Eleven(11) State Electricity Commission of Victoria Provincial Tramways, 3d(three pence), tickets. One(1) ordinary ticket, No. W454600. Two(2) ordinary tickets over stamped City Section in black, Nos. A167754 and A167756. Eight(8) ordinary tickets over stamped Concession in black, Nos. A829813, A829814, A829815, A829816, A829817, A829818, A829819, and A829820.person, individual, basil miller

A cream programme with purple ink print with a purple border. Also on the front cover are the words, ' Castlemaine Choral Society. Season 1925. 13 th. Grand Concert. Town Hall, Castlemaine, Tuesday, 15th December, 1925. A list of artists follows. The Bendigo Choral Society will also assist. Programme, 3d. W.R.B. Nicholson, Hon. Sec. Inside is the programme. The music is titled, ' Haydn's Creation.'Leader Printprogram, music, castlemaine choral society, lydia chancellor, collection, music, choir, singing, 'haydn's creation, ' castlemaine town hall, buildings, concert, programme, amusements, entertainment, castlemaine choral society, bendigo choral society

A cream souvenir programme with black print and black and white photos of the Bendigo Benevolent Asylum and Mr. W.C. Frazier A.R.C.O., Conductor. Also on the front cover are the words, ''The Bendigo Choral Society.'' Souvenir program 3d. ''Gounod's Faust, '' for the Bendigo Benevolent Asylum 5000 pounds appeal. Town Hall, Bendigo, Wednesday, June 14th., 1922, at 8 p.m. Inside is the programme. 4 pages.Cambridge Press Print.program, music, bendigo choral society, lydia chancellor, collection, music, concert, entertainment, amusement, 'the bendigo choral society, ' gounod's ''faust, '' bendigo town hall, buildings, singing, choir, programme

A.09.03.DB A record of payment from the Town hall, Port Melbourne for rats from June 15, 1903 to May 3, 1904. Those who caught rats signed their names and many signatures appear to be those of children. Prices began at 3d a rat then reduced to 2d. A total of rats was recorded for each year. Dark green cover with red spine, white label on front cover.local government - town of port melbourne

Object. Shield shaped gold medal with horn shaped suspension piece at crest with suspension ring. A smaller inner shield shape creates a border with scattered leaves. Obverse: - 3D Engraving "CENTENNIAL HORTICULTURAL EXHIBITION OF VICTORIA AWARDED TO DELBRIDGE BROS EPSOM''. Reverse: FLAT '' Presented by the Bendigo Wine & Fruit growers Association for 12 varieties Table Grapes''. See also 7900.28.numismatics, medals-civil, horrticultural show prize medal 1889

Peter WILSON Peter Wilson maintains a ceramic practice at Rosemont Pottery in Bathurst, NSW, as well as working as a senior lecturer in the Faculty of Education at the Charles Sturt University Bathurst Campus. He trained at Macquarie University, obtaining a Bachelor of Arts in 1976, and has been making reduced stoneware and tableware and exhibiting ceramics since 1980. Wilson writes extensively about ceramics and obtained a Graduate Diploma of Arts (Visual Arts) from Monash University Gippsland in 1993, a Master of Creative Arts from Wollongong University in 1995 and a Doctor of Creative Arts from the University of Western Sydney in 2003. Work may be marked with an incised 'Peter Wilson' or 'Wilson'.Spherical ceramic formjan feder memorial ceramics collection, peter wilson, alumni

Black and white soft covered, 111 page book featuring the ceramic work of Prue Venables. prue venables, neville french, ceramics, allison britton, gwyn hanssen piggot, ballarat school of mines, rmit

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing an orange cardigan with black gloves and black headwear.front: [printed] Albany / PRICE 3d. / JACKET in 2 LENGTHS / ALBANY 4-PLY FINGERING / Bust 32-40 inches Hip Length 19-21 ounces. / Waist Length 17-19 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills

