Invitation card for the private opening of the Wattle Path Palais & Cafe, on the Esplanade, St Kilda, on 30 October 1923. The event was written up in The Argus newspaper the next day as follows: WATTLE PATH PALAIS OPENED. Five thousand persons were present at the "private opening" last night of the Wattle Path Palais and Cafe, St Kilda esplanade. The mayor of St Kilda (Councillor Allan) welcomed the guests on behalf of the management. The floor, 190ft. x 90ft, is claimed to be the largest specially constructed for dancing in Australia. There was much to admire in the colour tones, which blended brown, blue, and gold harmoniously, while soft lighting effects came from old gold georgette and crepe-de-chene lamp shades. A good band was provided. Sixty-five loges are available for parties of dancers. A feature of the building is the open-air pagoda, in which free band concerts are to be given on Sundays.White card, discoloured with age, printed in brown with teal profile in background.wattle path palais & cafe, palais de danse

Photograph of the Victorian Football Tramway Association, Brighton - Glen Huntly team at its match against Clifton Hill on 17/5/1933. Includes 18 players with other men in the background. The team members are named: Back row, left to right – R? Haughton, ? Carter, J Swallwell, L Mitchell, J Cosson, N Capp, T Barber, W Eccles Centre row, left to right – J Brown, Huston, Chandler, J Loftus, J Lawley (vice captain), N Boucher Front row, left to right – G Slade, J Richards (captain), W J Sheldon, H Bird Clifton Hill won the match, 14.18.102 to 2.5.17 – Brighton’s goal kickers were Slade and Chandler. Best players on the Brighton side were Haughton, Slade, Loftus, Richards, Barber and Bird. See item 7056 for a Life Membership Certificate presented to Mr Boucher in 1947.Demonstrates a photograph of a VFTA football team.Black and White photograph mounted onto a sheet of embossed brown cardboard.Handwritten details on rear in ink.sports, vfta, football, n c boucher

The Pacific Black Duck is also known as the Grey Duck in New Zealand. Despite these names, the plumage of the bird is brown in colour with the occasional cream and small amount of black. This species of Duck is located in all of Australia with the exception of the most arid zones. They can also be found throughout the Pacific region. The Pacific Black Duck resides in a range of different habitats that have some sort of water. These birds feed on aquatic plants, crustaceans, molluscs and aquatic insects. To catch their food, these birds plunge their heads and necks under the water with their rear raising above the top of the water. This technique is termed "dabbing". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Despite its name, the Black Duck is largely brown in colouring. It has a mixture of light brown and cream plumage on the neck, face and stomach. The wings and rear of the duck are a darker brown. Each brown feather is bordered with a cream colour which separates the feathers from each other. The top of the head is also dark brown and there is a darker stripe of black colour horizontally on either side of the eye. The specimen has two brown and black glass eyes and a black bill. The legs and webbed feet are a dark brown and black colour. Tied around the left leg is a paper identification tag. The number 134 is inscribed on the left side of the wooden platform on which the bird is standing. This specimen is stocky.3a. / Australian Wild Duck / See Catalogue, Page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, duck, pacific black duck, grey duck, australian duck

Julian Newton-Brown arrived at Falls Creek in 1957. He had studied Pharmacy at Melbourne University. After developing a love for the mountains, Julian moved to Mt. Beauty and then Falls Creek. He worked for the SEC in the test laboratory at Rocky Valley reading weather instruments. By working several jobs, Julian was able to build a small lodge of 10 beds named “Arundel”, located at 18 Slalom Street, Falls Creek. The lodge is now the “Elk at Falls”. Arundel prospered and Julian extended it to include 32 beds and changed its name to "Julian’s” in 1961. When alcohol restrictions were eased in Falls Creek, Julian built a night club which he called “Big Julian’s” and later “THE MAN”. When Julian and his wife Beth retired and left Falls Creek, their son took over running the lodge. An active community man, Julian was a member of the Falls Creek Chamber of Commerce, a member of the SES, a stakeholder in Falls Creek, an author and a documentary maker. Julian Newton-Brown died in May 2020.This map is significant because it contains an image of Falls Creek Alpine Resort.A black and white map of Falls Creek Alpine Resort Map featuring a photo taken by Julian Newton Brown. A numbered legend is included at the bottom right corner.dawn ski club, accommodation falls creek, lodges falls creek, tom mitchell

