The vintage Hecla toaster is an iconic piece of Australian kitchen manufacturing history. Produced by Hecla Electrics Pty Ltd—founded in Melbourne in the early 1900s—these toasters were renowned for their durable, utilitarian design. The bread is placed inside the door, then closed to toast. Because the bread required a manual flip, they are widely remembered for demanding constant supervision to prevent burning. Unlike modern disposable appliances, vintage Heclas were engineered to last. They utilized easily replaceable Nichrome wire elements on mica sheets, allowing users to buy parts from local stores and fix them at home.A vintage Hecla chrome plated steel two slice electric toaster on a footed base. It has two side-loading flip-down doors on either side with two small round black bakelite handles. There is a lined pattern on each door. The top is flat with no toast rack. The bread is placed inside the door, then closed to toast. When toasted on one side the door is opened and the toast is manually flipped to toast the other side. It has a black and tan patterned cotton thread covered removable electrical cord which has three prongs on a black plug. On one side of the toaster is a metal protruding plug for the two pronged cord to attach to. The glowing heating element inside is called the Nichrome wire which is typically wrapped back and forth across thin, flat sheets of mica, a naturally occurring heat-resistant mineral that serves as an electrical insulator.'Volts Hecla Watts 230 Cat No. 14690. Submitted to Electrical Approvals Board Reference "AJ/Ao/01 SECV Manufactured in Australia Connection inscription - 'E. H. Dixon Cat. Earth. 5 Amps. 250V'. Three prong plug inscription - ' 53. 250V. 10A. On top 'RC' letters intertwined as a symbol.kitchen appliances, toasters, kitchenware, kitchen equipment

The pamphlet documents the agenda for the Ruyton Girls' School athletics sports carnival hosted at Glenferrie Oval on Wednesday, 26 April 1950. The program outlines a series of activities to be undertaken by junior and senior school students (including day girls and boarders), including crossball, potato sack race, hockey dribbling, egg and spoon race, relays, baseball throwing, and obstacle courses. Each sport is divided into age brackets including under 14, under 16, and 16 and over. The pamphlet also acts as a scorecard, featuring columns for recording results, points scored, progress points and times. Ruyton Girls' School has an exceptional reputation in school sport. The School is a member school of Girls' Sport Victoria (GSV), a large sporting association involving 24 independent girls’ schools in Melbourne. Girls in the Senior School have the opportunity to compete in a range of sports over the four terms and at three major carnivals; Swimming and Diving, Cross Country and Track and Field. Ruyton also has a very successful Rowing program and participates in the Victorian Interschools Snowsports Championships.The record has strong historic significance as it gives insight into the House system at Ruyton Girls' School; in particular, how the House system is used in a sports context. In the early 1920s, Ruyton was settling into its new home at Selbourne Road, Kew. At the time, students were arranged by their form (or year level) for lessons and other school activities. A collection of eight emblems and mottoes for each form group was published in the Ruytonian December 1922, although the genesis of each were left unexplained. With enrolments continually growing, Principal Miss Hilda Daniell felt a new basis of organisation would benefit students, giving them a broader outlook and something bigger to work for. She took inspiration from tradition and implemented a House system. The House system was adopted at Ruyton in September 1924 to "provide a new kind of co-operation and competition among the girls, especially in Sport." There were four houses, three of which were named after early Principals: Anderson, Bromby and Lascelles. There was also the School House, initially for boarders only. Some time after the publication of the Ruytonian in April 1928, the School House was renamed Daniell House, and had opened up to day girls. The account published by the newly formed Daniell House in the Ruytonian December 1928 reads, "we are rather bashful in presenting this account of our doings, for we are conscious of our newness. Our house has now the honour of being known as Daniell House." Four of the original eight form emblems were adopted by the new Houses, while the others were discarded. According to former teacher and author of the centenary history of Ruyton, Ms Majorie Theobald, the House system "gave a new focus for all competitive sport, which had previously been organised on a rather inequitable basis." The colours chosen for the Houses were cherry red for Anderson, royal blue for Bromby, gold for Lascelles, and pale blue for School (later Daniell). New students starting at Ruyton from Prep onwards are allocated to one of the following Houses with consideration to family connections and balance of numbers. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection of a former notable student.Pamphlet printed on cream coloured paper with navy blue ink. Two pages, folded in half.Obverse: tenns allowed 2 flat 3 teas 1 relay / 1 noveltie / 3 every thing entered in. / move for heats / Lanes 5 - 2 / First Page: under 15 50 yds. / 2. / 3 under 15 75 yds. / 4 / 5 / 6. Junior Crossball. / 7 / 8 / Second Page: 9 / 10 under 15. / 11 / 12 / 13 / 14 under 15 / 15 / 16. / Reverse: 21 Diamond Throwing open / 22 / 23 under 15 / 24 / 25 / 26 / 27 / Diamond / 28 / 29 / 30 / 31 / 32 / Junior under 15 1st July 1 Junior relay (?) / under 15 / Two sprints and potato go for championships /ruyton girls' school, students, school, ruyton, victoria, high school, senior school, day school, letter, old ruytonians association, kew, sport, school sport, girls' sport victoria, house, anderson, lascelles, bromby, daniell, athletics, glenferrie