The Australian Woman's Mirror, was an Australian weekly women's magazine published by The Bulletin magazine in Sydney, between 1924 and 1961.Women's magazines reflect class and family structures as well as contemporary women’s role in society. A 32 pp magazine, titled The Australian Woman's Mirror. The magazine's contents include recipes, knitting patterns and articles about fashion, holiday destinations and household tips.It also contains short stories, poems, and a serialised novel. On the front cover is a b/w photograph of a woman wearing a knitted jerkin indicating that the pattern is inside the magazine. The magazine cost 3d and is dated Tuesday, Sept. 4 1945.magazine-the- australian-woman's-mirror literature

A light blue programme with dark blue print. On the front cover is a photo of The Conductor Mr. W.C. Frazier and the words, ' 'The Bendigo Choral Society.'' Season 1928. Third Concert. Town Hall, Bendigo. Tuesday, November 27th, 1928. Followed by a list of the artists. E.H. Collett, Hon. Sec. W.F. Mansell, Asst. Hon. Sec. Programme: Price 3d. Boltons Print, Bendigo. 4 pages.Boltons Print, Bendigoprogram, music, bendigo choral society, lydia chancellor, collection, ' the bendigo choral society, ' entertainment, music, singing, choir, amusements, bendigo town hall, programme, buildings, concert

For details refer Cat No. 9947P on "Mathew Rumbelow" VX78073. Album contains some postcards and photos of 2/7th Field Regiment in Middle East and the Islands.Brown leather bound and tied with string, photo album. Fourteen pages of various photos of the 2/7th Field Regiment in the Middle East and Pacific. Photos stuck on brown cardboard sheets with white tissue paper in between. Some photos have come loose. Each is labelled in white writing. On front of Album is a 3D image of Rachels Tomb in Jerusalem. Also contains some colour postcards.Each photo in Album labelled.2/7th field regiment, mathew rumbelow, photo album

Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia.Australian Studio Ceramics Gift of the artist, 1982Impressed seal for Kiyoshi Ino on baseceramics, gippsland campus, jan feder memorial ceramics collection, ino kiyoshi, japanese ceramics

Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia. Gift of the artist, 1982impressed seal for Kiyoshi Ino on baseceramics, shikuhu ino, jan feder memorial ceramics collection, gippsland campus, yinnar, yinnar art resource collective

Kingsley MARKS (1929 - ) Kingsley Marks trained at the South Australian School of Art before teaching secondary schools. He became interested in pottery after attending a class one night a week at the John Martins building in Adelaide. He received grants to travel and study ceramics in Mexico the US and Canada, then taught for twenty years at the Torrens and South Australian Colleges of Advanced Education. Upon his retirement in 1985, he moved to Brentwood near Minlaton and established the Brentwood Pottery, specialising in sculptural work using a range of forming, decorative and firing techniques. (https://www.flickr.com/groups/1281707@N21/discuss/72157641492795284/) Kingsley Marks was a guest at Strezleckie Spotkanie in 1984. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Electric kiln-fired slipcast decorated earthenware. Kevin Marks uses the mark "K" on his work. Gift of the Artist, 1984ceramics, kingsley marks, artwork, gippsland campus, churchill, brentwood pottery, artist, jan feder memorial ceramics collection

Maastricht, Holland, was the city where Petrus Regout established the De Sphinx pottery in 1836. De Sphinx operated under the name Petrus Regout & Co. until 1899. The firm was noted for its transfer-printed earthenware. Many factories in Maastricht are still making ceramics. The plate was created to celebrate the silver jubilee of Queen Wilhelmina in 1923.A ceramic plate decorated in blue with pictures and words. Central to the image is a coat of arms featuring a central lion and 4 identical hunting horns. The whole is surmounted by a crown. The rim is decorated with orange blossoms.The words read: "Mijn schilt en de betrouwen Syt Ghy O God myn Heer. Op U soo wil ick bouwen Verlaat my nimmermeer." These are words from the second verse of the National Anthem recorded in Old Dutch. The dates 1898-1923 also feature on the front of the plate. The back bears the maker's stamp, an imprint of a small arrow, an imprint of ¾ and the words "Made in Holland". The maker's stamp reads: "Petrus Regout & Co Maastricht". It is surmounted by a sphinx. There are also two holes in the rim to enable hanging of the plate.