Brown vinyl wallet containing various papers including identity card, receipt for 60 pounds deposit for 1929 Dodge dated 23/12/1947, Ministry of Food vouchers, postcard, newspaper cutting, black and white photograph of two young boys with a bicycle - handwritten on rear from Mrs T A Karnatz Tawonga Roadside Wodonga Victoria Australia to Private Thomas Karnatz Prisoner of War No 139745 ARB KDO 7001 Stalag 11B Germany. Item belonged to Thomas Allan Karnatz VX 48290 2/24 Battalion - born 16/7/1916. Enlisted Albury 22/7/1940 - Caulfield 8/8/1940 aged 24 years 17/10/1940 posted from 2/23 to 2/24 Battalion. Embarked 16/11/1940 and disembarked Middle East 17/12/1940. Reported missing in action on 6/5/1941 and officially prisoner of war on 8/7/1941. 26/4/1945 arrived UK recovered POWBrown vinyl wallet containing assorted military and personal papersInside printed in gold lettering - Good wishes from the Australian Red Cross Societyww2, pow, 2/24 battalion, t a karnatz, tobruk

This gull specimen is a young Herring Gull (Larus argentatus). It is a large gull and one of the most well known of the gulls. This particular species can be found in Northern Europe, Western Europe, Central Europe, Eastern Europe, Scandinavia and the Baltic States. Juvenile and first-winter Herring Gulls are a brown colour with some darker streaks with a bark bill and dark eyes. These colours identifies this particular specimen as a juvenile bird. These birds are commonly seen near the seaside and are omnivores who scavenge from garbage dumps, landfill sites and sewage outflows. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a juvenile Herring Gull with pale cream and brown coloured plumage. It has a dark bill and dark legs with webbed toes. The eyes are small and are made of glass. They are a pale brown and black colour. The feathers on on the lower back and tail are a darker brown colour compared to the pale plumage on the rest of the bird.Paper Tag: "2yd variega[ted]... Catelogu[e]..." Paper Tag: "Larus argentatus" Metal Tag: "1511"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, gull, pacific gull

CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)

Mein's history of Ballarat College, published 1964, records the school's first enrolments this way. "The Ballarat College will be opened on Wednesday morning, 6th July, 1864, at 9 o'clock, in the Rev. Wm. Henderson's Church. Intending students will assemble at that hour" Advertisement in the Ballarat Star. 'Two seven year old boys 'assembled'. They were cousins, and their names were: Samuel Baird and James Brown. On the following Monday....came three more pupils: Charles J Henderson, James W Nicol and William Govan Finlayson. framed item collated after their deaths, possibly for centenary celebrations.Framed item featuring photographs of first four students enrolled at Ballarat College in 1864Ballarat College / First Four Enrolments / 1864 / The Late Mr Sam Baird / The Late Mr J C Brown / The Late Mr W G Finlayson / The Late Mr C J Hendersoncharles j henderson, william govan finlayson, james w nicol, samuel baird, james brown, ballarat college, 1864

Brown leather bound hymn book with gilt edges and embossed pattern on the inside edges of covers. There is an decorated dedication in calligraphy on the first page and there are two labels on the front with black text. 692 p.wendouree st methodist chapel ballarat, lilian brown, rev j c brown, burnbank st methodist church

The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra

Type used by RAAF Radar station Wilsons Prom (RS 14) for backup communications 1942 - 1946. This is an AR8 radio receiver with a brown face and various dials and switches; They functioned as a set and were manufactured in 1938 at the Ashfield, Sydney workshop of AWA (Amalgamated Wireless Australasia Ltd, later AWA Ltd), Australia’s largest electronics manufacturer and broadcaster. They are rare outside Australia as they were seldom exported to other air forces, and remained in service until the late 1950s.202 An AT5 transmitter and AT5 coupling unit are held in Sydney’s Powerhouse Museum.203 The three units in the Wilsons Promontory Museum were deployed by the RAAF in WWII and represent the types of communications equipment used at the 14 Radar Station, Wilsons Promontory. It is not known, however if these particular examples were used at the lightstation and are part of the same set. They have interpretive relevance to the collection, but their significance to the lightstation is dependent on whether they have a direct historical association with the radar station that operated there. The units will have first level contributory significance if it is confirmed they were used at the Wilsons Promontory Radar Station.The units will have first level contributory significance if it is confirmed they were used at the Wilsons Promontory Radar Station.Radio tuning unit, brown metal face with multiple dials & switches.Yes

Professional photograph possibly taken by Middletons Touring Service of group in Middletons touring car. For further information see link: http://trove.nla.gov.au/ndp/del/article/86067542?searchTerm=middletons%20car%20touring%20service&searchLimits=Part of the Thompson collection cannot find any reference to persons under the Nightingale/Thompson family historySepia photograph mounted on brown card, showing group of people in 4 seater car On brown card: Souvenir - Jenolan Caves sticker on bottom R/H corner Middletons Touring Service Tel: 117 KAT On back of photograph: on 21st March 1923 Miss Louise and I wnt in our Middletons car (a Hudsons Car) this photo was taken at Hartly in front of the old court house and prison. Built by the convicts in 1833 on the way to the Jenolan Caves. This is a Birthday gift from Dear cousin Louie (name to be confirmed)thompson collection, nightingale

