John Rowell's painting was displayed in the Buninyong Council Chamber in 1988 during the launch of the book "Three Times Blest".The photo is a historic record of John Rowell's painting, and of the rear wall of the former Buninyong Council Chamber in 1988. Photo of a landscape painting displayed in the Buninyong Council Chamber in 1988."John Rowell's Painting" "Three Times Blest 1988"artwork, painting, landscape, buninyong council chamber, three times blest

Peter Griffiths and Elizabeth Griffiths in the old Buninyong Council Chamber in 1988 during the launch of the book "Three Times Blest".The photo shows the author at the launch of an important historical text on Buninyong in the old courthouse which is now the home of Buninyong and District Historical Society. Photo of a landscape painting displayed in the Buninyong Council Chamber in 1988."John Rowell's Painting" "Three Times Blest 1988"artwork, buninyong council chamber, three times blest, peter griffiths, elizabeth griffiths

A portrait view overlooking Sunbury township taken from a hill above the Goonawarra vineyard at the eastern end of the settlement. A sepia photograph with a cream frame of a portrait view of a rural landscape.sunbury township., goonawarra winery

Painting depicting a male and female nude embracing in a rose landscape Nonesidney nolan, painting, landscape, gouache, convict, female nude, male nude

Painting depicting a landscape with windmill and water tank on particle board. Signed (L.r) 'William Frater' and on reverse in pencil (U.c) '1477 Frater'. william frater, painting, landscape, windmill, water tank

Thick impasto painting depicting a landscape with three male miners. Signed (L.r) 'Eric Stewart 67'.eric stewart, painting, landscape, miner

Painting depicting a landscape at night with quarter moon and bird in flight. Signed (L.r) 'Molvig 57'. On reverse in chalk (U.r.) 'Nocturne of a Lunatic No. 1' and on auxiliary support 'John Molvig 1957, Nocturne of a Lunatic No. 1'.john molvig, landscape, moon, bird, painting

Bronze plaque depicting a kangaroo in the landscape mounted upon stone.Nonematcham skipper, plaque, bronze, kangaroo

These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. The scribbler was the first part of a group of machines known collectively as the carding engine. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.A black and white photo of a Two-Part Scribbler in a landscape format.Front - top margin: For description see over. Front bottom right corner - 1076 Rear - Two-Part Scribbler, Semi-Continental Type with Patent Automatic Feed having Extended Hopper. Cylinders in this case are 50” diam. Doffers 36” diam. Drive to strippers and other parts by ‘V’ Belts. Note improved guarding to Fancy Chain Drives, also feeder gearing.textile machinery, tatham, wool manufacture, scribbler, carding

This item was acquired for the Ballarat Teachers' College Collection in 1956. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour landscape showing building structures surrounded by paddocks.art, artwork, vogel, e. vogel, available, landscape, farm

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting depicting four 'dancing' horses in a landscape. art, artwork, neville bunning, bunning, available, horses, animals

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A triptych of three paintings that can be joined together to depict a landscape. art, artwork, wendy fisher, landscape, horsham campus collection, wimmera campus

Kaye L. GREEN (1953- ) Kaye L. Green was a lecturer in printmaking at the Gippsland Centre for Art and Design. Framed limited edition planographic lithograph depicting a landscape with tents.Signed and dated lower right in pencil "Kaye L. Green '87"printmaking, gippsland campus, churchill, kaye l. green, kaye green

Photograph of W6 969 being rewired at Preston Workshops, possibly early 2000s. Has the Yarra tram logo in the centre doorway. Tram has been placed on stands to enable the work. During Feb 2011 the tram was sold and placed on display as a coffee and drink bar at the Melbourne Arts Centre. It was subsequently sold to a coffee shop near Preston Workshops.Demonstrates work on tramsLaser printed colour photo on an A4 landscape sheet of paper. trams, tramways, preston workshops, yarra trams, electrical engineering, tram 969

Fiery Creek Masonic Lodge 157 VCProvides names and addresses and where relevant, date of decease.Registration Book, label front boardorganisations, clubs, beaufort - people, masonic lodges

