The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.1-page summary of the history of the East Kew Women's Club. Undated with no author name.east kew women's club, community groups -- kew east (vic.)

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Document: Attendance Register, East Kew Women’s Club, 1959-64east kew women's club, community groups -- kew east (vic)

A file previously held in the collection of the Supreme Court of Victoria and now in Public Record Office Victoria contains records of the annulment of the marriage of Florence Cox in 1919. As the earliest known record of a person with intersex variations in Victorian history, Cox’s story – and this record – are of unique historical significance to the LGBTIQ+ history of the State. Florence Cox (1887–1950) had a middle-class upbringing in Melbourne. In 1914 she travelled to Bengal to marry her fiancé Frank Paice and to join him in his missionary work for the Baptist church. The couple returned to Melbourne in 1918 and the following year the Supreme Court of Victoria, at Paice’s request, annulled their marriage. The Supreme Court file reveals that Paice declared he had been unable to consummate the marriage, due to ‘a malformation frigidity or other defect of the parts of generation’ of his wife. Both Paice and Cox were subject to medical examination, which established that Cox had what is recognised today as the intersex condition complete androgen insensitivity syndrome. The court determined that marital intercourse, as it was understood at the time, was impossible for Paice and Cox, and granted the request for an annulment. Paice remarried, fathered children and led a successful professional and civic life, serving a period as Mayor of Nunawading, in the middle- class eastern suburbs of Melbourne. Cox’s life was very different. It is unlikely that anyone in her life would have known what had prompted the end of the marriage, but gossip would certainly have focussed on her part in it. She never remarried and, although she remained connected to her family, her story was rarely discussed. Cox was admitted to Mont Park Mental Hospital in Melbourne’s northern suburbs in 1945, where she died five years later. The Supreme Court file preserves one of the most detailed medical descriptions of a person with intersex variations from that period. It is particularly striking that following the court case, the file was closed ‘forever’. This indicates how seriously the court took the case, and its determination to protect Cox and Paice from public scrutiny. It speaks loudly to the thinking of the time on a matter that was rarely, if ever, raised in public. In 1997, Cox’s great-nephew Ian Richardson set out to investigate the secrecy surrounding his great-aunt Florrie. Following a relentless, two-year campaign by Richardson and other descendants of Cox and Paice, the Supreme Court file was finally opened to the public. Richardson’s book, God’s Triangle, recounts his quest and brings Cox’s story out of the archives and into the light. Quoted from "A History of LGBTIQ+ Victoria in 100 Places and Objects" by Graham Willett, Angela Bailey, Timothy W. Jones and Sarah Rood.

non-fictionThis book is the first to document the visual history of print advertising in Australia and in so doing provides a valuable illustrated social history of Australia. Charles Troedel (1835–1906) was a master printer and lithographer, and the face behind the production of most of Australia’s early advertising posters, product labels, and other print ephemera, as well as the iconic Melbourne Album. Troedel’s catalogue of lithographs trace the production and evolution of nineteenth century commerce and culture—in the home, at the bar, in health, hygiene and housework, with fashion and style and in leisurely pursuits—defining the legal categories under which this content was protected and the way advertising came to be regulated. A history such as this is only possible because of the well-preserved archive documenting the work of Charles Troedel and his firm Troedel & Co. This archive includes the corporate records of Troedel’s printing business spanning over a century, and nearly 10,000 copies of print specimens produced by the company, which were donated by the firm to the State Library of Victoria in 1968. The author of the book, Dr Amanda Scardamaglia, has meticulously researched this archive at the State Library Victoria. (Source: Royal Historical Society of Victoria website - https://www.historyvictoria.org.au/product/printed-on-stone-the-lithographs-of-charles-troedel-by-amanda-scardamaglia/)advertisements, printing industry