Photograph re 16th Intake National Service 23/4/1969 Recruit Training 20 Platoon D Coy Puckapunyal. Photo in the collection re Peter Ball, refer Cat No 4704 for service/other details Platoon names, surname only. Back row. Russell, Rennie, Carter, Henning, McMurrich, Golding, McLeay, Span, Musgrave, Tinney, Pitt. Fifth row. Flowers, McNair, Coates, Raco (Sam), Moon, Albert, DeJong, Taylor, Morgan, Burrows, Culp. Fourth Row. Wakeling, Fuller (Bob), Melbourne, Guistino, Thorpe, Forbes (Wayne), Alexander, Tirrell (Roger) Ellingham, Bloom, Freeman. Third row. Johnson, Watts, Tellis, Rankin, Whatmough, Goldsmith, Kopke, Thomas (Courtney), Darker, Lonergan. Second row. Russo, Cpl Brabrowsky, Cpl Eather, Cpl Richards, 2nd Lt Boag, Cpl Logan, Cpl Beasley, Robertson, Thompson. Front row. Dann, Hore, Ball (Peter), Luke (David), Clay, Missing. Sgt Simms, O'Donnell, Roberts, McHenry, Harris, Johns, Maher, Parmenta. Served in Vietnam later that is known. Henning, Fuller, Forbes, Thomas, Ball, Luke, Johns. Cpls Eather, Richards & Beasley had already served in Vietnam'. Thorpe served in Malaya later. Black and white photo of 20th Platoon, D Company. Six (6) rows of soldiers in uniform posed on the Parade Ground in front of building at Puckapunyal on 7th June 1969. Photo is in a white frame (wooden) with a glass front. Brown cardboard backboard with built in stand stapled to back.On back written "16th Intake" x "8 x6".puckapunyal, training, photograph, 20th platoon

Three pages of information (copied ) regarding reefs and spurs on Bendigo Goldfield. Page 1020 'Geology of Australian ore deposits', drawings labelled in blue biro: No 19 level Virginia Mine, No 6 level South Virginia; No 9 level, Big blue, Big Blue, Deborah Cons'ted ( consolidated?) North Deborah. On bottom ' cross sections through various saddle reefs, showing the range of shape possible, and the association with monchiquite dykes' Page 1021 ( cont) Virginia South Extended; 3000ft New Chum Rly; Catherine Reef, Spurs in Carlisle. On bottom ' Cross sections through a trough reef, 'double' saddle reef and spurry systems. Final page: mines listed and descriptions of workings: Golden Age, Johnson's Reef Extended, Golden Pyke, Constellation, Great Northern, Virginia, Specimen Hill United, New Argus, Clarence United, North Argus, South New Moon.bendigo, mining, reefs and spurs

Source: Mr. Frank Smith, "Kia-Ora", Panton Hill Also a separate list of names PANTON HILL SCHOOL 1924 (SEPP_0244) Two hand written lists of names with some conflicting information L-R Back Row: Eily O’Day, R. Foubister, E. Moore, H. Purcell, F. Peake, C. Williams, H. Hewitt, J. Coutie, D. Cracknell, F. Smith, J. Smith, A. Purcell, Bob O’Day, C. Colvin, Belfield?, K. Smith, R. Gardiner, Colin Rogers Second Row: ?, Lorraine Smith, Phyllis Howard, Jean Cracknell, Edna Williams, Ces Tosch, Charlie Peake, Les Smith, Reg Hargreaves, Ken Canty, ?, Keith Smith, ?, B. Cracknell, Ron Smith, Guy Mills (Greford), Sefton Howard, Mr. Gardiner (Head Teacher) Third Row: E. Mosely, Phillis Saville, Floss Tosch, M. Milson, Essie Howard, Ethel Smith, Jessie Sinclair, Edna Woodman, Una Saville, Ida Kennedy, Dorothy Smith, Rene Keele, Margaret Powell, L. Mosely, Una Williams, Rene Purcell Fourth Row: Hazel Mills, Gladys Stone, Ruby O’Day, Stella Tosch, Joyce Smith, Peg Powell, Ailsa Gardiner, Milly Adams, Phil Groube, M. Carter, W. Stone, D. Milsom?, D. Mills, Roma Howard, Marg Howard Front Row: Donaldson?, Doug Smith?, Len Smith?, Podge Cracknell, G Carter, A. Glennon, ?,? Alternate list L-R Back Row: Eillen O’Day, R. Foubister, Eric Moore, H. Purcell, F. Peake, C. Williams, H. Hewitt, J. Coutie, Don Cracknell, F. Smith, J. Smith, H. Purcell, B. O’Day, C. Colvin, J. Belfield, K. Smith, R. Gardiner, C. Rogers Second Row: M. Millisom, L. Smith, M. Moon, J. Cracknell, U. Williams, C. Tosch, C. Peake, L. Smith, R. Hargreaves, G. Carter, H. Stone, K. Smith, B. Moon, L. Cracknell, R. Smith, G. Mills, S. Howard, Mr. Gardiner (Head Teacher) Third Row: E. Moseley, P. Saville, F. Tosch, M. Millisom, E. Howard, E. Smith, J. Sinclair, E. Woodman, U. Saville, I. Kennedy, D. Smith, R. Keele, M. Powell, L. Mosely, E. Williams, R. Purcell First Row: H. Mills, W. Stone, R. O’Day, S. Tosch, J. Smith, P. Powell, A. Gardiner, M. Adams, P. Groube, M. Carter, G. Stone, J. Millisom, D. Millisom, D. Mills, R. Howard, M. Howard Front Row: Maisch, D. Smith, A. Belfield, L. Smith, A. Howard, A. Moseley, A. Glennon, D. Millisom This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, panton hill, panton hill state school, state school