Black and white photograph of cattle and horses in the Grand Parade on the Melbourne Showgrounds Main Arena, 1954. In 1910, horses and cattle at the Royal Melbourne Show were paraded together for the first time in a ‘Massed’ (Grand) Parade. This innovation proved very popular with exhibitors and the general public alike. The Grand Parade continued to be a Show highlight and in 1952, with the inclusion of all horses for the first time, it became even more of a spectacle. Together with the animals, harness vehicles and Clydesdale wagons were included in the Grand Parade. The following year, as a tribute to the new Queen Elizabeth II, the annual show was named the Coronation Show and for the first time floats from various country agricultural societies were included in the Grand Parade. The final Grand Parade took place in about 2004.A black and white, landscape photograph on glossy paper with a white border.royal melbourne show, grand parade, horse, horses, cattle, agriculture, agricultural shows

Grand Parades on the main arena were a popular Melbourne Royal Show attraction and tradition. The first was in 1910 - prior to this, horses and cattle had been paraded around the arena separately, but at this particular Show they were paraded together for the first time in a ‘Massed’ (Grand) Parade. This innovation proved very popular with exhibitors and the general public alike. The last Grand Parade was in 2004.This item is a part of a larger collection of 4,500 Frank Johnson photographs and negatives donated to Melbourne Royal by Frank Johnson’s daughter, Francis Beatty Wallace in 2016. This collection spanning from the 1930s to the 1980s holds important social and historical significance in preserving and sharing Victoria’s agricultural history and community. The photographs capture the local, regional, and state’s shared relationships developed through agriculture and the importance of farming and husbandry to the population and development of Australia. A large proportion of these photographs depict events from the Royal Melbourne Show, including livestock competitions, exhibitions and awards ceremonies. Dating back to 1848 when the society first began, the Royal Melbourne Show has held a special place in the hearts and minds of Victorians, allowing for extensive showcasing and celebration of agricultural excellence, bridging the divide between metropolitan and rural Victoria.A sepia photograph, landscape, printed on gloss paper with a white border.royal melbourne show, grand parade, cattle, horses, main arena, melbourne showgrounds, agricultural shows

GIFT OF PAYNE FAMILYWOOD FRAME PAINTED WHITE, OIL PAINTED LANDSCAPE OF CLUNESlocal history, illustration, oil, paintings, drawings

- 1924 Sheet Metal Work drawing book of Plumbing apprentice Frank Whitworth- The Art Students drawing book - landscape orientation - Board coversThe Art Student Drawing Book, Classic Series F. Whitworth. SMWtechnical drawings, plumbing apprentice, apprentices

This photograph of the Wooragee Landcare Area signage was included in the album alongside the statement that, when the photo was taken in 2005, the Wooragee Landcare Group had applied for a council grant for new signs with which they could replace the broken sign in the photograph. The sign marks the Woooragee Landcare Area, opened in 1989 by Heather Mitchell, one year after the first meeting of the Wooragee Landcare Group. It also commemorates the 1898 founding of Wooragee Junior Landcare, which they launched with Wooragee Primary School. As stated by the sign, Wooragee Junior Landcare was the first group of its kind in Auatralia, with the nation-wide Junior Landcare organization being launched in 1998. This photograph is significant as a marker of Wooragee Landcare's need for grants and council funding, which is common to many organisations, and for demonstrating the history of Wooragee Landcare and Junior landcare by commemorating the founding of both the Wooragee Landcare Area and Wooragee Junior Landcare. Rectangular landscape colour photograph printed on gloss photographic paper.Obverse: Sign in photograph reads "Wooragee Land Care Area/ Launched by Heather Mitchell/ 6th June 1989/ Wooragee Junior Landcare First in Australia" Reverse: "WAN NA E0NA0N2. AIN+ 1 2906/ wooragee junior landcare, grants, signage, council, wooragee landcare area, heather mitchell, wooragee primary school, wooragee, wooragee landcare, wooragee landcare group, junior landcare, 1989, broken sign, youth, junior, children, landcare, landcare area, founding