In early civilization's cereal grains such as maize, wheat, barley etc. were stored in large airy buildings, often raised up from the ground to reduce infestation by pests and vermin. Ancient Egyptian and early Hebrew writings include reference to such buildings. Smaller quantities of food were stored in baskets made from woven grasses or leaves. In more recent times but prior to the invention of the refrigerator many food products were stored in the home as preserves or pickles, often in heat sealed jars. Dry food items were stored in vermin proof metal containers and could be found in any early colonial kitchen. Items such as coffee, tea, rice and sago were stable food types and needed longer term storage and a higher degree of protection from vermin and the elements, a common material used during this time was sheet metal or tin such as is used today in a common form of storage the biscuit tin. An early example of colonial food storage used in a domestic setting, it is interesting to note the subject items have provision to be locked. This indicates the value early colonial settlers placed on the contents and used to prevent pilfering. The subject items are now sought by collectors. Canister set; set of four canisters. Cylindrical matching kitchen storage tins with hinge lid that has a latch closure, and a folding handle on top of lid. Canisters are painted brown and the body has a graphic of a scroll in gold with printed label of contents. The canisters range from small to large, "COFFEE", "TEA" , "SAGO", " RICE" (respective RNs 163.1, 163.2, 163.3, 163.4)Respectively labelled "COFFEE," "TEA," "SAGO," "RICE" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, canister, canister set, rice canister, kitchen canister, food storage, domestic item

As of 2016 Tony Benson is the last Australian to win the 5000m at one of the major meets (now called Diamond League). That year Tony Benson was undefeated in Europe something no Australian has done since. He was also undefeated in the USA in early 1972 and probably would have medalled in Munich 1972 except for an incurring a hamstring injury 10 days before the race AND not being able to find the team medical doctors until some 16 hrs after the injury due to them being away from the village. Despite running with a torn hamstring Tony Benson broke Ron Clarke's Australian Olympic record for the 5000m but had no 'kick' and finished 7th in the heat. None of those who made the final had ever beaten Benson. Kip Keino and Tony Benson became friends. Keino received the first ever Olympic Laureate Award by the IOC at the Rio opening ceremony in 2016. Five images from the Collection of Tony Benson. .1) Tony Benson runs during the Ballarat Teachers' College Lap of the Lake, 1962 .2) Ballarat Teachers' College Athletics, 1963 .3) Ballarat Teachers' College Athletics, 1963. Lecturer and coach Peter Fryar hand out the oranges. .4) Ballarat Teachers' College Tennis Team, 1963 .5) Tony Benson defeating the great Kip Keino at the 1971 Stockholm Grand Prixtony benson, olympics, olympic games, running, ballarat teachers' college, peter fryar, olympian, football, tennis, athletics

This type of head dress was very commonly worn by British Commonwealth Forces in the Sub Continent and other tropical areas. This particular example would have been a common sight in Northern Australia during the time frame, as well as Africa, Middle East and the Pacific. It is a light weight ventilated helmet offering good air circulation via the vent in the top of the crown, and shade to the back of the neck. As well as protection by the peaked front for the eyes reducing glare, preventing sun and heat stroke. It also created an image of gentlemanly dress and pride in appearance. It conformed to an ideal and was considered quite fashionable and a little dashing, often worn at a jaunty angle, creating a rakish air, far from today's simplistic view of pure functionality and at as low as possible cost. Whether worn with a tropical uniform with jacket and trousers, or open necked shirt and shorts, the wearer was easily identifiable as British or one of the Commonwealth countries.WW2 RAAF Wolsley cork helmet. Helmet Khaki cotton six (6) panel outer, with three (3) fold pugaree. Colour patch on left side approximately 6cm X 5.5cm, Dark blue,2.5cm, Light blue, 0.5cm and Maroon 2.5cm. Tan leather trim around brim, tan leather chin strap. Traditional pith helmet four (4) hole domed type vent on top of crown. Beige leather sweat band pierced around the top and with a cotton cord adjustment threaded around. Fixed to shell in four points diagonally. Interior is also covered in Khaki cotton. Hand written in brown ink. A1917 F/Lt C KERR GRANTworld war two, head dress, helmet, pith, cork, cloth covered, leather trimmed, royal australian air force, officer, flight lieutenant, khaki, pith helmet, air force, tropical, hat