This Almanac records the many various organisations, such as churches schools councils and law related information.It lists public holidays, members of Parliament as well as births and deaths natural events such as rainfall, sunrise/sunsets and moon charts. it records mail charges and coach timetables.A middle section presents a calendar for 1870 with a record of events which were deemed important since the time of settlement It lists such things as the first telegram from Melbourne to Sydney1858, Governor Bligh deposed 1808, Burke and Wills funeral 1863. At the bottom of the page is a Warrnambool Business Directory which includes J S Rowley Corio brewery, Royal Hotel , J H Rule Painter, plumber and glazier, J Brady , tinsmith and A Lanagan , Golden Boot The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Fairfax and Laurie were the proprietors of the paper when this Almanac was published. William Fairfax was a member of the Fairfax family which was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.This single sheet of newspaper is an interesting and valuable record of Warrnambool and its people in 1870. There are names of many local people recorded and it also gives an insight into the variety of businesses and orhganisations which were established by 1870. It is also interesting to note that there are at least ten different styles of print on the page.Large single broadsheet of newspaper with large black heading and eight columns of print. The back of the page is blank.Fairfax and Laurie's Almanac for 1870 presented with the Warrnambool Examiner. Published as a supplement to the Warrnambool Examiner of 7th January 1870 Vol.XX No 1597.warrnambool, warrnambool almanac 1870,, examiner almanac warrnambool, fairfax and laurie, examiner warrnambool

Kralcopic Pty Ltd, was a subsidiary of Bendigo-based company GBM Gold and had previously held mining licences around Bendigo, which incorporated sites including Kangaroo Flat, New Moon, Eaglehawk and the associated Woodvale Evaporation Ponds Complex. In August 2019, the Earth Resources Regulator decided not to renew Kralcopic’s three mining licences, due to the company’s inability to provide surety that it could finance its mining activities and site rehabilitation obligations. In October 2020, the company filed legal proceedings in the Supreme Court challenging the decision not to renew these licences. The Supreme Court later upheld the regulator’s decision not to renew the licences. On 23 April 2021, the Federal Court of Australia appointed KPMG as Kralcopic’s liquidators. On 14 May 2021, the liquidator lodged papers with the Australian Securities and Investment Commission (ASIC) to disclaim Kralcopic’s freehold land at Woodvale and parcels of land around the company’s former Bendigo sites, with the land to subsequently become Crown land. The Earth Resources Regulator has put a statutory exemption in place to preclude new mining licence applications on the sites while we undertake rehabilitation. The exemption also provides an opportunity for government to consider future uses of the sites in consultation with the City of Greater Bendigo and the local community. The Earth Resources Regulator holds rehabilitation bonds totalling $5.9 million, which it will use to rehabilitate the former sites.Colour photocopy of original photo. Image shows Catherine Reef South shaft with rectangular concrete capping. Ventilation pipe in concrete capping. On back in pencil: Catherine Reef South shaft with cap - Kralcopicwestern mining corporation, goldmining, capping, shaft, mining regulations, williams united shaft, kralcopic

Set of 6 newspaper cuttings about the redevelopment of the site to apartments and the Hawthorn Tram Museum Depot. .1 - The Age - 8 Jan. 2000 - "Tram theme to stay at apartment complex" - announcing the redevelopment and plans for the redevelopment of Hawthorn tram depot. Includes architects impressions. Article by Victoria Gurvich. .2 -The Age - 14/1/2000 - letter to the Editor by Peter Moon - "Tram plan: too big and too ugly". .3 - Press - 21/2/2000 - "Trams on track for 498 years, Depot housing in line with history" - with photo of Mike Ryan and Matt Faubel (old photo) - article by Laeta Antonysen. .4 - ditto - "Outcry over historic site" and "Developers asked for another aspect" .5 - Progress Press - 6/3/2000 - letter re the redevelopment from John Santoro or Power St Hawthorn. .6 - Progress Press - 7/8/2000 - "Green light for tram depot apartments" - about the City of Boroondara issuing the planning permit.trams, tramways, hawthorn tram depot, tram museum, museums, minister for transport, city of boroondara

