The Common Buzzard is part of the buteo genus (Latin for buzzard or hawk) which indicates it is part of the raptor group whose features include a medium to large build, a strong body and larger wings. The family includes birds of prey such as hawks and buzzards. Like their name suggests, Common Buzzards are very ‘common’ in the UK but can also be found in other parts of Europe, Africa and Asia. The birds’ habitat consists of woodland, shrubland, forest, wetlands and countryside, and they can live in cold, tropical and temperate climate zones. Similar to other raptor species, Common Buzzards make their nests in tree branches or tree forks. With finely tuned hearing, they are able to detect small marsupials, and their diet consists of small amphibians, birds and mammals. Normally solitary, these raptors can occasionally be seen with others. Common Buzzards are classified as of ‘Least Concern’ on the IUCN Red List. While there is some noticeable fading of this particular taxidermy specimen’s plumage, it is relatively well presented. The completely black eyes and string through the nose of the specimen seem to be taxidermy/curatorial choices, as this is not something that is normally found on living versions today, and the eyes of Common Buzzards are normally golden eyes with black pupils. It is interesting to note, when considering the selected artificial eyes, that the original swing tag labeled this specimen as Saleo tinnunculus Lina, a form of kestrel (known to have complete black eyes), which perhaps explains this taxidermist choice. As a Common Buzzard, this particular specimen could have had its frame and breast area bulked out a little more, as birds within the buteo genus are generally recognised to be of medium to large build. Overall however, this is a fairly reasonable and accurate representation of the species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.With similar colourings and features to a range of raptor species, the Common Buzzard can often be mistaken for other varieties of buteo and raptor. The bird’s plumage generally varies by location, but normally includes a variety of shades of brown, commonly with darker brown on its back and lighter coloured feathers on its breast, underbelly areas and face. These birds normally have fine bands on their tail and darker tipped wings. Common Buzzards have smaller heads with a band of yellow around the base of their small curved beaks and golden yellow eyes. This particular specimen’s feathers have faded and he stands upon a wooden perch with an identifying tag hanging from its right leg.Swing Tag: Swing tag obverse seems to read: ‘…io [? First few symbols aren’t clear]/ Saleo /tinnunculus/ Lina [there is also another illegible symbol on the tag in the centre on the second line] Swing tag reverse: illegible sections of text and the beginning of a number ‘403…[?]. Metal tag: 1032[?]taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, buteo, hawks, raptors, birds of prey, buzzards

Atabrin Tablets Quinacrine C23H30ClN3O Anti-Malarial Drugs issued to all troops in tropical areas during WWII Troops used to joke about the fact that ATABRIN turns the skin yellow. Prevented Malaria in Tropical Regions minimizing the disruption to combat caused by untreated Malaria.Rectangular metal container,dark grey in colour. The words Atabrin Tablets printed on lid in raised printmalaria, atabrin, tropical disease,

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The circle and diamond pattern are ancient symbols used by Wadawurrung people dating pre-colonisation on possum skin and kangaroo skin cloaks, other artefacts like spear heads (carved), wooden shields, stone tools and caves were painted with blood, ochre and bound with grass tree sap, black wattle tree sap and kangaroo fats. The diamond pattern was a strong design used by men on shields and women on baskets and adornments. Shields were taken from the tree in the colder months when the tree was cold as the wood came off cleaner. Ochre colours of red, white, yellow and charcoal were often used to colour in and decorate the skin side of possum skin cloaks, wooden shields, spear heads, baskets and some coolamon bowls.The design for this cloak has been simplified from the original artefact design.Cloak with black and white diamond and circle design on outer cloak and coral and white line pattern within lining. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung, first nations, cloak

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The bag is small, tanned leather with a panel on the front of the bag made from delicate, tanned barramundi skin. The handle is attached to the bag using a gold loop in the centre, top of the bag and one long adjustable strap, The main clasp of the bag features an image of the Australian emblem above the Olympic rings, the reverse of the bag is unadorned.Clasp on the front of the bag has the image of the Australian emblem over the Olympic rings. On the inside of the bag is a label- "Witney Green" "Made in Australia"1992 barcelona olympics, sport, athletes, fashion, design, uniform

Made by Bob Stewart to place prominently at Reception in order to advertise the availability and smartness of this item of the uniform. As an optional item of uniform, it was popular with students who found the woolen jumper uncomfortable next their skin.Because of its size and portability it has become somewhat of a mascot in school displaysMiniature version of the dark navy fully lined woolen blazer which forms part of the School uniform, including the embroidered logo next to the left lapel. The display includes a wooden stand.The Donvale Christian College logo is embroidered on the front,next to the left lapel. On inside of the right front of the blazer is sewn a "Bob Stewart's Kew" printed Name tag which has room for the owner's name and phone number to be writtenblazer, jacket, donvale christian college