Vol. 3, No. 1, Feb-Mar 1998 CONTENTS MUSICAL MURAL Billie Holliday, Louis Armstrong and Jelly Roll Morton appearing in Eltham 2 OBITUARY Pioneer painter and landscape gardener Peter Glass 5 SHORT STORY A place for heroes by David Gothard 7 MONTH OF FESTIVALS Souvenir guide to festivals of Banyule, Templestowe Village, Pettys Orchard Antique Apple and Warrandyte 9-24 A SENSE OF PLACE Exhibition of banners depicting a lifestyle 23 CLEM CHRISTESEN, WRITER & EDITOR Publication of poetry covering 30 years of life and work 25 THEATRE IN 198 Playbills for Eltham Little Theatre, Heidelberg Theatre Company and Sherbrooke Theatre Company 26 CERAMICS How ceramicists mix business and art 27 ART AWARD FORUM Do art awards meet current needs? 28 IN THE HEAT OF SUMMER Busy month of theatre in Melbourne 29 BOOK REVIEWS 30, 31 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, volumes, jazz mural, vladimir bykovec, peter glass, john street, david gothard, banyule festival, arts on burgundy, ward sagar, montsalvat, were street cafe, rosanna fire station community house, bibby's bahnhof cafe, templestowe village festival, pool & spa care centre, la piazza restaurant bar & cafe, recherche bespoke framers, warrandyte festival, margaret roadknight, mezze restaurant warrandyte, food for all seasons, rivergum gallery warrandyre, potters cottage, pettys orchard antique apple festival, fleur de feliss, allwood neighbourhood house, llobex image wizards, victorian artists supplies, ray liversidge, dynamic vegies, jackie wilson, boroondara litfest, mia mia gallery, eltham banners, geoff mosley, clem christesen, nina christesen, julie reiter, nillumbik art award, carolynn pickett, bulleen art & garden centre, hugh tolhurst, andrew sant, lucinda mcknight, drusilla modjeska, amanda lohrey, robert dessaix, michele lonsdale, volumes, eltham little theatre, heidelberg theatre company, doncaster theatre company

Canberra Times (ACT : 1926 - 1995), Thursday 9 January 1969, page 1 A day of century heat, 13 KILLED IN VICTORIAN FIRES ...About thirty houses and a public hall were destroyed by fire in the township of Diamond Creek. The group officer of the Diamond Creek Fire Brigade, Mr Tom Harrington, said tonight that he thought it was a "miracle" that no-one lost their lives in the fires. A relief centre for the homeless was set up by the Diamond Valley Shire Council. Mr Harrington said that the first fire call in the town was received at 10.45 am. "Within 20 minutes there were five more fires and it seemed like the whole town was alight", he said. "It was a chaotic day. All our best plans for fighting the fires became disorganised. "As 60-mile-an-hour winds swept fires through different parts of the town many fire fighters were unable to get from one fire to another. ," Black and white photograph of charred fire remnant Diamond Creek 1969diamond creek, fire, george w bell collection, bushfire, charred, burnt timber

The manufacture of firebricks is believed to have begun in Bacchus Marsh in the 1880s when William Thomas Wittick in partnership with a Mr Ackers, and later a Mr Telford, quarried a rich deposit of fire clay at Darley. In 1902 financial assistance was provided by David Mitchell a significant businessman and contractor from Melbourne and the business then expanded and became a major supplier of refractories for gas works in Melbourne, with side lines in moulded fire bricks for foundries and smelting furnaces and complete kiln lines for potteries. The business traded under the name Darley Firebrick Company and later as Darley Refractories Ptd Ltd and was in business for over 100 years. The tile (aka refractory) described in this record was possibly produced for use in very high temperatures (in excess of 1,000°F [538°C]) encountered in modern manufacturing. More heat-resistant than metals, they are used to line the hot surfaces found inside many industrial processes. The date the tile was produced is unknown.Rectangle shaped ceramic tile'Darley 26' inscribed within a circledarley firebrick company, refractory materials, wittick family bacchus marsh, william thomas wittick 1857-1939, darley refractories ptd ltd

Set of 10 sheets, photocopied on heat sensitive paper, foolscap size graph paper sheets giving the weekday tables or runs for the SEC Ballarat trams following the closure of the Victoria St. - Gardens via Drummond St. North service. Gives details of 29 tables or runs, numbered from 3 Run to 38 Run. Each sheet headed "Weekdays". Each run details where the driver/conductor would sign on, time, the trips, meal breaks, finish time and the total time of the shift. A number of the sheets have minor notes or changes to the timetable in ink, primarily about the change of tramcar type. Sheet 3, Run 12 had a handwritten addition over the run details at the base of the run details. Was fixed to sheet with adhesive tape. Has been stored in separate envelope with sheets. Stored separately with these sheets are a photocopies of each sheet reduced to A4 size.trams, tramways, timetables, sec, ballarat, crews

Set or A4 documents, photocopied correspondence, 16 sheets, meeting minutes looking at the possibility of undertaking some of the assembly work for the B1 class tramcars at Preston workshops, includes, meetings of minutes looking at the A class trams, (dated 21/1/1983), letter or report written by J. Prideaux, (15/2/1983), "Construction Work Possibilities in the Articulated Tram Project", note written by J. Prideaux to the Secretary of the Preston Workshops Committee, dated 12/4/1984 and report dated 13/1/1988 titled "Light Rail Vehicles - Preston Workshops", signed by A. Nolan, Group Manager Fleet Maintenance and construction looking at the proposal - little that could be done! .1 - 2nd copy of the Notes of meeting of 21-1-1983 added 3/4/2017 - copied onto heat sensitive paper. Images i2 to i4 added. stored in two separate envelopes.In ink in the top left hand corner "Unions had demanded repeatedly that PW shop take on more of the tram assembly task..."trams, tramways, preston workshops, b class, a class, tramcar construction, tram acquisition, tramcar manufacture