Illuminated certificate, under the name "Independent Order of Rechabites Salford Unity" two female classical figures standing on either side of a shield. On top of the shield from left: a sword and some grass, a bee hive and a bunch of corn. The shield is decorated with the sun, a lamb, the moon and stars, an eye flowers and fruits and the words: "Peace and plenty reward of Temperance". Under the picture of Noah ark, St George slaying the dragon and a ship wreck. in the middle of the certificate: "Established August 25th, 1835. Registered March 27th, 1854. The written part of the certificate is located on the bottom part and reads: Victorian State School "Temperance Physiology Examination". This is to certify that Thelma E. Smith pupil of school No. 1566, Bendigo, passed in grade VII and VIII at the 1932 examination.Signed by Gordon McGee and James Millar(?). At either side of the written part a boy and girl in mediaeval costumes holding a banner each. The boy's banner reads "Truth and temperance" the girl "Love and purity". At the bottom another five smaller shields and the words "Temperance, Fortitude, Justice".bendigo, institutions, independent order of rechabites

Beige covered catalogue of Tasmanian Sales by Auction held over three days. On Tuesday 9th May 1944 was an auction of Mining machinery,pumps, plant, equipment and buildings at the Michael Moon Mine, Poimena (Blue Tier) and at the AZ Mine, Poimena (Blue Tier). Thursday 11th May 1944 was the sale of Contractor's Machinery, plant and equipment used in the Construction of the Hobart Bridge by order of the Hobart Bridge Co. Ltd. And Friday 12th May 1944 was the auction of machinery, equipment, motor vehicles etc. at the Public Works Depot at Moonah, Hobart. J. H. Curnow & Son were the Auctioneers. Booklet contains description of some of the machinery, Special Notice regarding travelling and freight, Conditions of Sale and an Auctioneer's Notice mentioning the sale is being conducted by permission of the Director of Machine Tools and Gauges under Regulation 59 of the National Security (General) Regulations. Principals only are allowed to bid and buy unless special permission is granted by DMT & G for some person to act on their behalf, and that person must be an employee of the Firm.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - tasmanian mining and contractor's auction, michael moon mine, a z mines, hobart bridge co ltd, public works department hobart, j h curnow & son, w c wedd, director of machine tools and gauges, national security (general) regulations, the prahran telegraph printing co, c j curnow, h j lowe, f c dyett, j l jamieson & co

Wall Calendar - heavy card covers, 12 gloss art pages inside, titled "Trams - 2001" containing full colour photographs of Brisbane, Bendigo, Sydney, Melbourne, Perth, Adelaide and Rockhampton. Centre pages has postcards of Brisbane, Ballarat, Adelaide, Sydney, Hobart and Kalgoorlie. Has a list of tramway museums of Australasia, Melbourne tram photos of: Z3 205 VR 53 HTT 8 V 214 X 217 Z71 L 104 W5 774 SW5 682 - Merrin Eirth Z111 - Koorie tram - see Reg Item 4749 for a postcard size photograph. A 246 - Energy Victoria W2 - 150 years of Victoria. TMSV horse card 256 B2 in then then new Yarra trams colour scheme. Has a punched hole along the top edge to enable wall use. Provides dates for holidays, school holidays and Pension payment days and phases of the moon. Produced by Topmill Pty Ltd and distributed by Gordon & Gotch Pty Ltd. Photos by Noel Reed, Arthur Perry, Ray Marsh, Tracy Hardy, C Deantrams, tramways, ballarat, bendigo, melbourne, adelaide, sydney, brisbane, auckland, hobart, kalgoorlie, z class, vr, htt, v class, x class, l class, w5 class, b class, transporting art, tram 205, tram 53, tram 8, tram 214, tram 71, tram 217, tram 104, tram 774, tram 256, tram 682, tram 246, tram 111