CEMA Art Collection Winner of Portland Artist's Society Prize 1961The painting depicts a small building set amongst tall trees and grasses. The building is situated in the centre of the work and is cream with a red roof and red awnings. In the foreground is a large area of long grass which leads into the shorter maintained grass that surrounds the building. Behind the building are numerous tall dark green trees. The work has a wide gilded frame and exposed canvas.Front: (No inscriptions) Back: Jack Freeman 1961 Landscape Dandenong (top right, black handwriting) 18 (white sticker)

Two-plate etching and aquatint. Two semi-circles. One on top of the other to create a circle. Upper half depicts two flowers hanging from a stem, and an upright stem with small buds in the background. Lower half is an unwiped plate print, showing black line drawings or embossings of daisies against a black background. Mounted with brown card and black card. Framed in grey-painted wooden frame.Front: 1/10 (lower left) "Landscape" (centre) Ray Woods 71 (lower right) (pencil) Back: (no inscriptions)landscape, abstract

This is the author's PhD research at the College of Arts and Education at Victoria University about the Blacksmith's Tree, memorial and art work constructed mainly by many blacksmiths and finally installed at Strathewen following the Black Saturday bushfires in February 2009. The book includes the authors own drawings and text. Includes a time line and references.Paperback, 296 pages Printed in landscape format (90 degrees to normal)blacksmiths' tree, memorial, public art, strathewen, blacksmiths, black saturday

Henry Sutton was born in Ballarat into the musical Sutton Family. He is known as an important Australian inventor. Image of a landscape with river and large tree taken off a glass plate.henry sutton, glass plates, photography

MEDIUM: Oil on linen DESCRIPTION: Oil painting on linen. Landscape. No frame- NILoil, kreveld, mount, zero, grampians

Small rectangular (landscape orientation) monochrome photograph of man praying in Chapelst peter chapel, flinders street, praying, services, mission to seafarers

I was born in Guildford W.A. on 12 November 1940 and at an early age took an interest in painting. Over the years (between lapses) I have completed several hundred pieces of work including pencil and crayon sketches, lino cuts, oil colours - and water colours which have been my main focus. As painting has always been a hobby I’ve never bothered with selling my work through an art gallery - but have donated a good deal of work to fundraisers and charity auctions with some paintings attracting large prices, I’ve also sold quite a number (some years ago) via Joels Auctions before they went up-market, others have gone to friends and family. My pleasure has been in completing painting, I’ve never bothered about recovering costs (including framing) but happy when people take an interest in my work - and I know pictures have gone to a happy home – additional pleasure comes when people remind me they love the painting, sometimes I’ve forgotten what they have and other occasions have been able to see them in their homes and loved they way they have fitted-in. Regarding the little painting of the Bicentennial sailing ships – I did it as a quick sketch at the time (1988) when the ships departed Melbourne sailing down Port Phillip Bay - with the view to doing a larger painting which never eventuated and it has remained in my possession until recently when I decided to dispose of my remaining work/s as I have to move and ‘down-size’. As you will appreciate it is a very simple sketch but it captures a notable moment in time and would be very happy if the MTS could find a place for it in their collection. As it happens I spent 9 years in the Royal Australian Navy and feel a close connection to seafarers and would be honoured that you might wish to include the picture in your collection. Marine art, Maritime artKimberley Dunstan, Mission to Seafarers CollectionSmall rectangular oil painting (landscape format) depicting sailing shipsSigntaure of the artist bottom left corner: KHD At the back in black ink: 1988 / Kim Dunstan / Port Phillip Bay / Bicentennial Fleet Departure / From End Of Martin St Brightonbicentennial, 1988, fleet, kim dunstan, kimberley dunstan

In 1908 the Melbourne & Metropolitan board of Works published this book to illustrate its many constructions to provide Melbourne with its reticulated water and sewerage systems.This is now is a rare copy.Photographic images, landscape dimensions, hardboard cover, grey green colour Nilmmbw, weirs, dams & pumping stations, reservoirs, aqueducts

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 126 of Photograph Album with two landscape photographs of a Victorian house.Handwritten: Malakoff Street [top right] / 126 [bottom right]trevor hart, bracketed eaves, slate roof, bay windows, decorative brackets, verandah, caulfield north, malakoff street, cast iron work, stairs, victorian style