This textbook was written for engineering students by Scottish Professor, William J Goudie, D. Sc., (1868-1945). He was a member of the Institution of Mechanical Engineers, a member of the Institution of Engineers and Shipbuilders in Scotland, an Associate Member of the Institution of Civil Engineers, James Watt Chair of Mechanical Engineering, University of Glasgow, and Professor of "The Theory and practice of Heat Engines" in the University of Glasgow. He wrote several papers and books on the topics of mechanical speed and power. The publisher firm, Longmans, Green & Co., was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The first practical steam turbine was built in 1884 by Charles Parsons and this became the beginning of generating electricity and powering large ships. The author of Steam Turbines, Professor William John Couldie D. Sc, was a mechanical engineer who had practical experience in a marine consulting engineering service and lectured in the theory and practice of mechanical engineering.This book is an example of the development of technology that contributed to the evolution of steam turbines. The book is also significant for its connection to the publisher Longmans, Green and Co., of London, a firm that has been established for over two centuries, renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more.Steam Turbines, by William J. Goudie, D. Sc., Second edition, rewritten and enlarged. Published by Longmans, Green & Co. in 1922. The book has a textured green hardcover with a printed black title on the front cover and a gold embossed title on the spine. The fly page describes the contents. It states the author's credentials and the book's features - 329 illustrations and numerous examples.. The logo of Longmans, Green & Co. is on the fly page. It is a line drawing of a shield above a leafy wreath border surrounding a sailing ship at sea with a plaque below. Inscriptions are on the shield and plaque.On the shield: "L & Co" [Longman Green & Co.] On the plaque: "1724" [date business was established]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, steam turbines, longmans green and co, paternoster row london, ship logo, engineering studies, textbook, 1922, longmans green and co., l & co., 1724, institution of mechanical engineers, institution of engineers and shipbuilders scotland, institution of civil engineers, james watt professor of "the theory and practice of heat engines", thomas longman, paternoster row, william goudie, william j goudie, professor william j goudie d. sc., james watt chair of mechanical engineering, steam turbine, marine turbines, steam power

A scythe is an agricultural hand tool for mowing grass or reaping crops. It was largely replaced by horse-drawn and then tractor machinery. A scythe consists of a wooden shaft and a long, curved blade is mounted at the lower end, perpendicular. Scythes always have the blade projecting from the left side when in use. Mowing is done by holding the handle , with the arms straight, the blade parallel to the ground and very close to it, and the body twisted to the right. The body is then twisted steadily to the left, moving the scythe blade along its length in a long arc from right to left, ending in front of the mower, thus depositing the cut grass to the left. Mowing proceeds with a steady rhythm, stopping at frequent intervals to sharpen the blade. The correct technique has a slicing action on the grass, cutting a narrow strip with each stroke Mowing grass is easier when it is damp, and so hay-making traditionally began at dawn and often stopped early, the heat of the day being spent raking and carting the hay cut on previous daysEarly settlers and market gardeners used these scythes as they established their farms in Moorabbin Shire c1880A large metal scythe with a wooden handle x 2early settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools, blacksmiths

The harsh summer temperatures and the isolated rural environment(of the 1890's) provided the inventor of the "Coolgardie safe" (Arthur Patrick McCormick) with an idea to cool perishable foods by using water soaked "hessian" cloth to provide the "coolant" for the evaporation process to cool the inside temperature of the "safe". Items such as meat,cream/milk/butter and cool "drinks" are a few perishables that need cool environments , especially in isolated "ice free" locations. Cities during this time period had large "ice works" which delivered block ice to all areas that required a form of refrigeration. These ice blocks where held in early refrigerators to keep perishables cool to cold. This "Coolardie" safe was the next best thing for isolated rural households and travellers/campers/stockmen to provide a cooler environment for foodstuff affected by heat. Ice filled "esky" coolers and ice boxes are a modern day off shoot to the original Coogardie safe however they still rely on ice or frozen coolant bricks for cooling.This "Coogardie" safe is very significant to the Kiewa Valley and the Bogong High Plains because it represents not only the initiative thinking of the early settlers and communities but also the "primitive" solution to an everyday (1800s to 1930s) problem (before gas and electric run refrigerators) of keeping "perishables" at a low temperature and thereby prolonging their "shelf" life. This was before electricity and gas was available to the inhabitants of the Kiewa Valley and Bogong High Plains. Another cooling method for food was to have "water tight" containers dipped into the very cold streams running from the "cooler" alpine mountains and the Bogong High Plains. This however could not be carried out in all situations eg. fast flowing currents and locations away from streams. This "Coolgardie safe" is made from a medium grade steel enclosure and its appearance is of a perforated box with a wire handle and one side (long side) being a hinged "door" with a clasp securing "lock". There are air holes grouped into a small "boxed" pattern. Each "box" is divided by a crossed pattern, dividing the "holed" sections(4) into a diamond configuration of 49 small holes each. There are four sides (long) which have the perforations except for the base which does not. The base has an indentation with a loose "catch" tray to catch water spills. When in use the "box" is covered with a water "soaked" cloth. The wet cloth is used as "coolant" ie. fibers in the cloth hold the water droplets seep out evaporating the area and thereby (in mass) cooling the air inside the container.domestic refrigeration cabinets, coolgardie "safe", insect and vermin proof food containers, electric and gas free cold storage containers