These tokens are customer reward tokens which can be redeemed for a discount when making a later purchase. The practice of using tokens was prevalent in the early settlement of Australia when shop owners issued tokens as a form of currency. These are three of a number of tokens issued by Armstrong shoes which was established by Max Armstrong who once lived in Warrnambool and helped to run the family shoe business here. He was an excellent rower and on his arrival in Warrnambool worked towards reviving the Warrnambool Rowing Club.Interesting items with social and historical significance.001047.1 Round white metal token with penny farthing enclosed in circle on one side and lady’s button up boot. Surrounded by text. Edge plain. 001047.2 Round yellow metal with diagram of astronaut on front surrounded by text. Back has text in centre surrounded by larger text. 001047.3Round yellow metal. Emu and kangaroo with text above and date below. The back image of man surrounded by text. 001047.1 Armstrong shoe mart old fashion value on front with maker’s name Stokes below penny-farthing. On reverse Armstrong boot and shoe warehouse estab. Four generations Stokes Melb. 001047.2Armstrong’s shoes first on the moon. Armstrong shoe mart Frankston. On the reverse text in centre reads “This $1 token gains $1 each year from 1987 till year 2000 AD when worth $14 off next pair of shoes at Armstrong shoe mart 70 Wells St Frankston. Around rim,” Armstrong inflation proof dollar. Edition limited to 5000. 001047.3 On front Advance Australia 1987. On back Armstrong shoe mart shoex 70 Wells St Frankston Look at you shoes others do. Ian M L Armstrong 1984 armstrong shoe token, dollar token, warrnambool, frankston shoe mart,

A laryngoscope is an instrument used to view the larynx (voice box), which is the opening to the trachea and lungs. It consists of a “blade,” which goes into the patient’s mouth, and a handle. Prior to 1943 when Macintosh introduced his curved blade, most laryngoscope blades were long and straight. The straight blades were used to directly hold the epiglottis. Macintosh’s curved blade works differently: it indirectly opens the epiglottis by applying pressure to a space between the root of the tongue and epiglottis, called the vallecula. The flange running along the left lower edge of Macintosh’s blade was also a novel innovation. It was designed to move the tongue to the side, which improved the view of the larynx and made more room for a breathing tube. The Macintosh Laryngoscope remains one of the most popular blades worldwide. (Source: Wood Library Museum) This laryngoscope was previously owned by John Mainland, as evidenced by the name etched into the handle. Mainland graduated from the University of Melbourne in 1950 with a Bachelor of Science degree. After researching and completing his medical degree, Mainland entered into the field of anaesthetics, training at the Royal Women's and Royal Children's Hospitals, later Alfred Hospital, in 1959. He completed training in 1964 and remained at the Alfred Hospital. During his career, he also became the first anaesthetist appointed to the position of Professor in Victoria. His other achievements include manufacturing a respiratory monitoring module that accompanied astronauts on the United States moon landing and developing a stimulator to lessen the risk of deep vein thrombosis in surgical patients. Mainland became a Fellow of the Australian and New Zealand College of Anaesthetists in 1992, retiring from the profession in 1997.Oblong shaped handle with textured grip. Attached is a laryngoscope blade in a cruved shaped with light tube running through one side.Etched into top of handle: J.F. MAINLAND •Stamped into top of handle: REGD TRADE MARK / PENLON / MADE IN ENGLAND •Stamped into base of handle: CLOSE [arrow] •Etched into base of blade: MAC / 4 •Stamped into side of blade: REGD TRADE MARK / PENLON / MADE IN ENGLAND •Stamped into side of blade: STAINLESSmacintosh, robert reynolds, new zealand, laryngoscope, mainland, john, alfred hospital, moon landing

Light green program for the Bendigo North Primary School ball held on Thursday, 19th August, 1982 at the White Hills Technical School. Front page has drawings of a spider, moon, star, cat, bat, cooking pot, a witch on a broomstick above outlines of buildings. Name, venue, date and admission price on the front. The centre has the names of the dances and some information about the 'Danse Macabre'. The back has the Acknowledgements to: Judy Hasty, Graham Balaam, Lloyd George, Julie Gillick, Brian Hillman, Roger Hillman, Di Milich, Noel & Heather Ridge, David Tunley, Lexie Ottery, Ian McKenzie, Leslie Campbell, Jeanette Clancy, Merryn Gerrand, Mr & Mrs Ken Gilbee, Jenni Hillman, Janet Holland, Elizabeth Lakey, Val Lee, L Alyss Liiv, Jude Milner, Kerryn Monro, Ken Miles, Laurene Rothenberger, Ruth Roberts, Ruth Sloan, Kaye Trimble, Darren Eastwood, Olga Chafer, Coral McClure, Deanne McNeil, Jenny Mollison, Robyn Murphy, Jane Pattinson, Helen Penna, Neil Ross and Richardsons' Fernery.Bendigo North Primary Schoolentertainment, dance, ball, peter ellis collection, bendigo north primary school, white hills technical school, ridge, judy hasty, graham balaam, lloyd george, julie gillick, brian hillman, roger hillman, di milich, noel & heather ridge, david tunley, lexie ottery, ian mckenzie, leslie campbell, jeanette clancy, merryn gerrand, mr & mrs ken gilbee, jenni hillman, janet holland, elizabeth lakey, val lee, l alyss liiv, jude milner, kerryn monro, ken miles, laurene rothenberger, ruth roberts, ruth sloan, kaye trimble, darren eastwood, olga chafer, coral mcclure, deanne mcneil, jenny mollison, robyn murphy, jane pattinson, helen penna, neil ross, richardsons' fernery