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Helen Lewers is a past student in the Diploma of Arts (Ceramics) at University of Ballarat. Helen Lewers won the DVC Art Acquisitions Award in 2007.Three Shino-glazed stoneware vessels made by Helen Lewers.Signature and date on the bottomart, artwork, helen lewers, stoneware, shino-glazed, lewers, dvc art acquisitions award, vessels, ceramics, available ceramics

Jill Giles is a potter who was active in Geelong from the mid 1970s until the mid 1990s. Her work may be marked 'J Giles' (painted), 'Giles Geelong Australia' (impressed) or G over J (impressed). Her daughter Melinda Solly also makes ceramics.Photograph of a hand thrown and decorated ceramic teapot by Jill Giles. ceramics, studio pottery, teapot, jill giles, coffee pot

Mining By-LawsPale Yellow Paper cover with black borders and black printMining By-Laws of and for the State of Victoria With an APPENDIX Containing Extracts from the MInes Act 1928 Relative to Residence Areas, Claims on Private Land, & Etc. Price 3D. Published in the "Government Gazette" 19th February 1931 pp, 617 - 640 H.J. Green, Govt. Print., Melb.stawell mining

Promoting the Graphic Design/Multimedia program being offered by the University of Ballarat at the Mt Helen Campus. Promoted course as "one of the smallest and arguably the best three year programs of its kind in Australia and the South Pacific region." The brochure lists student awards received including Platinum and Gold in the AGFA International Young Designer Contest, 1999; two meritorious awards in The Art Directors Club Student Awards, New York, USA 1999; Graphis New Talent 1999; two Gold in Souther Cross Packaging Awards, 1998. At time of publication, the School of Arts, Visual Arts reportedly had 210 students with majors in Graphic Design/Multimedia, Ceramics/3D, Painting, Drawing, and Multidiscipline. Minors studies included Printmaking, Photography, 3D, 2D, and Graphic Communication. ___ Course aimed to train "independent, flexible thinkers". The course promised to "Promote creativity, originality and imaginative thinking; Develop self-directed learners, displaying initiative in the formation of ideas and the confidence to construct personal responses; Develop appropriate conceptual, technical and professional skills; Develop the student's critical process: ability to undertake research, and to make informed decisions; Clarify thinking, concepts and understanding and deep knowledge, attitudes and skills enabling the designer to respond to community needs." Studio and working environment described as "one open space with working facilities for approximately 75 students across 3 year levels. The area is divided up into work stations where 1st, 2nd and 3rd year students intermix, allowing a natural interaction. These workstations are configurations of six, consisting of two students from each year level. This reinforces the area's ongoing development with an open ethos and cross-level delivery and learning. This maximises the use of information in order for it to be applied throughout all levels of the learning process, whilst allowing a natural mentor arrangment to be developed for all first year students, " "The open ethos approach also encourages students and staff to freely express their opinions in relation to design via cross-level critiques, whilst allowing for a liberal arts approach and structure to the development of the creative process." "Emphasis is placed on experimentation, innovation, expression and the development of the individual's design philosophies, concepts and style." Also notes the 24 hour access Macintosh laboratory, with 34 Power Macintosh computers, ratio of one for every 2.5 students. Each with a Fujitsu Dyna Magneto Optical drive for file storage and transport. Two Sharp scanners, Phaser Dye-Sublimation Extra Tabloid colour printer and Ricoh A3 colour printer. Two large format printers. Digital and video cameras. Software: Adobe Photoshop, Illustrator, Acrobat; QuarkXpress; Macromedia Freehand; Pagemaker; Premier; Director; 3D Extreme; Sound Eidt, Shockwave, Infinite 3D and After Effects. Approx 4.5 staff, "all of whom are practicing designers. They have a full understanding of industry requirements and trends which assists in the development of industrial contacts when specialists are required." Prospective students interviewed in late Nov/ early Dec, face to face. Present a "comprehensive folio of work", academic records, references. "Selection is determined by the perceived potential of the student, their motivation and reason for study within the field as well as their previous experience in the Visual Arts. Folio work should be representative of the individual's ideas and abilities. Qualities of importance are: originality, innovation, imagination, experimentation and a competent display of the basic skills associated with visual arts [evidence of drawing skills should be included]." Demonstration of GD/MM computer skills an advantage. Students also asked to bring sketch books. Promotional brochure for prospective students. 8pp Double fold brochureuniversity of ballarat, federation university, graphic design, multimedia, bachelor, degree