Satchels such as these were commonly used by young boys to carry their lunch and school items between school and home. They were used commonly in the days when much of the requirements such as slates and paper were used as class sets. They proved to be serviceable and required only the most basic of maintenace as in stitching, to be kept in good order. Being adjustable they would also serve a student for a number of years.No information is available on Henry Alexander Cain of Surrey Hills.A common item with which many people would identify.Brown leather rectanular satchel with gusset on either side . It is fastened on the front with two metal buckles and has four adjustable leather back straps attached to the bag with metal studs. These are adjustable through holes in the leather straps. Likewise the front straps can be fastened in a number of different holes. The leather has an overall snake skin pattern.Solid leather is stamped in the leather on the front. henry Alexander Cain ******Rd Surrey Hillswarrnambool, school history, boy's school bag

A satchel used by students to carry their requirements to and fro between school and home. Typically it would contain lunch and a homework book generally a small exercise book which would contain the set work for the evening. They were sturdily and simply constructed so as to withstand the daily rigour of the school ground.A common object with which many people would identifyBrown leather satchel with gusset on either side. The surface has crocodile skin profile. Two leather straps with buckles on either side. The back has straps which are fastened with metal studs at the top and laced through slits at the bottom . The strap itself is joined with a buckle. One side has been restitched toward the bottom of the satchel.Four purple "Warrnambool and District Historical Society" stamps on the inside. The remnants of a name which is unreadable. "5620" in red on left hand side. A stamp *** leather and other details which are unreadable.warrnambool, school satchel, boys' leather satchel, school bags

"THE TIGER MAN OF VIETNAM/ THE HILL TRIBES MADE HIM A DEMI-GOD/ THE CIA WANTED TO KILL HIM/ THE REMARKABLE TRUE STORY OF/ AUSTRALIAN WAR HERO BARRY PETERSEN"Soft cover book. Soft cover - cardboard, gold and black print on front, spine and back. Illustrated, front montage photo of sepia toned soldier with jungle scene behind. Back - sepia toned photograph - portrait of a man with an animal skin. 356 pages, paper, cut, plain, white. Illustrated - black and white photographs.books, history, biography, vietnam conflict

Long black ebony 'baton' shaped instrument called a 'lebenswecker', which is German for 'Life Awakener'. Screw top at one end. Thin round piece at other end which when opened reveals a spring insert in 'baton'. When let go the spring pushed tiny sharp needles to puncture the skin thus awakener the person..medicine, alternative medicine

This photograph shows Theresa Joy Hodge wearing the fox fur coat her father made, which is now part of the National Wool Museum Collection, NWM-9090. "The foxes were shot in the 1950's by my Father, Charles Winnet Daniel Allen at two properties around Bacchus Marsh. One was Greystones at Glenmore, owned by the O'Keith family and the other was at Parwan, owned by the Miles Family. In the late 1940's and early 1950's, the Government put a bounty on the fox head. A pair of ears were sent to the Council and you were paid 2 pennies and the skins were sold to a skin buyer. My Father would go out on moon lit nights and shoot the foxes then skin them, which he would peg on a board to dry. He took 21 fox skins to Nettlebergs Pty. Ltd., Furriers at 173 Elizabeth Street Melbourne, Victoria, to have this coat made for my Mother, Gladys Eileen Allen. It cost Twenty Pound and Nine Shillings to have the skins made into this coat. My Father died on the 1st July 1982 and my Mother on the 15th October 1993, aged 76. This coat was inherited by me Theresa Joy Hodge (nee Allen) on the passing of my Mother. I have worn it on cold days, but seeing that I am 84 and the coat is 74 years old, I would like to donate it to you, as I have no-one to leave it to and hope that you and the visitors to your Museum will enjoy looking at it." Theresa Hodge, 2025 Theresa was a dairy farmer, who grew up in Bacchus Marsh with her parents, before moving to South Australia in 1980 to a 167 acre farm in Burrungale.Colour photograph showing an interior view of a woman wearing sunglasses and a fox fur coat. She is standing in front of a doorway, and beside a dresser which has a mirror, ornaments and a photograph.back: [handwritten] 1995 Winter / Theresa Allen back: [printed] Kodak / Official Sponsor / of the / Olympic Gamesfox fur coat, fashion, hunting, pest eradication, farming, rural life, bacchus marsh, greystones, glenmore, parwan, fox, nettlebergs pty ltd, furriers, clothing, theresa hodge, charles allen, gladys allen