During the mid 2020’s, Victoria experienced one of the fastest data centre growth surges in the Asia Pacific region, driven by AI, cloud, hyperscale demand, and government backed planning reforms. This increase was measured by capacity, number of facilities, investment volume, and rack density figures. In 2025, Melbourne’s live data centre capacity grew by 37%, the fastest growth of any major Australian market. The data centres located in the City of Brimbank City, but only a small number, are in Deer Park, Derrimut and Brooklyn. They were built on repurposed industry or farmland including the former Deer Park ICI Explosive Storage site and the State Electricity of Victoria Brooklyn Store site. These data centres provided significant long term financial investment in Brimbank, electricity and water infrastructure upgrades and employment during construction and on-going employment for their operations. They however did bring controversy, the massive size of the buildings, the noise and heat generated, and the electricity and water requirements. The construction of these data centres attracted significant media coverage and sustained public interest. These photographs are of the data centres built in the City of Brimbank.6602.01 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre 2024 Photo 01.JPG 6602.02 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre 2024 Photo 02.JPG 6602.03 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre 2024 Photo 03.JPG 6602.04 - Radnor Drive 72 Deer Park - Digital Realty Data Centre 2026 Photo 01.JPGradnor drive, deer park, geelong road, brooklyn

During the mid 2020’s, Victoria experienced one of the fastest data centre growth surges in the Asia Pacific region, driven by AI, cloud, hyperscale demand, and government backed planning reforms. This increase was measured by capacity, number of facilities, investment volume, and rack density figures. In 2025, Melbourne’s live data centre capacity grew by 37%, the fastest growth of any major Australian market. The data centres located in the City of Brimbank City, but only a small number, are in Deer Park, Derrimut and Brooklyn. They were built on repurposed industry or farmland including the former Deer Park ICI Explosive Storage site and the State Electricity of Victoria Brooklyn Store site. These data centres provided significant long term financial investment in Brimbank, electricity and water infrastructure upgrades and employment during construction and on-going employment for their operations. They however did bring controversy, the massive size of the buildings, the noise and heat generated, and the electricity and water requirements.The construction of these data centres attracted significant media coverage and sustained public interest. These documents are examples of the media coverage, documents released by the data centres and their contractors.6603.01 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre Oxtek Solutions Project Case Study.jpg 6603.01 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre Oxtek Solutions Project Case Study.pdf 6603.02 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre Vector Alliance Preliminary Safety Strategy 11th December 2025.jpg 6603.02 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre Vector Alliance Preliminary Safety Strategy 11th December 2025.PDF 6603.03 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre CDC Hosts Melbourne Data Centre Site Visit 9th April 2025.jpg 6603.03 - Geelong Road 594 Brooklyn - CDC Brooklyn Data Centre CDC Hosts Melbourne Data Centre Site Visit 9th April 2025.pdf 6603.04 - Brimbank Airs Data Centre Concerns - Star Weekly 25th June 2026 Page 1.jpg 6603.04 - Brimbank Airs Data Centre Concerns - Star Weekly 25th June 2026 Page 2.jpg 6603.04 - Brimbank Airs Data Centre Concerns - Star Weekly 25th June 2026.pdf 6603.05 - Call For Data Centre Forum - Star Weekly 29th June 2026.pdf 6603.06 - Data Centre Concerns Grow - Star Weekly 7th July 2026 Page 2.pdf 6603.07 - Brimbank Flags Data Centre Concerns Among Local Council - Star Weekly 7th July 2026 Page 3.pdfgeelong road, brooklyn, radnor drive, deer park

It is made up of andalusite. Andalusite is a rock-forming mineral, sometimes found in granite or schist. It is often used to make glass, ceramic products, chemicals, and heat-resistant bricks as it can withstand high temperatures without changing. The chiastolite contains particles of graphite, which arranges in geometric patterns. When crystal growth occurs in the rock, the granite particles concentrate at crystal interfaces and can result in cross shapes. These ‘cross stones’ have been valued and used for their spiritual or religious meaning and used as charms, gems, or amulets. Chiastolite was first discovered in 1754, seen in a description in a published book by a palaeontologist, Franciscan priest, and Spanish author, Jose Torrubia. Deposits have been found in Australia, France, the USA, Chile, Canada, Spain, Brazil, Sri Lanka, and Russia. Deposits have been found in Western Australia and South Australia. This particular specimen was found in Bimbowrie, South Australia. Other chiastolite specimens have been found in Bimbowrie, along with jasper, quartz, and aventurine in the form of rolled pebbles or schist. This chiastolite specimen is socially and historically significant. It is a very rare sort of andalusite mineral. It is from one of only two locations where it is regularly found in Australia. The carbon cross has made it an important religious symbol in the past. Its ability to withstand high temperatures has made it a common ingredient in heat-resistant bricks and ceramics today. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A metamorphic mineral consisting of andalusite, with a cross shaped graphite pattern in colours of grey, brown and yellowburke museum, beechworth, geological, geological specimen, andalusite, chiastolite, geometric, cross stone, spiritual, religious, australia, south australia, bimbowrie, quartz, jasper, aventurine, schist