Handwork for Schools by W.R.Dean and H. Jolly. 1953 Reprint. Book has light blue cloth cover with black printing. Back cover has part of the jacket which is light brown with dark red and blue printing and decoration pasted on it. Subjects covered are: Modelling and Carving; Pattern and Decoration; paper and Cardboard Handwork; Printed Decorations; Weaving; Handwork in Wood; Other Crafts; Decorative Needlework and PuppetryGeoffrey Cumberlege, Oxford University Press, Melbourne. Wellington. Brown, Prior, Anderson Pty Ltd., 430 Little Bourke Street., Melbourne, C.1.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - handwork for schools, w r dean, h jolly, geoffrey cumberlege, oxford university press, j mcrae, g s browne, a h ramsay

This specimen is a Brown Goshawk juvenile. The Brown Goshawk is widely distributed across Australia, Wallacea, New Guinea, New Caledonia, Vanuatu, and Fiji. In Australia, it predominantly inhabits eucalypt forests, woodlands, farmland, and urban areas, while in the Pacific, it is primarily associated with rainforest environments. Historically, it was also present on Norfolk Island until around 1790, potentially representing an undescribed subspecies. However, the limited material available—consisting of a single historical skin and nine subfossil bones—precludes confirmation through scientific analysis. This specimen was originally identified as a Nankeen Kestral and is catalogued as such in the original Public Library and Burke Museum catalogue. The specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen exhibits distinctive plumage compared to its adult counterparts. It has a streaky appearance, with a buff to pale rufous base color on its underparts adorned with bold, dark brown streaks. The upperparts are brown, with a slightly mottled or scalloped effect due to pale feather edges. Its eyes are yellow and legs are a pale yellow. The wings are broad and rounded, and the tail is long and barred. Identification swing tag with catalogue page number reads: 4. / Nankeen Kestrel - / See Catalogue,/ Page 2. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, birds of prey, goshawk, ornithological, nankeen kestral

Peaked cap worn by “Vivian Donald BULLEN". He first enlisted in the 2nd AIF on 11.3.1942 age 22 years 8 months No VX75447, during his time he rose to Acting Cpl, attached to No 4 Chemical Warfare Coy RAE and A.A.O.C in Bendigo, he was hospitalised with a Peptic Ulcer, discharged from the Army on 3.9.1943 to join the RAAF. Enlisted in the RAAF on 4.9.1943 No 431933 as a Aircraftsman, after initial training he was posted to “Air Gunnery School” on 4.2.1944, embarked for England 28.4.1944, went through 3 training units in Bomber Command, posted to 466 Sqd Driffield 19.1.1945. He rose through the ranks from Aircraftsman - LAC - Sgt - Flt Sgt - Fly Officer by 7.10.1945. He flew 13 sorties and was eligible for the France & Germany Star. Embarked for Australia 29.6.1945, discharged from RAAF 9.10.1945. Cap - peaked, navy blue cotton twill, black leather hat band with brass button keepers. RAAF badge in gold and red crown above eagle wings and laurel wreath. Inside cap, leather sweatband and cotton lining. Makers label imprint on sweatband.Sweatband - makers label imprint "Sam Brown Leather". headwear, uniform, ww2, raaf, vivian donald bullen

Identity card for J. W. McIntyre used in World War 2Identity card used by J.W. McIntyre of Lara in World War 2Identity Card - J.W. McIntyre 1942 issued to all British Subjects during World War 2 (Form C.R. 3)Light brown card stock (see two images)identity card, army, royal australian army, australian army, form c.r. 3, j.w. mcintyre

Signed, l.l., brown oil, "E.M. Waterlow". Not dated.

Signed, l.r., brown oil, "T.F.M. Sheard". Not dated.