Black and white photograph - Grade 5A, 1963."Attached to photograph" Back Row- L to R: Russell Borke, John Snellders, Craig Austin, Barbara Donald, Janet Conlon, Diana Rankin, Debbie Lawrence, Russell Paine, Neil Ratray, Gavin Philips. 2nd Row- L to R: Tommy Colston, Greg Peters, Leslie Reed, Jeffrey Taylor, Gary McCubbin, Gary Davies, ?, John Moon, Barry McDonald, Malcolm Pearson, ?. 3rd Row- L to R: Stephen Gross, Neil Dawe, Jeffrey Fielding, David Kennely, Ian (?), Philip Bates, Jeffrey Ratten, David Kimberly, Robyn Hagar, Malcolm Williams. Front Row- L to R: Karen Williams, Debbie Monk, Elizabeth Clarke, Judy Parker, Linda (?), Jan Thompson, Sally Shaw, Cheryl O'Brien, Rosaland Wiggle, Julie Cook, Rhonda McLeod. On Ground: Michael Craddock, David Connell. Teacher:

Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Six framed limited edition prints by Andrew Sibley using the Sugar-lift etching technique and hand colouring. Printed at the Australian Print Workshop, Melbourne and published by The Lytlewode Press, Melbourne in an edition of 125 in 2010. .1) 'Catch a Falling Star' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 17/125 Signed, inscribed and numbered by the artist. Catch a Falling Star written by Paul Vance (born 1929) and Lee Pockriss (1924-2011) 1957 .2) 'It’s only a Paper Moon' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. It's Only a Paper Moon by Harold Arlen (1905-1986) lyrics by E. Y. Harburg (1896-1981) and Billy Rose (1899-1966) 1933 .3) 'Come Fly With Me' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 9/125 Signed, inscribed and numbered by the artist. Come Fly with Me by Jimmy Van Heusen (1913-1990) lyrics by Sammy Cahn (1913-1993) 1957 .4) 'You are the Sunshine of my Life' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. .5) 'Some Enchanted Evening' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition:1/125 Signed, inscribed and numbered by the artist. Some Enchanted Evening Richard Rodgers (1902–1979) and Oscar Hammerstein II (1895–1960) South Pacific 1949 .6) 'Vilya, Oh Vilya' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. Vilya, Oh Vilya Die lustige Witwe (The Merry Widow), operetta Vilya, oh vilya Composed by Franz Lehar (1870-1948) 1905 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, printmaking, etching, churchill, gippsland campus

Black and white photograph - Grade 4A, 1962"Attached to photograph" Back Row- L to R: Russell Bourke, Robert Taylor, Malcolm Pearson, Russell Paine, Gavin Phillips, Neil Rattray, Gary Davies, ?, Barry McDonald, Craig Austin, Gary McCubbin, John Moon. 2nd Row- L to R: Julie Cook, Jan Thompson, Leslie Gray, Leanne Thorpe, Laurie Simpson,, Debbie Lawrence, Elizabeth Clarke, Roslyn wiggle, Diana Rankin, Wilemina Cook, Janet Conlon. 3rd Row- L to R: Tommy Colston, Stephen Cross, Jeffrey Ratten, Roslyn (?), Sally Shaw, Debbie Monk, Rhonda McLeod, Karen Williams, Ian Jones, Leslie Reed, David Connell. Front Row- L to R: Robin Hagar, Greg Peters, Malcolm Williams, Phillip Bates, David Kimberley, Michael Craddock, David Kennely, Neil Dawe, Jeffrey Fields. Teacher: Mr Delacca

Draft articles for use in RHSV (Bendigo) Newsletter, March 1972: 1. article by Edith Ceccucci (sp?) re Registrar of Births, Marriages and Deaths at Temperance Hall, View Street - mention of location of office and Miss Maggie Buchan and David Buchan (father of Maggie and Trustee of land (Temperance Hall); 2. extract from Annals of Bendigo 1873 re proposal to sell the Town Hall and erect a new one upon another site submitted by (??) Bennett, Rose St.; 3. Short article about the ''Cannons at Eaglehawk''; 4. ''Extracts from my memories of the Eaglehawk'' by D. M. Carroll - mention of Hibernian Hotel, St. Augustine’s Catholic Church; Balmers School; South new Moon Mine. 5 Handwritten draft entitled ''Henley-on-Weeroona'' by ''Joc'' (John O'C Hattam) refers to article in Bendigo Advertiser 20 Jan 1972 - details of formation of Sandhurst Rowing Club; originally on Upper Grassy Flat Reservoir; ''exponents of rowing at the time (1870's) - W. R. Lane, David Watson, J. R. Goodison, R. Whiteside, F. Sciallero, G. C. Bockelman, John Godfrey; Hallas's Band; Strathfieldsaye Shire Band; the move to Lake Weeroona 22/10/1879; description of Henley-on-Weeroona activities.document, names of bendigo pioneers