Originally presented to the St Kilda 14ft Sailing Club in memory of Hon Life Member, Past Commodore Charles Marshall of the Royal St Kilda Yacht Club and long time President and Honorary Life Member of the 14ft Sailing Club. It was first won season 1954-1955 by Noel Brooke skippering the 14-footer dinghy Charles Marshall. On the disbanding of the Dinghy Club in 1966, the trophy was re-donated to the RMYS for competition in the Off-the–beach Heron Class, First won by A. Neale with Gypsy. On the decline of the Heron class it was then re-allocated 1970-71 for the Gwen 12 Class to be first won by Geoffery and Phillip Hughes with Concorde II. Season 1975-76 it was allocated for a combined division event over three heats to be won by Hugh Kesterton with Cygnet. Later it was allocated for 1st, 2nd and 3rd divisions aggregate over the Watts, Bennell and Dick Lean races based on the VYC handicap system. Again amended to be awarded for best result gained in the Bert Watts, Doc Bennell and Dick Lean events as a series.Silver fully rigged racing sloop, mounted on shaped rectangular wooden base, 250 x 140mm, with silver shaped description plaques centred both sides. The whole is enclosed in a Glass case with silver winners inscription plaques attached around base of case.CHARLES MARSHALL MEMORIAL TROPHY PRESENTED TO ST KILDA 14FT SAILING CLUB BY MR & MRS HUGH. S. HAWES. 1955 CHARLES MARSHALL MEMORIAL TROPHY PRESENTED TO ROYAL MELBOURNE YACHT SQ FOR THE HERON CLASS BY MR & MRS H. S. HAWES. 1966trophy, charles marshall, memorial trophy

Tulle-bi-telli or Assuit – a textile which marries cotton or linen with small strips of metal. The name translates roughly as "net with metal". It is heavy, and retains heat, but is favoured for its ability to drape. The embroidery is applied by hand. Thin strips of alloy are threaded onto a flat, wide needle with a flat, wide eye. Alloy is used because pure silver would blacken with age and would be impossible to clean, and gold would be too costly. Each strip is approximately 1/8" wide and 18" to 24" long. The strips are threaded into the mesh, criss-crossed, flattened with the fingernails, and cut. The fabric is then stamped down, and when the designs are finished, the fabric is passed through a roller to flatten the metal even more. References are made to its use with Egyptian linen in the Bible and there is a 3000 year old example with gold strips in a Berlin Museum. Assuit has been used in Hollywood productions such as the 1934 Cecil B DeMille film Cleopatra. It was draped on Hedy Lamaar in Samson and Delilah in 1949; and the geometric designs were popular with the Art Deco movement, beginning around 1925Metal thread embroidery using silver coloured alloy metal plate on cotton/linen net. Creating geometric patterns and motifs. Velvet ribbon on neckline and hemline and shoulder seams.clothing, art deco, egypt

The Sunshine RSL Memorial Bowling Club emerged as the bowls arm of the Sunshine Returned Services League, functioning as a social, recreational, and commemorative space for veterans and the wider community. It developed separately from the older Sunshine Bowling Club and became a long‑standing post‑war community institution in its own right. The Sunshine RSL fire was a major incident that occurred in the early hours of Thursday, 5 March 2026, causing extensive damage to one of Sunshine’s key community institutions. Firefighters were called to the Dickson Street premises at 5:14am and found the rear section, the kitchen and bowling club room fully ablaze. The blaze was brought under control by 6:37am. The kitchen, bowling room and poker room were destroyed and minor heat and debris damaged to the bowling greens. Some bowling memorabilia was lost, though most military memorabilia were not stored in the affected area. A few days later, ABC News reported that investigators determined the fire was caused by spontaneous combustion in a clothes dryer, even though the dryer was not operating at the time.The effects of the fire to the Sunshine community were emotional, social, cultural, and practical. The club was a key meeting point for hundreds of people.5351.01 - Sunshine RSL Fire 5th March 2026 Photo 01.jpg 5351.02 - Sunshine RSL Fire 5th March 2026 Photo 02.jpg 5351.03 - Sunshine RSL Fire 5th March 2026 Photo 03.jpg 5351.04 - Sunshine RSL Fire 5th March 2026 Photo 04.jpg 5351.05 - Sunshine RSL Fire 5th March 2026 Photo 05.jpg 5351.06 - Sunshine RSL Fire 5th March 2026 Photo 06.jpg 5351.07 - Sunshine RSL Fire 5th March 2026 Photo 07.jpg 5351.08 - Sunshine RSL Fire 5th March 2026 Photo 08.jpg 5351.09 - Sunshine RSL Fire 5th March 2026 Photo 09.jpg 5351.10 - Sunshine RSL Fire 5th March 2026 Photo 10.jpg 5351.11 - Sunshine RSL Fire 5th March 2026 Photo 11.jpg 5351.12 - Sunshine RSL Fire 5th March 2026 Photo 12.jpg 5351.13 - Sunshine RSL Fire 5th March 2026 Photo 13.jpg 5351.14 - Sunshine RSL Fire 5th March 2026 Photo 14.jpg 5351.15 - Sunshine RSL Fire 5th March 2026 Photo 15.jpg 5351.16 - Sunshine RSL Fire 5th March 2026 Photo 16.jpg 5351.17 - Sunshine RSL Fire 5th March 2026 Photo 17.jpg 5351.18 - Sunshine RSL Fire 5th March 2026 Photo 18.jpg 5351.19 - Sunshine RSL Fire 5th March 2026 Photo 19.jpg 5351.20 - Sunshine RSL Fire 5th March 2026 Photo 20.jpg 5351.21 - Sunshine RSL Fire 5th March 2026 Photo 22.jpg 5351.22 - Sunshine RSL Fire 5th March 2026 - Greens Were Not Damaged Photo 22.jpg 5351.23 - Sunshine RSL Fire 5th March 2026 - Greens Were Not Damaged Photo 23.jpg 5351.24 - Sunshine RSL Fire 5th March 2026 Photo 24 - Meeting With Keilor RSL To Discuss Way Forward After Fire.jpg 5351.25 - Sunshine RSL Fire 5th March 2026 Photo 25 - Site Cleared 1st April 2026.jpg 5351.26 - Sunshine RSL Fire 5th March 2026 Photo 26 - Site Update 9th April 2026.jpg 5351.27 - Sunshine RSL Fire 5th March 2026 Photo 27 - Site Update 9th April 2026.jpg 5351.28 - Sunshine RSL Fire 5th March 2026 Photo 27 - Site Update 26th May 2026.jpg 5351.29 - Sunshine RSL Fire 5th March 2026 Photo 27 - Site Update 29th May 2026.jpgsunshine r.s.l., dickson street, sunshine, sunshine rsl