Jan Feder was a student at the Gippsland Centre of Art and Design in the 1980s. She had started studying ceramics in Adelaide, deciding to continue here study at Churchill under Hedley Potts' tutelage after moving to Strezlecki. In her final year Jan was an on-campus weekday resident to save on the travel time. After Jan's untimely death in 1981 a ceramics collection was amassed to her memory, featuring work of international, national and local significance. Funds were raised by Jan's student peers at the Gippsland Centre for Art and Design, and although many of the works were donated the intention was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus.Black and white photographic portrait of Jan Feder sitting in the doorway of a slab hut. jan feder, jan feder memorial ceramics collection, jan lorraine feder, alumni, gippsland centre for art and design, gcad

Ticket - Trip Slip - cable tram Bell Punch type - fawn card, 3d fare (Full Fare), has been punched or nipped once on the Down side. Printed for the Melbourne Tramway and Omnibus Company for the Clifton Hill Cable Tramway. On the Up side Has space for 15 journeys on each side. On side, has space for Date, Badge, car, time of starting and signature or the conductor or if a student conductor.trams, tramways, tickets, cable trams, bell punch, clifton hill, mtco

Gives an understanding of the variety of special purpose tickets issued by the Electric Supply Company for use on the Provincial Tramways of Victoria.The Newspaper Package Ticket is issued by the Electricity Supply Department of the State Electricity Commission of Victoria for use on the Provincial Tramways. The 3d Parcel Check, and 4d Parcel Ticket, issued by the same body, allow for the carriage of packages not exceeding 28lb, from their point of being handed to the conductor, to the depot. The tickets detail the requirements of use, and a statement protecting the commission from liability. the tickets are all printed in red ink on a cream/ beige paper.Some of the tickets are stamped with the word Cancelled. Some of the tickets are printed with an original number. Others have a stamped date, and on one, the date 15.9.49 has been hand-written.electric supply company, tickets, provincial tramways, paper packages, parcel checks

Set of four tram tickets, late 1920s, all MMTB, with the same layout though different pricing. 1 - 2d - green paper - No. 197269 with an advert for Osram Valves - British General Electric Co. Ltd 2 - 2d - green paper - No. 527291 with an advert for Stephens Ink 3 - 3d - pink, No. 870414, with an advert for Kiwi Polish 4 - 4d - fawn - No. 688076, with an advert for Stephens Fountain Pen Ink. All these tickets were recovered by the donor from the inside of a tramcar that was sold by the MMTB during 1928.Yields information about the type of tickets issued by the MMTB late 1920s. Set of four paper tram tickets on coloured paper with black printing.tramways, tickets, melbourne, mmtb