Base map Australian map grid of Eaglehawk area. Map has letter attached from the Department of Conservation, Forests and Lands, 22 March, 1990, addressed to Felicity Kingerlie, BHS, requesting information regarding the historic mining sites marked on the map. Sites marked are: A. Golden Age Mine, engine mountings present B. Johnson's No. 2 Mine, engine mountings, old boiler foundations C. Johnson's No. 1 Mine, mullock retaining wall made from sandstone, engine mountings, remains of old building demolished? D. Toma's Eucalyptus Factory, old boiler still there, boiler shed, chimney (remnants of) outlet drain, distilling vats, dam, remnant of winch. E. New Argus Mine,mullock heap F. New Moon Mines Dams (1) stone walls G. North Lightning Hill Mine, engine mountings, quartz retainer wall, Pascoe and Simmons open cuts and other open cuts here too H. New Prince of Wales Mine and Poppet Head I. Quarry site for stone, excavation (for miners cottages in Clarke Street) J. Lancashire open cut mine K. Virginia Hill (cynaide vats etc) L. South Prince of Wales mine, now capped and fenced M (possibly ) Catherine United Mine, engine mountings, battery mountings?bendigo, mining, eaglehawk mines

Black and white photograph - Grade 6, 1964."Attached to photograph" Back Row- L to R: Meg Flowers, Barbara Donald, Rosemary Weaver, Anne Downey, Ross Anisbett, Carl Gibson, Janet Conlon, Wilhelmina Coenders, Elizabeth Clarke, Christine Schruhn. 2nd Row- L to R: John Tann, Ian Carrington, Gary McCubbin, Ian McCall, Russell Paine, Craig Austin, John Moon, Russell Bourke, Stephen Foster, David Kimberley, Gary Fowler. 3rd Row- L to R: Alan McLean, Leslie Read, Michael Thwaites, Harry Parker, Malcolm Kerr, Howard Archer, Grant Nichol, Ian Jones, Rodney Hason, Peter Ockinghaus. Front Row- L to R: Christine Smith, Kay Langford, Jennyn Flarherty, Linda Jusland, Karen Williamson, Janne Thompson, Janet Guinn, Annette Smeeton, Christine Radford, Diana Hack, Lynette Milne. On Ground: Alan Foley, Daryl Anderson, Chris McDonald, Mark Kulbeak, Peter Maher, David Grant. Absent: Alvina Crawford, Philip Stoker. Teacher: Mr Warriner.

This postcard was sent from France during World War One WW1 to Violet Holmes [mother and aunty of other WW1 soldiers], by the son of a neighbouring Ascot Tourello District Family, the Wrigley Family. Violet inherited "Sauchieburn" an Ascot property on the death of her husband William Holmes in 1914. On her death this property was to be left to their 4 children and administered by a relative till the youngest child turned 27. As young boys, Violet's husband William, and his brother Henry, lived with their Aunt Catherine Coghill and Uncle William Coghill at ‘Sauchieburn’ Ascot. The Coghills had no children of their own. He and his brother Edward started a stock and station business at Clunes. Henry and Violet Holmes subsequently inherited "Sauchieburn" from Catherine (nee Holmes) and William Coghill, direct descendants of the Coghills Creek, Ascot, Tourello pioneer settler Captain William Coghill [Jane Dyer, May 2024] Catherine and her brother Edward Carter Holmes drowned at sea.This is an extract from the Korumburra Times, Wednesday June 6, 1956: The fated travellers wrecked off N.S.W. ‘On May 29th, 1886 in bright moonlight the Ly-e-Moon, the pride of the Australian coastal fleet, broke her back on the treacherous rocks of Green Cape, off the NSW coast. Eighty souls perished within range of the beacon rays of the lighthouse, including representatives of the earliest families ever to settle in Poowong. The passengers. On the main deck, Mr Edward Holmes, a Poowong grazier and former owner of ‘Wombalano’. He had sold this property with the object of going to Queensland and settling there. The proceeds of sale amounting to 1,200 pounds in gold sovereigns were under lock and key in the Purser's Office. Mr Holmes, although advanced in years, had unformed plans to invest his money in some Queensland enterprise. In the meantime he would visit his married daughter and [his] two sons, who had previously settled in Queensland. With him on board was his widowed sister Mrs Coghill who had also accepted an invitation to go north. News of the shipwreck, means of communication being slow, did not reach Korumburra for nearly a week. By then all hope had been abandoned for the missing. Relations and friends thronged the Melbourne shipping office, but the answer was always the same - All passengers unaccounted for were presumed drowned. Black and white postcard of a sugar refinery in The Somme, France. The name of the town has been scrubbed out in purple pencil by a censor during World War One. The back of the card is written on in pencil,Written on back of card: Dear Violet, received photos and letters and thank you for forwarding same. Are we having lovely spell of weather. This morning is quite warm and pleasant. The photo of you all standing in front of your house is a good one and you all look to be getting enough to eat. Mother looks as if she it getting stronger after her severe illness. Your concert party will be broken up through the Vale girls leaving but you should have no difficulty in finding volunteers to fill the ranks. By all of your letters you are all looking forward to the day we return 9as we are). I wouldn't like to bet too much that we would be home by this time next year [ ? ] by the way fritz is fighting lately he would very much like to get [peace?] I think we will give him all he wants this summer. J. Waller was here last night is looking well. With best wished to you all. I am sincerely. [W.Wrigbee? Wrigley]somme, la suererie, chatham family collection, amiens, france, world war 1, postcard, ly-ee-moon, william coghill junior, ascot victoria, pioneers of ascot, shipwreck