First story - Colonel Annie Sage recounts memories that come up on Anzac Day. 'Dressing' their ship while in mid-ocean, listening to 'Australia Will Be There'; the agony and suspense waiting to learn if allies and friends had escaped terrible situations; having patients in beds and under beds in rain, mud and heat; learning awful news; reuniting with POW sisters and hearing their stories. Second story - Mrs GM Knight marched on Anzac Day in the light grey dress of the Auxiliary Nursing Service(ANSI), India. Born in England, she has lived in Australia for 30 years. Her husband, an officer in the RAF, died before WW2. Her two sons joined the army. Mrs Knight went to India and joined the ANSI and served for six years. Third story - Nearly 200 ex-servicewomen took part in the Anzac march. Led by Matron-in-Chief Sage, the grey nurse's uniforms was the signal for cheers and clapping. Mrs E Wildy and Miss Lillian Foster, both Voluntary Aid Detachment (VAD) during the war also attended.A newspaper clipping of three stories. The first story consists of three columns of text and includes a small black and white portrait photo of a woman in nurse's uniform. The second story is a single column of text beneath a small black and white portrait photo of a woman in nurse's uniform. The third story is two columns of text underneath the title.'WWII' [blue ink, top right]order of the british empire, ans, aans, australian general hospital, australian imperial forces, royal air force, strathaird, ramilles, navy, 2/4 australian general hospital, tobruk, haifa, kantara, greece, crete, islands, 2/9th, moresby, centaur, japanese, singapore, malaya, rabaul, la haat, sumatra, reg knight, sidney knight, irak, persia, st kilda, edith cavell, swadeston, norwich, england, london, imperial ex-service women's association

BHS CollectionA Collection of Street Parade Photographs: Three photos all black and white. The first is of the S.E.C. float with *The Magic Servant* being pulled by a tractor with two men aboard. The float is of grass and flowers. Three children are on the float holding signs of Heat, Power, ?. A girl stands in a decorative shell. The street scene is lined with many people and cars of the day are parked at the road edge. The second is of the White Christmas Golden Square Mothers Club. A truck is decorated with a large Christmas tree with children dressed for winter. At the right is a sign*Bendigo Olympic Pool Fun is now open* on the balcony with a crowd of people. The streets are lined with spectators with flags flying above the parade. The Third is a float carrying a train with VR in flowers on the side and a floral display on the float. A crown of flowers at the front and the train on rails is featured. The train is No: B60 and is named the *Harold W. Clapp* All photos are of Bendigo's streetscape. All three photo's have two holes 7.4cm apart for housing in a folder. Box 116Aphotograph, streetscape, bendigo, bendigo. parade. golden square mothers club.

Tulle-bi-telli or Assuit shawl – a textile which marries cotton or linen with small strips of metal. The name translates roughly as "net with metal". It is heavy, and retains heat, but is favoured for its ability to drape. The embroidery is applied by hand. Thin strips of alloy are threaded onto a flat, wide needle with a flat, wide eye. Alloy is used because pure silver would blacken with age and would be impossible to clean, and gold would be too costly. Each strip is approximately 1/8" wide and 18" to 24" long. The strips are threaded into the mesh, criss-crossed, flattened with the fingernails, and cut. The fabric is then stamped down, and when the designs are finished, the fabric is passed through a roller to flatten the metal even more. References are made to its use with Egyptian linen in the Bible and there is a 3000 year old example with gold strips in a Berlin Museum. Assuit has been used in Hollywood productions such as the 1934 Cecil B DeMille film Cleopatra. It was draped on Hedy Lamaar in Samson and Delilah in 1949; and the geometric designs were popular with the Art Deco movement, beginning around 1925Metal thread embroidery using silver coloured alloy metal plate on cream coloured cotton/linen net. Creating geometric patterns and motifs of ladies, camels, birds and tree of Life.