This item was used in the Pharmacy Department of Sunbury Asylum [Caloola] prior to Asylum becoming a campus of Victoria University.A Long thin narrow glass measuring instrument with bulbous shape approximately halfway along. One end is pointed and it is open at both ends.Yellow band/brown band "20/cm3/ex..."sunbury asylum, sunbury, george evans collection

Acrylic on canvasSigned and dated l.l. pencil "Joseph Brown 1998"hill

Child's miniature white china tea set, with painted fairy sitting on a red toadstool holding a dandelion. 15 pieces comprise:- 1 teapot with lid and blue spout and handle, 1 milk jug with blue handle, 1 sugar bowl with no lid and blue handles, 4 plates and 7 saucers, all with blue trim on the rim.Superior Quality Made in Japan (in brown paint on the base).tea sets, toy tea sets

Hon Neil Brown, Lord Mayor W Larkin

CEMA Art Collection Winner of 1962 Portland Artists' Society Prize for the category Painting. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts several trees on a multi-coloured ground with mountains in the background. The trees in the foreground are linear and completed in shades of browns and pinks. The work has a white, gold and blue hand-painted frame with exposed canvas.Front: Werther '62 (bottom right, brown paint) Back: PORTLAND "DEAD WATTLES" 40 GNS FRANK WERTHER COTTLES BRIDGE VIC per MAYNE NICKLESS (white chalk) Red sticker: 32 Yellow sticker: 1962cema, portland artists society

The building used by Nelson Undertakers in Linton from the 1860s was renovated into a Californian bungalow in the 1920s. After being restored again in 1988/89, this building became the Resource Centre of the Linton & District Historical Society. In 2017 was given a fresh coat of paint and a colour change back to cream and brown.Colour photograph of a Californian bungalow style building, painted cream and brown, which has some iron lacework decorating the small front porch. The right section has a sign 'Nelson Bros Undertakers' painted on it, and a stained glass window which incorporates the same name is a feature of the front wall.nelson bros undertakers, linton & district historical society resource centre, buildings, 69 sussex street linton

This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats

Maple leaf shaped patchA Canadian themed coat of arms, of a (brown) moose on the left side of a heraldic shield; on the right, a (brown) stag; while on top of the shied is an indistinct brown animal, possibly a bear. The shield itself is notable for gold maple leaf emblem on a green background.

The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Powerful Owl has medium brown to dark grey-brown on its wings and back, lighter patterning on its chest lightening with white barring, and off-white front. The eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow/browning feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: wooden with no markings.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl

Two Stawell Shire Hall colour photos showing the changes over time to the landscape around the Shire building. In 2011 the two Norfolk Island hibiscus trees were removed. In the photo with the trees removed the building is painted a brown colour and has the Australian flag flying on the flag post. Two colour photographs of Stawell Shire Hall showing how the landscape around the building has changed over time. In 2011 the Norfolk Island Hibiscus trees were removed. The building was painted white in one photo and when the trees removed painted a brown colour similar to the initial brick of the building. stawell

Aileen was the daughter of Reverend Richard Vallencey Danne and Mary Danne , nee Johnston, herself daughter of Reverend Kerr Johnston. She was married to Alfred Augustus Brown. In 1935 she wrote the memoirs presented during the annual meeting of the Mission on the 10th of April by her brother, Reverend Noel Johnston Danne. It was sold for fundraising purposes for the Mission. In the article from the Herald published on Wednesday 10 April 1935, page 14 : "An interesting presentation took place during the afternoon when the Rev. N. J. Danne, on behalf of his sister, Mrs A. E. Browne, will present the Mission with a copy of the Memoirs of the Victoria Mission to Seamen from the year 1853, when their grandfather was the first chaplain of the Mission. Further copies of the memoirs were sold to assist the funds of the mission."Medium sized booklet. 16 pages memoirs with blue cover written by Aileen Elizabeth Brown in 1935 tells the beginnings of the mission and Kerr Johnston (1812-1887), seamen's mission chaplain. Foreword written by Aileen Elizabeth Brown. On page 2 are the photographs of the Reverend Kerr Johnston and his wife.reverend noel johnston danne, 1890-1969, aileen elizabeth brown, nee danne, 1879-1956, reverend richard vallencey danne, 1846-1904, mary alice isabelle danne nee johnston, 1851-1926, fundraising, mission to seafarers, seamen's mission, mission to seamen, port melbourne, 1935, memoirs, history, reminiscence

The Strowger switch is the first commercially successful electro-mechanical stepping switch telephone exchange system. It was developed by the Strowger Automatic Telephone Exchange Company founded in 1891 by Almon Brown Strowger. In 1912 Australia's first automatic telephone exchange was installed at Geelong. Victoria. The exchange equipment was Strowger Automatic telephone apparatus, manufactured by the Automatic Electric Company, Chicago USA. This is a useful research tool for the history of telephony.A 96 pp bound book with a dark brown cover. On the front cover inside a narrow black ruled frame is the title, "Principles of Automatic Telephony Circuits and Trunking" Below that is the logo for the Strowger Automatic telephone manufactured by the Automatic Electric company, Chicago.telephony communication manual-automatic-telephony