Robert Halifax, a young teacher, 25 years old, was charged with bigamy. In December 1905 he married Myrtle Skinner, 17, in Coleraine. He had married Faithful Halifax, nee Trotter, in March 1900.Prison record for Robert Halifax, prisoner registered number 31238, giving details of the prisoner, his crimes and the dates and places of his trials.english speaking prisoner, robert a. h. halifax, bigamy

This appliance can used in two different ways: externally to spray antiseptic mist on to the skin or internally on the back of the throat. Insufflator is the clinical term for spraying. This was used by a midwife in the care of mother and newborn babies. (Becton Dickson)Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.White metal applicator, probably made from nickel plate. Consists of three sections - application cup (.1), watch spring attached to a piston and flange (.2), and a section of metal connection (.3). Applicator was originally attached to a glass tube mounted on black vulcanite by metal connections of various sizes. Inscribed 'BECTON DICKSON & CO/PAT. DEC. 06", "RUTHERFORD N.J."midwifery, infant care

The two set squares belonged to the donor's father. Purchased in Melbourne in 1912. He was an engineer with John's Waygood, Otis and Skinner, lift engineers. The only hydraulic lift remaining in Melbourne was designed by and installed by Edward HughesAustralian oak drafting set squares. Edges inlaid with ebony. One 45 degree angle, the other 60 degree angle.145 E L Hughestrades, drafting

Colour PhotographFront Row: Andrew Baker, Melissa Carr, Martine Washbourne, Liz Wallace, Loc Truong Second Row: Gavin Cranston, Duncan Skinner, Craig Dunbar, Andrew Haggart, Ben O' Kane Principal: Mr Sheridanrts, ringwood tech, esc

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.B&W photograph NDSN 25th Anniversary five-member committee Three copies of B&W photo in varying sizes.NDSN 25th anniversary committee: Mavis Bonney (nee Graham), Elsie Brown (nee Skinner), School Chairman Kevin Houlahan, Dean Sidney Gerry and Joan O'Shea (nee Stott). copyright The Bendigo Advertisers (blue stamp)ndsn, nursing

This is a badge of an Australian association of fellmongers, wool sorters and scourers. This group may have been part of the Amalgamated Fellmongers, Wool Sorters and Wool Scourers Union of 1912-1918 or it may have been an earlier association. A fellmonger was a dealer in the hides or skins of animals, especially sheep, or a person who removed the skins from animals. There were several fellmongery and wool scouring establishments in 19th century Warrnambool and district. These included the Dallimore Fellmongery at Lake Gillear, the Bennett Merri Bank Fellmongery at Dennington and the fellmongery businesses of James Evenett and Henry Mawbey on the Merri River in South Warrnambool.Although it has no known local provenance, this badge is of interest because there were several fellmongery establishments in the Warrnambool district in the 19th century so it may have belonged to a local person.This medallion has a gold coloured image of a suspended lamb on a circular royal blue enamel background which in turn is surrounded by a white enamel annulus with text. The external brass edging is filigree. The medallion has an attached ring at the top with narrow gold ribbon threaded through an additional ring FELLMONGERS WOOL SORTERS & SCRS' . AUST. WOOLANDSKIN 82? G.P.O.PLACE W fellmongers, warrnambool history, dallimore fellmongery, bennett merri bank fellmongery, james evenett, henry mawbey

A poultice is a soft moist mass, often heated and medicated, that is spread on cloth over the skin to treat an aching, inflamed, or painful part of the body. It can be used on wounds such as cuts, inflammations like boils and to draw out splinters.A clear glass jar with a metal screw top containing 'Thar's' antiseptic poultice ointment.Front THAR'S / ANTISEPTIC / POULTICE / OINTMENT / Thar Chemical Co. / Pty. Ltd. / 74-76 Victoria Street / North Richmond / Left Side WAR-TIME PACK / FOR ......... Right Side DIRECTIONS ....... / Vertically sides Purifying, Soothing / Antiseptic, Healing pharmacy, medicines, thars ointment, thar chemical company, hospitals, nursing, containers, moorabbin, richmond, bentleigh, cheltenham, melbourne, poultices, medical poultices

6th Light Horse Regiment was raised in New South Wales in 1914 and served at Gallipoli, Sinai, Palestine and Syria. The regiment wore wallaby skin hat bands instead of cloth puggarees, hence the reference to furred hats.A rare first edition of a regimental history. It was told and published immediately after the war so gives an authentic and unvarnished account of the experience of a relatively small group of young men from New South Wales during their four years at war.Hardback book; 1st edition. Written by Lieutenant G L Berrie 6th Light Horse Regiment AIF. Published by W C Penfold and Company Ltdbook, light horse