Malleefowls (Leipoa Ocellata) are shy, ground-dwelling birds that make their homes in Mallee country. The nearby Wyperfeld National Park in Hopetoun is a known habitat. The malleefowl mounds are one of the most fascinating things about the malleefowl. Unlike most birds, they don’t build nests in trees or on the ground. Instead, they create large nesting mounds of sand, soil, and organic material, sometimes up to 5 metres in diameter and 1 metre in height. After the female malleefowl lays the eggs, the heat generated by the decomposition of the organic material inside the mound incubates them. The male bird constantly adjusts the temperature by adding or removing material. It’s a process that can take several months and requires meticulous care, making the malleefowl parents some of the most dedicated. Their breeding season is between September and January, and use the same malleefowl mounds for multiple seasons. Malleefowl chicks often hatch from November to January. Mallee is a type of bushland found in parts of Victoria and South Australia. It’s made up of scraggly, multi-stemmed eucalyptus trees that are very tough and can survive in dry, harsh conditions. Patchewollock, Mallee, Malleefowl, mallee fowl, Phil RiggColour photograph of malleefowl sculpture built almost entirely from painted corrugated iron. They are located near the Patchewollock Railway Station.

Bushfire perimeter rather than bushfire area is the main control problem for firefighters on the ground. A conundrum rapidly compounded by spot fires. A small 5 ha fire can be nearly 1 km around the perimeter. That's a long way to build a control line by hand in rough bush. Dry firefighting techniques by hand were mostly confined to “knocking down” or “beating out” the flames, as well as "digging out". Digging or raking a “mineral earth” trail down to bare dirt proved most effective in forest fuels which, unlike grass, tend to retain heat and smoulder. Early tools were whatever happened to be close at hand. They were simple and primitive and included shovels, slashers, axes, hoes, beaters and rakes. A cut branch to beat the flames was often the only thing available. Farming and logging tools, developed over centuries of manual labour, and readily available at local hardware stores came into use, but little thought was given to size, weight, and balance. For years foresters experimented with combination tools. In about 1952 fire beaters and other implements were being replaced with Rakuts.Fire tool used before the introduction of RakehoesRakut - Fire Rake and cutting toolGreen and red coloured handle and 020 marking indicated which FCV District the tool belonged tobushfire

Set of 14 colour photographs of the installation of the No. 2 end motor into No. 28's 21E truck on 20/2/2000 and its subsequent checking on Wendouree Parade. 1321.1 - Pushing truck with only No. 1 motor installed onto No. 5 road - Alan Snowball watching. 1321.2 - Motor on crane, with motor suspension bearings lying by rail. 1321.3 - Motor in position - still on crane 1321.4 - Bear caps being fitted - Warren Doubleday fitting cap 1321.5 - Lunch 1321.6 - Bearing caps in position, with split pins and cables joined and insulated with heat shrink 1321.7 - Gear end of motor frame showing previous welding repairs for cracked gear case support arm. 1321.8 - Dipstick tubes being fitted to oil boxes. 1321.9 - Packing motor suspension bearing boxes 1321.10 - St Aidans Drive - truck towed by 661 and service car 26. 1321.11 - ditto 1321.12 - ditto with out 26 - Alastair Reither and Simon Jenkins looking on. 1321.13 - truck with 661 at St Aidans Drive 1321.14 - placing truck under No. 28.21e trucks, motors, 28, btm, tram 26, tram 661

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1900 -1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray

This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. James Elijah Crook settled in Bacchus Marsh in 1841 and soon after held a licence for a lodging house on the Portland Road. In about 1845, he built the first Woolpack Inn, a slab building of eight rooms. This was replaced in 1850 with a “stately country villa” of brick and stone. The stables were also built in 1850 to accommodate twenty horses. In 1851, Crook established a coach service to the goldfields. After being in use as a Court of Petty Sessions, the Woolpack Inn lost its licence and closed in 1862. After this date, Crook took an interest in horse-breeding and continued to use the stables for his horses. His most notable success was with his horse, Saladin, which won the Australia Cup in 1872, after two exciting dead-heats with The Flying Dutchman. James Elijah Crook died in 1889. The Woolpack Inn and Stables were sold and then used as a hay and corn store. In 1910 the site was leased for use as an abattoir. The Woolpack Inn was demolished in 1931. The site is still in use as an abattoir. Little remains of the original stables.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The photo is of a gable-roofed commercial stables with shingled roofing, and white-washed render to the walls, standing in a large cleared yard. There is a skillion extension to the south-west corner. On the front (northern) wall can be seen a door and three windows, two large and one small paned window in the centre. The eastern window is paned, while the western window has louvres and a pull-out blind. Three S shaped stays can be seen on the northern wall. Along the western wall are two more windows and doors. A mound of hay lies at the north-western corner. Standing at the front of the stables is a group of five men and two boys, one holding a large dog. Four of the men are dressed in workman’s clothing and some are holding tools of their trade. The man at the back is wearing more formal clothes and has distanced himself from the workmen. The pole against which one of the workmen is leaning appears to have damage along one side. This pole may have been used as a hitching post as there is a footrest installed lower down to make mounting easier. Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district