'Mungo Moon' by Don Barrett is the first sculpture erected on the Churchill Art and Culture Pathway. It was officially unveiled by Professor David Battersby on 15 April 2015 From Churchill & District News 16 October 2014 The Churchill Art and Culture Walking Pathway will have its official public opening on Saturday October 18, with a walk finishing at Federation University Australia’s Switchback Gallery at the Federation University Gippsland Campus. ... An important link on the newly developed pathway was recently completed with a path south of the FedUni Student West Residences. The path now allows walkers to turn off the Eel Hole Creek path before reaching Glendonald Estate and to follow a picturesque, tree lined walkway to join up with the footpath on the Eastern side of Northways Road. From there the footpath joins into Federation University’s network of walking paths that proceeds past the Switchback Art Gallery, down through the pine plantation and along Lake Kretlow and the Churchill Golf Course. Project Manager Mike Answerth, said the opening of the West Residences section of the path means there is now only one short link to complete. “We’re now very close to realising the project’s objective to join up all these walking paths to provide a continuous pathway that encompasses town, campus and parkland. The next stage of the project will be the completion of Latrobe City’s East West Link and the enhancement of the walking path with artistic and cultural features.” said Mr. Answerth. Head of Federation University Australia Gippsland Campus, Dr Harry Ballis, said the project had been made possible through the contributions of the five former Gippsland Education Precinct (GEP) partners. “The Art and Culture Pathway represents another important step in joining the Churchill township and the university campus as a physical and social entity,” Dr Ballis said. “This was an initiative of the GEP and it is pleasing to see it coming to fruition.” The path now reaches as far as the golf driving range but plans are already under way to connect with the Mathison Park board walk and pathway, which surrounds Lake Hyland in Churchill. When the loop is completed, residents and visitors will have an approximately 5km circular walking path which links up the Churchill town centre, Federation University Australia and Mathison Park. There are already art features along this route, including primary schools’ Bug Blitz totems near the Kurnai College school crossing, native vegetation and history panels near the Hare Homestead in Mathison Park, and outdoor sculptures in the pine trees near the Federation University Switchback Gallery. contemporaryA large sculpture in five pieces set in an external location. It is part of the Churchill Art and Culture Walking Pathway. Don Barrett’s work is mainly in concrete with added coloured oxides to portray the feeling of the Australian landscape. Barrett focuses on concepts of Australia’s short history and indigenous history. churchill art and culture pathway, barrett, don barrett, gippsland campus, federation university, churchill, sculpture