Quartz is one of the most common minerals in the world. It is formed by a 3d structure of silicon and oxygen. While it is a simple mineral, it can come in a variety of shapes and colours. When quartz is pure it is colourless, transparent and can appear glass-like. Better known and more rare variations of quartz include amethyst and smoky quartz. This specimen is a vein of quartz in Breccia Conglomerate. Breccia is coarse-grained clastic rock which is made up of broken rock fragments and held together by mineral cement. The locality of this specimen is unknown. While quartz is a very common mineral and does not have rarity, it is an important material in industrial settings. One of it's physical and chemical properties is that it is piezoelectric, which means it can be used to generate an electric charge. This has made it useful in the manufacturing of timekeeping devices. This specimen was donated to the Burke Museum between 1868-1880 among a larger collection of geological specimens. It was collected as part of the Geological Survey of Victoria which begun in 1852 as a response to the Gold Rush. Collections were distributed to organisations across Australia to encourage the further study of the scientific makeup of the Earth. A solid egg-shaped rock with a mineral vein forming a ring around the rock in shades of brown and beige.burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, 1852 geological survey of victoria, mineralogy, quartz, breccia, breccia conglomerate, conglomerate

Bruce ANDERSON (20 August 1950- Born Surry Hills, Melbourne, Victoria In 1971 Bruce Anderson obtained a Diploma of Art (Sculpture) from the Prahran Institute of Technology. For the next two years, he worked at Raynham Ceramics in East Bentleigh, making slipcast ware. After a year of National Service, he completed a teacher education course at the State College of Victoria, Auburn and taught for a time in the secondary school system. In 1977, he moved to Queensland to take up a position as Head of the Ceramics Department at Townsville TAFE. In 1984, he relocated to the Darling Downs Institute in Toowoomba and was still teaching there in his entry in the 1986-7 directory, working in raku and blackware fired with gas in a ceramic fibre kiln. During 1986, he moved to Adelaide to take up a position as senior lecturer in ceramics at the South Australian School of Design. During the late 1980s and 1990s, he began to make sculptural works of architactural form cast from a mixture of terracotta clay and refractory concrete. Part-glazed, the works allude to primitive industry and utilitarianism. In 1984 Bruce Anderson was a guest at Spotkanie held at the Gippsland Institute of Advanced Education.Raku teapot with tall handle. bruce anderson, ceramics, jan feder memorial ceramics collection, gippsland campus, teapot, raynham ceramics

Ino KIYOSHI (1 (1946-28/09/2008) ) Born Kyoto, Japan Kiyoshi Ino was born into a family that has been involved in the production of pottery for some 160 years. He working towards a Diploma of Ceramic Arta at the Kyoto School of Arts and Crafts, which he completed in 1969. He then attended the Kyoto Technical School for a post-graduate course in glazing, and was laer appointed lecturer in Ceramics at the Kyoto Technical School. After completing a study tour of China and Taiwan, Ino was one of a group of Japanese potters that travelled to Australia from the 1970s onwards following in the footsteps of the famous Japanese potter, Shoji Hamada who Kyoshi visited in 1965. Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga. Between 1974 and 1976 Kyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, returning there as Assistant to the Senior Lecturer in Ceramics in 1979. He left Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established.Glazed vesseljan feder memorial ceramics collection, staffmember, ceramics, yinnar art resource collective, ino kiyoshi

Greg WAIN (24 February 1943- ) Born Brunswick, Melbourne, Victoria Gregory Thomas Wain graduated from the Caulfield (now Chisholm) Institute of Technology with a Diploma of Art in 1963, and in 1975 graduated from the Royal Melbourne Institute of Technology with a Fellowship Diploma of Art in ceramics. Hand pierced and decorated ceramic platter with on glaze colouring.Wain incised signatureceramics, greg wain, jan feder memorial ceramics collection, gippsland campus

Greg WAIN (24 February 1943- ) Born Brunswick, Melbourne, Victoria Gregory Thomas Wain graduated from the Caulfield (now Chisholm) Institute of Technology with a Diploma of Art in 1963, and in 1975 graduated from the Royal Melbourne Institute of Technology with a Fellowship Diploma of Art in ceramics. He was a Spotkanie guest. Gift of the Artist, 1984greg wain, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, spotkanie