This small, slim case was manufactured to contain reading spectacles in a secure but yet "manageable pocket or purse" environment. It was manufactured to contain reading glasses that would not exceed 12mm in thickness. The product was targeting the "professional" reader ie. accountant, lawyer, business and property managers. Because it was made for a "eyesight" specialist to contain "prescription" reading spectacles the quality had to be of a higher level than cheaper "off the shelf" ones. This case was made and used in the late 1800's and early 1900's.This case, for spectacles, holds a significant position in that it points to a time in history when rural Australian families required to travel long distances to obtain professional "eyesight" treatment which, on the whole, were only available in the capital cities (in this case Melbourne). In the pre 1960's, the greater the distance from capital cities for Australian rural folk to seek professional medical, dental, nose ,eye and throat specialists the greater the time involved resulting in the greater expense. This "isolation" brought about increased costs not experienced by city residences. The quality and durability of this case was a pre-requisite for the Kiewa Valley based resident.This slim spring lid spectacle case has a body of light steel over layered by a fine skin dyed(dark brown) leather coating. The inside, of the case, has a 1mm lip opposite the hinged end (to secure the reading spectacles within the case). The inside is fully covered by a "royal" purple felt (to provide the spectacles with a scratch free enclosure).At the outside base in gold lettering "H.B. BISSELL" underneath "EYESIGHT" underneath "SPECIALIST" underneath "BARKLY st", underneath "FOOTSCRAY"personal effects, spectacles, eye fashion, reading glasses

Deep brown seal skin fur handbag on a silver frame. A side clasp opens the bag - with a silver engraved knob and keyhole. Another swing silver clasp closes the bag. Handle is covered with fur,Frame is decorated with embossed relief work, including some faces. Bag is lined with satin, and has one side pocket. Lining shows damage.Frame marked: DEP.H&B Rd. No. 25436. Patent Applied For. DEP. H&B.costume accessories, female, handbag

This photograph shows Charles Winnet Daniel Allen and Gladys Eileen Harris on their wedding day, 18th December 1937. This photographs relates to the fox fur coat which is now part of the National Wool Museum Collection, NWM-9090. "The foxes were shot in the 1950's by my Father, Charles Winnet Daniel Allen at two properties around Bacchus Marsh. One was Greystones at Glenmore, owned by the O'Keith family and the other was at Parwan, owned by the Miles Family. In the late 1940's and early 1950's, the Government put a bounty on the fox head. A pair of ears were sent to the Council and you were paid 2 pennies and the skins were sold to a skin buyer. My Father would go out on moon lit nights and shoot the foxes then skin them, which he would peg on a board to dry. He took 21 fox skins to Nettlebergs Pty. Ltd., Furriers at 173 Elizabeth Street Melbourne, Victoria, to have this coat made for my Mother, Gladys Eileen Allen. It cost Twenty Pound and Nine Shillings to have the skins made into this coat. My Father died on the 1st July 1982 and my Mother on the 15th October 1993, aged 76. This coat was inherited by me Theresa Joy Hodge (nee Allen) on the passing of my Mother. I have worn it on cold days, but seeing that I am 84 and the coat is 74 years old, I would like to donate it to you, as I have no-one to leave it to and hope that you and the visitors to your Museum will enjoy looking at it." Theresa Hodge, 2025 Theresa was a dairy farmer, who grew up in Bacchus Marsh with her parents, before moving to South Australia in 1980 to a 167 acre farm in Burrungale.Black and white photograph a man and a woman standing together. The woman is wearing a wedding gown and headpiece, and the man is wearing a suit.back: [handwritten] Wedding Photo of Gladys Harris / and Charles Allen 1937 / 17-3-1994 / 18-12-37 / Church of England / 18-12-1937 / ORIGINAL: / a. Surmon back: [printed] ALLEYNE HOCKLEY / 12 WILKIE STREET / CASTLEMAINE 3450 / Phone 721425 back: [printed] Kodak / PAPERfox fur coat, fashion, hunting, pest eradication, farming, rural life, bacchus marsh, greystones, glenmore, parwan, fox, nettlebergs pty ltd, furriers, clothing, theresa hodge, charles allen, gladys allen, wedding

This photograph shows Theresa Joy Hodge's father Charles Winnet Daniel Allen on property in the Bacchus Marsh area, where he shot foxes which which were turned into a fox fur coat, which is now part of the National Wool Museum Collection, NWM-9090. "The foxes were shot in the 1950's by my Father, Charles Winnet Daniel Allen at two properties around Bacchus Marsh. One was Greystones at Glenmore, owned by the O'Keith family and the other was at Parwan, owned by the Miles Family. In the late 1940's and early 1950's, the Government put a bounty on the fox head. A pair of ears were sent to the Council and you were paid 2 pennies and the skins were sold to a skin buyer. My Father would go out on moon lit nights and shoot the foxes then skin them, which he would peg on a board to dry. He took 21 fox skins to Nettlebergs Pty. Ltd., Furriers at 173 Elizabeth Street Melbourne, Victoria, to have this coat made for my Mother, Gladys Eileen Allen. It cost Twenty Pound and Nine Shillings to have the skins made into this coat. My Father died on the 1st July 1982 and my Mother on the 15th October 1993, aged 76. This coat was inherited by me Theresa Joy Hodge (nee Allen) on the passing of my Mother. I have worn it on cold days, but seeing that I am 84 and the coat is 74 years old, I would like to donate it to you, as I have no-one to leave it to and hope that you and the visitors to your Museum will enjoy looking at it." Theresa Hodge, 2025 Theresa was a dairy farmer, who grew up in Bacchus Marsh with her parents, before moving to South Australia in 1980 to a 167 acre farm in Burrungale.Black and white photograph featuring a man standing on a rural property with a dog beside him. A gate, fencing and water tank are shown in the background.back: [handwritten] 1939 / Charles Winnet Daniel / Allen back: [printed] FUJIFILM / Fujicolour Crystal Archive / Paperfox fur coat, fashion, hunting, pest eradication, farming, rural life, bacchus marsh, greystones, glenmore, parwan, fox, nettlebergs pty ltd, furriers, clothing, theresa hodge, charles allen, gladys allen

A series of talks held October - December 2005 at the Eltham Living and Learning Centre which allowed Nillumbik Historical Societies to record the verbal history of the area with some of the well known residents of Nillumbik and surrounds Recorded and edited by Marie Ryan of Plenty Valley FM Speaker: Neisha Forbes 15th November 2005 This session covers the early settlement of Plenty. Learn about the mills situated on the Plenty River from the 1840s. Early industry such as fruit growing, poultry farming, goldmining, rabbit skinning and how they contributed to the development and employment of the area and in the case of rabbit skinning the development of other industries in Victoria during the Depressionvideo recording

The metal probe in this set (.6) was used to puncture superficial skin blisters or eruptions and to probe suspected pus filled wounds. The Mayo scissors (.7) was (and still is) part of all major and minor suturing sets. It is also used in general theatres.Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Pocket dressing case containing surgical tools. Case [185.1] is made of cream household chamois, with two end flaps and small overlapping front piece to indicate the front of the case. Middle of the case has a strip of chamois divided into nine sections to hold the instruments. Tools contained in the case are: straight Spencer Wells artery forceps x2 [185.2,185.3], Allis box jointed tissue forceps x2 [185.4,185.5], straight probe [185.6], curved Mayo scissors [185.7], straight dissecting forceps [185.8], catheter (female) [185.9], straight McPhail needle holder [185.10]. Artery forceps 185.2 are stamped with '19' on both inner arms. Tissue forceps 185.4 are stamped with "2" on inner arm. Tissue forceps 185.5 are stamped with "8" on inner arm. Mayo scissors 185.7 are marked with '"1". Dissecting forceps 185.8 are marked with "1".surgery

A leather apron is a protective garment worn by blacksmiths to shield their clothing and skin from sparks, heat, and other hazards while working with hot metals. Leather aprons are typically made of high-quality leather that is durable and resistant to heat and flames. Black leather blacksmith's apron. Used by Norm Harris while working in the blacksmith workshop at the Central Deborah tourist gold mine and while conducting tours of the mine for the tourists.mining, clothing, deborah gold mine, blacksmith, leather apron

Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl

Japanese Shi-gunto Army Officers sword and scabbard. The guard is rectangular in shape with cherry blossom motifs. The hilt is encased in Shark skin (?) Scabbard is made of painted steel. Brass fittings on the wooden scabbard encased in an enamel painted metal sheathWorld War Two Japanese NCO/Officer sword and scabbardCherry Blossom inscription on guardjapanese sword officer scabbard shi-gunto samuri cherry blossom

J. Dyson & Co was a company manufacturing scouring and dyeing vats during the first half of the twentieth century. The company continued to operate into the 1980s. J. Dyson & Sons company relates to Scouring Bowl W468 and Skin Press W1993 in NWM Collection.Metal sign with embossed lettering and four screw holes. J. DYSON & SONS. PTY. LTD. / GEELONG / VICTORIA . AUSTscouring, dyeing, j dyson & co, skin press, wool, industry, geelong