Three pages titled Guide to Some Famous Mines. Compiled by A Richardson. Each mine is listed as on the reef it is situated on. Reefs are The New Chum Line of Reef and the Garden Gully Line of Reefs, and the Devonshire Group. Mentioned is the mine's location, depth of shaft, poppet legs, machinery, location of engine house, gold yield, dividends and owners of mine. The mines are: The New Chum Line of Reef. The New Chum Railway, Kochs Pioneer, Windmill Hill, Confidence Extended, Johnson's No 1, Johnson's No2, Johnson's No 3, North Johnson's, Princess Dagmar, Golden Age, Johnson's Reef Extended, Golden Pyke, Constellation, Great Northern, Virginia, Specimen Hill United, New Argus, Clarence United, North Argus, South New Moon, New Chum Hill, The New Chum and Victoria, Catherine Reef United. Garden Gully Line of Reefs. The Great Southern, Ulster United, Londonderry, South Garden, The Sea Amalgamated, Garden Gully United, Victory and Pandora, Unity Mine, Carlisle United, Cornish United, Eureka Extended, South Belle Vue United, Shenandoah, Shamrock, New Chum Consolidated, New Chum United, Lansell's 222, Rae's Open Cut, Great Central Victoria, Victoria Consols, The Ironbark, Hercules and Energetic, Pearl, The Devonshire Group. North of Staley,The Duke of Edinburgh, New St Mungo, Duchess Tribute, South Devonshire, Duchess of Edinburgh, Princess Alexandra, West United Devonshire, Hopewell, Phoenix. Yhe Mungo Mines. Unicorn, South St Mungo, Lady Barkly, The St Mungo, Sadowa, Eastwood. Snobs Hill Group. The Ellenborough, The Belmont and Saxby, York and Durham, The Acadia, William's United, The Victoria Hill - Ironbark, The North Old Chum, Lansell's Big 180, Ballerstadt's Open-Cut and The Victoria Quartz.bendigo, history, long gully history group, the long gully history group - guide to some famous mines, a richardson, the new chum railway, kochs pioneer, windmill hill, confidence extended, johnson's no 1, johnson's no2, johnson's no 3, north johnson's, princess dagmar, golden age, johnson's reef extended, golden pyke, constellation, great northern, virginia, specimen hill united, new argus, clarence united, north argus, south new moon, new chum hill, the new chum and victoria, catherine reef united, the great southern, ulster united, londonderry, south garden, the sea amalgamated, garden gully united, victory and pandora, unity mine, carlisle united, cornish united, eureka extended, south belle vue united, shenandoah, shamrock, new chum consolidated, new chum united, lansell's 222, rae's open cut, great central victoria, victoria consols, the ironbark, hercules and energetic, pearl, the duke of edinburgh, new st mungo, duchess tribute, south devonshire, duchess of edinburgh, princess alexandra, west united devonshire, hopewell, phoenix, unicorn, south st mungo, lady barkly, the st mungo, sadowa, eastwood, the ellenborough, the belmont and saxby, york and durham, the acadia, william's united, the victoria hill - ironbark, the north old chum, lansell's big 180, ballerstadt's open-cut, the victoria quartz

AUSTRALIAN LANDSCAPE ART. A FINE COLLECTION. The late Mr. Walter Withers was one of the little band of landscapists that Included Streeton Condor, who pioneered the "plein-airiste" movement In Victoria thirty years ago. Mr. Withers had been trained in Paris, but practically all his artistic life was spent in Australia, and examples from his easel are to be found in all the leading Australian galleries. He belonged to a brilliant little coterie of men whose works have since been eagerly sought for at ever-rising prices. And now collectors have an opportunity of acquiring examples of his art for a thoroughly characteristic collection of his work, both in oils and in water-color, will be open to-day In the fine art gallery at Anthony Horderns', in George Street. The collection includes 28 paintings in oil by the late Mr. Walter Withers, and 32 of his water-color drawings, while smaller collections by his daughter, Miss Margery Withers, and by his son, Mr. Meynell Withers, are also added. Among the landscapes in oils by the deceased artist may be seen examples of many moods, and also many phases of his artistic development. At different times he was a realist, a romanticist, an idealist. In his fine picture "The Easter Moon" the emotional appeal to the homing instinct is direct and compelling. This delightful work, low in tone and charming in its feeling of repose, suggests the sentiment of Gray's "Elegy." Entirely different in range, intention, and feeling, are two brilliantly-painted pictures entitled "The Young Gardener," and "The Dividing Fence," Mr. Withers here displays an unusual gift for placing effective notes in an admirably harmonised color scheme. "Sunlight in the Forest" is a pastoral poem in color. Most of these pictures were painted in the Eltham or Warrandyte country, while the "marines" are impressions at Phillip Island or on the shores of the bay. The artist was well equipped with technical knowledge and experience. His pictures are full of air and sunlight, and his realisation of cloud-forms is most convincing. The watercolor drawings which he did in the full maturity of his powers have, a softness, richness, and depth of color quite unusual. His son, Meynell Withers, shows a collection of landscapes of striking merit, recalllng his father's handling of color and selective taste In composition. Miss Margory Withers shows a charming group of watercolor portraits, and also some meritorious landscapes. The pictures have been hung with fine artistic discrimination in the grouping of the subjects, and so skilfully that in each group an essential harmony of tone has been preserved. The exhibition will be open to the public from to-day. AUSTRALIAN LANDSCAPE ART. (1918, November 18). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article239575164Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic