio photograph showing Lesley Hogan in uniform standing behind Leslie Jnr, with Frances seated and holding Edna. Both children are seated on a table.Aunty Dot & Uncle Les- little Les & Edna.hogan frances, hogan leslie, hogan leslie jnr, hogan edna

Colour photograph of man and woman in period costume seated in open four-wheel buggy with man in front seat driving horse, man riding horse behind."Linton Park Exhibition 1982 Len McDonald Trevor and Gaye Mason James Mason".ldhs activities, ldhs exhibition linton park 1983, len mcdonald, trevor mason, gaye mason, jim mason

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet a Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee Receipts for 1980. Envelope included and breakdown of the costs and donations for the Amy Huxtable memorial seat which is opposite the former Bendigo Advertiser office in Pall Mall, Bendigo.history, amy huxtable, bendigo, amy huxtable memorial committee

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Group at Graduation DinnerColour photograph of eight people seated around tableviosh, victorian institute of occupational safety and health, graduation dinner, ballarat

A tutor watches two students seated behinf a computer.computers, student activities

b/w portrait photograph of Charles Page (seated)charles page, seaman

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Captain John Cleeland seated with walking stick.local history, photography, photographs, captain john cleeland, black & white photograph, ships captains, john cleeland, pioneers, john jenner, bryant west

BLACK AND WHITE PHOTO seated female - mounted on cardboardphotograph, person, female

Black wooden horse and cart ornament with seated driver.ornaments, wood, horse & cart

Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Pamela Davies, 2005Seaside landscape with seated figure and figures on sand and in the water.Recto: Not signed; Not dated; Not titledbeachscape, figures, summer, sand, waves, umbrella, australian art